Museum 2.0

SEPTEMBER 13, 2011

As a designer, I'm always trying to ensure that participatory activities, however casual, impact both the participant and the organization. If fundraisers are so keen on relationships, why weren't they the first into social media and participatory projects on behalf of their organizations?

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Participatory Practice Fundraising Relationship 39

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 26, 2006

Another point of intersection here for me is Henry Jenkins recently published 72-page white paper " Confronting the Challenges of Participatory Culture: Media Education for the 21st Century." Some argue that young people acquire these key skills by interacting with popular culture. vlogging, and podcasting). .

Participatory 50

Participatory Teen Vlog Mashup 50

Museum 2.0

OCTOBER 18, 2011

In our quest to make the public areas of the museum more reflective of Santa Cruz culture, we moved these boards from a comprehensive display in the history gallery into a main stairwell, prominently visible from the lobby and throughout the building. We decided to approach the label-writing for these boards in a participatory way.

Participatory 48

Participatory San Diego Museum History 48

ASU Lodestar Center

FEBRUARY 8, 2017

Understanding the benefits of building social capital may be effective in creating a participatory culture. In addition to encouraging collaboration and shared purpose, nonprofit organizations should ultimately aim to achieve sustained engagement and a participatory culture (Atlee, 2009).

Measure 40

Measure Community Organization Arizona 40

Museum 2.0

JANUARY 25, 2018

This new, experimental training is a hands-on deep dive into the MAH’s model. More about Community Participation Bootcamp We're offering Community Participation Bootcamp as part of a broader exploration of ways the MAH might share our model with others. Tour MAH participatory exhibitions and shadow MAH community events.

Community 31

Community Participatory Museum Registration 31

Amy Sample Ward

JULY 28, 2010

Amplified Leicester is a city-wide experiment designed to grow the innovation capacity of Leicester by networking key connectors across the city’s disparate and diverse communities in an incentivised participatory project enabled by social media. Be sure to watch their space for more! Presentation.

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Impact Community Social Phoenix 123

Museum 2.0

SEPTEMBER 27, 2017

This argument became one of the foundations of The Participatory Museum. Traditionally, museums and cultural organizations offer programs. Even a smash hit program is hard to scale up in this model. At the MAH, we've tried wherever possible to break out of unidirectional program models. But to me, the benefit is clear.

Platform 31

Platform Impact Childhood Museum 31

Beth's Blog: How Nonprofits Can Use Social Media

MAY 26, 2015

As trainers, Andrea and I both know the value of “modeling the model,” so we wanted to use and model best practices for designing effective meetings on their preferred platforms. Designing A Participatory Hook for a Virtual Meeting. Design must comes first. Finally, you identify next steps and follow up.

Facilitation 50

Facilitation Virtual Arts Participatory 50

Museum 2.0

MAY 3, 2010

Like many people in the arts, I'm interested in new models that help people combine mission-driven work with an entrepreneurial spirit. The idea is that you specify your values, relationships, and assets, and then match those up with potentially fruitful legal structures, financing models, and growth potential.

Structure 31

Structure Model Social Profit 31

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 18, 2011

I’m the lead for Zoetica for this project where my role is to deliver training, advise on the curriculum and coaching methods, model transparency, and serve as a sort of meta network weaver. Experience with Middle Eastern Culture and no experience. Some Connection Points: Learning. Efficiency.

Network 95

Network Build Yemen Morocco 95

Museum 2.0

JUNE 1, 2010

Like many museum and library professionals, I am enamored of the idea of cultural institutions as “third places” – public venues for informal, peaceable, social engagement outside of home or work. I closed this book wondering: are cultural institutions really interested in being third places? Facebook discussion board here.

Place 41

Place Discussion Culture Museum 41

Museum 2.0

NOVEMBER 20, 2017

Courageous speakers from dozens of countries described bold, participatory projects. We met in Medellin--a city where cultural institutions were instrumental in turning crime and fear into hope and beauty. Even the conference itself was a model of social bridging. I first sensed the difference at the front door.

Museum 40

Museum America South America Participatory 40

Museum 2.0

SEPTEMBER 22, 2009

What does the word "participatory" mean to you? The various definitions of participatory projects can lead to confusion and misunderstandings. In this report, the authors describe three specific models for public participation: contribution, collaboration, and co-creation. This isn't just a rhetorical question.

Public 36

Public Research Participatory Report 36

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 29, 2015

In some ways, a design lab can be thought of as “participatory research and testing.”. It is a useful technique for creating a more responsive, flexible organizational culture as well as coming up with more innovative ideas for programs and grants that are a good fit. How do we leverage the “rain” of culture change?3.

Design 50

Design Strategy Facilitation Advocacy 50

Museum 2.0

FEBRUARY 5, 2008

Institutions like the Boston Children's Museum (which she helped lead in the 1970s) drew heavily from and worked in partnership with the "open classroom" movement to develop informal educational models that are interactive, open-ended, and individualized. Why haven't children's museums pushed past the 1970s model?

Classroom 22

Classroom Children Museum Model 22

Museum 2.0

MAY 2, 2012

We went through a dramatic financial turnaround and redefined our relationship with our community through a series of experimental participatory projects and new programmatic approaches. From day 1, I believed that we needed to focus in our first year on creating new participatory events to engage the community.

Museum 55

Museum Director Participatory Culture 55

Museum 2.0

JANUARY 11, 2012

For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" but I didn't have numbers to back it up. They all have in concert, and they build on each other.

Audience 47

Audience Museum Participatory History 47

Museum 2.0

APRIL 4, 2012

I was reminded of this "care, then act" framework when I saw a recent story about a student's experience at a powerful issue-driven exhibition at the Skirball Cultural Center, Half the Sky. When I visited the exhibition in November, I saw many participatory opportunities for visitors to act.

Story 47

Story Participatory Museum History 47

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 29, 2010

Enabling a Participatory Culture using Creative Commons Licenses by Gautam John. This is where our challenge lies – to massively scale the production of high quality, low-cost children’s books for a massively multi-lingual and multi-cultural market. Creative Commons to the rescue.

License 93

License Participatory Culture India 93

Museum 2.0

AUGUST 14, 2013

And my museum, and this new model, as a space for them to do so. We generated nearly 10k data points and hundreds of text-based confessionals that he''s already successfully used to model cooperative behavior and is considering publishing on it. game guestpost participatory museum Unusual Projects and Influences'

Museum 51

Museum Roles Game Participatory 51

Museum 2.0

DECEMBER 5, 2008

Reason #258 I'm glad to live in California: Cultural Connections. Cultural Connections is a group of museum professionals who meet up a few times a year and host excellent programs on a variety of topics. I was captivated by Chris Alexander 's story about participatory online/onsite efforts at the San Jose Museum of Art (SJMA).

Case Study 20

Case Study Participatory Studies Museum 20

Museum 2.0

DECEMBER 20, 2017

I attended because I'm seeking new ways to share the MAH's model and support the development of more community-centered cultural institutions around the world. I learned a ton at Skid Row School, but the lesson that still keeps me up at night is this one: when you want to scale and spread a model, you have to distill it to its essence.

Turkey 26

Turkey Model Museum Adopt 26

Museum 2.0

MARCH 18, 2015

So the Community Science Workshop model is to put a drop-in, FREE community science center in a place that is walkable to kids'' lives and schools. We''re really different from traditional science centers in our funding model. We have a few shining, beloved exceptions, but that''s not a significant part of our model at this time.

Green 20

Green Interview Share Community 20

Museum 2.0

SEPTEMBER 7, 2010

By calling ourselves a museum, we respond to those cultural institutions that have separated practice from production, exhibition from process, and work from play. Elsewhere’s challenge today is how to continue modeling the public commons by practicing social exchanges through our set of things.

Collaboration 36

Collaboration North Carolina Museum Artist 36

Museum 2.0

JUNE 18, 2014

Who their role models are. When we talk about embracing participatory experiences at non-professional levels, arts professionals often get worried that the best work will get drowned out in mediocrity. School is only one of many venues where cultural experiences can happen. We have to look at what kids are doing after school.

Arts 47

Arts Build United States Audience 47

Museum 2.0

MAY 9, 2012

I led a session with Eric Siegel and Ellen Rosenthal on museum business models and some of the issues we grapple with in managing money. And I talked about some of the challenges of finding the right income and expense models for a museum that operates more like a community center than a traditional cultural institution.

Reflection 43

Reflection Columbus Museum Participatory 43

Museum 2.0

MAY 22, 2012

The majority of the book is a tour of the conceptualized physical institution, with smaller sections devoted to the political history of the project and the activities (mostly participatory, distributed, and digital) that the team undertook from 2009-2011 to start building their constituency. The early participatory projects are terrific.

Museum 36

Museum History Netherlands Create 36

Tech Soup

MAY 14, 2013

which heralded a new, participatory web culture. The NetSquared website was itself designed to be a model Web 2.0 TechSoup was then called CompuMentor. The Iraq War was raging. Pope John Paul II died, and Hurricane Katrina devastated New Orleans. The buzzword then was Web 2.0, Online social networking was just being born.

Netsquared 52

Netsquared Wikipedia San Francisco Iraq 52

Museum 2.0

NOVEMBER 27, 2012

Sure, I admire cultural organizations that have a strong mission to change education or diversify access or transform the role of art in everyday life, but I'm an insider. A national election is the ultimate participatory project. It seems wonky and possibly confusing to talk strategy with visitors.

Product 51

Product Build Museum Arts 51

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 8, 2007

I learned years ago that technology doesn't drive change as much as our cultural response to technology does." " He talks about the cultural shift from information scarcity to abundance. He points out, "While those trends are enabled by digital technology, I'm not concerned with technology per se ???

Chicago 50

Chicago Museum Network Conference 50

Museum 2.0

MARCH 14, 2017

We’re proud that the MAH is a thriving museum AND community center for Santa Cruz County, a place for people of all walks of life to connect around our shared creativity and culture. Or “I love the MAH because it is a truly participatory space where diverse groups can enjoy, express themselves, and learn from/about/with others.”

Public 27

Public Museum Arts History 27

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 7, 2007

I have a strong interest in the future of my work and participatory culture. As an activist and evangelist for Creative Commons' values and tools, I want to do my part in helping to ensure that our culture remains as free and accessible as possible. Maybe we all need to be role models. How do we inspire? Need some tips?

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Profile Causes Burma Darfur 50

Zen and the Art of Nonprofit Technology

JUNE 29, 2007

One person had brought up the idea of open source as a model for egalitarian participatory economics, and I made a brief comment that it wasn’t all that egalitarian, really. I think that the culture barrier is a really big deal, especially when it comes to dealing with very technical issues. But it needs addressing. {

Open Source 100

Open Source Open Software Music 100

Museum 2.0

JULY 22, 2008

They are often one-offs for events but are increasingly included in the regular slate of programming at major libraries and cultural facilities (but at my count, only one museum). Tags: participatory museum Unusual Projects and Influences. So if I don't respond to your comments right away, it's because I'm between a rock and a.

Library 20

Library Model Museum Europe 20

Museum 2.0

APRIL 22, 2008

When I heard the tollbooth story, I started thinking about gifting as a model for participatory experiences in museums. This post discusses participatory gifting in three parts: the why, the what, and finally, the how. Why is gifting a model worth exploring? Ideas participatory museum.

Gift 23

Gift Participatory Museum Model 23

Museum 2.0

JULY 1, 2011

She published a book in 2010 titled "The Participatory Museum" that outlined the ideas of her blog -- and many of the world's big-city museums brought her in to help them figure out how to shake off the fusty image of museums and embrace modern times and modern audiences. "The first part is saying yes and being open to the community."

Museum 31

Museum History Arts Work 31

Museum 2.0

JULY 20, 2016

However, I have enormous respect for the customer-centered model when it is executed in ways that truly invite visitors in on their own terms and deliver satisfying experiences. Their vision statement is "to inspire Glasgow's citizens and visitors to lead richer and more active lives through culture and sport."

Museum 20

Museum Audience Music Arts 20