sgEngage

NOVEMBER 19, 2021

Question yourself along the way… What are the bestsellers? Amsterdam’s Rijksmuseum collaborated with German toy manufacturer Playmobil to create a line of toys replicating art from the collection. Work with a local artist to create artworks inspired by your collection. Know your stock. Which items are selling poorly?

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Museum Philadelphia Arts Jordan 95

AccelEvents

AUGUST 4, 2021

Corporate event team builders are an essential way to build a strong team culture and can significantly improve team morale. As company culture evolves, every business needs to pay more attention to growing their team’s cohesiveness and camaraderie. Consider these fun corporate team builders (which can even be done remotely ).

Fun 98

Fun Team Picture Game 98

Museum 2.0

OCTOBER 2, 2013

In this post, George grapples with the challenges of balancing the care for a museum collection with that of contemporary artists-in-residence who are constantly reinterpreting it. Every Saturday, the curatorial team at Elsewhere , a living museum in downtown Greensboro, NC, reviews the project proposals of its artists-in-residence.

Artist 49

Artist Museum Proposal Participatory 49

Museum 2.0

OCTOBER 30, 2013

Earlier this fall, I read this headline: "Stanford study: Participation in a cultural activity may reduce prejudice." I eagerly read about a new social psychology research study in which whites, Asians, and Latinos engaged in a simple collaborative activity--making a music video together. I wanted to know more.

Measure 47

Measure Arts People Museum 47

Museum 2.0

SEPTEMBER 18, 2013

This post shares some of the most interesting questions I''ve heard throughout these experiences. Feel free to add your own questions and answers in the comments! BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1. Do you see any cultural differences in whether and how people like to participate around the world? Yes and no.

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Museum Question Participatory Evaluation 45

Media Cause

AUGUST 9, 2021

We develop our skills by seeking, absorbing, questioning, adapting, and experimenting, oftentimes bringing diverse influences together to create something that’s unique for our clients’ needs, but with connections to other relevant spaces. Creative-problem solving on a small budget.

Design 52

Design Experiment Nonprofit Collaboration 52

Museum 2.0

OCTOBER 12, 2011

This week, the National Committee for Responsive Philanthropy released a new paper by Holly Sidford called Fusing Arts, Culture, and Social Change. We may say that we want to support programming and cultural opportunities for low-income and non-white people, but that's not where the money is going. The title may sound innocuous.

Arts 52

Arts Fund Artist Houston 52

Museum 2.0

APRIL 25, 2011

This post shares some of the most interesting questions I've heard throughout these experiences. Feel free to add your own questions and answers in the comments! BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1. Do you see any cultural differences in whether and how people like to participate around the world? The Museum 2.0

Question 49

Question Participatory Museum Evaluation 49

Media Cause

SEPTEMBER 29, 2021

But as we learn these rules, we often forget to question where and how those rules were created in the first place. We read articles mapping out the “perfect face” according to the Greek ratio of Phi but we never question why Greek history is the arbiter of truth in many cases when much of Greek philosophy was stolen from Egypt.

Design 52

Design System Structure Ratio 52

Museum 2.0

SEPTEMBER 26, 2012

Museum programs need to then actively respond to their communities through a variety of ongoing discursive, collaborative and inclusive formats that address needs and assets but also invite communities to be active participants in this process. Furthermore, how can museums and communities work together to share strengths in the community?

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Museum Program Participatory Community 49

Museum 2.0

JULY 17, 2012

It happened because we: partnered with local artists and community organizations whose passion and generosity made it possible for us to create incredible events. Over 800 people volunteered their talents to support our programs, with the majority collaborating on our monthly themed 3rd Friday events. were shamelessly resourceful.

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Museum History Arts Artist 47

Museum 2.0

MAY 21, 2014

Over the past three years, we''ve tripled our attendance, doubled our budget, and, most importantly, established deep and diverse relationships with community members, artists, and organizations across Santa Cruz County. I''m open to any questions you want to share in the comments. Naming our goals and our culture.

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Museum Director History Teen 49

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 29, 2015

It is a useful technique for creating a more responsive, flexible organizational culture as well as coming up with more innovative ideas for programs and grants that are a good fit. So, the next step in the process was to have the group generate a series of questions to serve as a springboard for brainstorming ideas for program prototypes.

Design 50

Design Strategy Facilitation Advocacy 50

See3

JUNE 3, 2009

GATC mission “is to bridge cultures in conflict through the arts and to create innovative arts-education programs around the world.&#. The organisation began uniting musicians from cultures in conflict in 2004 with the pairing of a Jewish-Moroccan and a Muslim-Moroccan musicians.

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Los Angeles Thailand Music Illinois 40

Museum 2.0

SEPTEMBER 21, 2016

Looking closer, I saw that each seat had its own handwritten label, telling the story of the Philadelphia cultural institution from which it originated. They were there for artist talks. They live their mission, working in questions and projects rather than exhibitions and programs. The community drives the question.

Process 20

Process Share Philadelphia Arts 20

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 16, 2009

I probably shouldn't get too much further in this blog post without asking myself why I'm interested in this topic at all and raise a skeptic question: Does Real Time Web have any value or benefit to nonprofits? I'm not sure why this topic caught my attention. My interest just isn't in the tools. just saying.

Place 84

Place Time Web Stream 84

Museum 2.0

APRIL 15, 2015

We were discussing the potential for cultural organizations to have significant impact across communities: on planning, health, education, and quality of life. Over three days, 52 artist teams erected experimental projects along San Francisco''s biggest thoroughfare. "The arts are future-making."

San Francisco 20

San Francisco Arts Design Marketing 20

Museum 2.0

OCTOBER 24, 2012

I like to ask myself this question periodically, challenging myself to find substantive ways for visitors to contribute to our museum. We actively seek participation and develop structured opportunities for visitors to collaborate with us. How do community members make your institution better?

Platform 41

Platform Open Museum Participatory 41

Beth's Blog: How Nonprofits Can Use Social Media

JULY 7, 2009

They’re jocks, geeks, artists, musicians and cheerleaders…and we need their help. What ecosystems facilitate serendipitous discovery and collaboration? Doing good isn’t our job, it’s everyone’s. And as long as changing the world is relegated to a sector, it will never happen. Generic license ). starts around 7:21). And it helps.

Change 88

Change Haiti Darfur Music 88

Museum 2.0

JANUARY 24, 2011

In my experience, innovation is about flexibility, capacity, and collaborative relationships. Guard staff who are willing to let an artist step between two panes of glass to perform. That said, the fact that we work with contemporary artists can also create a lot of stress in our institutional systems.

Arts 46

Arts Interview Teen Artist 46

Museum 2.0

APRIL 29, 2015

We invited community members in, to be active contributors, collaborators, and co-creators in our museum space. We had incredible success transforming our institution into a vibrant cultural center. For example, in Santa Cruz there is a huge community of creative people who identify as artists in non-traditional media.

Build 20

Build Community Museum Artist 20

NTEN

JUNE 27, 2012

The museum curator does research, is an expert in the particular artistic style, selects the best examples, puts them together in an exhibit, provides important context with annotation on the labels, and so on. They can answer questions about the wine to help diners navigate a wine list to make the best choice.

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Content Benefit Build Museum 62

Museum 2.0

AUGUST 19, 2015

That's a more complicated question. It's a question of HOW we decide, not just WHO makes the decision. Develop collaborations and programs, keeping in mind what you have learned. Once we've identified assets and needs, we seek out collaborators and project ideas. But who decides what is relevant inside the organization?

Teen 20

Teen Museum Voice Collaboration 20

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 26, 2006

The book includes a "Connected Quiz, a set of reflective questions that can help an activist think about how well they or their organization is connecting with others -- something to think about before jumping into the tools. Some argue that young people acquire these key skills by interacting with popular culture.

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Participatory Teen Vlog Mashup 50

Museum 2.0

MARCH 4, 2015

I wrote The Participatory Museum for two reasons: to explore the "how" of participatory design in museums, cultural centers, libraries, and science centers to create a version of this blog that was more "shareable" with organizational leaders and trustees By many measures, the book has been a success. and "why?" to "how?".

Participatory 20

Participatory Museum Empowerment Facilitation 20

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 17, 2007

This role is more about providing London's non-profit sector with a for ICT issues and getting policy-makers and funders to recognise that investing in the ICT of non-profit organisations can actually achieve lots of positives - transforming organisations to work smarter and better, better collaboration and information sharing, and so on.

Open Source 56

Open Source NTC Remix Profit 56

Museum 2.0

JULY 17, 2013

In 2009, after we hosted the Creativity and Collaboration retreat, I wrote a post about ditching "conferences" for "camp" experiences. I was surprised by the extent to which reality TV culture imprinted on the experience. If we were to do this again, I would ask one additional question of applicants: age.

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Museum Arts History Professional 49

Museum 2.0

OCTOBER 15, 2009

A large number of the collaborative projects of which I'm aware (in which staff partner with community members to co-develop exhibits or programs) are initiated with teens. The other three are cultural, and I'm not sure how accurate they are. Why are teens over-represented in participatory projects?

Teen 24

Teen Participatory Experiment Museum 24

Neon CRM

SEPTEMBER 21, 2023

Peer-to-Peer Events Arts & Culture Events Community Events Educational Events Events for Grown-Ups Events for Kids & Families Nonprofit Peer-to-Peer Events Peer-to-peer events raise funds and generate buzz by having your supporters and participants get their networks involved in your event.

Ideas 52

Ideas People Local Classes 52

Museum 2.0

FEBRUARY 22, 2012

What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? Will the bureaucracy of the institution drown the artists in red tape? No, this is not a reality TV show.

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Artist Museum Project Public 39

Museum 2.0

FEBRUARY 12, 2009

This week, an interview with Brooklyn Museum 1stfans managers Will Cary (membership) and Shelley Bernstein (technology) and artist An Xiao. Want to know how the Brooklyn Museum is answering this question? So you weren't targeting "Brooklyn artists" or some other demographic group. Both are true. This was made for them.

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Museum Audience Program Artist 24

Museum 2.0

FEBRUARY 9, 2010

I was surprised by her question. As cultural anthropology has swung away from a vision of authoritative history and toward the embrace of multiple perspectives, there is potential for those stories to come from all over the place, including visitors themselves. They are frequently about real people's stories.

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Museum Difference Participatory History 29

Forum One

DECEMBER 13, 2023

The new American Jazz Museum brand positions the museum to be a beacon of rich history and vibrancy for the community and neighborhood and attract audiences from around the country to experience music from a range of eras and artists. It also won the Smithsonian National Museum of African American History and Culture a Silver Vega Award!

Celebrate 68

Celebrate Award Colorado Museum 68

Museum 2.0

JUNE 12, 2009

Here’s what happened: an art critic named Jerry Saltz posted an incendiary note on Facebook about the very low representation of women artists on the 4th and 5th floors (painting and sculpture) of MoMA. When those spaces are factored in, there are more than 250 works by female artists on view now. Let’s start there. They met in person.

Conversation 21

Conversation Museum Artist Minneapolis 21

Forum One

DECEMBER 13, 2023

The new American Jazz Museum brand positions the museum to be a beacon of rich history and vibrancy for the community and neighborhood and attract audiences from around the country to experience music from a range of eras and artists. It also won the Smithsonian National Museum of African American History and Culture a Silver Vega Award!

Celebrate 46

Celebrate Award Colorado Museum 46

Museum 2.0

DECEMBER 8, 2006

Elisa’s focus is interactive arts, media design, and cultural management, and she has been involved in many pertinent projects, such as MUVI (the Virtual Museum of the Collective Memory of Lombardia). the question of how cultural objects are defined and valued and 2. My favorite pieces of this conversation dealt with 1.

Interview 20

Interview Museum Culture Sound 20

Bloomerang

NOVEMBER 13, 2021

But most importantly, we love for these sessions to be interactive, so feel free to chat in your questions and comments along the way. There’s a chat box and a questions box. If you use the questions box, it might be a little bit easier to call out your question, but we’d love to hear from you.

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Report Measure Impact Process 78