AccelEvents

JANUARY 5, 2021

Artists, labels, and music venues have faced an uphill climb in 2020. Without the ability to perform in front of a live audience, venues have closed their doors and artists are looking for new ways to connect with their audience. . An epidemic model created from the data collected from parts one and two. .

Music 52

Music Industry Artist Virtual 52

Bloomerang

JULY 19, 2023

You can access this data from year to year, so you can better determine where adjustments should be made. Starting with a small-scale or pilot project allows for innovation, gathering feedback, refining the model as needed, and expanding the program if it proves successful. Do you serve K-12 students? The BIPOC or LGBTQ communities?

Professional 70

Professional Leadership Develop Proposal 70

Bloomerang

FEBRUARY 17, 2023

And that’s been our business model since then. That could include darker shirts that feel more in tune with heavy metal artists. Never underestimate the power and accessibility that simple design can have. We also encounter people at music festivals so sometimes we will cater our designs to fit those music genres.

Design 68

Design Relationship Share Donor 68

Museum 2.0

OCTOBER 8, 2014

They arbitrated replicas, reproductions, models, and props. Many artists work with assistants and reproducing processes. They conducted a simple experiment: People read a story about a painting called "Dawn" created by an artist. In some, the artist produced the original painting. If done by the same hand?

Artist 55

Artist Museum Washington Arts 55

CauseVox

SEPTEMBER 20, 2021

Paint and sip events work for any type of organization, artists of all levels, and can easily be adapted for every season. If you’re going the DIY route, reach out to a local artist to lead the class, and stock up on all the necessary supplies. Your artist just has to log in and lead class virtually. Rake-A-Thon.

Ideas 98

Ideas Fundraising Virtual Local 98

Nonprofit Tech for Good

DECEMBER 14, 2022

It can be helpful to lead a planning process within your own organization that examines your organizational assets and access so you can translate them into benefits. History: Simply being around a long time has some cachet and may mean you have access to historical wisdom, knowledge, and records. It is seen as wasteful overhead.

Donor 337

Donor Sponsor Accessibility Music 337

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 13, 2012

In 2008, she asked for advice about raising money to go to Africa to help support the first community access television station opening in Ghana. In 2008, I raised money to go to Africa to help support the first community access television station opening in Ghana. My background is in community media. Now, fast forward to 2012.

Wisconsin 99

Wisconsin Platform Fund Ghana 99

Museum 2.0

APRIL 2, 2014

There are many artistic projects that offer a template for participation, whether a printed play, an orchestral score, or a visual artwork that involves an instructional set (from community murals to Sol LeWitt). Beck talks about this in the context of learning to play music as a young artist. There are twenty songs in Song Reader.

Participatory 52

Participatory Arts Music Learning 52

Museum 2.0

JULY 26, 2010

From a museum perspective, I think there's a lot to learn from these venues' business models, approach to collecting and exhibiting work, and connection with their audiences. What makes Machine special is its brand of humor and accessibility, combined with a real dedication to experimenting on the borders of art, science, and ideas.

Culture 49

Culture Alternative St. Louis Los Angeles 49

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 1, 2009

It can be difficult to develop and retain engagement using cause-related media or social media for a variety of reasons, not the least of which is the dearth of financing opportunities and access to distribution in the case of film, and the consistent effort and facility with short, quick messaging and branding required in social media.

Culture 84

Culture Build Change Media 84

Media Cause

SEPTEMBER 29, 2021

They pointed out efforts to expand education to make it more accessible, and their wishes to create a more inclusive workforce. That’s what I used to think along with many of my design role models. By stripping away extra details and embellishments, we ultimately create the ideal user experience. Design as Protest.

Design 52

Design System Structure Ratio 52

Museum 2.0

OCTOBER 29, 2010

To construct the video, artist Chris Milk assembled images and footage of Johnny Cash in a sequence along with the song. While the drawing tools could be more intuitive, remixing a reference image is likely less scary for non-artists than other more involved ways to produce a frame. That's hardly revolutionary.

Participatory 48

Participatory Music Project Video 48

Museum 2.0

NOVEMBER 23, 2011

An exhibiting artist approached me recently at an evening event at the museum. You know, the hours that you're open--they're not very accessible for people who work." he said, "I have some feedback for you. He's right. They aren't. We're open Tuesday-Sunday, 11am-5pm.

Museum 55

Museum Open Artist Audience 55

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 1, 2009

Ann Wizer is an artist who uses design and education to protect the environment and reduce poverty. Ann is an activist and an artist. Ben Rattray mentioned: The vast majority of social good platforms have failed because they have modeled social good platforms on commercial applications. It is the trash from the buildings.

Social 88

Social Kiva Artist Sample 88

Museum 2.0

OCTOBER 3, 2012

Salman Khan's videos give people access to good instructional content on standard (and often confusing or poorly taught) educational topics. More importantly, it means that we should be looking to their model to push ourselves in how we think about delivering the most engaging, powerful content possible. How to titrate an acid.

Learning 55

Learning Free Museum Online 55

Museum 2.0

MAY 13, 2015

He is committed to our aspiration of creating a new model of what museums can be in the 21st Century. They are incredibly detailed depictions of scientifically and visually accurate moments in time and place with backdrop murals made accomplished artists – including some famous Plein Air artists who created them as part of W.P.A.

Los Angeles 20

Los Angeles Museum History Artist 20

Tech Soup

AUGUST 14, 2014

It is open to creators from all backgrounds – from charities to video game developers to artists. Indiegogo is quite a bit more flexible than Kickstarter, giving you the option to choose an "all-or-nothing model or to keep your pledges whether you not you reach your goal. Special Plan for Nonprofits: No.

Platform 79

Platform Organization Childhood Badge 79

BoardAssist

MARCH 14, 2017

Keep in mind, a lawyer’s rates will be different from an administrative assistant’s rate, or an artistic director’s salary. Measures of financial health, smart business models and full costs are all important areas of focus for NFF. In some cases, it might be leadership staff that volunteer hours for their organization.

Practice 40

Practice Nonprofit Advice Fund 40

Museum 2.0

OCTOBER 1, 2014

We have cases with museum objects that people told stories about, with large images of those storytellers adjacent to the object, and in the middle of the gallery is a long rectangular table with touchscreens where people can access all the stories that have been recorded. Why did you choose this format instead of video?

Museum 43

Museum Story Project Design 43

Whole Whale

MARCH 28, 2023

It exists in the algorithms that govern your Facebook timeline, explains why YouTube always recommends the perfect video, or more recently, powers the Large Language Models (LLMs) like OpenAI’s Chat-GPT , Google’s Bard , or Bing’s AI Chatbot , and others that have made headlines. Chat-GPT is a generative large language model.

FAQ 52

FAQ Language Model Nonprofit 52

Connection Cafe

NOVEMBER 7, 2013

Your charity website is being accessed through mobile devices, with donors ready to donate through your donation page. Not all platforms are made alike, while some are uniquely designed for artists, others target consumers, and very few are specializing in charities. Ready or not, the mobile trend is affecting your organization.

Generation 35

Generation Mobile Trend Giving 35

Museum 2.0

SEPTEMBER 29, 2009

And then there's the Berkeley Ace hardware store, which has a basement lair devoted to model trains. Not only do I get to experience the fun of opening the door to something mystical, I get to play porter and grant my friends access as well. Secrecy operates on a scarcity model; if everyone knows about it, it's not as appealing.

Museum 34

Museum Los Angeles San Francisco Model 34

Museum 2.0

JULY 12, 2010

When I first started exploring the site, I assumed it was mostly a place for charismatic hipsters and a few star artists with enough social media savvy and clever video production capabilities to produce enticing pitches. Tags: marketing fundraising business models. Could you imagine using Kickstarter at your institution?

Fund 49

Fund Museum Pledge Game 49

Museum 2.0

AUGUST 8, 2010

A Community-Based Approach to Collecting and Cataloging CUL is a replicable model for community archives that accepts every piece of print media from a certain area without making quality or importance judgments, going back as far in history as possible. Our new catalog and website will be up within the next two months.

Chicago 48

Chicago Library Public Culture 48

Tech Soup

SEPTEMBER 3, 2013

It is open to creators from all backgrounds – from charities to video game developers to artists. Indiegogo is quite a bit more flexible than Kickstarter, giving you the option to choose an "all-or-nothing model or to keep your pledges whether you not you reach your goal. Special Plan for Nonprofits: No.

Platform 65

Platform Organization Childhood Badge 65

Museum 2.0

JULY 9, 2009

Last month, I met an artist who was part of a group that created a renegade podcast tour for the Portland Art Museum. The participatory element employs an accessible speculative question. The participatory element is modeled well by the "official" content. They model the requested visitor contributions.

Museum 22

Museum Alternative Portland Artist 22

Museum 2.0

JULY 1, 2011

But the point is that the MAH, like just about every other museum in the known universe, was content to define the museum experience as something removed from the outside world, a rarefied church-like space of refined artistic reflection. We started looking around for a small city, progressive, good outdoor access, good for vegetarians."

Museum 31

Museum History Arts Work 31

Museum 2.0

MAY 3, 2011

We have cases with museum objects that people told stories about, with large images of those storytellers adjacent to the object, and in the middle of the gallery is a long rectangular table with touchscreens where people can access all the stories that have been recorded. Why did you choose this format instead of video?

Story 53

Story Interview Museum Audio 53

Museum 2.0

MAY 25, 2010

To them, the Nature Lab was much more accessible. If the Museum wants the students to use the Museum the way they use the Nature Lab, it needs to be accessible, work-focused, and have a variety of low-commitment entry points. We artists and designers love our cheese-cube-and-wine-fueled Gallery Nights and those should stay.

Museum 37

Museum Rhode Island University Student 37

Museum 2.0

FEBRUARY 7, 2008

I met one of these data artists last year while visiting a friend/journalist at the New York Times. Sure, a lot of artists can express those kinds of intentions. And herein lies the power of data visualization: no matter how artistic it gets, it remains truthful to the core content.

Design 20

Design Data Artist New York 20

Museum 2.0

JULY 1, 2008

have established viability in two ways—via designed experiences (exhibits, programs, courses) and access to assets (artifacts, books). Today, both of these models are threatened, and within 50 years they will no longer be sustainable. Why are our current models failing? On the experience side, we’re being out-competed by retail.

Museum 20

Museum Library Participatory Wikipedia 20

Have Fun - Do Good

JANUARY 16, 2009

I think about how hesitant I was to become an artist, because I didn't see role models, and even to this day how hard it is for me sometimes to find peers who are women of color, because of how systematically they are pushed out. I'm an artist and an institution builder. Everyone is entitled to art in their life.

Artist 40

Artist Digital Arts San Francisco 40

Museum 2.0

AUGUST 29, 2007

And while there's lots of good stuff in these sections (including an introduction for me to some wild net artists ), it's the last chunk that interests me most, where Karen explores the question of how and where Internet art should be exhibited. Why do that at the museum when I can do it at home? or other link set. Integration.

Museum 20

Museum Web Arts Internet 20

Museum 2.0

MAY 19, 2010

Darcie described the Centre Pompidou in Paris as a place where she is surrounded by working artists, where things change frequently, and where she feels as a visitor that anything can happen. When visitors see each other as distracting or preventing them from accessing an exhibit, they are unlikely to see each other as partners in experience.

Community 21

Community Museum Participatory Relationship 21

Have Fun - Do Good

SEPTEMBER 9, 2009

What we do here in Oakland, and throughout the Bay Area, is we work with inner city companies that not only have a scalable model, but also have a social responsibility aspect built into their business model. There is access to transportation. They're artists so they think big. We look at companies that are doing good.

Oakland 61

Oakland San Francisco Companies Business 61

Museum 2.0

JUNE 6, 2008

The same thing applies to exhibits, but Second Life is a tool that facilitates making the exhibit in a more accessible way than full-scale fabrication. Once we realized that virtual exhibits would not translate directly to the real world, we transitioned to a model where the real exhibits were "inspired by" the virtual.

Virtual 21

Virtual Tech Lesson Develop 21

Allegiance Group

SEPTEMBER 17, 2023

Crowdfunding Platforms Crowdfunding campaigns are becoming increasingly popular among individual ventures, independent artists, and nonprofits. These systems are intuitive, so you can access data quickly and easily. Pricing: Pricing follows a subscription model and is based on the number of constituent records your organization has.

Tools 52

Tools Effective Fundraising Donation 52