Museum 2.0

DECEMBER 3, 2019

I was thinking I’d do a few alternative histories of museums for the first post of the last month of the decade. As I imagined a world without the many museum tech projects of the decade, I felt inherently sad about the imagining away the successes that friends and colleagues have enjoying. But I couldn’t get there.

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Museum Work Social Media History 21

Forum One

NOVEMBER 3, 2022

We are excited to share that Forum One has been selected for 7 Davey Awards for our excellence in web design! The 17th Annual Davey Awards received nearly 3,000 entries from ad agencies, digital agencies, production firms, in-house creative professionals, graphic designers, design firms, and public relations firms.

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Award Washington National Drupal 77

Museum 2.0

JULY 20, 2016

When we say we want our museum to be "audience-centered," what do we mean? My career first got moving at a brilliant example of the customer-centered museum: the International Spy Museum. Many of my favorite museums, libraries, and zoos are customer-centered places. They care about visitor comfort.

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Museum Audience Music Arts 20

Forum One

SEPTEMBER 17, 2021

The digital storytelling approach powerfully illustrates all that NRDC has accomplished—from landmark legislation to practical changes that benefit the environment and local communities every day—to inspire audiences to support its work into the future and continue to grow its impact. The Frist Art Museum. Outstanding Website.

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Colorado Nashville Museum Award 60

Museum 2.0

JULY 23, 2014

But not enough people care about it anymore, and the museum is fading into disrepair. The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. Many people would look at the world''s oldest mechanized silk mill and say that the core content of the museum is silk. What do you do?

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Museum Product Participatory Community 53

Museum 2.0

JANUARY 11, 2012

For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" We just started to try to live up to that vision, partnership by partnership, activity by activity.

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Audience Museum Participatory History 47

M+R

FEBRUARY 5, 2021

One of the most astonishing things we’ve found in our digital marketing to these high-value audiences is that just a very small lift in performance among them can yield significant increases in revenue. Where you draw these lines is less important than how you think about your audiences. . How large is the potential audience?

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America Digital Audience Channel 105

Museum 2.0

SEPTEMBER 26, 2012

Writing my masters thesis for Gothenburg University’s International Museum Studies program while also working four days a week as the Director of Community Programs at the Santa Cruz Museum of Art & History this spring was certainly a challenge but also an incredible opportunity.

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Museum Program Participatory Community 49

Museum 2.0

JANUARY 18, 2012

When talking about active audience engagement with friends in the museum field, I often hear one frustrated question: how can we get adults to participate? In children's museums and science centers, this relationship is at its most extreme. And yet in the museum world, we still see interactives as being mostly for kids.

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Interaction Design Museum Participatory 47

Museum 2.0

DECEMBER 15, 2014

Gretchen Jennings convened a group of bloggers and colleagues online to develop a statement about museums'' responsibilities and opportunities in response to the events in Ferguson, Cleveland and Staten Island. Museums are a part of this educational and cultural network. Where do museums fit in? Here is our statement.

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Museum Blogger Cleveland Missouri 52

Museum 2.0

OCTOBER 17, 2012

When I started this blog in 2006, I made a multi-media introduction to the concept of "museum 2.0" Venue as content platform instead of content provider: the museum becomes a stage on which professionals and amateurs can curate, interpret, and remix artifacts and information. The museum gets better the more people use it.

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Museum Artist Remix Professional 47

Forum One

NOVEMBER 21, 2022

We are both excited and proud to see that Forum One has been awarded in nine categories for our work in website, video and mobile application development and design. The site offers an intuitive and high-performing experience across devices, with a smooth ticketing process and user-centered design. AARP Livability Index.

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Award Colorado Washington Children 46

Forum One

NOVEMBER 18, 2022

We are both excited and proud to see that Forum One has been awarded in nine categories for our work in website, video and mobile application development and design. The site offers an intuitive and high-performing experience across devices, with a smooth ticketing process and user-centered design. AARP Livability Index.

Award 46

Award Colorado Washington Children 46

Museum 2.0

SEPTEMBER 20, 2011

Last Friday night, my museum hosted a fabulous (in my biased opinion) event called Race Through Time. Race Through Time was designed specifically for this audience of 30 and 40-somethings looking for fun social events with a Santa Cruz bent. Late night mixers at museums for young adults. Performances just for teens.

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Audience Develop Museum History 52

Museum 2.0

SEPTEMBER 18, 2013

This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.

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Museum Question Participatory Evaluation 45

Qgiv

JANUARY 16, 2024

Fun Team Events | Best software for entertainment activities Fun Team Events blends entertainment and philanthropy by offering a distinctive and enjoyable avenue for your donors to support your cause. Qgiv event management tools offer a range of features to seamlessly plan and execute events for various purposes.

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Software Tools Management Registration 52

Museum 2.0

MARCH 3, 2011

Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. All of these were designed intentionally to support the exhibition goals around multi-vocality, surprise, and relationships among artworks.

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Participatory Arts Audience Museum 51

Neon CRM

DECEMBER 13, 2023

Every membership program needs a structure that appeals to its intended audience. Membership models determine how organizations drill down to plan membership tiers , community-building activities, and budget and revenue priorities. Even if you’re just starting out, your organization has likely made a few connections.

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Model Florida Nonprofit Benefit 52

Museum 2.0

JUNE 14, 2011

Should museums play music - in public spaces and or in galleries? So I thought I'd open it up to the Museum 2.0 Pros for music: Music helps designers frame the atmosphere for the intended experience at the museum. If it's not silent by design, people are more likely to override their "shussh!" Licensing fees.

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Music Museum Open Sound 47

Beth's Blog: How Nonprofits Can Use Social Media

MAY 23, 2008

Lynda Kelley I'm here in Sydney, Australia and just finished an informal workshop and discussion with Powerhouse Museum staff and other museums. Will post reflections shortly) I met Dr. Lynda Kelly, a blogger and the Head of Audience Research for the Australia Museum. The site is called Museum 3.0.

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Museum Interview Ning Australia 50

Museum 2.0

MAY 22, 2012

Imagine you've just been tasked with developing an innovative, future-thinking national museum for your country's history. Blueprint is the story of a group of people who tried to create a Dutch Museum of National History (INNL). The Museum directors released Blueprint as a showcase for these plans. Immersive design.

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Museum History Netherlands Create 36

Museum 2.0

JANUARY 13, 2011

Rather than just doing an activity, visitors should be able to contribute in a way that provides a valuable outcome for the institution and the wider museum audience. This week, I saw a great example at the Jane Addams Hull-House Museum that blew me away with its power and simplicity. Yes, this activity is political.

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Participatory Museum Action Experiment 44

Museum 2.0

FEBRUARY 25, 2015

For the past two years, I''ve been working on a project to activate the concrete space adjacent to our museum as a vibrant, community plaza. After years of community town halls, design, and prototyping, we''re finally starting to build our dream. My engineering training taught me to design through iteration.

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Public Activities Active Activism 20

Museum 2.0

AUGUST 16, 2010

I spent last week in the glorious country of Taiwan, hiking, eating, and working with museum professionals and graduate students at a conference hosted at the Taiwan National Museum of Fine Arts. It's not topic-specific; I've done these exercises with art, history, science, and children's museums to useful effect.

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Museum Technique Taiwan Social 41

Museum 2.0

MAY 25, 2010

Margaret shared these thoughts about "museums for use" on her blog , and I asked her to adapt a version for the Museum 2.0 Should a museum be a destination or a place for everyday use? I immediately recalled a phenomenon I witnessed as a student at the Rhode Island School of Design (RISD).

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Museum Rhode Island University Student 37

Beth's Blog: How Nonprofits Can Use Social Media

JULY 9, 2010

They’re masters at meeting their audience where they’re at and bringing them further along the ladder of engagement. The benefits of hosting a Tweetup include deeper relationships, lead generation, or more exposure. It can be a good way to meet your Twitter followers or identify who in your existing audience is using Twitter.

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Offline Online Houston Museum 96

Museum 2.0

JUNE 12, 2013

TCG is the industry association for non-profit theaters, the way AAM is for museums. Given TCG''s multi-year Audience (R)evolution initiative, I took the opportunity to write a new talk about what revolution has looked like at our small museum in Santa Cruz. More audience. More money. You just get bigger.

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Museum Learning History Arts 55

Museum 2.0

SEPTEMBER 27, 2017

Our county board of supervisors had brought their official meeting to the museum. Then, for an hour, former foster youth who helped design the exhibition shared their stories with supervisors. In it, I argued that museums could give up control of the visitor experience while still maintaining (a new kind of) power.

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Platform Impact Childhood Museum 31

Forum One

FEBRUARY 7, 2023

Google believes GA4 better predicts audience needs and provides better data. GA4 is designed to be far less reliant on cookies, using AI and data modeling to help fill the gaps in data caused by privacy restrictions. Another complication of continuing UA was that it works through cookies.

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FAQ Organization Analytics Google 58

Museum 2.0

APRIL 20, 2009

I just got home from the Museums and the Web conference in Indianapolis. I’d never attended before and was impressed by many very smart, international people doing radical projects to make museum collections and experiences accessible and participatory online. Instead, I found a standard art museum. Impersonal guards.

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Participatory Museum Web Indianapolis 35

Museum 2.0

JULY 8, 2015

I wanted to open up conversation about how we judge the relative ethics of various sources of museum revenue--all of which have moral grey areas. Some people actively play, share, collect, or gather online content. On platforms with many participatory options, more people are more active. 3,125 people viewed the game.

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Game Museum Participatory Comment 20

Beth's Blog: How Nonprofits Can Use Social Media

MAY 7, 2010

Recently, James wrote about some interesting ways museums are using Twitter for offline/online engagement. The San Francisco Bay Area has seen some extraordinary museum openings over the past several years. This provides a new level of transparency for the museum worker, and a higher degree of exposure.

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Trend Oakland San Francisco California 91

Museum 2.0

OCTOBER 14, 2015

Imagine a concise, well-designed report on audiences for cultural activities in a large urban city. Imagine it peppered with snappy graphics and thought-provoking questions about connections to research and audience development in your community. While their approach is not one I have used, I learned a lot from it.

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Audience Research Template PDF 20

Museum 2.0

SEPTEMBER 3, 2014

Each of these activities invited contribution on a different level. The suitcase collaborators contributed to the exhibition for months, through a sequence of outreach, discussion, writing, object sourcing, editing, and design. design exhibition Museum of Art and History participatory museum usercontent'

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Participatory Museum History Arts 45

Museum 2.0

MARCH 21, 2012

How do you help visitors know what they can and cannot do in your museum? Most museums have this figured out: they have signs, they have guards, they have cases over the objects. And this works pretty well in science museums, where designers talk about "hardening" exhibits to withstand the more aggressive touchers among us.

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Museum Denver Artist Milwaukee 49

Museum 2.0

JANUARY 16, 2013

It's not every day that a visitor buys pizza for everyone in the museum. Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. Ze was really hands-on with everyone, giving hugs, taking photos, jumping in to do activities with participants. The activities had a really low barrier to entry.

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Reflection Community Museum Participatory 43

Museum 2.0

OCTOBER 18, 2011

We’ve been doing a little experiment at our museum with labels. The Santa Cruz Surfing Museum recently loaned us some fabulous surfboards that tell the co-mingled history of surfing and redwood trees in Santa Cruz. We can certainly write a decent label based on this activity. But one post-it threw me for a loop.

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Participatory San Diego Museum History 48