Museum 2.0

OCTOBER 18, 2011

In our quest to make the public areas of the museum more reflective of Santa Cruz culture, we moved these boards from a comprehensive display in the history gallery into a main stairwell, prominently visible from the lobby and throughout the building. We decided to approach the label-writing for these boards in a participatory way.

Participatory 48

Participatory San Diego Museum History 48

ASU Lodestar Center

FEBRUARY 8, 2017

Understanding the benefits of building social capital may be effective in creating a participatory culture. In addition to encouraging collaboration and shared purpose, nonprofit organizations should ultimately aim to achieve sustained engagement and a participatory culture (Atlee, 2009).

Measure 40

Measure Community Organization Arizona 40

Museum 2.0

JANUARY 25, 2018

This new, experimental training is a hands-on deep dive into the MAH’s model. More about Community Participation Bootcamp We're offering Community Participation Bootcamp as part of a broader exploration of ways the MAH might share our model with others. Tour MAH participatory exhibitions and shadow MAH community events.

Community 31

Community Participatory Museum Registration 31

Amy Sample Ward

JULY 28, 2010

The project is commissioned and supported by NESTA , an independent body with a mission to make the UK more innovative. Project objectives: • To develop a transferable model for amplifying a diverse city’s grassroots innovation capacity through connecting diverse communities through key individuals. • Presentation.

Impact 123

Impact Community Social Phoenix 123

Museum 2.0

SEPTEMBER 27, 2017

This argument became one of the foundations of The Participatory Museum. Traditionally, museums and cultural organizations offer programs. Even a smash hit program is hard to scale up in this model. At the MAH, we've tried wherever possible to break out of unidirectional program models.

Platform 31

Platform Impact Childhood Museum 31

Museum 2.0

MAY 3, 2010

Like many people in the arts, I'm interested in new models that help people combine mission-driven work with an entrepreneurial spirit. The idea is that you specify your values, relationships, and assets, and then match those up with potentially fruitful legal structures, financing models, and growth potential.

Structure 31

Structure Model Social Profit 31

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 29, 2015

In some ways, a design lab can be thought of as “participatory research and testing.”. It is a useful technique for creating a more responsive, flexible organizational culture as well as coming up with more innovative ideas for programs and grants that are a good fit. How do we leverage the “rain” of culture change?3.

Design 50

Design Strategy Facilitation Advocacy 50

Museum 2.0

SEPTEMBER 22, 2009

What does the word "participatory" mean to you? The various definitions of participatory projects can lead to confusion and misunderstandings. In this report, the authors describe three specific models for public participation: contribution, collaboration, and co-creation. This isn't just a rhetorical question.

Public 36

Public Research Participatory Report 36

Museum 2.0

JANUARY 11, 2012

For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" Every time we've tried something new, we've gotten lots of support in terms of media coverage and enthusiastic attendance.

Audience 47

Audience Museum Participatory History 47

Museum 2.0

MAY 2, 2012

We went through a dramatic financial turnaround and redefined our relationship with our community through a series of experimental participatory projects and new programmatic approaches. I look forward to more strategic partnerships that support community development broadly in our county. Just doing it.

Museum 55

Museum Director Participatory Culture 55

Museum 2.0

APRIL 4, 2012

I was reminded of this "care, then act" framework when I saw a recent story about a student's experience at a powerful issue-driven exhibition at the Skirball Cultural Center, Half the Sky. When I visited the exhibition in November, I saw many participatory opportunities for visitors to act. They also had activities.

Story 47

Story Participatory Museum History 47

Museum 2.0

FEBRUARY 5, 2008

Bob’s job is to set up and support “wired” schools and school districts. Institutions like the Boston Children's Museum (which she helped lead in the 1970s) drew heavily from and worked in partnership with the "open classroom" movement to develop informal educational models that are interactive, open-ended, and individualized.

Classroom 22

Classroom Children Museum Model 22

Museum 2.0

AUGUST 14, 2013

As a person who works for a science museum, I work in an environment that supports play. But at my museum , the support doesn''t stop at our visitors. And my museum, and this new model, as a space for them to do so. game guestpost participatory museum Unusual Projects and Influences'

Museum 51

Museum Roles Game Participatory 51

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 29, 2010

Why not join the campaign for creativity and innovation by supporting Creative Commons ? Enabling a Participatory Culture using Creative Commons Licenses by Gautam John. Like my friend Gautam John , I’ve been an advocate and donor to Creative Commons. Creative Commons to the rescue.

License 93

License Participatory Culture India 93

Museum 2.0

DECEMBER 20, 2017

I attended because I'm seeking new ways to share the MAH's model and support the development of more community-centered cultural institutions around the world. Unless you're going to franchise, you can't maintain control of 100% of how your model spreads. Nor should you want to. The mustard matters!

Turkey 26

Turkey Model Museum Delicious 26

Museum 2.0

MARCH 18, 2015

So the Community Science Workshop model is to put a drop-in, FREE community science center in a place that is walkable to kids'' lives and schools. Where it didn''t work, no local support stepped up. We''re really different from traditional science centers in our funding model. That taught us a lot. For example, kids and tools.

Green 20

Green Interview Share Community 20

Museum 2.0

MAY 22, 2012

In 2008, when this group was assembled, they had political backing, financial support, and an energetic approach to their work. By the end of 2011, the House of Representatives withdrew its political and financial support. The early participatory projects are terrific. Hooks based on popular culture. Lots of screens.

Museum 36

Museum History Netherlands Create 36

Museum 2.0

JUNE 18, 2014

Who their role models are. All of these levels and types of play support a pipeline that accommodates players and audiences at different levels of skill, financial capacity, and enthusiasm. School is only one of many venues where cultural experiences can happen. We have to look at what kids are doing after school.

Arts 47

Arts Build United States Audience 47

Museum 2.0

MAY 9, 2012

I led a session with Eric Siegel and Ellen Rosenthal on museum business models and some of the issues we grapple with in managing money. And I talked about some of the challenges of finding the right income and expense models for a museum that operates more like a community center than a traditional cultural institution.

Reflection 43

Reflection Columbus Museum Participatory 43

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 7, 2007

Last month, I turned my blog pink in support of Breast Cancer and in September, I put on a red t-shirt. to support the monks in Burma. I have a strong interest in the future of my work and participatory culture. on my blog in support of Creative Commons Annual Campaign and gave some money too. But that's not all.

Profile 50

Profile Causes Burma Darfur 50

Zen and the Art of Nonprofit Technology

JUNE 29, 2007

One person had brought up the idea of open source as a model for egalitarian participatory economics, and I made a brief comment that it wasn’t all that egalitarian, really. I think that the culture barrier is a really big deal, especially when it comes to dealing with very technical issues. Right, right, right.

Open Source 100

Open Source Open Software Music 100

Museum 2.0

JULY 22, 2008

Feminists, Disabled People, Muslims, Police, Goths, Gays) Readers, who check out the Books for 45-minute to 2-hour discussions Librarians, who facilitate the whole process Since 2000, Living Libraries have been produced primarily in Europe at festivals and libraries with support from the Council of Europe youth sector. well, you know.

Library 20

Library Model Museum Europe 20

Museum 2.0

AUGUST 20, 2009

To me, an open photo policy is a cornerstone of any institution that sees itself as a visitor-centered platform for participatory engagement. I know that many people are uncomfortable with the growing culture of self-documentation, but no one should let their own aesthetic preferences dictate others' behavior without good reason.

Museum 54

Museum Photo Policy Open 54

Museum 2.0

MAY 19, 2010

This sense of complicity is reinforced and supported by the fact that people obey the rules of the line and don't push past each other. How can cultural professionals encourage feelings of complicity among visitors to our institutions? When we encourage complicity in cultural institutions, we encourage shared play and learning.

Community 21

Community Museum Participatory Relationship 21

Museum 2.0

JULY 27, 2009

I’ve long admired Improv Everywhere , the NYC-based participatory public art group. The MP3 experiment is a model for how a typically isolating experience—listening to headphones in public—can become the basis for a powerful interpersonal experience with strangers.

Instruction 21

Instruction Instructional Nicaragua Experiment 21

Museum 2.0

JULY 1, 2008

Today, both of these models are threatened, and within 50 years they will no longer be sustainable. Why are our current models failing? The popular option at this time is to try to beat the experiential competition and ignore the Web-based cultural shift. They want expert support, and we can provide it.

Museum 20

Museum Library Participatory Wikipedia 20

Museum 2.0

MARCH 21, 2011

Recently, I've been doing a lot of workshops with cultural professionals around the question of developing authentic relationships between institutions and visitors. They model impersonal, businesslike relationships between the institution and the people who care about it the most.

Relationship 46

Relationship Museum Game Personal 46

Museum 2.0

MAY 16, 2007

By the standard set by a culture that judges MySpace as dangerous, perhaps these in-person interactions are even MORE dangerous. social networking model to the real world, the implications of tracking, publishing, and spreading become obvious. Tags: participatory museum visitors. But are these potential interactions safe?

Museum 20

Museum Myspace Facilitation Social Network 20

EveryAction

APRIL 1, 2016

Council for Advancement and Support of Education (CASE) / San Diego, CA / Not available. Council for Advancement and Support of Education (CASE) / San Diego, CA / Not available. Council for Advancement and Support of Education (CASE) / Washington, DC / Not available. And inspire your supporters to even greater heights.

Calendar 177

Calendar Conference San Diego DC 177

Museum 2.0

JULY 30, 2014

Our work to transform the Santa Cruz Museum of Art & History into a participatory and community-centered place has been heavily supported by the James Irvine Foundation. We all have business models. I''ve learned a lot from Irvine Foundation staff and partners directly. We all have missions. We all have leaders.

Report 52

Report Malaysia Memphis Museum 52

Museum 2.0

FEBRUARY 22, 2012

What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Several artists offer surprising insights into making participatory projects appealing to visitors. Frequently, we get stuck on developing participatory projects or events that serve as many people as possible.

Artist 39

Artist Museum Project Public 39

Bloomerang

SEPTEMBER 24, 2021

So then we’ll talk about what are some participatory planning methods. That facilitator has to be able to manage many different personalities, the different cultures, different experiences. And there was a lot of cultural misunderstandings, something very basic. How do we do this well? Are communication channels clear?

Community 80

Community Video Slides Survey 80

Saleforce Nonprofit

JULY 12, 2022

This requires the global community to center the voices of people directly impacted by poverty in its approach and support solutions that empower children and their families. Comic Relief US (CRUS) is an example of an organization taking bold steps to align its mission, vision, and culture to effectively tackle poverty in all its forms.

Intergenerational 52

Intergenerational Culture Accessibility Global 52

Museum 2.0

FEBRUARY 23, 2009

As many of you know, I’m writing a book about participatory design for museums. The book is intended to be a practical guide to participatory museum experiences focused on design strategies, case studies, and activities. The WHY of participatory design is really important. And there’s a third reason.

Participatory 26

Participatory Design Museum Wiki 26

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 20, 2014

It is open, participatory, and peer-driven. They identify ways the new power will impact funding and change philanthropy : Peer-to-peer giving, lending, and investing models effectively reduce dependence on traditional institutions. Once gained, it is jealously guarded, and the powerful have a substantial store of it to spend.

Collaboration 116

Collaboration Social Model Channel 116

Non Profit Quarterly

NOVEMBER 17, 2021

Given the lack of established models, there will undoubtedly be some unanticipated curves ahead. As a platform for such local activity, more participatory forms of engagement are already envisaged—an area “culture pass” for museums and arts institutions is one exciting example—to further stimulate local activity.

Local 104

Local Digital Experiment Alternative 104

ASU Lodestar Center

DECEMBER 5, 2012

Before the internet, nonprofit organizations could only establish supportive relationships with the limited number of individuals and organizations in their region. Cultures have always been participatory, long before the Internet, with roots in democratic process, collective decision making, and cooperation for survival.

El Paso 87

El Paso Community Phoenix Participatory 87