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Hello Museum World!

Museum 2.0

Or maybe hello museum world! Previously, I had worked at the same museum for 17 years.) So, when you visit more than 300 museums, parks, and historic sites, what do you learn? This week, I wanted to start with us, museum and cultural workers. Hello World! The metaphor certainly works in terms of filling big shoes.

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Anthem Awards Finalists Announced!

Forum One

We are excited to share that the Smithsonian National Museum of African American History and Culture’s Freedmen’s Bureau Search Portal , NYU’s Congressional District Health Dashboard , and March of Dimes have been named Anthem Awards finalists. Bureau of Refugees, Freedmen, and Abandoned Lands.

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Adventures in Evaluating Participatory Exhibits: An In-Depth Look at the Memory Jar Project

Museum 2.0

A man walks into a museum. Two years ago, we mounted one of our most successful participatory exhibits ever at the Santa Cruz Museum of Art & History: Memory Jars. Two years later, this project is still one of the most fondly remembered participatory experiences at the museum--by visitors and staff. He shares a story.

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Join us for Museum Camp 2014 on Social Impact Assessment

Museum 2.0

These are the questions that underpin Museum Camp 2014 , a professional development experience in which diverse people from the arts, community activism, and social services will measure the immeasurable together. This is the second year that the Santa Cruz Museum of Art & History (MAH) is hosting Museum Camp.

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An Arts & Cultural Professional’s Guide to bbcon 2022 Virtual

sgEngage

For museums, gardens, zoos, and aquariums to serve all people in their communities, staff must be aware of the societal disparities and gaps that interplay with their operations, decisions, and programs. The goal is to equip you with questions to make evaluating solutions easier and more effective. Monday, October 17, 1:00-2:00 pm ET.

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Our Museum: Extraordinary Resources on How Museums and Galleries Become Participatory Places

Museum 2.0

They wanted to help museums and galleries across the UK make significant, sustained changes in the ways they engage community partners and visitors as participants in their work. The result, Our Museum , is an extraordinary funding program with a focus on community participation. didn't mince words. Here are my three top takeaways.

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Pranksters in the Museum

Museum 2.0

Two recent events have got me thinking about pranks and unauthorized activities in museums. Improv Everywhere staged an event at the Metropolitan Museum in which an actor posing as King Philip IV of Spain signed autographs in front of his portrait, as painted by Diego Velazquez in the 1620s. I feel like it's more complicated than that.

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