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Museum 2.0 Rerun: Answers to the Ten Questions I Am Most Commonly Asked

Museum 2.0

This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.

Museum 45
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5 DEI Strategies for Nonprofit Fundraising Success

Saleforce Nonprofit

Workstream priorities should reflect this knowledge. Yolanda is the first African American President in the more than 40-year history of WID. Increased donor diversity results in revenue goals exceeded, and team diversity creates access to new networks and better, broader perspectives among teams. Change Organizational Culture.

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How Different Types of Museums Approach Participation

Museum 2.0

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.

Museum 29
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GA4 FAQs: What Mission-Driven Organizations Need to Know

Forum One

Understanding the history of Google’s analytics suite is useful in better understanding GA4. Google undoubtedly grew tired of updating and developing two tools that couldn’t accurately reflect the type of complex user journeys we see today, where people switch between apps, mobile browsers, and desktops frequently.

FAQ 59
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Balancing Engagement: Adventures in Participatory Exhibit Labels

Museum 2.0

We’ve been doing a little experiment at our museum with labels. The Santa Cruz Surfing Museum recently loaned us some fabulous surfboards that tell the co-mingled history of surfing and redwood trees in Santa Cruz. We decided to approach the label-writing for these boards in a participatory way.

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Who Am I? Internal vs. External Role-Playing in Museums

Museum 2.0

This external profile technique was also used at the US Holocaust Memorial Museum when it first opened to let visitors connect with the stories of particular people affected by the Holocaust. In Titanic , visitors are given "boarding passes" that tell the beginning of a story of a real person who traveled on the Titanic.

Museum 34
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Yes, Audience Participation Can Have Significant Value

Museum 2.0

For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" We're hearing on a daily basis that the museum has a new role in peoples' lives and in the identity of the county.