Bloomerang

OCTOBER 20, 2021

The Engagement Meter looks at giving history (recency, years given, upgraded gifts), interactions (event attendance, volunteering, communication preferences, website visits), and e-mail (subscribes, opens, clicks) to give you a temperature reading on each donor in your database. . So how do you keep track of them?

Gift 136

Gift Teach Fundraising Donor 136

Museum 2.0

SEPTEMBER 4, 2012

This morning, I checked in on the Pocket Museums on our museum's ground floor. After I took down all the "kick me" and "kick it" post-its covering the Pocket Museum title label in the men's room, I realized that this is the perfect example of an A-to-B test for gendered response to a participatory museum experience.

Museum 47

Museum Difference Examples Participatory 47

Museum 2.0

SEPTEMBER 18, 2013

This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.

Museum 45

Museum Question Participatory Evaluation 45

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.

Museum 29

Museum Difference Participatory History 29

Museum 2.0

JULY 20, 2016

When we say we want our museum to be "audience-centered," what do we mean? My career first got moving at a brilliant example of the customer-centered museum: the International Spy Museum. Many of my favorite museums, libraries, and zoos are customer-centered places. They care about visitor comfort.

Museum 20

Museum Audience Music Arts 20

Museum 2.0

MARCH 4, 2015

This week marks five years since the book The Participatory Museum was first released. Across the museum field, the questions about visitor participation have gone from "what?" Over the past four years, I''ve been running a small regional art and history museum in Santa Cruz, CA. and "why?" to "how?".

Participatory 20

Participatory Museum Empowerment Facilitation 20

Museum 2.0

OCTOBER 30, 2013

The book of the same title that he edited is rocking my world, both as a museum professional who cares about inclusion and as a new mother. As we start the process at our museum of updating our permanent history gallery, one of our specific goals is to increase intergroup understanding in our community.

Measure 47

Measure Arts People Museum 47

Qgiv

MAY 26, 2021

We use those tools and techniques to raise awareness for an organization or cause to help them find supporters for their mission, and ultimately raise money, recruit volunteers, or anything else to help them with their mission. A: Our focus, background, and the history of our organization makes us different.

Florida 52

Florida Social Media Technique Indianapolis 52

Beneblog: Technology Meets Society

SEPTEMBER 21, 2008

A few days earlier, I read an article where DNA-sampling of freshwater ponds can reveal the presence/absence of the invasive American bullfrogs even when normal monitoring techniques fail - this technique can even detect "ghosts" - species that have been but are no longer present!

Costa Rica 100

Costa Rica Taxonomy Sample New York 100

Museum 2.0

OCTOBER 18, 2011

We’ve been doing a little experiment at our museum with labels. The Santa Cruz Surfing Museum recently loaned us some fabulous surfboards that tell the co-mingled history of surfing and redwood trees in Santa Cruz. We decided to approach the label-writing for these boards in a participatory way.

Participatory 48

Participatory San Diego Museum History 48

Saleforce Nonprofit

AUGUST 20, 2021

Despite these trends, research on philanthropy across diverse communities is limited and many questions remain unknown, including what motivates the giving practices of diverse donors, where they give, and what specific tools and techniques donors of color are utilizing to enhance their giving. Change Organizational Culture.

Strategy 82

Strategy Fundraising Philanthropy Nonprofit 82

Forum One

FEBRUARY 7, 2023

Understanding the history of Google’s analytics suite is useful in better understanding GA4. It might record that the user clicked play and then clicked pause after 16 seconds, or that they searched for the hours of a museum, clicked through to the information page, and stayed for 40 seconds. What is Google Analytics 4?

FAQ 57

FAQ Organization Analytics Google 57

Museum 2.0

JANUARY 11, 2012

For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" We're hearing on a daily basis that the museum has a new role in peoples' lives and in the identity of the county.

Audience 47

Audience Museum Participatory History 47

Museum 2.0

JANUARY 14, 2010

This external profile technique was also used at the US Holocaust Memorial Museum when it first opened to let visitors connect with the stories of particular people affected by the Holocaust. In Titanic , visitors are given "boarding passes" that tell the beginning of a story of a real person who traveled on the Titanic.

Museum 34

Museum International Roles Greece 34

Museum 2.0

FEBRUARY 20, 2013

It started as a handout for a session that Stacey and I are doing at the California Association of Museums, and then I realized it was so darn useful that it was worth sharing with all of you. The majority of our public programs at the Santa Cruz Museum of Art & History are created and produced through community collaborations.

Collaboration 55

Collaboration Community Tools Museum 55

Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. The Museum 2.0 In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions.

Question 49

Question Participatory Museum Evaluation 49

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 1, 2013

” The book offers up advice and techniques on how to make your online channels – email marketing, web site, and newer tools like mobile and social media work together in a sophisticated strategy or your organization to reach its advocacy, fundraising, or community building goals. Click to see larger version.

Campaign 97

Campaign Online Chapter Model 97

Museum 2.0

APRIL 2, 2014

In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. If there are museum objects and visitors'' objects on display together, all should be afforded the same level of exhibit design, labels, etc. Constrain the input, free the output.

Participatory 52

Participatory Arts Music Learning 52

Museum 2.0

APRIL 1, 2009

On Monday, I gave the keynote at the Museums in Conversation conference in Tarrytown, NY. Greed, because creative greediness motivates us to hunt down and steal the best design techniques the world has to offer, and generosity, because giving those great ideas and applications away is the only way to change the larger cultural landscape.

Museum 20

Museum Conversation Columbus Local 20

Museum 2.0

AUGUST 4, 2015

If people on the street are talking about X, the museum should be talking about X too. I used to work at The Tech Museum of Innovation in San Jose, CA. Our mandate was to be the museum of Silicon Valley--not of its material history, but its pulse of innovation. Interpretative techniques. What's trending.

Content 20

Content San Jose Museum Miami 20

Museum 2.0

OCTOBER 12, 2017

A cheerful curly-haired deli owner stands in front of 30 of us and shares a quote he loves: "Artists live in the present and write detailed histories of the future." A vision is a detailed history of the future. This is a detailed history from the future. Use the "hot pen" or automatic writing technique.

History 26

History Pennsylvania Michigan Indiana 26

Museum 2.0

MARCH 20, 2009

In my continuing quest to find elegant ways to integrate technology into the museum experience, we come to interpretative material and the simple question, "How can you create natural ways for visitors to retrieve the information of most interest to them relative to an artifact or exhibit?" Here's one lovely answer: Meta.L.Hyttan.

Environment 20

Environment Content Model Sweden 20

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 8, 2011

These boiled to do: Lack of strategy, capacity issues, adoption issues, and lack of measurement techniques and approaches. I used their problems to share a few points about how to begin to address those challenges, holding the space for other participants to add their knowledge.

Knowledge 97

Knowledge Seattle Social Media Measure 97

Museum 2.0

AUGUST 25, 2009

This technique was used in the Slavery in New York exhibition at the New-York Historical Society and continues in the popular StoryCorps project. Rabinowitz commented that "as a 40-year veteran of history museum interpretation, I can say that I never learned so much from and about visitors." A lone "What do you think?"

Design 31

Design Goal Difference Platform 31

Museum 2.0

DECEMBER 19, 2016

We believe that partnerships build a stronger museum and a stronger community. The tools and techniques that worked for us when we were seven people in a room don't work for twenty. Like most museums and nonprofits, we have a donor database. One of my organization's core values is radical collaboration. SALESFORCE.

Collaboration 20

Collaboration Tools Build Organization 20

Museum 2.0

MAY 17, 2017

What a Board is For - how trustees help you go beyond your limits Two Prioritization Techniques We Used to Negotiate a Great Lease - how can you decide collectively what you value most?

Arts 20

Arts Technique Comment Project 20

Museum 2.0

MAY 5, 2009

I just returned from the American Association of Museums (AAM) annual meeting in Philadelphia. I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. what is the value of the exhibition experience to non-participants, that is, regular museum visitors?

Slides 20

Slides Participatory Museum Children 20

Museum 2.0

MAY 4, 2007

If anyone out there is considering creating an industry catch-all site for museum-related content, I highly recommend Gamasutra as a model. Can museums afford to indulge in this kind of fantasy? But incorporating good environmental storytelling techniques from the game world doesn't mean you have to put on mouse ears (or a trenchcoat).

Game 20

Game Storytelling Lesson Museum 20

Museum 2.0

NOVEMBER 25, 2009

Some of the signage pointed out “firsts” happening at the preserve—new techniques for introducing species into new habitats, creating a completely mammal pest-free environment, and inviting people to visit the project while underway.

Action 20

Action New Zealand Hints Project 20

Museum 2.0

JANUARY 5, 2011

Note: This post is written in response to recent articles about museums by Arianna Huffington (on museums and new media) and Ed Rothstein (on museums and ethnic identity). I appreciate that you write about museums, and by doing so, publicize their work and efforts. Myth #1: Museums are about contemplation.

Museum 55

Museum St. Louis Open Reflection 55

Museum 2.0

OCTOBER 21, 2007

No one would contest the idea that most museum exhibitions, art shows, films, books, in short, most content experiences, have value both for the new and return user. The stop-motion example lets visitors go more deeply into their own experiences, a technique I’ll call “ layering in ”. This is a problem specific to open-ended projects.

Experiment 20

Experiment Create Museum Amazon 20

Museum 2.0

APRIL 11, 2019

This guest post is written by Martin Brandt Djupdræt , Head of research and presentation and a member of the management at the Danish open-air museum Den Gamle By (The Old Town). I was impressed by his commitment to putting visitors first - and his technique for inviting more of his colleagues to do so as well. Falk and Lynn D.

Audience 40

Audience Research Museum Interview 40

Museum 2.0

MARCH 14, 2011

In 1990, educator and cultural critic Neil Postman described a museum as "an answer to a fundamental question: what does it mean to be a human being?" Without an explicit "I" voice, the museum's perspective on humanity is oblique to say the least. Welcome to Pine Point is not a museum project. It tells layered personal stories.

History 43

History Museum Sound Voice 43

Museum 2.0

JUNE 12, 2012

Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. So many museum exhibitions relegate the participatory bits in at the end. The Love Lounge I LOVE.

Participatory 51

Participatory Museum Blackboard Game 51

Museum 2.0

SEPTEMBER 2, 2008

We were hasty experimenters, and when one technique didn't work, we would alter it, much to the perplexion of the volunteers involved. Earlier this year, I encountered a similar confusion while working with creative amateurs in virtual concept design of real-world interactives for The Tech Virtual Test Zone.

Teen 20

Teen Volunteer Create Design 20

Beth's Blog: How Nonprofits Can Use Social Media

JUNE 13, 2017

Museum Visitor Experience. Museums have been all over bots on other platforms, see the Momabot on Twitter for example. So, it comes as no surprise that Museums have been early adopters of Facebook Messenger Bots. The Australia Democracy Museum also has a Facebook Messenger Bot, with similar objectives. The Pop Bot.

South Africa 90

South Africa Facebook Impact Africa 90

Museum 2.0

MARCH 5, 2014

Consider three very different talkbacks in the Santa Cruz Museum of Art & History''s fall exhibition, Santa Cruz is in the Heart: cocktail napkins, rear view mirrors, and refrigerator certificates. design evaluation Museum of Art and History participatory museum usercontent'

Test 43

Test Museum Participatory Measure 43