Museum 2.0

MAY 13, 2008

I once asked Elaine Gurian how museums can change. Here's the problem with both of these ways: they require circumstances that are outside of most museum employees' control. Where's the opportunity for risk in museums that are too big to avoid the media microscope? There's more attention these days on the "from the top" model.

Museum 31

Museum Place Model Project 31

Nonprofits Source

JANUARY 23, 2023

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Grant 52

Grant Google Management Guide 52

Museum 2.0

JUNE 1, 2010

You can join the conversation in the blog comments, or on the Museum 2.0 Like many museum and library professionals, I am enamored of the idea of cultural institutions as “third places” – public venues for informal, peaceable, social engagement outside of home or work. This is the only post written by me, Nina Simon.

Place 41

Place Discussion Culture Museum 41

Museum 2.0

APRIL 1, 2009

On Monday, I gave the keynote at the Museums in Conversation conference in Tarrytown, NY. I learned to cultivate creative greed while working on Operation Spy at the International Spy Museum, where I was lucky to be working on a project that was so new to us that we didn't have any pre-established models or structures for doing it.

Museum 20

Museum Conversation Columbus Local 20

Museum 2.0

SEPTEMBER 22, 2009

In this report, the authors describe three specific models for public participation: contribution, collaboration, and co-creation. In the collaborative model, visitors are invited to serve as active partners in the creation of an institutional project which is originated and ultimately controlled by the institution.

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Public Research Participatory Report 36

Beneblog: Technology Meets Society

JUNE 5, 2010

We have a model for this kind of change: TTYs (text telephones) and relay services though the telephone. The bigger question is about how to structure the second phase. Tags: accessibility X-Prize NPII awards Obama TRACE clearinghouse Vanderheiden FCC. The FCC has to think about what its biggest objectives are.

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Accessibility Award Proposal Phase 100

Museum 2.0

JUNE 22, 2009

My goals are two-fold: to develop a dynamic, creative, social platform for my community and to distribute its successful elements to other civic learning institutions (museums, libraries, community centers). My model is the shining star. My model is the shining star. Louis were quick to add, 'It's not a museum.'

Action 31

Action Ideas St. Louis Museum 31

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 12, 2009

About three months ago Beth Kanter wrote about the Crowdsourcing of Vision at the Smithsonian Museum. Their mental models began with these fundamental assumptions during their education and their first jobs. Their mental models began with these fundamental assumptions during their education and their first jobs.

Aggregator 82

Aggregator Model Leadership Method 82

Museum 2.0

APRIL 23, 2009

Like many people who've worked in science centers and interactive experience museums, I've always been perplexed by the fact that hands-on workshop audiences top out around age 14. They are more than just workshop spaces--they are member institutions, like museums. Isn't this one of our dreams for museums?

Museum 24

Museum North Carolina San Francisco Structure 24

Museum 2.0

OCTOBER 29, 2009

Last week, Jim Richardson and I hosted MuseumNext , a 24-hour workshop for museum professionals focused on bringing new, wild museum projects into the world. We also ended the entire event with one of my favorite exercises, the Exquisite Corpse game, in which participants co-created comics of their craziest museum dreams.

Facilitation 32

Facilitation Reflection Museum Participatory 32

Museum 2.0

APRIL 7, 2009

Which of these descriptions exemplifies participatory museum practice? Museum invites community members to participate in the development and creation of an exhibit. Museum staff create an exhibit by a traditional internal design process, but the exhibit, once open, invites visitors to contribute their own stories and participation.

Participatory 27

Participatory Design Difference Museum 27

Museum 2.0

AUGUST 11, 2010

Dear Museum 2.0 People Watching Portraits – customers can choose to either be drawers or models (models will wear a button or badge on the bracelet to indicate interest). They may ask models directly to pose for the in more structured encounters. Tags: Quick Hits. readers, I need your help.

Project 35

Project Help Badge Model 35

Museum 2.0

DECEMBER 5, 2006

Seb Chan of fresh + new, the blog from the Powerhouse Museum in Australia, ran with this idea to comment on the impact of disaggregation on the way that visitors use museum collections available on the web. I'd like to approach this concept from a physical, in-museum perspective.

Aggregator 20

Aggregator Museum Structure Music 20

Museum 2.0

MAY 16, 2007

into the museum is the potential to encourage more positive in-museum interactions among strangers. I want in-person museum experiences to be more like experiences on social sites like Flickr, where strangers connect and form relationships around content. Structure the space with a clear story (and commensurate rules).

Museum 20

Museum Myspace Facilitation Social Network 20

Museum 2.0

JUNE 5, 2009

I've been designing game-like experiences with museums for a long time. I've always believed in prototyping at the simplest level possible, but when it comes to group dynamics we often argue that without a full-size model or the actual space, it's hard to see how people will really interrelate. It had a very simple structure.

Game 21

Game Design Museum Interaction 21

Museum 2.0

OCTOBER 21, 2007

Some staff are wearying of the messiness, noise, and lack of structure in their new face. No one would contest the idea that most museum exhibitions, art shows, films, books, in short, most content experiences, have value both for the new and return user. Why would someone want to contribute metadata to the museum experience?

Experiment 20

Experiment Create Museum Amazon 20

Museum 2.0

NOVEMBER 13, 2007

The essays in this section, on “Expressing and Co-Creating,” present projects in which visitors create exhibition content, contribute to its creation, or get a heavy done of meaning-making in their experience of museum content. Who controls the content in the museum? Who controls the museum experience? First, museum content.

Voice 20

Voice Create Museum Arts 20

Museum 2.0

JUNE 6, 2008

On June 4, we opened The Tech Virtual Test Zone , a new 2000 sq ft gallery at The Tech Museum of Innovation featuring exhibits on the theme of art, film, and music that were originally developed in Second Life by a community of creative amateurs. Some museum pros have been puzzled by this. or to start their own.

Virtual 21

Virtual Tech Lesson Develop 21

Museum 2.0

MAY 7, 2007

I spoke to them on different days, so I've taken some liberty with structure here, but their words are maintained intact. The whole process of developing an exhibition tends to get stuck behind a museum's doors. By then, I hope we have enough good models and people who want to be a part of this that it will have a life of its own.

NSF 20

NSF Interview Case Study Museum 20

Museum 2.0

MAY 4, 2007

If anyone out there is considering creating an industry catch-all site for museum-related content, I highly recommend Gamasutra as a model. Can museums afford to indulge in this kind of fantasy? It drives me nuts when I’m in a museum that has made a half-hearted attempt to thematically connected galleries or exhibits.

Game 20

Game Storytelling Lesson Museum 20

Museum 2.0

JANUARY 5, 2007

Most museums already have websites. I’m not an expert on museums who can comment on why museums have websites and what they use that platform for. It seems that the primary reasons museums have websites are to convey basic information about the museum and as a marketing mechanism for content.

Virtual 20

Virtual Game Second Life Museum 20

Museum 2.0

JUNE 8, 2007

Yesterday, I turned in my keys and said goodbye to the Spy Museum and to Operation Spy, the narrative, immersive game experience I've been developing/building over the last two years. Adventure is a slice of a large museum, and it's been closed to the public for the last few years (only available to be rented for special events).

Museum 20

Museum Game Indiana Facilitation 20

Museum 2.0

JULY 17, 2007

This week, we consider Chapter 11 of Elaine Gurian's Civilizing the Museum , "Function Follows Form: How mixed-used spaces in museums build community," but first, a short and relevant note about my writing process. Museums are naturally tuned to some of these but not all. short streets and frequent opportunities to turn corners.

Museum 20

Museum Los Angeles Arts Children 20

Museum 2.0

MAY 8, 2009

I've wondered for a long time about the potential for museums (especially interactive science centers) to operate on a "pay to play" model where visitors choose specific content of interest to invest their time and money into. So why haven't we seen museums that operate like arcades? I'm skeptical of these arguments.

Content 20

Content Ideas Museum Model 20

Museum 2.0

OCTOBER 22, 2008

There are lots of things visitors can’t do in museums. But what about the things that museum professionals can’t (or feel they can’t) do? This week at the ASTC conference, Kathy McLean, Tom Rockwell, Eric Siegel and I presented a session called “You Can’t Do That in Museums!” And so my question is, why are we keeping them away?

Museum 20

Museum Professional Teen Map 20

Museum 2.0

JUNE 16, 2008

I'm at the Science Center World Congress in Toronto this week, enjoying the best (international idea sharing) and worst (fatuous self-congratulation) of the museum conference experience. Museum management needs to do the same. But (for good or ill) most museums are not tech startups. So that's the first step.

Leadership 20

Leadership Museum Structure Sound 20

Museum 2.0

JUNE 19, 2007

Welcome to the first installment of the Museum 2.0 While every post at Museum 2.0 Elaine Gurian, author of this summer’s book, Civilizing the Museum , will also be popping into the conversation as her time and interest permits. And if you're planning ahead, next week we'll look at chapter 6, Timeliness: A discussion for museums.

Free 22

Free Museum Library Louisville 22

Museum 2.0

FEBRUARY 15, 2008

Today, we take a page from Wallace Stevens and look at some alternative ways to structure museum admissions and pricing. What if visitors could stream into the museum, with the expectation that at some point they would encounter a staff member who could facilitate the purchase of admission? Get rid of the admissions desk.

Museum 28

Museum Movie Local Model 28

Museum 2.0

FEBRUARY 9, 2009

Recently, I've been thinking and working with the concept of metaphorical design, that is, designing things by modeling them after other things. This interest stems back to the very beginning of the Museum 2.0 In 2008, I worked with one museum director for whom the word "wiki" is synonymous with "Wikipedia."

Design 20

Design Wiki Museum Hype 20

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 27, 2009

In the last few years, the Smithsonian American Art Museum. has been looking at our museum’s online information in the same way. A few weeks ago, American Art’s director, Elizabeth Broun, continued the discussion by holding an unprecedented all-day staff retreat to discuss the use of social media within the museum. • • •.

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Museum Arts Artist Conservancy 82

Museum 2.0

JULY 14, 2008

What’s in the crystal ball for museums and libraries? The IMLS (Institute for Museum and Library Services) has commissioned a preliminary proposal for an NAS (National Academy of Sciences) report on museums and libraries in the 21st century. What are the essential differences and similarities between libraries and museums?

Library 20

Library Museum Reflection Alternative 20

Museum 2.0

SEPTEMBER 15, 2009

There are lots of museums (and organizations of all kinds) looking for ways to inspire users and visitors to produce their own content and share it with the institution online. The World Beach Project is managed by the Victoria and Albert Museum in London with artist-in-residence Sue Lawty. The activity is compelling.

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Project Museum Artist Map 38

Museum 2.0

APRIL 19, 2010

"How often do we hear colleagues from museums and galleries stating as their fundamental reason for working co-creatively with audiences that they want to make a great piece of museum work, rather than primarily for reasons of social inclusion or democracy?"

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Arts Participatory Museum Artist 22