Museum 2.0

DECEMBER 3, 2019

I was thinking I’d do a few alternative histories of museums for the first post of the last month of the decade. As I imagined a world without the many museum tech projects of the decade, I felt inherently sad about the imagining away the successes that friends and colleagues have enjoying. But I couldn’t get there.

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Museum Work Social Media History 21

Museum 2.0

MARCH 19, 2014

Here are a few of the hashtags I''ve seen applied to photographs of museum objects on Instagram lately: #heytherebigfella #biggysmallistheillest #forbrightfuture #myfavorite #instagood #bestday #withmyhomies #whatever #learnedfromthebest #revolutionary #nowicandie These tags all do a great job capturing the magic of exploring a museum.

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Museum Tag Game Arts 46

sgEngage

JULY 18, 2023

Recruit early adopters and your most active / influential followers to expand your reach! Tag the community partners who have helped you along the way and amplify the voices of your strongest supporters. Are you an art museum that posts behind-the-scenes looks at your collection on Instagram?

Hype 74

Hype Fundraising Social Media Platform 74

Museum 2.0

DECEMBER 15, 2014

Gretchen Jennings convened a group of bloggers and colleagues online to develop a statement about museums'' responsibilities and opportunities in response to the events in Ferguson, Cleveland and Staten Island. Museums are a part of this educational and cultural network. Where do museums fit in? Here is our statement.

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Museum Blogger Cleveland Missouri 52

Museum 2.0

DECEMBER 4, 2013

Is your museum running on interns? It is a strong, museum-focused complement to an excellent three-parter on Createquity about the ethics and future of unpaid arts internships. I got my first real job in a museum (at the Guggenheim) after a life-changing internship. It''s probably a path you had to navigate too.

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Museum Share Student New York 55

Museum 2.0

SEPTEMBER 26, 2012

Writing my masters thesis for Gothenburg University’s International Museum Studies program while also working four days a week as the Director of Community Programs at the Santa Cruz Museum of Art & History this spring was certainly a challenge but also an incredible opportunity.

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Museum Program Participatory Community 49

Forum One

DECEMBER 8, 2021

GOLD – Activism for Websites. Gold – Activism for Websites. The Zero to Three Policy Center, an organization is an independent, non-partisan research-based voice that educates the public and political leaders about the unique developmental needs of babies and toddlers. Arkansas Museum of Fine Arts.

Award 65

Award Arkansas Colorado Museum 65

Beth's Blog: How Nonprofits Can Use Social Media

MAY 7, 2010

Nina has written a fantastic book engagement called The Participatory Museum. Most of my work involves museums, but these categories can be useful in any project that involves user participation. I've purchase a two copies, one for me and one to give away. I’ve added one more category to the mix called hosted.

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Model Activities Active Activism 98

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 16, 2007

blog has set up an experiment using VoiceThreads, a multimedia presentation software that allows people to add their voices to the presentation. The activity should take about ten minutes, and will work best with a high speed internet connection and a computer microphone (though you can do it without either).

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Voice Test Museum New York 50

Museum 2.0

SEPTEMBER 18, 2013

This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.

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Museum Question Participatory Evaluation 45

Museum 2.0

MARCH 26, 2014

Last week''s New York Times special section on museums featured a lead article by David Gelles on Wooing a New Generation of Museum Patrons. In the article, David discussed ways that several large art museums are working to attract major donors and board members in their 30s and 40s. David describes himself as a "museum brat."

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Museum Generation Interview Donor 54

Nonprofit Tech for Good

JANUARY 23, 2012

Most nonprofits are still experimenting to discover their Google+ voice and hone in on a frequency of publishing content to the stream that makes Google+ both viable long-term and worth the time spent exploring Google+. The Field Museum. As traffic continues to grow , new tools and functionality are added almost daily. Amazon CARES.

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Google Detroit Ireland Kiva 213

Museum 2.0

DECEMBER 3, 2014

During a workshop on museum visitor participation, someone spoke up and objected: "this might work in California, but it will never work in Texas." I saw how participatory techniques were working in diverse museums around the world. In Asia, I''ve noticed museum visitors are willing--enthusiastic, even--to take photos with strangers.

Culture 49

Culture Participatory New Zealand Museum 49

Museum 2.0

JUNE 24, 2010

Last week, I visited the Wing Luke Asian Museum in Seattle. I've long admired this museum for its all-encompassing commitment to community co-creation , and the visit was a kind of pilgrimage to their new site (opened in 2008). I'm always a bit nervous when I visit a museum I love from afar. What if it isn't what I expected?

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Museum Participatory Model Seattle 51

Museum 2.0

JULY 20, 2016

When we say we want our museum to be "audience-centered," what do we mean? My career first got moving at a brilliant example of the customer-centered museum: the International Spy Museum. Many of my favorite museums, libraries, and zoos are customer-centered places. They care about visitor comfort.

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Museum Audience Music Arts 20

Museum 2.0

AUGUST 20, 2009

I'm working on a section of my book about sharing social objects and am writing about the most common way that visitors share their object experiences in museums: through photographs. Revenue Streams: Museums want to maintain control of sales of "officially sanctioned" images of objects via catalogues and postcards.

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Museum Photo Policy Open 54

Saleforce Nonprofit

AUGUST 20, 2021

An organization, company, or other entity can have all of the diversity numbers in the world, but until everyone feels included and that there is a place and voice for them, it is all for naught. She is an active philanthropist through YFJ Philanthropies as well. So, our work is called IED for inclusion, equity, and diversity.

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Strategy Fundraising Philanthropy Nonprofit 82

Museum 2.0

MARCH 7, 2007

Nik inquired as to how I feel about museum blogs. what's your take on museums that keep blogs? In general, yes, I think that museums maintaining blogs is an effective, cheap way to get changing content out to the public frequently. version of the news clippings tackboard on “Current Events” in hallways of some museums.

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Voice Difference Museum Aggregator 36

Museum 2.0

SEPTEMBER 3, 2014

They diversified the voice of immigration in the exhibition and encouraged people to share their own histories verbally. Each of these activities invited contribution on a different level. The trick is to invite many voices in many forms. design exhibition Museum of Art and History participatory museum usercontent'

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Participatory Museum History Arts 45

Nonprofit Tech for Good

AUGUST 24, 2011

Additionally, the app serves as hub to all other Google Apps, such as Gmail, Calendar, Docs, Reader, Voice, Maps, etc. Museum of Me :: intel.com/museumofme. A Facebook app that creatively displays you and your Facebook friends in a virtual museum. It is a must download! GreatNonprofits :: greatnonprofits.org.

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Fun Resource Audio Stats 276

Museum 2.0

MARCH 17, 2020

This month, I’d planned to have a celebration of the fellow people in museums, including your coworkers and colleagues you’ve never worked with. As perhaps everyone knows, there is a virus actively propagating in every community in the country. Closing museums could have real impact on visitors but also strongly impacts on the economy.

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Museum Doc Director National 23

Museum 2.0

JANUARY 9, 2017

Hosted by a sound art collective, Ultra-red, the 2015 event promised "to investigate listening as a political activity and to interrogate the stakes of participation in neoliberalism." When should you turn down the invitation to share your voice? There are many ways for voices to get chopped and twisted.

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Participatory Museum Voice Press 20

Museum 2.0

JANUARY 16, 2013

It's not every day that a visitor buys pizza for everyone in the museum. Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. Ze was really hands-on with everyone, giving hugs, taking photos, jumping in to do activities with participants. The activities had a really low barrier to entry.

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Reflection Community Museum Participatory 43

Museum 2.0

JUNE 12, 2013

TCG is the industry association for non-profit theaters, the way AAM is for museums. Given TCG''s multi-year Audience (R)evolution initiative, I took the opportunity to write a new talk about what revolution has looked like at our small museum in Santa Cruz. At the same time, our community relevance was limited.

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Museum Learning History Arts 55

Museum 2.0

APRIL 9, 2014

For many arts/museum professionals, writing text in 100-word chunks is a daily activity. it marks adverbs and uses of passive voice. And of course, it doesn''t actually channel the voice of Ernest Hemingway. Exhibit labels. Promotional text. Grant proposals. And unfortunately, a lot of that writing is lousy.

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Tools Online Proposal Brain 49

ASU Lodestar Center

AUGUST 9, 2011

This usage should make us stop and consider whether a smattering of policy makers, scholars, and practitioners have introduced an idea that has meaning only to them, resulting in a grand con on the range of individual industries and activities that fit a vague notion of "public good." I mean, really. Maybe not all the time. Maybe sometimes.

Museum 100

Museum Nonprofit Policy Professional 100

Neon CRM

DECEMBER 13, 2023

Membership models determine how organizations drill down to plan membership tiers , community-building activities, and budget and revenue priorities. Credibility: With more visibility comes increased credibility, presenting the organization as a thought leader and credible voice in its industry. Why should they want to be a part?

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Model Florida Nonprofit Benefit 52

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 23, 2010

Digital Activism was one of several books I gave to my friends at iHub in Nairobi. Digital Activism Decoded: The New Mechanics of Change , Mary Joyce, Editor. Digital activism is defined by the Meta-Activism Project as “the practice of using digital technology for political and social change.&# 6. ShareThis!

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Amazon Nonprofit Social Media Oregon 116

Museum 2.0

SEPTEMBER 18, 2012

I feel strongly that there are huge issues with racial and ethnic diversity in museums and arts organizations that deserve a million more posts. One was a conference on pushing our practice in art museums. In library- and museum-land, the participants were 80-90% women. I don't know if gender diversity deserves more posts.

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Arts Problem Open Museum 54

Museum 2.0

MARCH 3, 2011

Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. When activities were not facilitated, people were often too timid to interact. As one participant said, "the museum feels friendly in a way it usually doesn't."

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Participatory Arts Audience Museum 51

Museum 2.0

AUGUST 26, 2008

This week, I'm launching a new site: the Voicemail Museum. It's an experiment that merges two of my greatest interests: finding novel, easy ways for visitors to contribute content to museums finding questions that draw such compelling responses that random peoples' answers would be worth browsing To participate, all you need is a phone.

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Museum Audio Participatory Phone 20

Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. The Museum 2.0 In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions.

Question 49

Question Participatory Museum Evaluation 49

Museum 2.0

JUNE 29, 2011

Now that I'm on staff at a museum, I've (re)discovered a more pedestrian value of visitor participation: it's delightful. Be charming and delightful" isn't one of the bottom-line goals of most museums. My goal is to eventually be surrounded by the voices of our visitors--funny, sweet, demanding--so they can inspire me all day long.

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Museum Participatory Comment Sound 47

Museum 2.0

OCTOBER 8, 2007

This week, with the gracious help of Eric Siegel of the New York Hall of Science , Museum 2.0 In the spirit of that question, Museum 2.0 The first of these is up now and will be active for the next week. If you don't have a microphone, you can contribute text, but the voice component is pretty powerful.

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Museum Experiment New York Voice 20

Museum 2.0

JANUARY 28, 2009

What role does “promoting human happiness” play in the mission statements and actions of museums? That’s the question I’m pondering thanks to Jane McGonigal and the Center for the Future of Museums (CFM). Earlier today, the CFM offered a free webcast of Jane McGonigal’s talk on gaming, happiness, and museums.

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Museum Game Structure South America 21

Museum 2.0

APRIL 1, 2015

Last week, Ian David Moss and I both blogged about the process of developing a theory of change for the Santa Cruz Museum of Art & History. At the Santa Cruz Museum of Art & History, one way we''re answering these questions is with a theory of change. It''s a logical flowchart that connects activities to outcomes to impact.

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Change Museum History Arts 20

Museum 2.0

AUGUST 19, 2015

One of my favorite comments on the first post in this series came from Lyndall Linaker, an Australian museum worker, who asked: " Who decides what is relevant? Who interprets the interests of the community and decides on the relevant themes and activities for the year? The program works because it is teen-centered, not museum-centered.

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Teen Museum Voice Collaboration 20