Museum 2.0

JANUARY 11, 2012

For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" We're hearing on a daily basis that the museum has a new role in peoples' lives and in the identity of the county.

Audience 47

Audience Museum Participatory History 47

Museum 2.0

AUGUST 16, 2010

I spent last week in the glorious country of Taiwan, hiking, eating, and working with museum professionals and graduate students at a conference hosted at the Taiwan National Museum of Fine Arts. It's not topic-specific; I've done these exercises with art, history, science, and children's museums to useful effect.

Museum 41

Museum Technique Taiwan Social 41

Museum 2.0

OCTOBER 1, 2014

Recently, we''ve been talking at our museum about techniques for capturing compelling audio/video content with visitors. It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. We ended up with a gallery in the museum instead.

Museum 43

Museum Story Project Design 43

Museum 2.0

JUNE 15, 2016

This month, I'm sharing a few chapters from my new book The Art of Relevance in advance of its release. Here's one of my favorite stories about the London Science Museum and their work to make their science shows relevant to families with deaf or hearing-impaired family members. But for deaf audiences, the experience was frustrating.

Museum 20

Museum Arts Language Chapter 20

Museum 2.0

SEPTEMBER 18, 2013

This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.

Museum 45

Museum Question Participatory Evaluation 45

Museum 2.0

MAY 2, 2012

Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. A year ago, I put my consultant hat on the shelf and decided to jump into museum management (a sentence I NEVER would have imagined writing five years ago). I'm open to any questions you want to raise in the comments.

Museum 55

Museum Director Participatory Culture 55

Beth's Blog: How Nonprofits Can Use Social Media

JULY 3, 2009

Submitted by Nina Simon, publisher of Museum 2.0 On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggl es with in applying participatory design techniques to museum practice. I love this question.

Technique 50

Technique Question Design Develop 50

Museum 2.0

APRIL 28, 2009

On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggles with in applying participatory design techniques to museum practice. And second, what techniques can help us find more? I love this question.

Technique 52

Technique Question Design Develop 52

Museum 2.0

NOVEMBER 8, 2011

Last month, the Irvine Foundation put out a new report, Getting In On the Act , about participatory arts practice and new frameworks for audience engagement. Here's what I think is really strong about the report: Coordinated, succinct research findings supporting the rise of active arts engagement.

Participatory 50

Participatory Arts Report Case Study 50

Museum 2.0

MAY 25, 2010

Margaret shared these thoughts about "museums for use" on her blog , and I asked her to adapt a version for the Museum 2.0 Should a museum be a destination or a place for everyday use? During my time at RISD studying industrial design, I developed relationships with two museums on campus: the Museum of Art and the Nature Lab.

Museum 37

Museum Rhode Island University Student 37

Saleforce Nonprofit

AUGUST 20, 2021

Despite these trends, research on philanthropy across diverse communities is limited and many questions remain unknown, including what motivates the giving practices of diverse donors, where they give, and what specific tools and techniques donors of color are utilizing to enhance their giving. Change Organizational Culture.

Strategy 82

Strategy Fundraising Philanthropy Nonprofit 82

Beth's Blog: How Nonprofits Can Use Social Media

JUNE 14, 2010

On Friday, I facilitated the final face-to-face workshop for the Social Media Lab for 25 arts organizations inspired by Thomas Edison’s approach. It was sponsored by the Hewlett Foundation, Wallace Foundation, San Francisco Foundation, Grants for the Arts, and the Koret Foundation. Contemporary Jewish Museum.

Social Media 99

Social Media Media San Jose Social 99

Museum 2.0

JANUARY 2, 2013

We just posted a part-time position at my museum for a Community Engagement/Marketing Associate. Does a Small Museum Really Need a Marketing Person? At our museum, we distribute marketing tasks--some with our membership director, our programs staff, and our visitor services staff. But then, a few things happened. We started.

Job 51

Job Marketing Difference Museum 51

Museum 2.0

FEBRUARY 20, 2013

It started as a handout for a session that Stacey and I are doing at the California Association of Museums, and then I realized it was so darn useful that it was worth sharing with all of you. The majority of our public programs at the Santa Cruz Museum of Art & History are created and produced through community collaborations.

Collaboration 55

Collaboration Community Tools Museum 55

Museum 2.0

OCTOBER 18, 2011

We’ve been doing a little experiment at our museum with labels. The Santa Cruz Surfing Museum recently loaned us some fabulous surfboards that tell the co-mingled history of surfing and redwood trees in Santa Cruz. The fundamental question here is how we balance different modes of audience engagement.

Participatory 48

Participatory San Diego Museum History 48

Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1. The Museum 2.0 Are there certain kinds of institutions that are more well-suited for participatory techniques than others? Yes and no.

Question 49

Question Participatory Museum Evaluation 49

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 6, 2014

One of the themes I’m going to discuss is the Art and Science of Engagement. The art part includes all the ways nonprofits and schools can engage and connect with alumni of their programs through social channels. I wanted to get a better understanding of context for this audience and the approaches they were already using.

Social Media 108

Social Media Network Media Free 108

Museum 2.0

MARCH 15, 2010

People often ask me which museums are my favorite. I visit lots of perfectly nice, perfectly forgettable museums. In some cases, that's based on subject matter, as at the Museum of Jurassic Technology or the American Visionary Art Museum. Some are scrappy and iconoclastic, like the City Museum in St.

Support 41

Support Museum St. Louis NSF 41

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 4, 2010

He is Deputy Director for the Contemporary Jewish Museum , and an expert in using social media in a museum setting. He welcomed me to the Bay Area and asked if I would be interested in doing some trainings for the local arts community. One thing led to another and I designed a social media lab for arts organizations.

Social Media 94

Social Media Reflection Learning Social 94

Museum 2.0

AUGUST 29, 2007

Thanks to Kyle Evans, who forwarded me the fascinating, lengthy master’s dissertation.art: Situating Internet Art in the Modern Museum by Karen Verschooren at the MIT Comparative Media Studies program. In it, Karen provides a survey of the evolving relationship of Internet art to art museums. On the website?

Museum 20

Museum Web Arts Internet 20

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 4, 2011

It isn’t unlike what a museum curator does to produce an exhibition: They identify the theme, they provide the context, they decide which paintings to hang on the wall, how they should be annotated, and how they should be displayed for the public. The work involves sifting, sorting, arranging, and publishing information.

Content 139

Content Skills Feeds Tutorial 139

Museum 2.0

SEPTEMBER 22, 2008

Imagine that your museum is ready to start creating content on a small-scale in Web 2.0. Imagine you are the Boston Museum of Science, and you are ready to make some videos to post on YouTube. When I search for "Boston Museum of Science" on YouTube, I find 83 videos. You're ready to make a few videos to post on YouTube.

Museum 22

Museum Technorati Boston YouTube 22

Museum 2.0

OCTOBER 31, 2016

At every talk I give about The Art of Relevance , no matter the audience, there's one question I always hear. Librarians and museum directors, park managers and theater producers all want to know: how do you deal with insiders who resist change? Here are three techniques I've learned to tackle insider resistance.

Change 20

Change Tips Museum Austin 20

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 26, 2010

I’m hearing less and less that using social networks is a waste of time or away to NGTD (Not Getting Things Done) and more “How do we get started strategically that right for our organizational culture, audience, and objectives.&#.

Blackbaud 93

Blackbaud Conference Reflection Atlanta 93

NetWits

APRIL 11, 2012

million volunteers making things happen in the arts and cultural space. In order to sustain this type of impact tech savvy art museums, zoos, historical sites, botanical gardens and many other types of arts and cultural nonprofits understand that technology is key to sustaining their growth. YouTube – [link].

San Diego 194

San Diego Social Media Museum Life 194

Museum 2.0

SEPTEMBER 22, 2009

They provide detailed case studies of projects in each area, including project descriptions, informal science education goals, participant training techniques, and evaluation outcomes. I've added a fourth model to this citizen science typology, one may be more appropriate to facilities like museums than to scientific organizations: co-option.

Public 36

Public Research Participatory Report 36

Museum 2.0

JUNE 28, 2017

Arts institutions have beat the innovation drum for decades now. Cultural organizations tend to have many programs, projects, audiences, and goals. Professionals share program models, exhibitions, and design techniques across organizations, often for free. Change may be necessary. Too complex and diversified a business.

Culture 21

Culture Organization Model Podcast 21

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 31, 2008

It takes your RSS feed and applies engagement metrics, analyzing the types and frequency of an audience's interaction with your content. Donor Solicitation Techniques on Twitter. Microblogging in a Museum Context. Effective ROI StoryTelling Techniques. Fighting for the Arts With Social Media. Twitter Demographics.

ROI 50

ROI Widget Cambodia Metrics 50

Museum 2.0

AUGUST 25, 2009

This technique was used in the Slavery in New York exhibition at the New-York Historical Society and continues in the popular StoryCorps project. Rabinowitz commented that "as a 40-year veteran of history museum interpretation, I can say that I never learned so much from and about visitors."

Design 31

Design Goal Difference Platform 31

Museum 2.0

NOVEMBER 10, 2009

Exhibit labels in science centers ask more questions than any other kinds of museums, and yet the questions are often awful--teacherly, overly rhetorical, and totally meaningless. asked by a cop or mother, garners the full attention of asker and askee alike, museum questions like "what is nanotechnology?," Leary (NRG!

Reflection 20

Reflection Research Question Museum 20

Museum 2.0

MAY 5, 2009

I just returned from the American Association of Museums (AAM) annual meeting in Philadelphia. I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. what is the value of the exhibition experience to non-participants, that is, regular museum visitors?

Slides 20

Slides Participatory Museum Children 20

Museum 2.0

OCTOBER 21, 2007

What does it mean when your audience is tired of itself? No one would contest the idea that most museum exhibitions, art shows, films, books, in short, most content experiences, have value both for the new and return user. our returners and core audience, who’ve been there done that. by not changing.

Experiment 20

Experiment Create Museum Amazon 20

Museum 2.0

JANUARY 5, 2011

Note: This post is written in response to recent articles about museums by Arianna Huffington (on museums and new media) and Ed Rothstein (on museums and ethnic identity). I appreciate that you write about museums, and by doing so, publicize their work and efforts. Myth #1: Museums are about contemplation.

Museum 55

Museum St. Louis Open Reflection 55

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 7, 2010

This year, Alan invited me to present a webinar for participants in the Marcus Institute Digital Education for the Arts on how Networked Nonprofits use Facebook. The concept of before, during, and after is an important way to plot out your instruction, getting a good understanding of the audience, and modeling. I struck out.

Facebook 111

Facebook Network Museum Nonprofit 111

Tech Soup

APRIL 12, 2012

million volunteers making things happen in the arts and cultural space. In order to sustain this type of impact tech savvy art museums, zoos, historical sites, botanical gardens and many other types of arts and cultural nonprofits understand that technology is key to sustaining their growth. YouTube - [link].

San Diego 66

San Diego Museum Social Media Life 66

Beth's Blog: How Nonprofits Can Use Social Media

JUNE 16, 2011

Here’s an example of 25 SMART social media objectives from arts organizations. What should be measured are shifts in awareness, comprehension, attitude and behavior related to donations, purchase, branding, reputation, public policy, employee engagement, and other shifts in audience beliefs or behaviors related to SMART objectives.

Facebook 101

Facebook Network Metrics Nonprofit 101

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 16, 2010

Crowds create original works of knowledge or art. The Royal Opera used Twitter to crowdsource a new opera. The opera staff collected the suggestions and summarized them on their blog. Opera is not the only art form, there’s been crowdsourced choreography – Dance Theatre Workshop. 2) Crowd Creation. A Crowd-Curated Exhibition.”

Measure 96

Measure Fund Impact Minnesota 96