Deborah Elizabeth Finn

NOVEMBER 25, 2019

I recently had a conversation with a friend and colleague about what I perceive to be a revolution in progress. It is really inspiring to see philanthropic and nonprofit professional engaging in public conversations about these challenges, and even more inspiring to see them taking action to create positive changes.

Philanthropy 98

Philanthropy Open Participatory Evaluation 98

Museum 2.0

MARCH 4, 2015

This week marks five years since the book The Participatory Museum was first released. I thought the pinnacle of participatory practice was an exhibit that could inspire collective visitor action without facilitation. Since 2010 I have seen, again and again and again, how valuable human facilitation is to the participatory process.

Participatory 20

Participatory Museum Empowerment Facilitation 20

Museum 2.0

MARCH 3, 2011

In 2009 , students built a participatory exhibit from scratch. Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. This winter, I once again taught a graduate class in the University of Washington's Museology program.

Participatory 51

Participatory Arts Audience Museum 51

Museum 2.0

FEBRUARY 4, 2016

This is the question I ask myself anytime I'm working on something with a participatory intent. But even developing that open call was a participatory process: Wes worked with other staff to think through how the residencies could work. This open call project may sound like one that is uniquely suited for participatory input.

Participatory 20

Participatory Question Work Artist 20

Top Nonprofits

AUGUST 3, 2021

It can be inclusive and participatory. My goal is to design virtual experiences to be as inclusive and participatory as possible. Here are five guidelines I’ve created after learning from experiences over the past year: 1) Design the technology experience with the lowest barrier to entry. Except when it isn’t! And guess what?

Virtual 52

Virtual Track Student Virtual Classroom 52

Museum 2.0

OCTOBER 29, 2010

One of the questions that comes up most frequently when I talk with folks about participation is: what should we do with the things that visitors create? This question is a byproduct of the reality that most participatory projects have poorly articulated value. You can also watch time lapse video of any frame being created.

Participatory 48

Participatory Music Project Video 48

Beth's Blog: How Nonprofits Can Use Social Media

JULY 1, 2009

When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. Forrester created the “social technographics” profile tool to help businesses understand the way different audiences engage with social media (and you can read more of my thoughts on it here ).

Participatory 50

Participatory Experiment Museum Teen 50

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 26, 2006

re not creating a billboard, but rather starting a conversation -- you have to be willing to respond." Another point of intersection here for me is Henry Jenkins recently published 72-page white paper " Confronting the Challenges of Participatory Culture: Media Education for the 21st Century."

Participatory 50

Participatory Teen Vlog Mashup 50

Beth's Blog: How Nonprofits Can Use Social Media

JULY 28, 2009

Note from Beth: This week I'm researching and thinking about the topic of creating movements. Valeria Maltoni wrote a great post with the same title featuring ten tips on creating movements just two days ago. If you are like me, you are asked all the time to use these media to create movements. Tweet conversations about you.

Create 94

Create Green Social Media Structure 94

sgEngage

JUNE 28, 2023

Based on the conversation with these grantmakers, here are four ways grantmakers can make sure all stages of their funding programs include the voices and perspectives of women. The first step to creating more inclusive grantmaking is understanding whose voice is being lost. Artwork by Toya Beacham See Women and Girls. “We

Voice 68

Voice Strategy Mississippi Boston 68

Museum 2.0

MARCH 3, 2010

The Participatory Museum is a practical guide to visitor participation. The Participatory Museum is an attempt at providing such a resource. I hope it opens up a broader conversation about the nuts and bolts of successful participatory projects. Tags: participatory museum Quick Hits.

Participatory 30

Participatory Museum Vietnam Netherlands 30

Museum 2.0

MARCH 16, 2009

When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. Forrester created the “social technographics” profile tool to help businesses understand the way different audiences engage with social media (and you can read more of my thoughts on it here ).

Participatory 44

Participatory Experiment Museum Teen 44

Deborah Elizabeth Finn

JANUARY 28, 2018

We refrained from taking photos, because we wanted to foster an atmosphere of candor and comfort as grantors and grantees engaged in conversation about a difficult topic. Mine are based on what I learned during the dialogue series, and also on untold numbers of public and private conversations on the topic. __. My Recommendations.

Evaluation 52

Evaluation Grant Data Boston 52

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 7, 2014

Keep A Running List of High Engagement Conversation Starters and Use Them Regularly. If you want engagement on social media channels, identify good conversation starters that are relevant to your audience, will ignite their passion or nostalgia about the subject matter. . — Billboard (@billboard) April 7, 2014. The common tip?

Social Media 101

Social Media Headline Media Social 101

Museum 2.0

JANUARY 30, 2013

Earlier this year, I was fascinated to read the account of a participatory project at the Morrison County Historical Society in Minnesota, in which community members were invited to write essays about “what’s it like” to have various life experiences in the County. Whenever we are creating content, we like to use it in a variety of formats.

History 51

History Museum Minnesota Participatory 51

Museum 2.0

APRIL 20, 2009

I’d never attended before and was impressed by many very smart, international people doing radical projects to make museum collections and experiences accessible and participatory online. Are participatory activities happening on the web because that is the best place for them? It just creates a virtual outpost for change.

Participatory 35

Participatory Museum Web Indianapolis 35

Forum One

DECEMBER 15, 2021

At Forum One, we have created a cross-disciplinary internal working group on accessibility. The “I’m Determined” website focused on better addressing its audiences’ needs through a participatory design process. We understand now that everyone has a role to play.

Accessibility 71

Accessibility Goal Virginia Audience 71

Museum 2.0

SEPTEMBER 26, 2012

Visitors bond and bridge through participatory experiences at MAH. Social capital has two main forms; it should gradually and increasingly encompass both distinct forms of bonding and bridging to create healthier, wiser, more connected, economically and socially sustainable communities.

Museum 49

Museum Program Participatory Community 49

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 3, 2015

It is always challenge to use participatory techniques when your participants are not native English speakers and you don’t speak the language. I thought I’d share a few quick insights and tips that I learned for others who may be preparing for doing tech training internationally and want to use participatory techniques.

Facilitation 50

Facilitation Training Train International 50

Beth's Blog: How Nonprofits Can Use Social Media

JULY 23, 2014

As you can see from the schedule overview , this is more of a participatory event versus the traditional conference with powerpoints and panelists. I’m excited to be co-facilitating the Impact Leadership track with colleagues John Kenyon, Elissa Perry, and Londell Jackson.

Registration 128

Registration Leadership Impact Change 128

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 16, 2011

This participatory event is offering two days of focused discussion about—how these networks, and the capabilities that power them, can be effectively leveraged to create greater impact. I’ve been involved with TechSoup/Netsquared Network since its inception back six years ago and so it is nice to be part of the narrative arc.

Global 96

Global Network Participatory Netsquared 96

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 31, 2011

I shared this on Twitter and the conversation brought out some interesting points that I curated in “Storify,&# a story telling tool. (And, had to laugh at the geeky recursiveness of creating a story out of qualitative data from Twitter and other sources – and then adding it to my curated nonprofit measurement collection on scoop.it).

Story 121

Story Data Analysis Measure 121

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 8, 2011

Listening to and consulting the crowds: Actively listening to online conversations and openly asking for advice. Designing for serendipity: Creating environments, in person and online, where helpful connections can form. What will be the nature of public participation and conversation? These themes include: 1.

Network 104

Network Report Empowerment Structure 104

Amy Sample Ward

JULY 28, 2010

Amplified Leicester is a city-wide experiment designed to grow the innovation capacity of Leicester by networking key connectors across the city’s disparate and diverse communities in an incentivised participatory project enabled by social media. Ideally, you’d run this workshop with your team, organization, community group, etc.

Impact 123

Impact Community Social Phoenix 123

Museum 2.0

NOVEMBER 20, 2017

Courageous speakers from dozens of countries described bold, participatory projects. There were curators co-creating with prostitutes. Designers creating space for nationwide reconciliation and transformation. I first sensed the difference at the front door. There wasn't one. Birds flew through the proceedings.

Museum 40

Museum America South America Participatory 40

Museum 2.0

SEPTEMBER 18, 2013

I''ve seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Museum 45

Museum Question Participatory Evaluation 45

Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Question 49

Question Participatory Museum Evaluation 49

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 20, 2009

It is also a Twitter term that describes a keyword, prefixed by that symbol, that helps people track conversations on Twitter. You create a hashtag simply by prefixing a word with a hash symbol: #hashtag. The hashtag creates a backchannel for participants. They're like tags on Flickr, only added inline to your post.

Twitter 95

Twitter Foundation Effective San Diego 95

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 18, 2011

The E-Mediat project is sponsored by MEPI, US Department of State’s Middle East Partnership Initiative and was created in response to Secretary Clinton’s announcement of Civil Society 2.0. We created a network map. Trainer the Trainers: Beth Kanter, Mohamad Najem, Jessica Dherre, and Mary Joyce.

Network 95

Network Build Yemen Morocco 95

Museum 2.0

FEBRUARY 29, 2012

Here's the short version (read the whole thing here ): The Museum of Art & History is committed to creating exhibitions that inspire our diverse audiences to engage deeply with contemporary art and Santa Cruz County history. Have you done this at your museum, either directly with a document or indirectly through conversation?

Museum 38

Museum Artist Participatory History 38

Museum 2.0

JULY 12, 2011

For me, Downward Draw provided an unusual opportunity to examine the more casual end of the participatory spectrum. For years, I've used Forrester Research's five social media user categories --creators, critics, collectors, joiners, and spectators--as a guide when thinking about how to design participatory experiences in physical space.

Participatory 41

Participatory Museum Measure Activities 41

Museum 2.0

OCTOBER 24, 2012

To that end, our exhibitions are full of participatory elements. To me, this is an example of how the aggregation of participatory practices fundamentally changes the role that an organization has in its community. Visitors can comment on how we can improve or what they would like to see.

Platform 41

Platform Open Museum Participatory 41

Beth's Blog: How Nonprofits Can Use Social Media

MAY 26, 2015

Designing A Participatory Hook for a Virtual Meeting. The features include being able to easily create different color sticky notes and type in notes and move them around the board. The serendipity of being able to have an informal conversation with a colleague that you might not normally run into if you sat at your desk.

Facilitation 50

Facilitation Virtual Arts Participatory 50

NTEN

OCTOBER 12, 2011

I shared this on Twitter and the conversation brought out some interesting points that I curated in “Storify,” a story telling tool. (I I had to laugh at the geeky recursiveness of creating a story out of qualitative data from Twitter and other sources – and then adding it to my curated nonprofit measurement collection on scoop.it).

Story 74

Story Data Analysis Structure 74

Museum 2.0

DECEMBER 19, 2012

In this full-time role, you will be responsible for interactive exhibition development, project management of all our site-specific work, and you will lead the redevelopment of our permanent History Gallery into a more dynamic, participatory, and flexible space. Join the conversation. If you are interested, please apply soon !

Participatory 32

Participatory Museum Blended History 32

Tech Soup

APRIL 3, 2017

Troubleshooting online and in-person — pivoting conversations, interrupting, encouraging conversation, covering if the presenter doesn't show, etc. So don't be nervous — we're ready to create amazing tech training and networking events in your community! Bamenda, Cameroon: How to Create Digital Stories.

Local 48

Local San Francisco United Kingdom Guatemala 48

Museum 2.0

MAY 22, 2013

I''ve followed Wright''s work for years because of his unique perspective on the potential for game-players to be game-makers - in other words, to co-create the gaming experience. The theater is dark and the artist breaks the fourth wall and asks for conversation. The museum invites art-making in the elevator.

Game 40

Game Artist Museum Participatory 40