Museum 2.0

AUGUST 17, 2016

Relative to other museums, I think we spend less time producing an "onstage" experience and more time collaborating with community organizations behind the scenes to empower them to produce. Our museum is growing, and I'm always weighing different ways to expand our impact. I feel great about this approach.

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San Diego Work Museum Model 20

Museum 2.0

APRIL 1, 2009

On Monday, I gave the keynote at the Museums in Conversation conference in Tarrytown, NY. I learned to cultivate creative greed while working on Operation Spy at the International Spy Museum, where I was lucky to be working on a project that was so new to us that we didn't have any pre-established models or structures for doing it.

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Museum Conversation Columbus Local 20

Museum 2.0

MAY 15, 2012

Last week, I sat down on a toilet in our museum and found myself looking at an interactive station intended to test a “Legends of the Stall” sign concept for the restrooms. Legends of the Stall was started by a visitor services staff member, Katie Chrivia, who collaborated with interns and volunteers to develop the content and the design.

Culture 53

Culture Build Museum Articulate 53

Connection Cafe

JULY 28, 2016

Knowing that those three days are so jam-packed with content, I often get asked what bbcon offers for arts administrators, and the answer is…a lot! So I went ahead and picked out some of the top sessions for Arts & Cultural organization to make planning your conference journey just a little bit easier.

Arts 20

Arts Culture Organization Tucson 20

Museum 2.0

JANUARY 11, 2012

For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" I'm incredibly proud of all the staff, trustees, volunteers, collaborators, visitors, and members who have made this happen.

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Audience Museum Participatory History 47

Museum 2.0

AUGUST 19, 2015

One of my favorite comments on the first post in this series came from Lyndall Linaker, an Australian museum worker, who asked: " Who decides what is relevant? Community First Program Design At the Santa Cruz Museum of Art & History , we've gravitated towards a "community first" program planning model. My answer: neither.

Teen 20

Teen Museum Voice Collaboration 20

Museum 2.0

JANUARY 23, 2007

Tim O’Reilly has an interesting post up about the ascension of short-format content—the YouTube clip over the 2 hour movie, the blog post over the journal article. One of the comments listed other, non-web-based collaborative uses of short-format content, including potluck dinners. Potlucks are a great model for “good sharing.”

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Model Wikipedia Myspace Museum 20

Museum 2.0

JANUARY 16, 2013

It's not every day that a visitor buys pizza for everyone in the museum. Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. Participants who felt more confident modeled generous behavior and engaged others. The museum itself was well-integrated into the event.

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Reflection Community Museum Participatory 43

Tech Soup

OCTOBER 27, 2011

A partnership project between The Tech Museum , local technology companies like Intel , Applied Materials , and Nokia , and Santa Clara University's Center for Science Technology and Society , the Tech Awards itself is a testament to collaborative innovation and achievement. When will you become sustainable?

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Award Tech Challenge Model 36

Museum 2.0

AUGUST 29, 2007

Thanks to Kyle Evans, who forwarded me the fascinating, lengthy master’s dissertation.art: Situating Internet Art in the Modern Museum by Karen Verschooren at the MIT Comparative Media Studies program. In it, Karen provides a survey of the evolving relationship of Internet art to art museums. Citizen science programs. On the website?

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Museum Web Arts Internet 20

Tech Soup

JULY 25, 2012

"We're moving from a 'top down' model where high quality resources were once published through peer review and traditional authority-based publishing modes to a different model," she explained. This new hierarchy model is the basis for my exploration of virtual media as a delivery mode."

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Second Life Library Virtual Life 48

Beth's Blog: How Nonprofits Can Use Social Media

MAY 20, 2010

This post summarizes the content I shared in my presentation and offers some reflection on the conversational keynote. I started my talk with a story about why I liked Twitter: It allows me to connect with people in my professional field and have a great conversations or ad hoc collaborations that improve practice.

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Social Media Media Social San Jose 115

Museum 2.0

MAY 3, 2011

Lots of museums these days have video comment booths to invite visitors to tell their stories, but how many of those booths really deliver high-impact content? Last week, I talked with Tina Olsen, Director of Education and Public Programs at the Portland Art Museum, about their extraordinary Object Stories project.

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Story Interview Museum Audio 53

Museum 2.0

MARCH 25, 2015

This is the first in a two-part series about the Santa Cruz Museum of Art & History’s new theory of change. This week, Ian David Moss and I are each writing blog posts about our collaborative process to develop a theory of change at the Santa Cruz Museum of Art & History. We had tripled our attendance. Doubled our staff.

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Process Change Develop Museum 20

Museum 2.0

JULY 26, 2010

From a museum perspective, I think there's a lot to learn from these venues' business models, approach to collecting and exhibiting work, and connection with their audiences. Elsewhere Collaborative (Greensboro, NC). As Streb explains, "SLAM is an open-access venue that models a new kind of artist-driven community institution.

Culture 49

Culture Alternative St. Louis Los Angeles 49

Museum 2.0

MARCH 21, 2008

It's been awhile since I've shared the progress of The Tech Virtual , the web and Second Life-based virtual exhibit workshop that The Tech Museum of Innovation opened in December of 2007. Some of these people are professional artists or exhibit designers, but most are just talented folks with an interest in museums.

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Museum Virtual Tech Second Life 20

Nonprofit Tech for Good

DECEMBER 14, 2022

You can collaborate with other nonprofits in your region or in your issue area to investigate whether you can all offer benefits for each other. For example, if you join a modern art museum, there is a good chance you won’t have to pay admission to other modern art museums. Access to exclusive digital content.

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Donor Sponsor Accessibility Music 343

Museum 2.0

NOVEMBER 10, 2009

Exhibit labels in science centers ask more questions than any other kinds of museums, and yet the questions are often awful--teacherly, overly rhetorical, and totally meaningless. asked by a cop or mother, garners the full attention of asker and askee alike, museum questions like "what is nanotechnology?," Download our slides here.

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Reflection Research Question Museum 20

Museum 2.0

APRIL 23, 2009

Like many people who've worked in science centers and interactive experience museums, I've always been perplexed by the fact that hands-on workshop audiences top out around age 14. They are more than just workshop spaces--they are member institutions, like museums. Isn't this one of our dreams for museums?

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Museum North Carolina San Francisco Structure 24

Museum 2.0

JULY 17, 2009

Museums site) asked me if I'd like to come to England this fall and put on some kind of camp with him, I was thrilled. We are using a hybrid unconference/workshop model in which participants work collaboratively to explore and brainstorm a few pre-selected "wild ideas" for future museum initiatives related to audience participation.

Museum 20

Museum Unconference Skills California 20

Museum 2.0

JANUARY 24, 2011

This post features an interview with Sarah Schultz, a museum staffer at one of the institutions Light profiled in the book (the Walker Art Center). In my experience, innovation is about flexibility, capacity, and collaborative relationships. Now the teen arts council model is no longer considered innovative.

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Arts Interview Teen Artist 46

Amy Sample Ward

FEBRUARY 28, 2011

Why focus on that instead of content, or knowledge or information or anything else? That word change supports co-design, it encourages collaboration, and it ensures engagement. There are a few core elements of the way communities work that we can learn from as a model for innovation as well. Community-Driven Model.

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Library Model Adopt Community 241

Museum 2.0

JUNE 6, 2008

On June 4, we opened The Tech Virtual Test Zone , a new 2000 sq ft gallery at The Tech Museum of Innovation featuring exhibits on the theme of art, film, and music that were originally developed in Second Life by a community of creative amateurs. Some museum pros have been puzzled by this.

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Virtual Tech Lesson Develop 21

Museum 2.0

JUNE 5, 2009

I've been designing game-like experiences with museums for a long time. What stuck out about this experience was putting the focus on the interpersonal gameplay and interactions rather than the content experience. We rarely talk about this when we design museum exhibits. What does it mean to play well in your museum?

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Game Design Museum Interaction 21

Museum 2.0

MAY 7, 2007

The whole process of developing an exhibition tends to get stuck behind a museum's doors. In the past two decades, science centers have been in the lead in the exhibits arena, and we think we have a lot to share--and learn--with other museums. We looked at LinkedIn as a model. There's no sharing of that information.

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NSF Interview Case Study Museum 20

Museum 2.0

NOVEMBER 5, 2014

Two weeks ago, my museum was featured in a Wall Street Journal article by Ellen Gamerman, Everybody''s a Curator. I''m thrilled that our small community museum is on the map with many big institutions around the country. I''m glad to see coverage about art museums involving visitors in exhibitions. Community is not a commodity.

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Journal Participatory Museum Community 54

Museum 2.0

NOVEMBER 30, 2007

It also has some interesting lessons about collaboration in design; there's a lot of acknowledgment and discussion about the positives and negatives of bringing new technologies (digital audio manipulation) into a classic venue (radio). They make radio a discussion, not a tutorial. And that makes it feel much more participatory.

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Audio Storytelling Tutorial Participatory 20

Museum 2.0

MAY 27, 2008

How is a museum like a radio station? Both are collections of discreet, loosely organized content pieces that are both familiar and new. Your overall enjoyment of the content experience is determined to a large extent by the balance of items you like and those you don’t, those you know and those that are new.

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Collaboration Music Museum Articulate 20

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 16, 2010

There are four different models of crowdsourcing activities: wisdom, creation, voting, and funding. There’s isn’t one best way to do it – and many organizations use a combination of these models to meet their objectives. Brooklyn Museum implemented a crowdsourced photography exhibit experiment called “ Click!

Measure 96

Measure Fund Impact Minnesota 96

ASU Lodestar Center

SEPTEMBER 7, 2011

All who were involved agreed that intervention was needed to save the condor, but what kind of intervention became a point of bitter contention. Let’s revere individual accomplishments a little less and start heralding the work of groups a little more — like the Lodestar Foundation does when it awards the Collaboration Prize.

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California San Diego Impact Story 95

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 24, 2016

collaboration and interaction opportunities between participants, local experts, and others. exploration of the issue, environment, local population, culture, political and religious context and additional relevant content that provides an authentic narrative to follow. Exercise #1: Herding Sheep.

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Leadership Develop Exercise 50

Museum 2.0

SEPTEMBER 11, 2008

s Hawaiian son as applied to museums. While there are some criticisms of its consensus-based model for information-vetting, there's no doubt of its success as a collaborative knowledge-creation project. Consider these two stories of museum-related wikis that struggled. This post explores the mysteries of Web 2.0's

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Wiki Wikipedia Museum Doc 23

Bloomerang

APRIL 16, 2024

However, larger events require much more coordination and cross-team collaboration, making it worth it to invest in paid solutions that offer a wider range of features. Stand-out features: A mobile event app to help attendees navigate your event, access event content, and network with other attendees. Your budget.

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Software Management Registration Nonprofit 76

Museum 2.0

JUNE 11, 2014

This post was written by my colleague Nora Grant, Community Programs Coordinator at the Santa Cruz Museum of Art & History. Pop Up” has become an international buzz term to describe ephemeral, experimental projects--from pop up restaurants to pop up boutiques--but a “Pop Up Museum” is still somewhat mystifying.

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Museum Grant Lesson History 49

Have Fun - Do Good

JANUARY 16, 2009

I think about how hesitant I was to become an artist, because I didn't see role models, and even to this day how hard it is for me sometimes to find peers who are women of color, because of how systematically they are pushed out. Around three years ago, my fellow collaborator, Josh MacPhee, reached out to me, and he had this awesome idea.

Artist 40

Artist Digital Arts San Francisco 40

Twenty Hats

SEPTEMBER 9, 2020

Has your museum debated the merits of paid staff over volunteers? Even though a great many museums evolve from volunteer-led organizations to employee-driven ones, the two roles are not interchangeable – we’ll discuss the distinctions in a moment. Volunteering is a powerful point of entry for an individual into a museum.

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Volunteer Museum Roles New Hampshire 57

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 27, 2009

In the last few years, the Smithsonian American Art Museum. has been looking at our museum’s online information in the same way. A few weeks ago, American Art’s director, Elizabeth Broun, continued the discussion by holding an unprecedented all-day staff retreat to discuss the use of social media within the museum. • • •.

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Museum Arts Artist Conservancy 82