Kindful

MARCH 11, 2021

Look for a facilitator who uses tactics to control hijackers, manage disputes, give everyone a voice, create buy-in, and build consensus. They will also have people up and moving around doing thoughtful, interactive exercises, usually in small groups to facilitate discussion and collaboration. They make the day fun.

Facilitation 98

Facilitation Exercise Fun PowerPoint 98

Nimble AMS

FEBRUARY 10, 2022

It’s rare to work for a product company where every voice is considered when developing new or updating existing features. Our customers are the most amazing and collaborative people I have ever worked with. Adam Carey, Senior Director of Client Services, Salesforce Certified App Builder ? . Ajay’s background.

Celebrate 135

Celebrate Fun Associations Product 135

Museum 2.0

SEPTEMBER 7, 2010

For years, I've been fascinated and a bit perplexed by the Elsewhere Collaborative , a thrift store turned artists' studio/living museum in Greensboro, North Carolina. In 2003, my collaborator Stephanie and I began an excavation, declaring nothing for sale. George will respond to comments on this post and is also reachable here.

Collaboration 36

Collaboration North Carolina Museum Artist 36

Achieve

JANUARY 18, 2023

with polls and surveys to hear from your supporters and give them the opportunity to voice their thoughts. She brings a unique and artistic approach to marketing, rooted in her enthusiasm for the creative, entertainment and fashion industries, and their applications to establishing and growing digital presence. Add gamification tools.

Virtual 97

Virtual Fundraising Nonprofit Hosting 97

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 17, 2010

The Tools Artists Need Geeks To Create Join us to discuss the digital tools being used and abused by theatre makers, dancers, musicians, crafters, wordsmiths, cinematographers, photographers, painters, and other multimedia artists. What artistic problems need a dose of geek teamwork? What’s new? What works?

Comment 97

Comment Artist Social Media Hype 97

Museum 2.0

SEPTEMBER 26, 2012

Museum programs need to then actively respond to their communities through a variety of ongoing discursive, collaborative and inclusive formats that address needs and assets but also invite communities to be active participants in this process. Furthermore, how can museums and communities work together to share strengths in the community?

Museum 49

Museum Program Participatory Community 49

Whole Whale

SEPTEMBER 8, 2023

A relatable human voice connects. Collaboration with experienced digital fundraisers is invaluable to learn what resonates. The ads were hailed as beautiful, artistic, and innovative. Convey the mission as urgently needed and highly solvable to inspire hope and action. Donors want to feel they are fueling breakthroughs.

Lesson 59

Lesson Fundraising Digital Test 59

Tech Soup

JULY 6, 2012

With that in mind, Zero1's community engagement manager Danielle Siembieda-Gribben organized HackFlux : a weekend hackathon bringing together a mix of coders, developers, designers, artists, and thinkers this past June. The goals of the hackathon were twofold: To build a community around mobile development and art.

Arts 58

Arts Tech San Francisco Proposal 58

Museum 2.0

JUNE 6, 2018

The OFBYFOR ALL Communications Catalyst will be the online host and voice of the growing global OFBYFOR ALL movement. In this job, you will welcome, motivate, and collaborate with civic and cultural professionals around the world who want to make their organizations OF, BY, and FOR their communities.

Job 20

Job Community Build Work 20

The Modern Nonprofit

MAY 30, 2023

This collaboration can provide mutual benefits for both your organization and the LGBTQ+ organizations, as you can share resources and amplify each other’s voices. Collaborate with local LGBTQ+ organizations : Team up with local LGBTQ+ organizations to support their initiatives, share resources, and amplify their voices.

Support 98

Support Fundraising New York City History 98

Museum 2.0

AUGUST 19, 2015

Develop collaborations and programs, keeping in mind what you have learned. Once we've identified assets and needs, we seek out collaborators and project ideas. There is a strong community of Oaxacan artists, dancers, and musicians in Live Oak. Spend more time in the community to whom you wish to be relevant.

Teen 20

Teen Museum Voice Collaboration 20

Museum 2.0

AUGUST 25, 2016

And in several cases, the projects constituted "empowerment lite" for participants rather than true collaboration, co-creation, or transformation. Critical friends are trusted outside observers who may raise tough questions and uncomfortable truths that a collaborating community group cannot or will not share.

Museum 20

Museum Participatory Resource Place 20

Museum 2.0

APRIL 29, 2015

We invited community members in, to be active contributors, collaborators, and co-creators in our museum space. For example, in Santa Cruz there is a huge community of creative people who identify as artists in non-traditional media. That’s why we partner with fire sculptors, knitters, graffiti artists, and bonsai growers.

Build 20

Build Community Museum Artist 20

Media Cause

SEPTEMBER 29, 2021

As we look to hire BIPOC designers and amplify their voices, we also have to examine our industry definition of what “good” design is and start building a completely new system—by everyone, for everyone. . We ask BIPOC people to fit into our WHITE system, and then we act surprised when they don’t feel included or welcomed. .

Design 52

Design System Structure Ratio 52

Connection Cafe

JANUARY 14, 2014

Based on the collaboration and consensus from the visioning exercise, define your goals and actions for the year. Have genuine thanks also come from a performer, artist, or someone impacted by your programming, etc. . Give them an opportunity to have a voice about their experience. Know Your Data. Ask for Feedback.

Goal 33

Goal United Kingdom North America Arts 33

Museum 2.0

JUNE 12, 2013

When we work with diverse collaborators, from opera singers and ukelele players to knitters and graffiti artists, we catalyze new partnerships and relationships that make our community stronger and more cohesive. You want to have an artist collective sleepover at the museum? We believe in fearless experimentation. Sounds great.

Museum 55

Museum Learning History Arts 55

Museum 2.0

OCTOBER 8, 2007

is launching an experiment in collaborative exhibition design. This one-week test will hopefully be followed by many more progressively ambitious projects to develop new tools for museums, scientists, artists, experience designers, visitors, and all kinds of folks to work together to create high-quality exhi bitions.

Museum 20

Museum Experiment New York Voice 20

NTEN

JANUARY 22, 2009

Podcasting is a storytelling medium; use it as the voice for your organization’s most compelling stories. There are several services that allow you to create a podcast directly by leaving a voice message recording. It will take time to script, record, and edit the audio, engage with listeners, and collaborate with contributors.

Podcast 59

Podcast Audio Music Support 59

Museum 2.0

APRIL 17, 2007

there may be some great opportunities for collaboration for museums, too. They are committed to making this technology accessible (and free!) They are committed to making this technology accessible (and free!) to educators permanently. Unusual Projects and Influences.

Story 20

Story Online Artist Museum 20

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 29, 2015

This approach would also create capacity for new voices and new ideas to be engaged in the environmental movement. In this approach, the Brainerd Foundation would focus on fostering sharing and innovation by thinking differently, funding differently, collaborating with other funders differently, and sharing differently—all starting tomorrow.

Design 50

Design Strategy Facilitation Advocacy 50

Museum 2.0

SEPTEMBER 18, 2013

In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean''s book Visitor Voices in Museum Exhibitions. You can be an expert and have a strong voice--a voice visitors want to hear--without being the only voice in the room.

Museum 45

Museum Question Participatory Evaluation 45

Museum 2.0

APRIL 25, 2011

In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions. You can be an expert and have a strong voice--a voice visitors want to hear--without being the only voice in the room.

Question 49

Question Participatory Museum Evaluation 49

Have Fun - Do Good

JANUARY 30, 2009

Jennifer is a certified coach, artist and yogini based in Oakland, California. That's the voice inside your head, or the many voices that say, "I can't," or "You don't have enough degrees," or "How are you going to earn a living with that?" I know you particularly work with entrepreneurs and artists, yes?

Brain 41

Brain Life Artist Advice 41

Museum 2.0

OCTOBER 15, 2009

A large number of the collaborative projects of which I'm aware (in which staff partner with community members to co-develop exhibits or programs) are initiated with teens. Teens are developmentally focused on social identity-building and may feel more compelled to share their voices and express themselves than others than other visitors.

Teen 24

Teen Participatory Experiment Museum 24

Have Fun - Do Good

JANUARY 16, 2009

I think about how hesitant I was to become an artist, because I didn't see role models, and even to this day how hard it is for me sometimes to find peers who are women of color, because of how systematically they are pushed out. I'm an artist and an institution builder. The kind of art I do is art that gets engaged into the public.

Artist 40

Artist Digital Arts San Francisco 40

Have Fun - Do Good

SEPTEMBER 9, 2009

Kind of like artists, a lot of passion and drive can create great things, but they aren't necessarily sustainable over time. They're artists so they think big. Too often we give the resources to the communities that have the loudest voice. It's really creating that voice, and I think we can facilitate that.

Oakland 61

Oakland San Francisco Companies Business 61

Museum 2.0

JUNE 6, 2008

However, the contest also prevented us from legitimately fostering collaboration. We had several community discussions about the competition disincentivizing collaboration--the money sent a contradictory signal to all our talk about sharing. One of these artists, a graffiti artist named Dan, had such a good time that he a.

Virtual 21

Virtual Tech Lesson Develop 21

Museum 2.0

JUNE 16, 2020

Each week, I’ve been ceding the blog to others as a chance to hear many voices share their thoughts about our field, where we are, and where we are going. This field is varied, and each voice adds to our collective understanding of the situation. For this week, I’m re-posting Andrea Montiel de Shuman’s Medium post with permission.

Museum 22

Museum Detroit Arts Leadership 22

Museum 2.0

JUNE 12, 2012

It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. We experimented with many different forms of visitor participation throughout the building, trying to balance social and individual, text-based and artistic, cerebral and silly.

Participatory 51

Participatory Museum Blackboard Game 51

Have Fun - Do Good

SEPTEMBER 26, 2008

Our web site serves as an international resource for anyone interested in the healing potential of art, especially environmentalists, social activists, artists, art professionals, health care practitioners, and those challenged by illness. Sales at the Market directly benefit artists and their families and help sustain communities worldwide."

Arts 40

Arts Impact Photography Artist 40

Museum 2.0

NOVEMBER 9, 2007

But last week, I took a new job with The Tech Museum of Innovation in San Jose, working on a very different kind of project involving collaborative distributed exhibit design. So what does this collaborative platform look like? We’re using a combination of a wiki-style website and a Second Life presence to make it happen.

Open Source 22

Open Source Museum Game Open 22

Museum 2.0

MAY 14, 2007

Several were created or conceived by a single person, often an artist/non-museum professional. Yes, an individual can bring clarity of vision to any project that might otherwise be sullied by the ups and downs of collaboration and compromise. When your voice is the only one out there, you have to acknowledge and develop it.

Life 20

Life Create Change Museum 20

Have Fun - Do Good

MAY 4, 2010

"To us, it's really about collaboration. This was a collaboration among several organizations, A Single Drop, Crabgrass, ProNet Accra, and Women's Earth Alliance. It's really an honor to have the opportunity to learn from everyone that's around us, and all the voices that have informed what we're doing here today.

Director 40

Director Ghana Africa North America 40

Have Fun - Do Good

JUNE 7, 2006

We also work with groups like Oxfam and their Make Trade Fair Campaign , Doctors without Borders , the ACLU , Global Exchange and this summer will be collaborating with Witness , Greenpeace , the NRDC and others. I’m responsible for the building and maintenance of relationship with artists, artist management and tour production crews.

Teach 40

Teach Campaign Info Volunteer 40

Have Fun - Do Good

NOVEMBER 9, 2011

Favianna Rodriguez Activist printmaker and digital artist. World Pulse is a global media and communication network devoted to bringing women a global voice. Naomi Natale Founding Artist, One Million Bones. Listen: Big Vision Podcast interview (February 6, 2008) Read: Transcript on Have Fun, Do Good 5.

Change 111

Change Podcast Interview Sudan 111

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 27, 2009

Chris Anderson’s The Long Tail Note from Beth: In 1993, I worked as the "network weaver" for an online network for individual artists called "Arts Wire" where I facilitated online conversations, provided technology support and training. Collaborator. Organizations used to one honed public voice may find this difficult to fathom.

Museum 82

Museum Arts Artist Conservancy 82

Have Fun - Do Good

APRIL 29, 2009

We wanted to encourage them to find their voice, and to become leaders in their own right in their own local community. CCF's intention is to help this evolving culture by helping to create the next generation of doctors, lawyers, scientists, artists and poets. It really didn't matter to us. Who is the note taker?

Interview 46

Interview Cambodia Children Uganda 46