Museum 2.0

SEPTEMBER 18, 2013

This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.

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Museum Question Participatory Evaluation 45

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?"

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Museum Difference Participatory History 29

Museum 2.0

JULY 20, 2016

When we say we want our museum to be "audience-centered," what do we mean? My career first got moving at a brilliant example of the customer-centered museum: the International Spy Museum. Many of my favorite museums, libraries, and zoos are customer-centered places. They care about visitor comfort.

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Museum Audience Music Arts 20

Qgiv

MAY 26, 2021

We use those tools and techniques to raise awareness for an organization or cause to help them find supporters for their mission, and ultimately raise money, recruit volunteers, or anything else to help them with their mission. A: Our focus, background, and the history of our organization makes us different.

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Florida Social Media Technique Indianapolis 52

Saleforce Nonprofit

AUGUST 20, 2021

Despite these trends, research on philanthropy across diverse communities is limited and many questions remain unknown, including what motivates the giving practices of diverse donors, where they give, and what specific tools and techniques donors of color are utilizing to enhance their giving. Change Organizational Culture.

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Strategy Fundraising Philanthropy Nonprofit 82

Museum 2.0

OCTOBER 18, 2011

We’ve been doing a little experiment at our museum with labels. The Santa Cruz Surfing Museum recently loaned us some fabulous surfboards that tell the co-mingled history of surfing and redwood trees in Santa Cruz. We decided to approach the label-writing for these boards in a participatory way. how did they ride the plank?”

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Participatory San Diego Museum History 48

Museum 2.0

MARCH 4, 2015

This week marks five years since the book The Participatory Museum was first released. Across the museum field, the questions about visitor participation have gone from "what?" Over the past four years, I''ve been running a small regional art and history museum in Santa Cruz, CA. and "why?" to "how?".

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Participatory Museum Empowerment Facilitation 20

Museum 2.0

JANUARY 11, 2012

For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" We're hearing on a daily basis that the museum has a new role in peoples' lives and in the identity of the county.

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Audience Museum Participatory History 47

Museum 2.0

FEBRUARY 20, 2013

It started as a handout for a session that Stacey and I are doing at the California Association of Museums, and then I realized it was so darn useful that it was worth sharing with all of you. The majority of our public programs at the Santa Cruz Museum of Art & History are created and produced through community collaborations.

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Collaboration Community Tools Museum 55

Museum 2.0

JANUARY 14, 2010

This external profile technique was also used at the US Holocaust Memorial Museum when it first opened to let visitors connect with the stories of particular people affected by the Holocaust. In Titanic , visitors are given "boarding passes" that tell the beginning of a story of a real person who traveled on the Titanic.

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Museum International Roles Greece 34

Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. The Museum 2.0 In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions.

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Question Participatory Museum Evaluation 49

Museum 2.0

AUGUST 4, 2015

If people on the street are talking about X, the museum should be talking about X too. This is the least useful form of relevance for the arts. I used to work at The Tech Museum of Innovation in San Jose, CA. Our mandate was to be the museum of Silicon Valley--not of its material history, but its pulse of innovation.

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Content San Jose Museum Miami 20

Museum 2.0

MAY 17, 2017

What a Board is For - how trustees help you go beyond your limits Two Prioritization Techniques We Used to Negotiate a Great Lease - how can you decide collectively what you value most? Think Like a Real Estate Developer - a new way of looking at opportunities on the horizon What's More Inclusive: Food or Art?

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Arts Technique Comment Project 20

Museum 2.0

AUGUST 25, 2009

This technique was used in the Slavery in New York exhibition at the New-York Historical Society and continues in the popular StoryCorps project. Rabinowitz commented that "as a 40-year veteran of history museum interpretation, I can say that I never learned so much from and about visitors." A lone "What do you think?"

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Design Goal Difference Platform 31

Museum 2.0

DECEMBER 19, 2016

We believe that partnerships build a stronger museum and a stronger community. The tools and techniques that worked for us when we were seven people in a room don't work for twenty. Like most museums and nonprofits, we have a donor database. One of my organization's core values is radical collaboration. SALESFORCE.

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Collaboration Tools Build Organization 20

Museum 2.0

MAY 4, 2007

If anyone out there is considering creating an industry catch-all site for museum-related content, I highly recommend Gamasutra as a model. It combines a job bank with news about developments in the gaming world and, my favorite, an impressive collection of feature articles on the art, business, and production of games. Where am I?

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Game Storytelling Lesson Museum 20

Museum 2.0

MAY 5, 2009

I just returned from the American Association of Museums (AAM) annual meeting in Philadelphia. I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. what is the value of the exhibition experience to non-participants, that is, regular museum visitors?

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Slides Participatory Museum Children 20

Museum 2.0

OCTOBER 21, 2007

No one would contest the idea that most museum exhibitions, art shows, films, books, in short, most content experiences, have value both for the new and return user. The stop-motion example lets visitors go more deeply into their own experiences, a technique I’ll call “ layering in ”. This is where things get interesting.

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Experiment Create Museum Amazon 20

Museum 2.0

JANUARY 5, 2011

Note: This post is written in response to recent articles about museums by Arianna Huffington (on museums and new media) and Ed Rothstein (on museums and ethnic identity). I appreciate that you write about museums, and by doing so, publicize their work and efforts. Myth #1: Museums are about contemplation.

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Museum St. Louis Open Reflection 55

Museum 2.0

JUNE 12, 2012

It made me think in ways that I haven't before about the relation of art--as expressive culture--to democracy. Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution.

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Participatory Museum Blackboard Game 51

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 16, 2010

Last month, I heard a talk by author Jonathan Salem Baskin about his soon to be published book, “ Histories of Social Media.&# The book looks at social media concepts and ideas, asks is this really new? The technology tools certainly are, but history provides a context for every behavioral quality of new media.

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Measure Fund Impact Minnesota 96

Museum 2.0

MARCH 5, 2014

Consider three very different talkbacks in the Santa Cruz Museum of Art & History''s fall exhibition, Santa Cruz is in the Heart: cocktail napkins, rear view mirrors, and refrigerator certificates. design evaluation Museum of Art and History participatory museum usercontent'

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Test Museum Participatory Measure 43

Museum 2.0

OCTOBER 22, 2008

There are lots of things visitors can’t do in museums. But what about the things that museum professionals can’t (or feel they can’t) do? This week at the ASTC conference, Kathy McLean, Tom Rockwell, Eric Siegel and I presented a session called “You Can’t Do That in Museums!” And so my question is, why are we keeping them away?

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Museum Professional Teen Map 20

Museum 2.0

NOVEMBER 25, 2008

Why do you care about and or work in museums? I don't work in museums because I love them. I didn't grow up staring open-mouthed at natural history dioramas or wandering through art galleries. I didn't grow up staring open-mouthed at natural history dioramas or wandering through art galleries.

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Museum Alternative Education University 29

Museum 2.0

MAY 21, 2007

It's late at night at the Museum Curator smackdown. Museum folks often talk about the time decades ago when museums began to shift from places for objects to places for visitors. My background is in science and children's museums, where it's relatively easy to keep visitors in the foreground. Is the fix in?

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