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An Evolution of Evaluation in Grantmaking With a Participatory Lens

sgEngage

All too frequently, the grantmaker alone is determining, leading, and benefiting from MEL processes with no input or collaboration from the people, organizations or community impacted. MEL, as it turns out, is not neutral, but yet another place where power differentials show up. Consider: Who defines objectives and “success”?

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The ongoing revolution in philanthropy: An open-ended reading list

Deborah Elizabeth Finn

The tendency of philanthropic professionals, big donors, and other relatively privileged people to assume that they know what is best for the people who are directly affected by the problems that need to be addressed. Deciding Together Shifting Power and Resources Through Participatory Grantmaking. Here are 6 ways it could go.

professionals

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What I Learned from Beck (the rock star) about Participatory Arts

Museum 2.0

Beck''s project is unusual because he deliberately resurrected a mostly-defunct participatory platform: sheet music for popular songs. In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. Constrain the input, free the output.

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What Is a Story and Why You Need To Tell Them

The Storytelling Non-profit

Telling great stories helps your non-profit get its message out into the world, connect with new audiences and motivate people to take action like making a donation. Every story we tell is a serious of events that happened to a person, place or project. It’s participatory. That means it’s what we are doing.

Story 89
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Accessibility Goals: Moving Past Compliance

Forum One

Within Forum One, and among the mission-driven organizations we work with, I sense that more people understand that accessibility isn’t a box to check, but rather an integrated part of project design and delivery. Maybe that made a whole new set of people more empathetic to the idea of accessibility. We can’t connect. Focus on content.

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The Great Good Place Book Discussion Part 1: Can Cultural Institutions Be Third Places?

Museum 2.0

This is the first installment of a book discussion about Ray Oldenburg’s book The Great Good Place. Like many museum and library professionals, I am enamored of the idea of cultural institutions as “third places” – public venues for informal, peaceable, social engagement outside of home or work. Facebook discussion board here.

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Participatory Design Vs. Design for Participation: Exploring the Difference

Museum 2.0

Which of these descriptions exemplifies participatory museum practice? But the difference between the two examples teases out a problem in differentiating "participatory design" from "design for participation." In the first case, you are making the design process participatory. In the second, you make the product participatory.