Museum 2.0

FEBRUARY 13, 2013

And then Ian David Moss pulls it together with an interesting question about whether we're too focused on how to support and shift institutions instead of how to engage and empower individual people/audience members. In some ways, what's more interesting is the world beyond this bubble.

Arts 48

Arts Question North Carolina Museum 48

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 3, 2013

Note from Beth: How often have those of worked in nonprofits asked the question or been asked the question by funders, “What’s the impact?” ” And that’s a difficult question to answer – whether it is your social or network strategy or a work of art. Who are we trying to reach?

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Measure Impact Evaluation Voice 106

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 1, 2010

Is that a Zen graffiti artist? Marnie asks a great question about the organizational structures needed to actualize abundance: So, if we are building organizations on the abundance of goodwill, energy and eager hands — and if we are thinking of ourselves, organizationally, as platforms for change rather than agents for change.

Artist 96

Artist Structure Museum Nonprofit 96

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 4, 2013

” It isn’t a matter of finding the time, it is a matter of making the time and starting with some steps. Have a conversation with your social media team and ask these questions: What do you spend time doing now that you could do better via social?

Social Media 135

Social Media Leadership Personal Media 135

Tech Soup

MAY 20, 2015

Search comes with a few nifty features like filtering by BPM (beats per minute, or the tempo of the song), duration, or what kind of license is associated with the track in question. Give new sounds a chance. This means giving the name of the song and the name of the artist somewhere in your production. Be adventurous!

Music 36

Music Video Free FAQ 36

ASU Lodestar Center

OCTOBER 16, 2013

It’s a stage full of people, putting years of training and practice on display in a complex and often dazzling dance of sound over time – all in order to tell a story together. Looking through this frame gives us an opportunity to ask and (hopefully) answer the question ‘what needs do workers have?’ Like this article? Get another!

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Phoenix Music Artist Structure 96

Museum 2.0

SEPTEMBER 18, 2013

This post shares some of the most interesting questions I''ve heard throughout these experiences. Feel free to add your own questions and answers in the comments! BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1. Have you seen attitudes in our field about visitor participation shifting over time? The Museum 2.0 The Museum 2.0

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Museum Question Participatory Evaluation 45

Museum 2.0

APRIL 23, 2014

It asks basic questions about who can define authenticity and quality in an art practice that was historically based in a specific cultural identity but is now being assimilated/exploited/expanded. Sound familiar? Some serious parallels to curating exhibitions and performances, especially with living artists.

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Belarus Boston Sweden Ukraine 29

Museum 2.0

APRIL 25, 2011

This post shares some of the most interesting questions I've heard throughout these experiences. Feel free to add your own questions and answers in the comments! BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1. Have you seen attitudes in our field about visitor participation shifting over time? The Museum 2.0 The Museum 2.0

Question 49

Question Participatory Museum Evaluation 49

Museum 2.0

OCTOBER 12, 2011

The title may sound innocuous. But a lot of the questions and issues described in Sidford's paper are as applicable on the level of individual programs or institutional priorities as they are for funders and foundations. All of these questions and barriers are worth grappling with and debating among cultural practitioners.

Arts 52

Arts Fund Artist Houston 52

Museum 2.0

APRIL 2, 2014

It is what it sounds like: a book of original sheet music, beautifully designed and complemented with artwork and text. There are many artistic projects that offer a template for participation, whether a printed play, an orchestral score, or a visual artwork that involves an instructional set (from community murals to Sol LeWitt).

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Participatory Arts Music Learning 52

Media Cause

AUGUST 9, 2021

We develop our skills by seeking, absorbing, questioning, adapting, and experimenting, oftentimes bringing diverse influences together to create something that’s unique for our clients’ needs, but with connections to other relevant spaces. This all sounds great, in theory.

Design 52

Design Experiment Nonprofit Collaboration 52

Have Fun - Do Good

AUGUST 14, 2008

Last week I answered the first question in my Ask Britt series, How do you make a second hand bookstore a force for good? This week's question sent in by a reader is: I'm extremely introverted. Creating website content for universities, non-profits, or artists? Title your email, "Ask Britt: your question topic."

Work 40

Work Artist Exercise Life 40

Museum 2.0

OCTOBER 30, 2013

I realize that I may sound like a college freshman who just discovered Psych 101, but heck. My biggest question for these social psychologists is this: how do we apply their lessons to our work? There are many forms of the test and it can be modified to target specific questions of interest. Direct questioning.

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Measure Arts People Museum 47

Museum 2.0

JANUARY 24, 2011

Guard staff who are willing to let an artist step between two panes of glass to perform. The Walker is also a place where everyone is committed to supporting artists and new work, so every time we bring in an artist, staff are enthusiastic about the idea of coming together to create something. It's inherent in what we do.

Arts 46

Arts Interview Teen Artist 46

Amy Sample Ward

JUNE 21, 2011

In painted wood and styrofoam, it was a masterful and whimsical refusal to answer that pesky question of whether games can be art. “Many of the games at Babycastles don’t fit the traditional definitions of the medium; they veer closer to artistic experiementation than they do to mass-market viability.&# – New York Times.

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Game Culture Museum Change 140

See3

NOVEMBER 18, 2008

Each video features a young, critically-acclaimed spoken-word artist – Shira Erlichman, Alvin Lau, and Deja Taylor – as well as renowned musician, DJ Spooky. We wrapped compelling words, visuals, and sound into a thought-provoking series, with each video riffing on a different word: “Free&# , “Will&# , and “Power&#. .

America 45

America Myspace Artist Video 45

Museum 2.0

NOVEMBER 16, 2015

Ultimately, any approach to answering these questions is limited at some point by the size of the audience involved. As artistic director Abe Burickson described their work to me, I imagined Theseus walking deeper into the labyrinth towards the Minotaur. The quest for relevance begins with knowing your audience. You have to generalize.

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Arts Artist Audience Project 20

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 25, 2008

There was some excellent questions during the plenary from this very smart crowd. "Because it doesn't sound like Yo Yo Ma!" " I had to explain to him that Yo Yo Ma didn't sound that way after he had played for week either - and that it takes practice. So back to the question. See the photos here.

New York 50

New York Arts Reflection Organization 50

M+R

JANUARY 26, 2023

That catchy alliteration makes him sound like a comic book character, like Clark Kent or Lois Lane, Peter Parker or Bruce Banner. To make ends meet, artists would sometimes team up as a studio — helping each other come up with ideas, chipping in when someone was in danger of missing a deadline, teaching each other tips and tricks.

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email Work Sound Hurricane 110

NTEN

JANUARY 22, 2009

From questions about the actual production of the files, to distribution, to listener metrics and feedback, there are plenty of moving parts that can raise questions. This method is great for its ease of use and immediacy but will not allow you to add any sound effects, music, or cut in other voices and input.

Podcast 59

Podcast Audio Music Support 59

Museum 2.0

NOVEMBER 18, 2014

I''ve been curious about this question for a long time. As one African-American artist on a prominent museum board told me, "I felt even more tokenized than if I had been part of some kind of Artists'' Council or African-American Council." At the same time, it sounded like something that wasn''t just for us.

Community 39

Community Story Museum Map 39

Nonprofit Tech for Good

DECEMBER 14, 2022

A creative fundraiser can make any of these items sound attractive to the donor. Sometimes a nonprofit has access to world-class chefs, celebrities, artists, or architects or well-known lawmakers. Personal Liaison – dedicated person just for you, year-round for questions about our work or activities at events.

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Donor Sponsor Accessibility Music 337

BoardAssist

MARCH 14, 2017

property and equipment): purchase of new lights and/or upgrading sound technology. Keep in mind, a lawyer’s rates will be different from an administrative assistant’s rate, or an artistic director’s salary. a last-minute addition to the season’s calendar). Fixed asset additions (i.e.,

Practice 40

Practice Nonprofit Advice Fund 40

Museum 2.0

JANUARY 18, 2012

When talking about active audience engagement with friends in the museum field, I often hear one frustrated question: how can we get adults to participate? We're showing an installation by artist Shelby Graham which features beautiful photographs of butterflies juxtaposed with images of the bombing of Japan in World War II.

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Interaction Design Museum Participatory 47

Museum 2.0

MARCH 3, 2007

The collection is disaggregated, grouped by floor (Painting and Sculpture 1) rather than artist, movement, time period, or geography. Most featured Name of Artist, Name of Piece, Year of Execution, Materials. Sounds great. Labels that answer the stupid questions in our heads. Did the artist like it?

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Arts Museum Artist Audio 30

Have Fun - Do Good

NOVEMBER 8, 2006

Anne Zarnowiecki, a lesbian whose son's skin is darker than hers, described being questioned at a hospital in Ohio: She stopped me midstory, to ask if I am the babysitter or roommate. My teeth ground in frustration as I reminded her that I am Javier's other mom. We Got Issues!

Issue 40

Issue Voice Oakland New Mexico 40

Museum 2.0

FEBRUARY 22, 2012

What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? Will the bureaucracy of the institution drown the artists in red tape? No, this is not a reality TV show.

Artist 39

Artist Museum Project Public 39

Museum 2.0

JULY 17, 2013

If we were to do this again, I would ask one additional question of applicants: age. Everyone''s definition of risk is different, and while museum professionals may share a common language around the topic, that commonality breaks down when you involve artists and technologists and game designers and performers.

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Museum Arts History Professional 49

Museum 2.0

DECEMBER 30, 2008

If you're interested in this topic, check out this experiment to root out the people behind big companies on Twitter, which recently included this comment about museums: " When museums tweet to each other in first person, I question why the museums don't include the names of the people tweeting." Topical, provocative questions.

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Museum Twitter Open San Francisco 46

Museum 2.0

SEPTEMBER 29, 2009

While it sounds paradoxical, I'm more likely to talk about and bring friends to a place I perceive as exclusive than one that is transparent, because I feel like I'm more likely to offer them value by sharing the secret experience. Of course, the problem with all of this is that it sounds crazy from a business perspective.

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Museum Los Angeles San Francisco Model 34

Museum 2.0

APRIL 16, 2008

Click is an exhibition process in three parts: The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations. All evaluations are private; all artists are unnamed. They are sensitive to the artists who are being judged.

Museum 24

Museum Participatory Artist Arts 24

NTEN

JUNE 21, 2011

In painted wood and styrofoam, it was a masterful and whimsical refusal to answer that pesky question of whether games can be art. Questions and Discussion Tracy : When we speak about cultureal spaces, we are really talking about caging and preserving culture. here was a kind of proof that you don't have to choose."

Game 52

Game Culture Change Museum 52

Whole Whale

MARCH 28, 2023

However, every nonprofit organization should heed that with any new technology, there are pros and cons, opportunities for great use and misuse, and complex questions about how this technology will shape employees’ day-to-day work or even the work itself. LLM answers are dependent on the quality of the questions.

FAQ 52

FAQ Language Model Nonprofit 52

Museum 2.0

SEPTEMBER 20, 2010

In some cases, the artist is not comfortable, or there are insurance and liability issues. It sounds like this will make lobby membership sales a lot more complicated to pitch. Kristen will be responding to comments and questions here on the blog. Seeing the installation process was a big one. Absolutely.

Interview 46

Interview Director Museum Arts 46

Museum 2.0

NOVEMBER 17, 2007

The interview includes stories about some of his projects, and a delving into questions about what makes viral content compelling, how to draw people into an uncomfortable environment, and ways that art--or museum content--can become more pervasive by being hidden in the corners of life. People don’t want to share it anymore once it’s huge.

Discussion 20

Discussion Game Oklahoma Museum 20

Bloomerang

NOVEMBER 13, 2021

But most importantly, we love for these sessions to be interactive, so feel free to chat in your questions and comments along the way. There’s a chat box and a questions box. If you use the questions box, it might be a little bit easier to call out your question, but we’d love to hear from you.

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Report Measure Impact Process 79