Museum 2.0

OCTOBER 10, 2016

Museum technology nerds: this post is for you. I've been thinking recently about distributed content experiences--ways for people to interact with museum content (art, history, science, etc.) as they make their way through the world outside the museum. At the museum? but none of them are great. At the historic site?

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Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.

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Beth's Blog: How Nonprofits Can Use Social Media

MAY 24, 2006

The Art Museum Social Tagging Project is a group of art museums is looking at integrating folksonomies into the museum Web by developing a working prototype for tagging and term collection, and outlining directions for future development and research that could benefit the entire museum community. A tag is a user???s

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Museum 2.0

MARCH 3, 2011

Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. When activities were not facilitated, people were often too timid to interact. As one participant said, "the museum feels friendly in a way it usually doesn't."

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Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 23, 2010

Digital Activism was one of several books I gave to my friends at iHub in Nairobi. Digital Activism Decoded: The New Mechanics of Change , Mary Joyce, Editor. Digital activism is defined by the Meta-Activism Project as “the practice of using digital technology for political and social change.&#

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Museum 2.0

NOVEMBER 18, 2014

I''ve mostly seen museums employ one of two methods for formal community advisors: Create special "spots" on the board of trustees for certain kinds of community representatives. CON: can feel disconnected from the primary governance of the museum or can feel like a second-class board overall. I struggle with both these options.

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Museum 2.0

MARCH 8, 2011

Nikki created "The Ministry of Rules" --a shadow organization that existed for one week during half-term break, staffed by visitors who served as "Inspectors" investigating, exploring, and poking fun at the rules that make museums and galleries go. We used those ideas as the basis for the daily activities in the Ministry.

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Museum 2.0

JUNE 1, 2010

You can join the conversation in the blog comments, or on the Museum 2.0 Like many museum and library professionals, I am enamored of the idea of cultural institutions as “third places” – public venues for informal, peaceable, social engagement outside of home or work. The primary activity in third places is conversation among patrons.

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Museum 2.0

APRIL 2, 2014

In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. In my experience, the best participatory experiences are as constrained and clear as possible in the invitation offered, and as open-ended as possible in the outcome generated.

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Participatory Arts Music Learning 52

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 22, 2011

Note from Beth: I had pleasure of facilitating a panel discussion in October at the recent Grantmakers in the Arts pre-conference on technology and media with Rory MacPherson where I learned about some of the preliminary study result he discovered. We opened up the survey to all arts organizations in August.

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Arts Social Media Studies National 110

Museum 2.0

JANUARY 7, 2015

I''m entrenched in a project to build a creative town square in Santa Cruz connected to my museum. They hold open a door. When we lose the public space that facilitates it--active sidewalks and thoroughfares--we lose the simplicity of anonymous collisions. We fear it opens up a social contract for too much more.

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Museum 2.0

SEPTEMBER 12, 2012

In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. We're involving visitor services and volunteers more intentionally in facilitation.

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Participatory Museum History International 44

Museum 2.0

APRIL 15, 2015

But I couldn''t fully imagine how a museum or an arts center could embody it. In San Francisco, sidewalks account for 80% of all open space. In a city where parks are rare, streets can and should provide the social, recreational, and health functions that we expect from open space. They were open books.

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San Francisco Arts Design Marketing 20

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 4, 2010

He is Deputy Director for the Contemporary Jewish Museum , and an expert in using social media in a museum setting. We were lucky enough to have a fabulous space for the workshop in the Contemporary Jewish Museum. Claire Rice, from Theatre Bay Area, was live blogging the whole day and captured their opening remarks.

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Museum 2.0

SEPTEMBER 11, 2013

This week''s guest post is written by Julie Bowen, VP of Experience and Engagement at the Canadian Museum of Nature in Ottawa. Years ago, I was running a workshop at a conference introducing a creativity technique to museum professionals. But it would never work in my museum because my boss would never go for it.”

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Museum 2.0

JANUARY 18, 2008

This week marks one month of live activity for the Tech Virtual Museum Workshop , a collaborative, online platform for exhibit development. For me, it means spending a lot more time facilitating idea generation and communicating with others than being an independent creative agent. Now, on to the lessons thus far.

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Museum 2.0

MARCH 27, 2013

I've written about different structures for participatory processes (especially in museums), and recently, I've been interested in how we can apply these structures to the design of public space. We are engaged in active collaboration with so many stakeholders for this plaza, and kids are important but secondary contributors to the process.

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Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 30, 2010

. “We saw on the Obama campaign you’ve got to combine content and technology to facilitate action. There are still some job openings , including a Monetization Director to help Jumo “achieve financial self-sustainability through the development of revenue-generating products.&#. Argentina, France, India, or Kenya?&#

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Museum 2.0

JULY 22, 2008

A platform for museum staff to serve as facilitators of safe spaces for difficult conversations? The Living Library was conceived in Denmark in 2000 as a way to engage youth in dialogue about ending violence by encouraging people to meet their prejudices and fears in a safe, fun, facilitated environment.

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Bloomerang

JANUARY 29, 2024

If your nonprofit offers memberships to engage supporters more deeply in your organization’s activities, you need robust software to keep your program organized. View an engagement timeline with all member interactions, from emails they’ve opened to events they’ve attended. transaction fee. Timeline highlights. Custom fields.

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Museum 2.0

MAY 9, 2008

There's a tag applied to many Museum 2.0 Posts under that tag tend to examine non-museum things, from malls to games to ad campaigns , and draw some design lessons for museums from their foreignness. What aspects of that socialness are desirable in museums (and how might we mirror buses or trains to promote them)?

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Museum 2.0

NOVEMBER 11, 2008

As the museum's website puts it, "this exhibition examines how artists have engaged members of the public as essential collaborators in the art-making process." Staff play a major role in setting expectations about what visitors can and can not do-especially in art museums. DON’T make the participatory activity too narrow or difficult.

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Beth's Blog: How Nonprofits Can Use Social Media

MAY 20, 2010

Not only does this help me frame and tailor the talk I give to the audience, but facilitates Twitter conversations before. My opening framework breaks down the strategy into strategy blocks. I urge people to think of the chunks and then the tools. Examples: Wildlife Direct and Brooklyn Museum. Conversational Key Note.

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Bloomerang

FEBRUARY 1, 2022

Elizabeth Abel will explore the role of the board in elevating fundraising activity and discuss effective strategies to recruit, engage, and deploy diverse board members as fundraising ambassadors. Second is to develop some action-oriented strategies to recruit and retain and engage diverse board members in fundraising activity broadly.

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Museum 2.0

MAY 16, 2007

into the museum is the potential to encourage more positive in-museum interactions among strangers. I want to see more multi-person exhibits, more prompts for discussion about content, more tools to facilitate connecting wtih other visitors whose interests are similar or in some way useful to your own.

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Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 12, 2009

About three months ago Beth Kanter wrote about the Crowdsourcing of Vision at the Smithsonian Museum. Using social software for purposeful activities tends to create gigantic, wide, always-coursing feedback loops that will not be stopped. Jon Husbands is a Listener, watcher and facilitator.

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Museum 2.0

JUNE 27, 2008

Joe explains some of the planned intentional dialogue events: First, for the opening night dinner, we hired a local dance company that is putting together pieces about visiting museums, punctuated by an actor/dancer asking provocative questions to the group. At each table there will be an envelope with questions inside.

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Museum 2.0

SEPTEMBER 16, 2007

Out on the boardwalk, or at the zoo or a museum, there's a common experience of the sights, sounds, smells, activities of the place. But since the spaces are largely open, it feels threatening to approach strangers. Ideas participatory museum Unusual Projects and Influences visitors. Tags: Core Museum 2.0

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Museum 2.0

NOVEMBER 6, 2012

I'm thrilled to share this brilliant guest post by Marilyn Russell, Curator of Education at the Carnegie Museum of Art. This is a perfect example of a museum using participation as a design solution. Inspire visitors to look, think, and respond actively to the works on view? SOLUTION: POST-IT NOTES?

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Museum 2.0

DECEMBER 8, 2006

Elisa’s focus is interactive arts, media design, and cultural management, and she has been involved in many pertinent projects, such as MUVI (the Virtual Museum of the Collective Memory of Lombardia). Environmentalists, the Museum of Natural History at CU, they all responded very enthusiastically to this.

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Museum 2.0

JUNE 6, 2008

On June 4, we opened The Tech Virtual Test Zone , a new 2000 sq ft gallery at The Tech Museum of Innovation featuring exhibits on the theme of art, film, and music that were originally developed in Second Life by a community of creative amateurs. Some museum pros have been puzzled by this. We'd talk about the work itself.

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Museum 2.0

OCTOBER 30, 2007

This week, we're looking at the first section, Talking Back and Talking Together , which features comment boards, talk-back walls, and discussion forums at a variety of museums. At the Boston Museum of Science's video kiosk on wind power, 3/4 of people were most interested in making their own video (as opposed to watching others).

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Museum 2.0

JUNE 12, 2012

Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. With one exception, no single activity cost more than $30 to produce/maintain. The Love Lounge I LOVE.

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Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 16, 2010

I’ve had the pleasure working with Diana Scearce , from Monitor Institute, who has been facilitating and weaving this network. Social media tools for engaging and capturing the work of crowds include: wikis, custom platforms or web sites that facilitate voting, rating, giving feedback, adding content, or funding.

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Measure Fund Impact Minnesota 96

Amy Sample Ward

FEBRUARY 28, 2011

Your capacity for change and the opportunities to collaborate are visible through open communication and public information. And finally, you want to identify the roles needed to create, facilitate, and implement the programs and services you design with the community. At least if you plan on interacting with them!

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Museum 2.0

OCTOBER 16, 2013

When you count attendance to your museum, do you include: people who eat in the cafe? It''s about museum attendance and how the five big, free museums in St. Summertime concerts at the history museum? Outdoor movies at the art museum? For us, annual attendance includes programmatic activities onsite and off.

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Museum 2.0

JUNE 8, 2007

Yesterday, I turned in my keys and said goodbye to the Spy Museum and to Operation Spy, the narrative, immersive game experience I've been developing/building over the last two years. Instead of guides leading groups, there are actor/facilitators who interact with visitors throughout their experience. It's about economics.

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