Museum 2.0

FEBRUARY 5, 2008

But last year, over Thanksgiving, I sat next to a man who was working on his laptop (not an activity that invites conversation), creating a presentation on elementary education and technology. But the more I learned, the more I wondered where the real threat is, and why children's museums have been so resistant to change.

Classroom 22

Classroom Children Museum Model 22

Beth's Blog: How Nonprofits Can Use Social Media

MARCH 22, 2007

online exhibit developed by the Maxwell Museum of Anthropology at the University of New Mexico and Ideum. I picked up the phone and got a hold of Jim Spadaccini, founder of Ideum, whose blog post I discovered via a discussion thread on flickr and museums on the museum technology list. Nina Simon from the Museums and Web2.0

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Flickr Museum Denver Images 61

Beth's Blog: How Nonprofits Can Use Social Media

MARCH 19, 2009

As someone who spent half her career working for and with arts organizations this news makes me sad: A report yesterday from the USAToday that quotes Bob Lynch , the President of Americans for the Arts estimating that 10,000 arts organizations will close this year, 10% of the total number. Tags: Art Sector. What do you think?

Arts 59

Arts Model Organization Org 59

Museum 2.0

AUGUST 13, 2019

My children were fairly patient, partly as they don’t know there are families that don’t drag their children with them for work trips. As many a museum parent, I also assume I am dragging my children with me, often forgetting that they like museums. One of my children asked if we could go into the museum.

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Open Museum Ohio Children 28

Museum 2.0

MARCH 30, 2010

Let's say you're a young person eager to break into museums. When I was 21 and pondering this question, I came upon an answer that worked for me: work on the front line. Now, several years of full-time museum work later, I'm consulting. Spending time on the museum floor can be exhausting, but it's also a pleasure.

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Work Museum Model Professional 46

Museum 2.0

SEPTEMBER 3, 2019

We whip out our logic model. But we also know that it hasn’t made an appreciable impact on the people coming to museums. This month I talked about two variables that are often ignored when we talk about access and equity: the way we do our work and the frames we use to judge our work. That is, except museums.

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Accessibility Museum Australia Voice 32

Museum 2.0

AUGUST 20, 2009

I'm working on a section of my book about sharing social objects and am writing about the most common way that visitors share their object experiences in museums: through photographs. Revenue Streams: Museums want to maintain control of sales of "officially sanctioned" images of objects via catalogues and postcards.

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Museum Photo Policy Open 54

Museum 2.0

AUGUST 18, 2008

I've long believed that museums have a special opportunity to support the community spirit of Web 2.0 This month brings three examples of museums hosting meetups for online communities: On 8.6.08, the Computer History Museum (Silicon Valley, CA) hosted a Yelp! Me: Have you ever been to this museum? meetup for Elite Yelp!

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Museum Hosting Model Community 22

Museum 2.0

OCTOBER 8, 2019

If aren’t failing, you are either deluded, blind, or failing so hard you’re blinded and deluded by your work. (I Audiences are a portion of the humans in the museum ecosystem. The reason I think of a museum as human-centered is that to become audience-centered your organization has to center people. So how did I figure it out?

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Audience Museum Classes Library 38

Museum 2.0

MAY 25, 2010

Margaret shared these thoughts about "museums for use" on her blog , and I asked her to adapt a version for the Museum 2.0 Should a museum be a destination or a place for everyday use? During my time at RISD studying industrial design, I developed relationships with two museums on campus: the Museum of Art and the Nature Lab.

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Museum Rhode Island University Student 37

Museum 2.0

JANUARY 8, 2018

You run a regional museum. This is the plan that plunged the Berkshire Museum into hot water. In July, the Berkshire Museum released its $60,000,000 New Vision , along with a funding mechanism: selling 40 of its most valuable artworks. It states that museums can only sell objects to purchase or care for other objects.

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Public Build Museum Detroit 40

Museum 2.0

SEPTEMBER 29, 2009

And then there's the Berkeley Ace hardware store, which has a basement lair devoted to model trains. When you find a bar with your favorite song on the jukebox, or a museum room that feels like your grandmother's living room, you suddenly feel a strong affinity and are able to see yourself reflected in the space. What's going on here?

Museum 34

Museum Los Angeles San Francisco Model 34

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 8, 2007

I'm here in Chicago for a very brief trip on a panel about metrics and measurement for museums called "New Spaces, New Measures." Significance of author's other work. Types of tags assigned to it, the terms used, the authority of the taggers, the authority of the tagging system. Via RSA Networks blog.

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Chicago Museum Network Conference 50

Museum 2.0

MAY 3, 2010

Like many people in the arts, I'm interested in new models that help people combine mission-driven work with an entrepreneurial spirit. The idea is that you specify your values, relationships, and assets, and then match those up with potentially fruitful legal structures, financing models, and growth potential.

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Structure Model Social Profit 31

Museum 2.0

APRIL 23, 2007

But someone needs to raise the red flag before it takes an MA to work the register at the admissions desk. and with it flocks of museum studies / education / exhibit planning graduate interns. I’m always curious when I meet these folks, who are about my age, choosing a different entry path into the museum world.

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Museum Program Student Skills 51

Museum 2.0

NOVEMBER 18, 2009

I often think museums are like church--passionately loved by staff and devout audiences, irrelevant or off-putting to lapsed or uninterested adults, alien and overwhelming to newcomers. Encourage staff to share why love their work , the objects on display, and the stories behind them. Help people understand why you do what you do.

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Museum Culture Technique Badge 25

Museum 2.0

JULY 9, 2009

Seb Chan has a lovely, long interview up at Fresh+New with Helen Whitty about the Powerhouse Museum's new mini-exhibition, the Odditoreum. The Odditoreum is another wrinkle in the study of visitors' understanding and interpretation of authenticity in museums. I enjoyed listening to it (virtually, not at the museum).

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Museum Alternative Portland Artist 22

Museum 2.0

FEBRUARY 13, 2007

But it's not so easy to integrate into larger-scale museum writing. Have you ever walked someone, a non-museum professional, through an exhibition you have or are working on? Or a small note on an ancient coin mentioning that the museum has thousands of similar ones in storage--or none. Tags: storytelling.

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Museum Model Voice Storytelling 20

Museum 2.0

SEPTEMBER 9, 2009

Between high-altitude hijinks, run-ins with wildlife, and very long days of hiking, I finished John Falk's new book, Identity and the Museum Visitor Experience. In other words, if you are a curious person, you will go to museums to learn new things. And the facilitator wants his friends and family to have a good time.

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Museum Maslow Facilitation Personal 28

Museum 2.0

MAY 13, 2008

I once asked Elaine Gurian how museums can change. Here's the problem with both of these ways: they require circumstances that are outside of most museum employees' control. Where's the opportunity for risk in museums that are too big to avoid the media microscope? There's more attention these days on the "from the top" model.

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Museum Place Model Project 31

Museum 2.0

JUNE 25, 2007

I spent Saturday in beautiful Monterey, ocean pounding outside the window of a conference room, where about 40 museum folks were pondering a question more elusive than the origin of the waves: can museums change the world? In two months, 10,000 visitors sent postcards (and fortuitiously, the government acted in favor of protection).

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Model Action Congo Museum 26

Museum 2.0

NOVEMBER 14, 2007

Let’s say you wanted to find a model museum using Web 2.0 A place that does all this in the context of a fairly traditional collections-based museum. A place that does all this in the context of a fairly traditional collections-based museum. It’s the Brooklyn Museum. to support programs and exhibits.

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Museum Interview Flickr YouTube 27

Museum 2.0

APRIL 1, 2009

On Monday, I gave the keynote at the Museums in Conversation conference in Tarrytown, NY. I learned to cultivate creative greed while working on Operation Spy at the International Spy Museum, where I was lucky to be working on a project that was so new to us that we didn't have any pre-established models or structures for doing it.

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Museum Conversation Columbus Local 20

Connection Cafe

JULY 28, 2016

Being Part of a Funder’s Portfolio: Perspectives on the Public and Private Funding Landscape: Come learn from Dr. Kathryn Mathew, Director of the Institute of Museum and Library Services, the main provider of federal support within the United States for museums and libraries.

Arts 20

Arts Culture Organization Tucson 20

Museum 2.0

AUGUST 26, 2008

This week, I'm launching a new site: the Voicemail Museum. It's an experiment that merges two of my greatest interests: finding novel, easy ways for visitors to contribute content to museums finding questions that draw such compelling responses that random peoples' answers would be worth browsing To participate, all you need is a phone.

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Museum Audio Participatory Phone 20

Museum 2.0

SEPTEMBER 22, 2009

In this report, the authors describe three specific models for public participation: contribution, collaboration, and co-creation. In the collaborative model, visitors are invited to serve as active partners in the creation of an institutional project which is originated and ultimately controlled by the institution.

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Public Research Participatory Report 36

Museum 2.0

SEPTEMBER 7, 2010

For years, I've been fascinated and a bit perplexed by the Elsewhere Collaborative , a thrift store turned artists' studio/living museum in Greensboro, North Carolina. By calling ourselves a museum, we respond to those cultural institutions that have separated practice from production, exhibition from process, and work from play.

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Collaboration North Carolina Museum Artist 36

Museum 2.0

MARCH 15, 2010

People often ask me which museums are my favorite. I visit lots of perfectly nice, perfectly forgettable museums. In some cases, that's based on subject matter, as at the Museum of Jurassic Technology or the American Visionary Art Museum. Some are scrappy and iconoclastic, like the City Museum in St.

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Support Museum St. Louis NSF 41

Museum 2.0

SEPTEMBER 29, 2008

And that got me thinking about how bad museums are at doing the same thing--using passion to promote visitor engagement in new content. Museums shy away from presenting passionate views. Museums don't have a cheering section. Museums do a decent job addressing the first two questions, but we rarely tackle the third.

Museum 20

Museum Storytelling Teach New York 20

Museum 2.0

JANUARY 23, 2007

While current trends in film length make me dubious of this trend’s overall power, O’Reilly observes that short-format content is more accessible, more searchable, and most importantly, well-suited to collaborative work. Potlucks are a great model for “good sharing.” This is the MySpace model. This is the potluck model.

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Model Wikipedia Myspace Museum 20

Museum 2.0

AUGUST 16, 2007

I’m working on a virtual museum project these days, and one question that often comes up is “What is the most fun thing we could let visitors do here that they can’t do in the real world?” After all, most of our ideas don’t require a virtual landscape; any museum could commission Kid Rock’s tour of the galleries.

Museum 21

Museum Audio Storytelling Game 21

Museum 2.0

JUNE 10, 2008

What if witty cultural commentators reviewed museums the way they do music and restaurants? If Anthony Lane turned his cutting tongue from movies to museums? If Stephen Colbert "reported" on museums at times other than during the TV writer's strike? It's painful. And instructive. And revelatory. And painful.

Museum 20

Museum Story America Culture 20

Museum 2.0

MARCH 20, 2009

In my continuing quest to find elegant ways to integrate technology into the museum experience, we come to interpretative material and the simple question, "How can you create natural ways for visitors to retrieve the information of most interest to them relative to an artifact or exhibit?" Here's one lovely answer: Meta.L.Hyttan.

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Environment Content Model Sweden 20

Museum 2.0

MARCH 10, 2008

Thank you to Susan Spero and all the folks at JFKU and Left Coast Press for starting a highly stimulating conversation this weekend at the colloquium on Museums and Civic Discourse. There were, as we say in the museum business, some good aha moments. What role should museums play in promoting discourse?

Museum 20

Museum Site Facilitation Participatory 20

Museum 2.0

JUNE 22, 2007

Over three days, 60 programmers/artists/composers/pranksters worked all hours to create finished computer-based games from scratch. Or maybe it's just because game developers actually think of their work as fun. Whatever it is, museum program and exhibit designers, take note: I want a museum jam.

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Museum Game Artist Product 20

Museum 2.0

JULY 3, 2007

This week, we look at Chapter 5 of Elaine Gurian's book Civilizing Museums , Choosing Among the Options: An opinion about museum definitions in two parts. First published in Curator magazine in 2002, this essay presents five different museum "types" and their distinct opportunities and challenges.

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Museum Taxonomy Arts National 20

Museum 2.0

JUNE 22, 2009

I'm working on a personal project (slowly) to open a cafe/bar venue that is also a design incubator for participatory exhibits. My goals are two-fold: to develop a dynamic, creative, social platform for my community and to distribute its successful elements to other civic learning institutions (museums, libraries, community centers).

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Action Ideas St. Louis Museum 31