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Participatory Grantmaking: I’m in! Now what?

sgEngage

You’ve read about participatory grantmaking—and maybe even heard about other organizations using this model to distribute control of their funding strategy and grants decisions to the communities they serve. But it is a different way of thinking for most grantmakers, so it can be difficult to know where to start. Is this you?

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4 Ways Funders Can Help Grant Writers Submit a Great Application

sgEngage

But it never hurts to review what information you’re asking for and whether it can be shortened or be collected in a different way. Are any of the questions duplicative? Is there information you can get from a previous question, from a previous application, or from an outside source such as Candid? Try to fill it out yourself.

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Data as Decision in Grantmaking

sgEngage

We make information into data when we explicitly attach it to a question and explicitly or implicitly connect it to an approach for making sense of it. Datamaking can enhance capacity building efforts through group questioning and analysis. Information is everything that is coming at us. However, to have data requires intention.

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Participatory Moment of Zen: Diverse Visitor Contributions Add Up to Empathy

Museum 2.0

This person is writing about a participatory element (the "pastport") that we included in the exhibition Crossing Cultures. Each prompt was tied to a different artwork in the exhibition. In front of each of those paintings, you could stamp your pastport, reflect on the artwork and the question, and share your story.

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What I Learned from Beck (the rock star) about Participatory Arts

Museum 2.0

Beck''s project is unusual because he deliberately resurrected a mostly-defunct participatory platform: sheet music for popular songs. In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. Constrain the input, free the output.

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Getting in on the Act: New Report on Participatory Arts Engagement

Museum 2.0

Last month, the Irvine Foundation put out a new report, Getting In On the Act , about participatory arts practice and new frameworks for audience engagement. It is framed as a kind of study guide; pop-outs provide questions that tease out opportunities and tensions in the narrative. What do you get out of the report?

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How to Keep Your Virtual Meetings on Track, Inclusive, and Engaging

Top Nonprofits

It can be inclusive and participatory. My goal is to design virtual experiences to be as inclusive and participatory as possible. Participants can respond to questions and add their thoughts and we can see each other’s faces. Ask a lot of questions beforehand to understand technology comfort. Except when it isn’t!

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