Beth's Blog: How Nonprofits Can Use Social Media

MARCH 22, 2007

online exhibit developed by the Maxwell Museum of Anthropology at the University of New Mexico and Ideum. I picked up the phone and got a hold of Jim Spadaccini, founder of Ideum, whose blog post I discovered via a discussion thread on flickr and museums on the museum technology list. Nina Simon from the Museums and Web2.0

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Flickr Museum Denver Images 61

Forum One

FEBRUARY 7, 2023

GA4 is designed to be far less reliant on cookies, using AI and data modeling to help fill the gaps in data caused by privacy restrictions. The biggest change in GA4 is the shift from a model based on sessions and pageviews to a model based on events. What are the differences between UA and GA4? Implement it.

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Beth's Blog: How Nonprofits Can Use Social Media

MARCH 19, 2009

With unemployment and cutback, for many a trip to the art museum can appear to be a luxury. Allison suggests in her post that there is definitely a business model problem. One thing we can do is to insist that the growth of social capital be a part of the discussion and implementation of new models for news and arts organizations.

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Arts Model Organization Org 59

Museum 2.0

AUGUST 13, 2019

As many a museum parent, I also assume I am dragging my children with me, often forgetting that they like museums. One of my children asked if we could go into the museum. Prior to this, my children had stopped at every odd junk-shop-cum-museum off of Interstate 90. I mean it had its doors open.

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Open Museum Ohio Children 28

Museum 2.0

AUGUST 20, 2009

I'm working on a section of my book about sharing social objects and am writing about the most common way that visitors share their object experiences in museums: through photographs. Revenue Streams: Museums want to maintain control of sales of "officially sanctioned" images of objects via catalogues and postcards.

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Museum Photo Policy Open 54

Museum 2.0

SEPTEMBER 3, 2019

We whip out our logic model. But we also know that it hasn’t made an appreciable impact on the people coming to museums. I cheered every time people tagged me in their shares. No one in leadership in a museum can be immune to the financial responsibilities of keeping collections available. That is, except museums.

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Accessibility Museum Australia Voice 32

Museum 2.0

AUGUST 18, 2008

I've long believed that museums have a special opportunity to support the community spirit of Web 2.0 This month brings three examples of museums hosting meetups for online communities: On 8.6.08, the Computer History Museum (Silicon Valley, CA) hosted a Yelp! Me: Have you ever been to this museum? meetup for Elite Yelp!

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Museum Hosting Model Community 22

Museum 2.0

JANUARY 8, 2018

You run a regional museum. This is the plan that plunged the Berkshire Museum into hot water. In July, the Berkshire Museum released its $60,000,000 New Vision , along with a funding mechanism: selling 40 of its most valuable artworks. It states that museums can only sell objects to purchase or care for other objects.

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Public Build Museum Detroit 40

Museum 2.0

MAY 25, 2010

Margaret shared these thoughts about "museums for use" on her blog , and I asked her to adapt a version for the Museum 2.0 Should a museum be a destination or a place for everyday use? During my time at RISD studying industrial design, I developed relationships with two museums on campus: the Museum of Art and the Nature Lab.

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Museum Rhode Island University Student 37

Museum 2.0

SEPTEMBER 29, 2009

And then there's the Berkeley Ace hardware store, which has a basement lair devoted to model trains. When you find a bar with your favorite song on the jukebox, or a museum room that feels like your grandmother's living room, you suddenly feel a strong affinity and are able to see yourself reflected in the space. What's going on here?

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Museum 2.0

OCTOBER 8, 2019

Audiences are a portion of the humans in the museum ecosystem. The reason I think of a museum as human-centered is that to become audience-centered your organization has to center people. In the end, our organization for this model better for our visitors and our needs. Audience-centered for me is a subset of human-centered.

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Audience Museum Classes Library 38

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 8, 2007

I'm here in Chicago for a very brief trip on a panel about metrics and measurement for museums called "New Spaces, New Measures." Types of tags assigned to it, the terms used, the authority of the taggers, the authority of the tagging system. " My slides and resources are here.

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Chicago Museum Network Conference 50

Museum 2.0

MAY 3, 2010

Like many people in the arts, I'm interested in new models that help people combine mission-driven work with an entrepreneurial spirit. The idea is that you specify your values, relationships, and assets, and then match those up with potentially fruitful legal structures, financing models, and growth potential.

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Structure Model Social Profit 31

Museum 2.0

JULY 9, 2009

Seb Chan has a lovely, long interview up at Fresh+New with Helen Whitty about the Powerhouse Museum's new mini-exhibition, the Odditoreum. The Odditoreum is another wrinkle in the study of visitors' understanding and interpretation of authenticity in museums. I enjoyed listening to it (virtually, not at the museum).

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Museum Alternative Portland Artist 22

Museum 2.0

FEBRUARY 13, 2007

But it's not so easy to integrate into larger-scale museum writing. Have you ever walked someone, a non-museum professional, through an exhibition you have or are working on? Or a small note on an ancient coin mentioning that the museum has thousands of similar ones in storage--or none. Tags: storytelling.

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Museum Model Voice Storytelling 20

Museum 2.0

NOVEMBER 18, 2009

I often think museums are like church--passionately loved by staff and devout audiences, irrelevant or off-putting to lapsed or uninterested adults, alien and overwhelming to newcomers. Two years ago, my dad and I embarked on a podcast project called Museum Hater. Help people understand why you do what you do.

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Museum 2.0

APRIL 23, 2007

and with it flocks of museum studies / education / exhibit planning graduate interns. I’m always curious when I meet these folks, who are about my age, choosing a different entry path into the museum world. The value proposition of museum grad programs is cloudy in my mind. Sure, it’s great to learn museum theory and history.

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Museum Program Student Skills 51

Museum 2.0

MAY 13, 2008

I once asked Elaine Gurian how museums can change. Here's the problem with both of these ways: they require circumstances that are outside of most museum employees' control. Where's the opportunity for risk in museums that are too big to avoid the media microscope? There's more attention these days on the "from the top" model.

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Museum 2.0

SEPTEMBER 9, 2009

Between high-altitude hijinks, run-ins with wildlife, and very long days of hiking, I finished John Falk's new book, Identity and the Museum Visitor Experience. In other words, if you are a curious person, you will go to museums to learn new things.

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Museum 2.0

APRIL 13, 2009

I spend a lot of time talking to people about social media--how it can be a model for real-life content venue interactions and how it can connect museums and cultural institutions to users in new ways. This is the reason that many museums and cultural organizations decided they needed websites in the late 1990s and early 2000s.

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Museum Social Media Culture Media 43

Museum 2.0

JUNE 25, 2007

I spent Saturday in beautiful Monterey, ocean pounding outside the window of a conference room, where about 40 museum folks were pondering a question more elusive than the origin of the waves: can museums change the world? In two months, 10,000 visitors sent postcards (and fortuitiously, the government acted in favor of protection).

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Model Action Congo Museum 26

Museum 2.0

NOVEMBER 14, 2007

Let’s say you wanted to find a model museum using Web 2.0 A place that does all this in the context of a fairly traditional collections-based museum. A place that does all this in the context of a fairly traditional collections-based museum. It’s the Brooklyn Museum. to support programs and exhibits.

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Museum Interview Flickr YouTube 27

Museum 2.0

APRIL 1, 2009

On Monday, I gave the keynote at the Museums in Conversation conference in Tarrytown, NY. I learned to cultivate creative greed while working on Operation Spy at the International Spy Museum, where I was lucky to be working on a project that was so new to us that we didn't have any pre-established models or structures for doing it.

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Museum Conversation Columbus Local 20

Museum 2.0

AUGUST 26, 2008

This week, I'm launching a new site: the Voicemail Museum. It's an experiment that merges two of my greatest interests: finding novel, easy ways for visitors to contribute content to museums finding questions that draw such compelling responses that random peoples' answers would be worth browsing To participate, all you need is a phone.

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Museum Audio Participatory Phone 20

Connection Cafe

JULY 28, 2016

Kathryn will help you ensure that your funding proposals have a greater chance of rising to the top! The Altru Roadmap – As always, our Altru Product Managers will share what’s coming next with Altru.

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Arts Culture Organization Tucson 20

Museum 2.0

MARCH 30, 2010

Let's say you're a young person eager to break into museums. Over my first year in museums, I worked at five different institutions as an educator, exhibit builder, exhibit cleaner, art model, and whatever else I could find. Now, several years of full-time museum work later, I'm consulting.

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Work Museum Model Professional 46

Museum 2.0

SEPTEMBER 7, 2010

For years, I've been fascinated and a bit perplexed by the Elsewhere Collaborative , a thrift store turned artists' studio/living museum in Greensboro, North Carolina. By calling ourselves a museum, we respond to those cultural institutions that have separated practice from production, exhibition from process, and work from play.

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Collaboration North Carolina Museum Artist 36

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 13, 2009

My answer to Holly's question was that organization's that are innovative have leadership that is open to public learning and models that in the organization. There's no better example than the public dashboards of the Indiana Art Museum - Innovation is about opening up and letting the outside in. Tags: nten.

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NTEN NPO Indiana Org 88

Museum 2.0

JULY 1, 2008

Dear Museum 2.0-ers, ers, Next week, I'll be going to DC for a meeting convened by the National Academy of Sciences and the Institute of Museum and Library Services on "Museums and Libraries in the 21st Century." Over the last 50 years, public-facing museums and libraries in the U.S. Why are our current models failing?

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Museum Library Participatory Wikipedia 20

Museum 2.0

SEPTEMBER 29, 2008

And that got me thinking about how bad museums are at doing the same thing--using passion to promote visitor engagement in new content. Museums shy away from presenting passionate views. Museums don't have a cheering section. Museums do a decent job addressing the first two questions, but we rarely tackle the third.

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Museum Storytelling Teach New York 20

Museum 2.0

AUGUST 16, 2007

I’m working on a virtual museum project these days, and one question that often comes up is “What is the most fun thing we could let visitors do here that they can’t do in the real world?” After all, most of our ideas don’t require a virtual landscape; any museum could commission Kid Rock’s tour of the galleries.

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Museum Audio Storytelling Game 21

Museum 2.0

JANUARY 23, 2007

Potlucks are a great model for “good sharing.” Imagine a museum event or exhibition in which visitors can make a toy or creative object that will then go on display at the museum for the day. This is the MySpace model. This is the potluck model. Tags: web2.0 And the implied: bring something good.

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Model Wikipedia Myspace Museum 20

Museum 2.0

SEPTEMBER 22, 2009

In this report, the authors describe three specific models for public participation: contribution, collaboration, and co-creation. In the collaborative model, visitors are invited to serve as active partners in the creation of an institutional project which is originated and ultimately controlled by the institution.

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Public Research Participatory Report 36

Museum 2.0

MARCH 15, 2010

People often ask me which museums are my favorite. I visit lots of perfectly nice, perfectly forgettable museums. In some cases, that's based on subject matter, as at the Museum of Jurassic Technology or the American Visionary Art Museum. Some are scrappy and iconoclastic, like the City Museum in St.

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Support Museum St. Louis NSF 41

Museum 2.0

MARCH 10, 2008

Thank you to Susan Spero and all the folks at JFKU and Left Coast Press for starting a highly stimulating conversation this weekend at the colloquium on Museums and Civic Discourse. There were, as we say in the museum business, some good aha moments. What role should museums play in promoting discourse?

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Museum Site Facilitation Participatory 20

Museum 2.0

JUNE 10, 2008

What if witty cultural commentators reviewed museums the way they do music and restaurants? If Anthony Lane turned his cutting tongue from movies to museums? If Stephen Colbert "reported" on museums at times other than during the TV writer's strike? It's painful. And instructive. And revelatory. And painful.

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Museum Story America Culture 20

Museum 2.0

MARCH 20, 2009

In my continuing quest to find elegant ways to integrate technology into the museum experience, we come to interpretative material and the simple question, "How can you create natural ways for visitors to retrieve the information of most interest to them relative to an artifact or exhibit?" Here's one lovely answer: Meta.L.Hyttan.

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