Museum 2.0

AUGUST 25, 2016

They wanted to help museums and galleries across the UK make significant, sustained changes in the ways they engage community partners and visitors as participants in their work. The result, Our Museum , is an extraordinary funding program with a focus on community participation. didn't mince words. Here are my three top takeaways.

Museum 20

Museum Participatory Resource Place 20

Museum 2.0

MARCH 26, 2014

Last week''s New York Times special section on museums featured a lead article by David Gelles on Wooing a New Generation of Museum Patrons. In the article, David discussed ways that several large art museums are working to attract major donors and board members in their 30s and 40s. David describes himself as a "museum brat."

Museum 54

Museum Generation Interview Donor 54

Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. This post shares some of the most interesting questions I've heard throughout these experiences. Feel free to add your own questions and answers in the comments! BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1.

Question 49

Question Participatory Museum Evaluation 49

Museum 2.0

APRIL 18, 2011

I asked Wendy Pollock and Kathleen McLean, authors of the new book The Convivial Museum , to share a guest post about the book. At first glance, our new book, The Convivial Museum , is about the most simple ideas. That's why we've included so many voices and perspectives in this book. And that's where this book comes in.

Museum 50

Museum Photo Minneapolis California 50

Museum 2.0

SEPTEMBER 26, 2012

Writing my masters thesis for Gothenburg University’s International Museum Studies program while also working four days a week as the Director of Community Programs at the Santa Cruz Museum of Art & History this spring was certainly a challenge but also an incredible opportunity.

Museum 49

Museum Program Participatory Community 49

Museum 2.0

JUNE 5, 2019

I was proud to work with amazing colleagues to lead major change at the museum. My favorite question Geoffrey asked me was about engaging with people who were critical of the transformation of the MAH. Here's his question and my full answer (which was edited down for length in the published article). It was not easy.

Interview 36

Interview Change Museum History 36

Museum 2.0

APRIL 21, 2020

This week we're hearing from Eastman Museum's Kate Meyers Emery. They have created elevated and new digital opportunities for public access and engagement within their respective museums at a time when physical access is not possible. My team will also continue to protect and monitor the museum. I’m new to this but excited.

Digital 52

Digital Museum Social Media Public 52

Museum 2.0

DECEMBER 3, 2014

During a workshop on museum visitor participation, someone spoke up and objected: "this might work in California, but it will never work in Texas." I saw how participatory techniques were working in diverse museums around the world. In Asia, I''ve noticed museum visitors are willing--enthusiastic, even--to take photos with strangers.

Culture 49

Culture Participatory New Zealand Museum 49

Museum 2.0

OCTOBER 23, 2007

One of my most exciting moments of ASTC this year was picking up a copy of the newly released Visitor Voices in Museum Exhibitions , a collection of essays ten years in the making, edited by Kathy McLean and Wendy Pollock. The book opens with a list of reasons why museums might use "visitor-response elements in exhibitions."

Museum 20

Museum Voice Case Study Discussion 20

Beth's Blog: How Nonprofits Can Use Social Media

JUNE 22, 2011

I love this question – one that every organization that is trying to encourage more internal participation from staff should ask on a survey: If we could get more BMAG staff involved in tweeting, who would you like to see tweet and answer your questions via twitter? Museum Management. Exhibitions team. Learning team.

Social Media 95

Social Media Analytics Tools Media 95

Museum 2.0

SEPTEMBER 3, 2019

But we also know that it hasn’t made an appreciable impact on the people coming to museums. Now, I’m not an expert in throwing open the doors, but just one voice, trying to make this happen. No one in leadership in a museum can be immune to the financial responsibilities of keeping collections available. That is, except museums.

Accessibility 32

Accessibility Museum Australia Voice 32

Saleforce Nonprofit

AUGUST 20, 2021

An organization, company, or other entity can have all of the diversity numbers in the world, but until everyone feels included and that there is a place and voice for them, it is all for naught. So, our work is called IED for inclusion, equity, and diversity.

Strategy 82

Strategy Fundraising Philanthropy Nonprofit 82

Museum 2.0

SEPTEMBER 3, 2014

They diversified the voice of immigration in the exhibition and encouraged people to share their own histories verbally. In front of each of those paintings, you could stamp your pastport, reflect on the artwork and the question, and share your story. The trick is to invite many voices in many forms. Some with a colored pencil.

Participatory 45

Participatory Museum History Arts 45

Museum 2.0

MARCH 7, 2007

Nik inquired as to how I feel about museum blogs. what's your take on museums that keep blogs? In general, yes, I think that museums maintaining blogs is an effective, cheap way to get changing content out to the public frequently. version of the news clippings tackboard on “Current Events” in hallways of some museums.

Voice 36

Voice Difference Museum Aggregator 36

Amy Sample Ward

AUGUST 3, 2010

Global use of social media is also a great way to amplify voices, ideas, and stories. The Brooklyn Museum has done a lot with FourSquare, like sharing promotions and building visible community; check out the write up on the FourSquare blog or on the Museum’s site. Meetup Everywhere. What do you think?

Local 143

Local Global Tools Case Study 143

Museum 2.0

JANUARY 9, 2017

When should you turn down the invitation to share your voice? How should you make these decisions in an imperfect world where every host is using you for something, and every voice is in danger of being manipulated, misunderstood, or subverted? There are many ways for voices to get chopped and twisted.

Participatory 20

Participatory Museum Voice Press 20

Museum 2.0

MARCH 17, 2020

This month, I’d planned to have a celebration of the fellow people in museums, including your coworkers and colleagues you’ve never worked with. I set up some questions, and emailed people around the field. Closing museums could have real impact on visitors but also strongly impacts on the economy. Then, a pandemic descended.

Museum 23

Museum Doc Director National 23

Museum 2.0

FEBRUARY 1, 2012

Sixteen arts administrators, journalists, and researchers weighed in on the question over a series of posts. Several decried the oversimplification of the question, arguing that it's not an issue of "lead vs. follow" but a spectrum of forms of participant engagement. Turns out we're a lot more alike than I thought at the time.

Arts 45

Arts Museum Artist Tucson 45

Museum 2.0

MARCH 22, 2010

These are some thoughts on a very small museum called the Brazos Valley African American Museum. I was fortunate enough to visit it during the Texas Association of Museums conference, and it brought up some reactions and emotions that I wanted to share with you. I eagerly read hundreds of words and then moved onto the next one.

Museum 23

Museum Experiment Community Texas 23

Museum 2.0

NOVEMBER 20, 2007

This is the final installment of Museum 2.0’s s book club on Visitor Voices in Museum Exhibitions , a collection of essays edited by Wendy Pollock and Kathy McLean. The best visitor voices projects don’t come out of marketing blitzes or grudging concessions to visitors. They don’t have anything interesting to say.

Voice 20

Voice Case Study Museum Analysis 20

Neon CRM

DECEMBER 13, 2023

Stronger Advocacy: There’s strength in numbers, and a strong membership base provides organizations with more voices to amplify their cause, advocate for policy changes, influence the community, and raise awareness for their mission. Send a survey with a few questions to that effect, such as: Which membership benefits appeal to you the most?

Model 52

Model Florida Nonprofit Benefit 52

Museum 2.0

AUGUST 26, 2008

This week, I'm launching a new site: the Voicemail Museum. It's an experiment that merges two of my greatest interests: finding novel, easy ways for visitors to contribute content to museums finding questions that draw such compelling responses that random peoples' answers would be worth browsing To participate, all you need is a phone.

Museum 20

Museum Audio Participatory Phone 20

Museum 2.0

AUGUST 1, 2012

That contemporary art museum is on the front of the LA Times again," she said. I can't believe that an art museum can be front page news in LA for days." He was mandated to turn the ship around financially and to expand the reach of the museum in the community. The discussion then shifted to the overall direction of the museum.

Artist 52

Artist Museum Arts Director 52

Beth's Blog: How Nonprofits Can Use Social Media

MAY 7, 2010

Nina has written a fantastic book engagement called The Participatory Museum. When, on the other hand, amateurs had the opportunity to help design scientific questions or disseminate research results, they often felt more ownership of the project and greater interest in using scientific methods to address their own community needs.

Model 98

Model Activities Active Activism 98

Museum 2.0

APRIL 1, 2015

Last week, Ian David Moss and I both blogged about the process of developing a theory of change for the Santa Cruz Museum of Art & History. At the Santa Cruz Museum of Art & History, one way we''re answering these questions is with a theory of change. Museum of Art and History social bridging'

Change 20

Change Museum History Arts 20

Museum 2.0

APRIL 11, 2017

This is the sixth in a series of posts on the Santa Cruz Museum of Art & History ( MAH )'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. John would run Abbott Square Market , a multi-vendor food and drink business, adjacent to the plaza, adjacent to the museum. Money is on the table.

Technique 29

Technique Museum Exercise Structure 29

Museum 2.0

NOVEMBER 13, 2007

This week, a look at the third section of Visitor Voices , the excellent book coedited by Kathy McLean and Wendy Pollock. Who controls the content in the museum? Who controls the museum experience? Let's examine each of these questions, and the related projects, more closely. First, museum content. Of course not.

Voice 20

Voice Create Museum Arts 20

Museum 2.0

JANUARY 16, 2016

And so the collaborator on the phone asked: would I sign the petition on behalf of our museum? Several museum staff members had gotten involved in the political action personally outside of work, and they wanted to know if we could sign on organizationally. Our museum has a growing advocacy component to our work.

Policy 20

Policy Advocacy Museum Voice 20

Museum 2.0

SEPTEMBER 25, 2013

North Carolina Museum of History 1988.39.4 I’m always amazed when my colleagues tell me that the biggest barrier they face to “opening up” the content at their museums is from registrars—the people who care for collection objects. Followers of Museum 2.0 I stirred up a debate by raising the question “why not allow access?”

Accessibility 44

Accessibility Open Museum North Carolina 44

Museum 2.0

OCTOBER 30, 2007

Welcome to the first installment of the Visitor Voices book club. This week, we're looking at the first section, Talking Back and Talking Together , which features comment boards, talk-back walls, and discussion forums at a variety of museums. of comments directly addressed questions posed by the curators, whereas 2.4%

Voice 20

Voice Museum Lesson Pledge 20

Museum 2.0

AUGUST 19, 2015

One of my favorite comments on the first post in this series came from Lyndall Linaker, an Australian museum worker, who asked: " Who decides what is relevant? That's a more complicated question. It's a question of HOW we decide, not just WHO makes the decision. The program works because it is teen-centered, not museum-centered.

Teen 20

Teen Museum Voice Collaboration 20

Museum 2.0

OCTOBER 8, 2007

This week, with the gracious help of Eric Siegel of the New York Hall of Science , Museum 2.0 In the spirit of that question, Museum 2.0 We are solicitin g your feedback and thoughts on these concepts, using VoiceThread, a very cool application that allows you to literally add your voice to the conversation.

Museum 20

Museum Experiment New York Voice 20

Museum 2.0

JANUARY 28, 2009

What role does “promoting human happiness” play in the mission statements and actions of museums? That’s the question I’m pondering thanks to Jane McGonigal and the Center for the Future of Museums (CFM). Earlier today, the CFM offered a free webcast of Jane McGonigal’s talk on gaming, happiness, and museums.

Museum 21

Museum Game Structure South America 21

Museum 2.0

JUNE 17, 2015

Last week, I sat on the jury for the first Cultural Innovation International Prize given by the Center for Contemporary Culture in Barcelona , and this week, I'm offering a workshop for museum professionals across Poland participating together in a "Museum Lab" in Warsaw. The second post , in which Museum 2.0

Difference 20

Difference Poland Museum Minnesota 20

Museum 2.0

MARCH 3, 2011

Background: Why They Did What They Did The Henry Art Gallery exhibition we worked with, Vortexhibition Polyphonica , was intended to explore three big ideas: Different voices “intervene” or add new points of view to the exhibition at periodic intervals. As one participant said, "the museum feels friendly in a way it usually doesn't."

Participatory 51

Participatory Arts Audience Museum 51

Museum 2.0

NOVEMBER 4, 2015

Ravon Ruffin and Amanda Figuero - Claiming Space for Brown Women in the Digital Museum Landscape Based in Washington DC, Brown Girls Museum Blog is a new-ish site led by graduate students Ravon Ruffin and Amanda Figueroa. The Museum of Impact is a pop-up project of short-term exhibitions on urgent topics of social justice.

Culture 20

Culture Work Museum New York City 20

Museum 2.0

DECEMBER 7, 2007

I got my copy of the fall issue of Museums and Social Issues this week. The theme is "Civic Dialogue," and the journal includes articles on the historical, cultural, media, and museum practice of getting people talking to each other (including one by me about such endeavors on the web). A place many museums are not.

Museum 22

Museum Lecture Denver San Francisco 22