AccelEvents

OCTOBER 21, 2020

A virtual event venue is a production or broadcast studio designed to facilitate virtual events and webcasting. The COVID-19 pandemic has moved much of our social interactions into an online space. What is a Virtual Event Venue?

Virtual 52

Virtual Audio Stream Sponsor 52

NTEN

AUGUST 3, 2011

We were approached by this newly formed department to work on a game to support a television series the broadcaster was making, set in Georgian London. Part of Channel 4's remit is Public Service Broadcasting. To that end the broadcaster commissions direct to the web platform in order to reach that audience.

Game 68

Game Change Interview Broadcast 68

AccelEvents

FEBRUARY 16, 2021

Preventing screen fatigue at your online event is more than just getting the audience to interact with the sessions, it is also about making them comfortable. Simulive allows you to broadcast pre-recorded video as if it were live, complete with live moderation and chat options. Consider Attendee Comfort. Choose the Timing Wisely.

Virtual 59

Virtual Tips Audience Hosting 59

NTEN

AUGUST 31, 2010

Two years ago, Bev Clark, the co-founder of Kubatana.net , was awarded a large grant in the Knight News Challenge for Freedom Fone, an open-source software platform for distributing news and information through interactive voice response (IVR) technology. . Capturing Voices from the Field in Tanzania. Photo: Bart Sullivan .

Press 49

Press Ghana Tanzania Zimbabwe 49

Amy Sample Ward

NOVEMBER 5, 2009

When a friend starts a campaign, supports or fundraises for an organization or cause publicly on a social networking platform, they broadcast that action and encourage their friends to do the same. Though, with MySpace, organizations have different opportunities for creating profiles and interacting with supporters than on Facebook.

Myspace 158

Myspace Technology Causes Application 158

Amy Sample Ward

NOVEMBER 5, 2009

When a friend starts a campaign, supports or fundraises for an organization or cause publicly on a social networking platform, they broadcast that action and encourage their friends to do the same. Though, with MySpace, organizations have different opportunities for creating profiles and interacting with supporters than on Facebook.

Myspace 158

Myspace Technology Causes Application 158

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 17, 2010

Jonny will provide live graphic facilitation of the highly interactive and fun panel. The SXSW Interactive Festival (scheduled March 11-15, 2010 in Austin, Texas) is a mega huge social media industry event. In addition to the graphic facilitation, there will be other interactive learning elements. Trust me. Think again.

Comment 97

Comment Artist Social Media Hype 97

Care2

APRIL 6, 2009

Elana Wolowitz, the Communications Director and voice behind the @wellstoneaction profile, took some time out of her hectic schedule to answer a few questions. Elsewhere in the organization, our Training Manager, Jen Haut, tweets from @campwellstone as a way to interact with participants/alumni from our flagship training program.

Twitter 68

Twitter Action Organization Broadcast 68

Museum 2.0

NOVEMBER 13, 2007

This week, a look at the third section of Visitor Voices , the excellent book coedited by Kathy McLean and Wendy Pollock. In his piece about interaction design for StoryCorps, Jake Barton comments that "for most people the value of the experience will be in making and submitting a story, not seeing it shared with everyone else."

Voice 20

Voice Create Museum Arts 20

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 23, 2013

You don’t necessarily have to do this with an online fundraising platform: you can start by using social media to encourage people to interact with and be vocal about your cause. Identify Your Unique Value Proposition & Broadcast it to Your Audience. Social proof is particularly powerful when famous people are setting the example.

Charity 128

Charity Lesson Marketing Digital 128

Forum One

MAY 7, 2009

Make sure you understand bandwidth and voice limitations of participants. If you have more than a few international participants, especially from developing countries, voice connectivity for the audio portion of the meeting can quickly become a problem. s voice out, rather than having a two-way conversation (rely on chat instead).

Conference 52

Conference Web Guinea Audio 52

Care2

APRIL 22, 2009

Elana Wolowitz, the Communications Director and voice behind the @wellstoneaction profile, took some time out of her hectic schedule to answer a few questions. Elsewhere in the organization, our Training Manager, Jen Haut, tweets from @campwellstone as a way to interact with participants/alumni from our flagship training program.

Social Media 68

Social Media Twitter Action Advocacy 68

Have Fun - Do Good

NOVEMBER 17, 2010

"I would wake up in the middle of the night and still hear their voices. I just had to take that chance." - Jensine Larsen Jensine Larsen is the Founder and CEO of World Pulse , a global media and communication network devoted to bringing women a global voice. We unite those voices to accelerate change.

Voice 69

Voice Global Saudi Arabia Journal 69

NTEN

NOVEMBER 2, 2009

Interaction is key. Gen Y prefers texts to voice mail. It has given the public access to a soap box from which they can broadcast their thoughts and opinions. Generation Y wants to give, you just have to find a way to appeal to them. They are technology-savvy. It's not enough for you to have a website. You need to involve them.

Generation 54

Generation Myspace Broadcast Wiki 54

Museum 2.0

APRIL 1, 2008

Now, a year later, I’m using Twitter on a daily basis, and it’s brought up some new observations about participation on websites and in interactive venues like museums. I thought that Twitter was for broadcasting—a different but related kind of broadcasting from blogging. On Twitter, I'm one voice among many.

Twitter 24

Twitter Participatory Broadcast Museum 24

sgEngage

MAY 3, 2023

Once you’ve optimized your program and donation form for recurring giving, it’s time to broadcast this opportunity to your audience. That way, your voice can reach your supporters wherever they frequent most online. That way, your voice can reach your supporters wherever they frequent most online. Communication preferences.

Digital 74

Digital Strategy Giving Gift 74

Museum 2.0

APRIL 16, 2007

This means that you can broadcast messages to a group of friends/followers from your phone, your IM service, or the web, and can receive messages similarly. If not everyone is easily accessible by email, this is a good way to broadcast information to a group of folks. to their phones or on the twitter website).

Museum 20

Museum Twitter Mashup Broadcast 20

Beth's Blog: How Nonprofits Can Use Social Media

JULY 14, 2009

The story has to be told from a personal POV by someone I can personally relate to who uses an authentic voice. That the POV is from a “detached” observer who is above the situation and outside the story who speaks in an institutional voice. The story has to lead me to help that I can use . The story has to have a trusted source .

Story 79

Story Action Model Adopt 79

Museum 2.0

MARCH 28, 2008

Books are a distant second at 61%, and a majority of Americans find print and broadcast media and the Internet to be not trustworthy." In short, it limits museums from being places that are trusted as institutions of public engagement and interaction--the places many museums claim they want to be. Be personal.

Participatory 20

Participatory Museum Teen Voice 20

Nonprofit Tech for Good

JANUARY 30, 2012

You can either broadcast live (think of it as your own radio station) or host the messages on the Cinchcast server for later listening. Ideal for activist organizations, CrowdVoice allows organizers to create “Voices” of protest where users can monitor and contribute links, photos, and videos of protests worldwide.

Fun 272

Fun Resource Mobile Social Media 272

Nonprofit Tech for Good

MAY 18, 2013

The Broadcast Web.” The Broadcast Web i.e., one-to-many communications defined as broadcasting outward with complete control of the message and no public interaction or feedback. Chapter 3 :: Find Your Facebook Voice. Introduction :: Integrating Web 1.0, and Web 3.0. Replace the “Web 1.0:

Social Media 271

Social Media Social Chapter Media 271

Bloomerang

SEPTEMBER 6, 2021

We’d love for these sessions to be interactive. I work mainly with nonprofits and social enterprises that want to have a bigger impact, that wants to increase their audiences, and that want to interact with diverse communities. And I’ve noticed how different people communicate, how different people interact.

Community 64

Community Video Broadcast Phone 64

Nonprofit Tech for Good

OCTOBER 22, 2012

The Broadcast Web.” The Broadcast Web i.e., one-to-many communications defined as broadcasting outward with complete control of the message and no public interaction or feedback. Chapter 3 :: Find Your Facebook Voice. Introduction :: Integrating Web 1.0, and Web 3.0. Replace the “Web 1.0:

Social Media 263

Social Media Social Chapter Media 263

Nonprofit Tech for Good

MAY 18, 2013

The Broadcast Web.” The Broadcast Web i.e., one-to-many communications defined as broadcasting outward with complete control of the message and no public interaction or feedback. Chapter 3 :: Find Your Facebook Voice. Introduction :: Integrating Web 1.0, and Web 3.0. Replace the “Web 1.0:

Social Media 217

Social Media Social Chapter Media 217

Socialbrite

OCTOBER 31, 2021

When you’re producing video marketing in the hopes of increasing the engagement or conversion of your target audience, you’ll want to look at how your viewers are interacting or connecting with your content. Metrics to measure for this interaction are based on several factors, including the following: . Measuring brand awareness.

Measure 59

Measure Video Marketing Guide 59

Allegiance Group

DECEMBER 19, 2023

Keynote presentations, workshops, roundtable sessions, and interactive forums will cover a variety of topics across nine training tracks. The two-day event features dynamic breakout sessions, interactive workshops, industry experts, and inspiring keynote speakers. The result is often greater leadership and innovation.

Conference 52

Conference Las Vegas Fort Worth San Diego 52

Museum 2.0

MAY 9, 2007

With a visual representation of people around you, voice communication (coming soon to SL, already present in some other virtual worlds), and most importantly a fully navigable and interactive 3D environment, everyone – whether gamer or not, technophile or phobe - has the clear feeling that they are in a place with other people.

Second Life 20

Second Life Museum Life Virtual 20

Allegiance Group

FEBRUARY 2, 2024

Consider what makes your nonprofit unique and the experiences supporters hope to gain from interacting with you. For example, a 30-second commercial on network television can cost over $100,000 in broadcasting fees alone. Shorten wordy phrases, eliminate redundant expressions, remove filler words, and write in the active voice.

Digital 52

Digital Marketing Channel Nonprofit 52

Tech Soup

JUNE 16, 2017

Behind the emerging digital backdrop, a new breed of broadcasters are seeding a cascade of diverse voices. Once your communication strategy is solidified, your reporting plan will guide your interactions with your audience. The question you may ask is how can you possibly be heard amid the Internet's digital chatter?

Communication 56

Communication Digital Strategy Build 56

AccelEvents

FEBRUARY 16, 2021

Preventing screen fatigue at your online event is more than just getting the audience to interact with the sessions, it is also about making them comfortable. Simulive allows you to broadcast pre-recorded video as if it were live, complete with live moderation and chat options. Consider Attendee Comfort. Choose the Timing Wisely.

Virtual 52

Virtual Tips Audience Hosting 52

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 19, 2014

This does not come without challenges as identified in the guide: Social media can be seen as an easy way to be transparent, but if foundations use it only as a one-way broadcast mechanism, they are not taking full advantage of its ability to engage with others in dialogue and conversation.

Open 99

Open Report Chapter Case Study 99

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 23, 2009

Build Relationships and Issues Awareness: You’re interacting with key audiences on the social media channel in order to build awareness for your organization's brand. You’re increasing your visibility in the right areas and trying to stick in the minds of others through active interaction on many different levels.

Social Media 106

Social Media Map Strategy Media 106

Beth's Blog: How Nonprofits Can Use Social Media

JULY 12, 2009

All elements of mobile marketing were utilized in this campaign: an SMS Blast, SMS Shortcode (a code word/number individuals can respond to), interactive voice response, banner advertising, a microsite and the Lead Capturing Zone that induced the call to action for individuals to apply for the scholarship. Wide Reaching. Full Approach.

Mobile 90

Mobile Hurricane Cancer Myanmar 90

Nonprofit Tech for Good

JULY 28, 2013

Branding themselves as the “Play” button for the Web, Wibbitz automatically converts text-based posts and articles into engaging, interactive videos so your supporters “never have to read again.” Ideal for mobile social media managers, VoiceTexter is an iPhone app that instantly transcribes your voice messages.

Free 280

Free Mobile Nonprofit Map 280

Nonprofit Tech for Good

MARCH 8, 2013

You can either broadcast live (think of it as your own radio station) or host the messages on the Cinchcast server for later listening. Ideal for activist organizations, CrowdVoice allows organizers to create “Voices” of protest where users can monitor and contribute links, photos, and videos of protests worldwide.

Web 274

Web Tools Free Mobile 274

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 30, 2009

that lets anyone with an inexpensive web camera and internet connection to broadcast to the world. I brought a couple of props to make it fun and more interactive, including my finger puppets. How do you balance cross generational voices within your organization, and who should own the soc media? Leave me a comment!

Interview 83

Interview Org Stream Camera 83

Nonprofit Tech for Good

JUNE 3, 2012

You can either broadcast live (think of it as your own radio station) or host the messages on the Cinchcast server for later listening. Ideal for activist organizations, CrowdVoice allows organizers to create “Voices” of protest where users can monitor and contribute links, photos, and videos of protests worldwide.

Fun 272

Fun Resource Mobile Social Media 272