Museum 2.0

APRIL 21, 2020

This week we're hearing from Eastman Museum's Kate Meyers Emery. And, with her, I've had conversations that stick with me. I honestly still think about a conversation I had with her years ago about interpretation. I honestly still think about a conversation I had with her years ago about interpretation.

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Digital Museum Social Media Public 52

Museum 2.0

SEPTEMBER 18, 2013

This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.

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Museum Question Participatory Evaluation 45

Museum 2.0

AUGUST 25, 2016

They wanted to help museums and galleries across the UK make significant, sustained changes in the ways they engage community partners and visitors as participants in their work. The result, Our Museum , is an extraordinary funding program with a focus on community participation. didn't mince words. Here are my three top takeaways.

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Museum Participatory Resource Place 20

Museum 2.0

MARCH 26, 2014

Last week''s New York Times special section on museums featured a lead article by David Gelles on Wooing a New Generation of Museum Patrons. In the article, David discussed ways that several large art museums are working to attract major donors and board members in their 30s and 40s. David describes himself as a "museum brat."

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Museum Generation Interview Donor 54

Museum 2.0

DECEMBER 31, 2014

I''m proud of the way that my own museum works on embeddedness. When I talk to colleagues, I hear they are using Museum 2.0 posts for all kinds of things: office discussion groups, Facebook debates, grad school homework. In its own small way, Museum 2.0 For us, it means showing up at other people''s events. Of importance.

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Conversation Museum Comment Culture 32

Museum 2.0

JUNE 24, 2010

Last week, I visited the Wing Luke Asian Museum in Seattle. I've long admired this museum for its all-encompassing commitment to community co-creation , and the visit was a kind of pilgrimage to their new site (opened in 2008). I'm always a bit nervous when I visit a museum I love from afar. What if it isn't what I expected?

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Museum Participatory Model Seattle 51

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 18, 2016

But to be effective, nonprofit leaders also must excel at using their personal brands and voices in service of their organizations’ missions and strategies on Instagram and other social media channels. They become a source for journalists to quote, have conversations with professional colleagues, or directly engage with stakeholders.

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Personal Create Photography Museum 50

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 8, 2014

The lead facilitator tasks might include: introducing a section or activity and why it important, offering instructions on how to complete the activity, facilitating full group instruction, and offering a synthesis of the discussion. Scribe: The role of the scribe is to capture ideas and build group memory. Orienting the Group.

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Reflection NTEN Change Facilitation 124

Museum 2.0

JANUARY 2, 2013

We just posted a part-time position at my museum for a Community Engagement/Marketing Associate. Does a Small Museum Really Need a Marketing Person? At our museum, we distribute marketing tasks--some with our membership director, our programs staff, and our visitor services staff. But then, a few things happened. We started.

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Job Marketing Difference Museum 51

Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. The Museum 2.0 In 2008, the conversation started shifting to "how" and "what." For more on the differences among different types of museums (with examples), check out this post.

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Question Participatory Museum Evaluation 49

Museum 2.0

AUGUST 19, 2015

One of my favorite comments on the first post in this series came from Lyndall Linaker, an Australian museum worker, who asked: " Who decides what is relevant? Community First Program Design At the Santa Cruz Museum of Art & History , we've gravitated towards a "community first" program planning model. A focus group.

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Teen Museum Voice Collaboration 20

Museum 2.0

DECEMBER 9, 2020

We see and hear the conversations that play out across platforms and between audiences. Over the years I have developed the ability to communicate those “gut checks” and voice it in a way that can sometimes lead to change. Ten years ago I wouldn’t have asked myself, are the people who should be part of this conversation here?

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North Carolina Social Social Media Voice 20

Museum 2.0

OCTOBER 30, 2007

Welcome to the first installment of the Visitor Voices book club. This week, we're looking at the first section, Talking Back and Talking Together , which features comment boards, talk-back walls, and discussion forums at a variety of museums. Rather than rehash each of the projects (hint: read the book!),

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Voice Museum Lesson Pledge 20

Museum 2.0

MARCH 11, 2015

I''m not sure how well this is working for us in museum-land. As our culture explodes in embracing creativity across the professional/amateur spectrum, museums have two choices: we can sharpen the line. and his voice getting lost in the waves. Being included in a museum exhibition used to be a sign of real achievement.

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Professional Artist Museum Arts 20

Museum 2.0

MARCH 3, 2011

Background: Why They Did What They Did The Henry Art Gallery exhibition we worked with, Vortexhibition Polyphonica , was intended to explore three big ideas: Different voices “intervene” or add new points of view to the exhibition at periodic intervals. As one participant said, "the museum feels friendly in a way it usually doesn't."

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Participatory Arts Audience Museum 51

Museum 2.0

DECEMBER 7, 2007

I got my copy of the fall issue of Museums and Social Issues this week. The theme is "Civic Dialogue," and the journal includes articles on the historical, cultural, media, and museum practice of getting people talking to each other (including one by me about such endeavors on the web). It's reasonable to start a side conversation.

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Museum Lecture Denver San Francisco 22

Museum 2.0

MARCH 3, 2007

But I’d been scribbling notes for an art museum label post for awhile, and then yesterday, the NY Times had a review of a new show at MOMA, Comic Abstraction. The collection is disaggregated, grouped by floor (Painting and Sculpture 1) rather than artist, movement, time period, or geography. MOMA has standard art museum labels.

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Arts Museum Artist Audio 30

Forum One

FEBRUARY 19, 2024

This Black History Month, we reflect on the strategy work that our team does through our partnership with the Smithsonian National Museum of African American History and Culture —much of which centers around expanding access. And for those who have, they quickly understand that the Museum has much more to offer than can be absorbed in a day.

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History Accessibility Museum Award 72

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 23, 2008

One of the best projects that illustrates the basic idea of Web2.0 - listening and conversation and stakeholders creating their own experience with your organization - comes from the Brooklyn Museum of Art. what goes on inside a theater, a museum, a historical home? Everyone is a Curator. Another theme of web2.o Write the truth.

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Arts Social Media Examples Artist 74

Museum 2.0

APRIL 2, 2014

In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. If there are museum objects and visitors'' objects on display together, all should be afforded the same level of exhibit design, labels, etc. Constrain the input, free the output.

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Participatory Arts Music Learning 52

Museum 2.0

NOVEMBER 7, 2010

Last week marked four years for the Museum 2.0 People--especially young folks looking to break into the museum business--often ask me how I got here. Ed Rodley recently wrote a blog post about museum jobs entitled "Getting Hired: It's Who You Know and Who Knows You." hour at the Museum. I made $26/hour at NASA and $7.25/hour

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Museum Boston Participatory Job 52

Museum 2.0

FEBRUARY 5, 2009

Today, an interview with staff from a museum with an incredibly healthy attitude towards experimentation with social media. Three things stand out in this interview: Like the Brooklyn Museum , COSI’s social media strategy is focused on local community connections, not national outreach. I think, sadly, that we all know the answer.

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Conversation Columbus Change Museum 20

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 12, 2009

Photo by Bradlauster Note from Beth: One of the things I love about blogging is the conversation in the comments because it always leads to understanding, insights, and learning. About three months ago Beth Kanter wrote about the Crowdsourcing of Vision at the Smithsonian Museum. Beth asked me to elaborate.

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Aggregator Model Leadership Method 82

Museum 2.0

SEPTEMBER 22, 2009

Earlier this year, a group of informal science researchers, led by Rick Bonney of the Cornell Lab of Ornithology, published an extremely useful report on public participation in science research (PPSR). How do we define and talk about these different kinds of participation? Fortunately, science has a (partial) answer.

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Public Research Participatory Report 36

Museum 2.0

APRIL 16, 2007

This means that you can broadcast messages to a group of friends/followers from your phone, your IM service, or the web, and can receive messages similarly. No more dealing with one team member on AIM, another on gchat, one who thinks IM services are evil, and the fourth on the museum floor with a cell phone.

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Museum Twitter Mashup Broadcast 20

NTEN

NOVEMBER 3, 2008

Add your voice to the discussion today! It may be easy for big groups, with photogenic interests -- like the National Wildlife Federation's Wildlife Habitat program or The Nature Conservancy's nature picture contest -- to use something like Flickr, but you're too small? Or the Women's Museum. Share Your Story. Balderdash!

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Technology ROI Flickr Social Media 36

Museum 2.0

AUGUST 25, 2009

We have different conversations on the phone than we do in person or in internet chat rooms. The outcome of our conversations is dependent on the diversity of designed environments in which they occur. This is the opposite situation of the previous design goal, one typical in science and children's museums.

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Design Goal Difference Platform 31

Museum 2.0

MAY 29, 2009

Two weeks ago, I conducted a participatory exhibit design workshop with staff at the Smithsonian National Museum of Natural History. Between the giant squid brainstorming and experimentation, I gave a talk to the larger Smithsonian Institution about multi-platform museum experiences. The slides are also available for download.

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Slides Process Video Open 20

Museum 2.0

APRIL 1, 2008

Last year, I wrote a post explaining what Twitter is and how it might be applied in museums. Now, a year later, I’m using Twitter on a daily basis, and it’s brought up some new observations about participation on websites and in interactive venues like museums. It’s about conversations. I’d love Museum 2.0

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Twitter Participatory Broadcast Museum 24

Museum 2.0

APRIL 19, 2007

I was talking recently to David Klevan, Education Manager for Technology and Distance Learning Initiatives at the US Holocaust Memorial Museum (say that three times fast), about some of their awesome experiments with online discussion groups, blogs, and 2.0 Go downstairs and flip through the comment book at your museum’s front desk.

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Comment Discussion Generation Difference 20

Museum 2.0

SEPTEMBER 7, 2007

There are some obvious ties to the role of "community" in museums. Recently, some museums have launched initiatives to rebrand as community spaces, acknowledging and attempting to harness the positive social energy around visitation. You'll quickly see that a conversation is happening about your institution--and you do not control it.

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Game Influence Support Community 20

Museum 2.0

MAY 20, 2008

Today, we look inward for a how-to on one type of participatory design as applied to museum exhibits. The photos above were provided by Paul Martin of the Science Museum of Minnesota from their award-winning exhibition RACE. But in the museum, the distribution method is more personal. Tags: design participatory museum.

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Design Participatory Social Museum 21

Museum 2.0

DECEMBER 2, 2008

They prove that the conversation is two-way. I have to feel like the post is open enough to my experience, that the blogger and the community of that blog would find my voice worthwhile, that I have some strong reaction I want to share, that I won't sound stupid. Museum 2.0's it gets me excited. I do so rarely.

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Comment Museum Blogger Reflection 20

Museum 2.0

JUNE 16, 2020

Each week, I’ve been ceding the blog to others as a chance to hear many voices share their thoughts about our field, where we are, and where we are going. This field is varied, and each voice adds to our collective understanding of the situation. Andrea has been a leader in the museum technology field.

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Museum Detroit Arts Leadership 22

Museum 2.0

JUNE 6, 2008

On June 4, we opened The Tech Virtual Test Zone , a new 2000 sq ft gallery at The Tech Museum of Innovation featuring exhibits on the theme of art, film, and music that were originally developed in Second Life by a community of creative amateurs. Some museum pros have been puzzled by this. or to start their own.

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Virtual Tech Lesson Develop 21

Forum One

MAY 25, 2022

Organized by the International Awards Associate (IAA) , a group of industry innovators, creators, designers, and communications professionals deeply committed to recognizing and honoring the outstanding performance, talent, and effort of the best digital and creative professionals around the world. Arkansas Museum of Fine Arts.

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Award Arkansas Drupal Arts 69

Museum 2.0

MARCH 17, 2010

This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. It really felt like a group effort!" Check out the other parts here. What did they do? Why did they do it?

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Participatory Museum Process Experiment 32