Whole Whale

MARCH 22, 2023

Assuming that staff can just wander on to general AI models and create content is like when nonprofits thought it was a good idea to give their social comms to interns a decade ago. This can also be a good place to add your brand voice or donor personas to describe who you are talking to. What’s more, tools like GPTzero.me

Ideas 52

Ideas Model API Language 52

Bloomerang

FEBRUARY 17, 2023

What role does design play in TWLOHA’s history and present-day work? And that’s been our business model since then. I enjoy working on shirts and hoodies, but it’s always fun to stretch those creative muscles and figure out ways to carry our message and voice into other kinds of products. How do you work?

Design 72

Design Relationship Share Donor 72

sgEngage

DECEMBER 18, 2023

It is voiced or expressed outwardly in society in some way. A History of Knowledge Work in Philanthropy Knowledge building and philanthropy have a long past. Trajectory thinking is about naming where we are in our understanding, including any history behind it, and then envisioning where we are heading. Fast forward to today….

Knowledge 72

Knowledge Philanthropy Change Work 72

Museum 2.0

JUNE 24, 2010

and then recounted some related fact or history. This brought other voices into the tour, but more importantly, it modeled a potential interaction that we could have. It was clear that Vi isn't just someone who talks about history. Several times on the tour, Vi said, "I once had someone on a tour who told me."

Museum 51

Museum Participatory Model Seattle 51

Greater Giving

DECEMBER 21, 2023

Others have voiced worries about AI threatening human jobs and perpetuating discrimination. Here’s how AI works: AI develops its ability to “think” over time through machine learning, which involves processing data through a mathematical model called an algorithm. Use its resources more efficiently.

Place 52

Place Nonprofit Data Benefit 52

Media Cause

SEPTEMBER 29, 2021

As we look to hire BIPOC designers and amplify their voices, we also have to examine our industry definition of what “good” design is and start building a completely new system—by everyone, for everyone. . When we take a look at design history, we quickly start to see how whiteness relates to the rule setters and power holders. .

Design 52

Design System Structure Ratio 52

Forum One

APRIL 2, 2024

Being nominated for both The Webby Award and The Webby People’s Voice Award places us among the crème de la crème of the Internet world. The Webby Award is chosen by the Academy, and you choose the Webby People’s Voice Award. The Webby People’s Voice Award is where you come in. Your vote matters! With nearly 2.5

Award 102

Award Celebrate North America Voice 102

ASU Lodestar Center

MAY 15, 2017

These finance models rely upon nonprofits to deliver their programs, yet there is a dearth of guidance for nonprofit leaders to understand the opportunities – and risks – they represent. While the day-to-day grind of managing an organization can keep one’s focus insular, this is a space where nonprofit leaders’ voices are especially needed.

Program 58

Program Management South Africa Evaluation 58

Museum 2.0

JUNE 12, 2013

Over the past two years, the Santa Cruz Museum of Art & History has undergone a significant transformation of program, audience, and resources. Our revolution is predicated on three big ideas: Art and history are something you do, not just something you learn about. Museum of Art and History risk institutional change Core Museum 2.0

Museum 55

Museum Learning History Arts 55

Candid

MAY 29, 2024

Imagine a librarian who has separate bookshelves dedicated to art history, women’s history, Latin American studies, and LGBTQ icons. Have we listened to those who may otherwise become invisible, whose voices may not be heard as loudly and clearly? Where should the librarian put the book?

Game 115

Game Social Atlanta United States 115

ASU Lodestar Center

DECEMBER 15, 2011

My parents realized that my cultural heritage would mostly be a footnote in history text books throughout my formal education, would be under-represented or poorly represented in the media, and would generally be misunderstood by many.

Roles 84

Roles Research Develop North America 84

Museum 2.0

NOVEMBER 26, 2019

As someone texted me recently, Art History grad school didn't teach us anything about working with others in museums. Find ways they can get their own voices out there, either by encouraging them to go to conferences (and financially supporting that) or helping them find publishing opportunities. Everyone can learn from others.

Museum 67

Museum Work Chad Culture 67

Beth's Blog: How Nonprofits Can Use Social Media

MAY 11, 2011

With over 80 full-time staff, Cancer Council SA is the leading voice in the state when it comes to cancer research, prevention and support. We’re not a model networked nonprofit … yet. Stay tuned … Matt Sarre has a history in community engagement, community action and people development. Preparing to swim.

Cancer 106

Cancer Project South Africa Australia 106

Museum 2.0

NOVEMBER 4, 2015

I was impressed by her expertise, and the example that Raven and Amanda are setting in strengthening their own voices as emerging leaders in this space. Monica is a museum pioneer in two ways: she is using the museum medium to tackle tough social issues, and she is inventing new models for urgent, responsive, relevant programming.

Culture 20

Culture Work Museum New York City 20

Museum 2.0

AUGUST 19, 2015

Community First Program Design At the Santa Cruz Museum of Art & History , we've gravitated towards a "community first" program planning model. Often, organizations adopt a service model that is strictly needs-based. While needs are important, this service model can be demeaning and disempowering. Not your voice.

Teen 20

Teen Museum Voice Collaboration 20

Beneblog: Technology Meets Society

FEBRUARY 4, 2007

Working for an organization with a long, illustrious history, I am always curious about how other organizations got their start. I found Bookshare's interesting history on its Web site's About Us section: "Benetech, a new kind of nonprofit enterprise, is sponsoring the Bookshare initiative.

Award 100

Award San Diego New York New York City 100

Museum 2.0

SEPTEMBER 7, 2010

Our archeology did not aim to uncover the hidden voice of my grandmother, but instead to begin an ongoing practice of recreation. Over time the movement and arrangement of things trails a layered aesthetic that convey histories and narratives of changing communities passing through this unfolding three-story artwork.

Collaboration 36

Collaboration North Carolina Museum Artist 36

Saleforce Nonprofit

MARCH 25, 2021

Learn the History of Asian Racism to Understand Present-Day Intersectionality . Asian racism runs deep through Asian American history— from Asian labor in the Gold Rush to the Chinese Exclusion Act of 1882 and World War II Japanese internment camps to the 1982 murder of Vincent Chin. Photo Credit: Aaron Molo. Photo Credit: Aaron Molo.

San Francisco 98

San Francisco Community Support Oakland 98

Beth's Blog: How Nonprofits Can Use Social Media

JULY 14, 2009

As our Industrial Institutions fail to cope and to help people, we are seeing a new model for coping where people are connecting to each other to find networked and personal solutions to problems. . This new model is the antithesis of the model that it may replace. Clear signs of what this new model are all over the place.

Story 79

Story Action Model Adopt 79

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 17, 2008

And before even getting to the meat of the metrics, conceptual models, and ideas, the introduction provides a powerful case for using social media that is well articulated: For the first time in history, technology has reached a point where everyone has a voice. s voice louder than ever before.

Social Media 50

Social Media Influence Meme Media 50

Museum 2.0

JULY 20, 2016

However, I have enormous respect for the customer-centered model when it is executed in ways that truly invite visitors in on their own terms and deliver satisfying experiences. That work showed in the human voices and stories throughout the museum. All were given value. Of course, these are tools of user-centered institutions!

Museum 20

Museum Audience Music Arts 20

Museum 2.0

MARCH 25, 2015

This is the first in a two-part series about the Santa Cruz Museum of Art & History’s new theory of change. This week, Ian David Moss and I are each writing blog posts about our collaborative process to develop a theory of change at the Santa Cruz Museum of Art & History. Check out his blog post on the Fractured Atlas site.

Process 20

Process Change Develop Museum 20

Museum 2.0

APRIL 11, 2017

This is the sixth in a series of posts on the Santa Cruz Museum of Art & History ( MAH )'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. YOUR TOP THREE PRIORITIES In the months leading up to the lease negotiation, trustees and staff voiced lots of different priorities for the project.

Technique 29

Technique Museum Exercise Structure 29

Museum 2.0

APRIL 2, 2014

The fact that there is no original recording by Beck of the Song Reader songs, no model upon which "covers" would be based, frees the reader to imagine the songs in any number of ways. These kinds of participatory projects can actually de-motivate because participants can''t possibly measure up to the display model.

Participatory 52

Participatory Arts Music Learning 52

NonProfit Hub

MAY 30, 2014

Here are five things a millennial would tell you as you work to connect and engage with the largest generation in American history. Take that model and apply it to your organization. In a nutshell, to win the hearts (and money) of millennials, we need to help them understand our cause. And we need to do so in their language.

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NPO Giving Generation Causes 76

Museum 2.0

JANUARY 16, 2013

Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. He gently acknowledged the fundamental weirdness of meeting people in real-life, in confronting their "fleshiness," giving voice to anyone else's concerns about over-stimulation in the space.

Reflection 43

Reflection Community Museum Participatory 43

NTEN

AUGUST 3, 2011

Each of the themes had parallels with urban existence now to make the themes relevant and to explode the chocolate box image of history that period drama can often present. They're an interesting model as they exist in a space between two forms and employ elements of both those forms: film and game.

Game 68

Game Change Interview Broadcast 68

Museum 2.0

MAY 29, 2009

Two weeks ago, I conducted a participatory exhibit design workshop with staff at the Smithsonian National Museum of Natural History. Every program, old and new, should be evaluated against the mission (and the business model) for soundness. While most of the voices represented are positive about a "Smithsonian 2.0"

Slides 20

Slides Process Video Open 20

Museum 2.0

AUGUST 20, 2009

While the majority of experience-based museums like children's and science museums have unrestricted noncommercial photography policies, many collections-based art and history museums continue to maintain highly restrictive photo policies. The intellectual property arguments in particular are very complex and should be taken seriously.

Museum 54

Museum Photo Policy Open 54

Have Fun - Do Good

APRIL 24, 2007

Fair Trade is this exciting new model for addressing poverty around the world. People want to be on the right side of history. When I was there last fall, I met a young woman named Paola Pereira who was the first woman in the history of this community to graduate from high school, thanks to the help from this scholarship fund.

Nicaragua 40

Nicaragua Interview Companies Brazil 40

Museum 2.0

MARCH 14, 2011

Without an explicit "I" voice, the museum's perspective on humanity is oblique to say the least. It is, in short, the best multimedia history project I've ever seen, and I wish more museums were pursuing projects like it. The subjective "I" voice of Michael drives the whole story. What makes Welcome to Pine Point so amazing?

History 43

History Museum Sound Voice 43

Allegiance Group

FEBRUARY 2, 2024

Essentially, these personas are models of your ideal supporter or beneficiary. Shorten wordy phrases, eliminate redundant expressions, remove filler words, and write in the active voice. No matter who your audience is, it can be helpful to create personas for the supporters or beneficiaries you are targeting. Engaging visuals.

Digital 52

Digital Marketing Channel Nonprofit 52

Museum 2.0

SEPTEMBER 29, 2008

It's ironic that we expect visitors to fall in love with our artifacts and exhibitions without ever presenting Bela-like models for that kind of passion. The use of an "objective" authoritative voice makes it hard for visitors to assign value or significance to items with which they don't already have a connection. Why is it here?

Museum 20

Museum Storytelling Teach New York 20

Museum 2.0

NOVEMBER 5, 2014

Yes, community involvement is at the heart of our shifted, successful business model. But that business model requires experienced staff who know how to empower people, facilitate meaningful participation, respond to community issues and interests, and ignite learning. Ideas Museum of Art and History Museums Engaging in 2.0

Journal 54

Journal Participatory Museum Community 54

ASU Lodestar Center

JANUARY 17, 2015

In Europe, the government has traditionally been the primary supporter of culture, a model very different to ours in the US. However, the European model is becoming unsustainable as government sources are reducing their funding, and organizations are turning to corporate, foundation, and individual sources for support.

Professional 40

Professional Global Develop France 40

ASU Lodestar Center

JANUARY 7, 2015

In Europe, the government has traditionally been the primary supporter of culture, a model very different to ours in the US. However, the European model is becoming unsustainable as government sources are reducing their funding, and organizations are turning to corporate, foundation, and individual sources for support.

Professional 40

Professional Global Develop France 40

Tech Soup

AUGUST 22, 2014

If you want your story to drive people to action, identify a hero in your story and have your hero model the behavior you want your viewers to follow. Note: You don’t have to go deep into your life history, but you have to address 'who am I' to be telling this story.]. Learn more here. Have a Hero. Spoiler alert!*

Storytelling 61

Storytelling Digital Images Story 61