Museum 2.0

JANUARY 11, 2012

For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" We're hearing on a daily basis that the museum has a new role in peoples' lives and in the identity of the county.

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Audience Museum Participatory History 47

Museum 2.0

MAY 2, 2012

Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. A year ago, I put my consultant hat on the shelf and decided to jump into museum management (a sentence I NEVER would have imagined writing five years ago). I'm open to any questions you want to raise in the comments.

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Museum Director Participatory Culture 55

Museum 2.0

JULY 11, 2012

I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. That's how I felt when artist Ze Frank got in touch to talk about a potential museum exhibition to explore a physical site/substantiation for his current online video project, A Show (s ee minute 2:20, above).

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Museum Participatory Artist History 45

Forum One

NOVEMBER 21, 2022

The W³ Awards are sanctioned and judged by the Academy of Interactive and Visual Arts (AIVA) , an assembly of leading professionals from various disciplines of the visual arts dedicated to embracing progress and the evolving nature of traditional and interactive media. Pacific Science Center. Silver – Science Website.

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Award Colorado Washington Children 46

Forum One

NOVEMBER 18, 2022

The W³ Awards are sanctioned and judged by the Academy of Interactive and Visual Arts (AIVA) , an assembly of leading professionals from various disciplines of the visual arts dedicated to embracing progress and the evolving nature of traditional and interactive media. Pacific Science Center. Silver – Science Website.

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Award Colorado Washington Children 46

Museum 2.0

MARCH 24, 2020

It’s the person who answers your question about zoom or the person who passes on their work at home policy. Maybe that’s not the question for today though. Because to go back to comfort, I’d say let that question wait for a few days. While donations are going down, global interest in museums seem a boom industry.

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Museum Work Time Doc 20

Amy Sample Ward

JUNE 21, 2011

Ruth Cohen – American Museum of natural History. Jason Eppink – Museum of the Moving Image. Goal of the centennial project was to shine the light on the library’s resources and get new audiences engaged in the collections and connected to the curators and staff. Jason Eppink – Museum of the Moving Image.

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Game Culture Museum Change 140

Museum 2.0

APRIL 21, 2020

This week we're hearing from Eastman Museum's Kate Meyers Emery. They have created elevated and new digital opportunities for public access and engagement within their respective museums at a time when physical access is not possible. My team will also continue to protect and monitor the museum. I’m new to this but excited.

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Digital Museum Social Media Public 52

Museum 2.0

SEPTEMBER 26, 2012

Writing my masters thesis for Gothenburg University’s International Museum Studies program while also working four days a week as the Director of Community Programs at the Santa Cruz Museum of Art & History this spring was certainly a challenge but also an incredible opportunity.

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Museum Program Participatory Community 49

Museum 2.0

AUGUST 25, 2010

at the Brooklyn Museum, where you could track how people of various levels of art expertise rated crowd-contributed photographs. Instead, I'd like to see us asking broader questions about process, like: How do different people arbitrate the value of a piece of art, a historical artifact, or a piece of scientific evidence?

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Audience Music Artist Museum 38

Neon CRM

DECEMBER 13, 2023

Every membership program needs a structure that appeals to its intended audience. Understand Your Target Audience One of the most important steps in refining your membership model is to gain an understanding of your target audience by conducting an audience analysis. of those who have interacted with you before.

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Model Florida Nonprofit Benefit 52

Beth's Blog: How Nonprofits Can Use Social Media

MAY 23, 2008

Lynda Kelley I'm here in Sydney, Australia and just finished an informal workshop and discussion with Powerhouse Museum staff and other museums. Will post reflections shortly) I met Dr. Lynda Kelly, a blogger and the Head of Audience Research for the Australia Museum. The site is called Museum 3.0.

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Museum Interview Ning Australia 50

Forum One

FEBRUARY 7, 2023

Here we’ll summarize those questions and answers. In June 2007, Apple launched the iPhone, and in subsequent years we saw the rise of apps as a competing method to websites for how people interact with organizations. Google believes GA4 better predicts audience needs and provides better data. What is Google Analytics 4?

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FAQ Organization Analytics Google 58

Museum 2.0

MARCH 3, 2011

These nontraditional audience engagement techniques helped make complex goals and visions explicit and understandable to visitors. When activities were not facilitated, people were often too timid to interact. As one participant said, "the museum feels friendly in a way it usually doesn't." Dirty Laundry was more complicated.

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Participatory Arts Audience Museum 51

Museum 2.0

MAY 22, 2012

Imagine you've just been tasked with developing an innovative, future-thinking national museum for your country's history. Blueprint is the story of a group of people who tried to create a Dutch Museum of National History (INNL). The Museum directors released Blueprint as a showcase for these plans. Limited interactivity.

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Museum History Netherlands Create 36

Beth's Blog: How Nonprofits Can Use Social Media

JULY 3, 2009

Submitted by Nina Simon, publisher of Museum 2.0 On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggl es with in applying participatory design techniques to museum practice. I love this question.

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Technique Question Design Develop 50

Museum 2.0

FEBRUARY 12, 2009

The conventional wisdom on museum memberships is that they are "one size fits many" programs whose primary benefits are free entrance to the museum and insider access to exhibition openings. But what about all the other people who love your museum? Want to know how the Brooklyn Museum is answering this question?

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Museum Audience Program Artist 24

Museum 2.0

JULY 16, 2019

Visitor (though, really my child) at the Maritime Museum, Greenwich, UK As I said, last week, I’ve been to a travelin’ girl for the last couple of years. So, instead, I am offering 3 posts this month about what I learned from visiting more than 300 museums. Last week, I talked about what I learned about museum workers.

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Museum Photography Phone Children 27

Museum 2.0

AUGUST 16, 2010

I spent last week in the glorious country of Taiwan, hiking, eating, and working with museum professionals and graduate students at a conference hosted at the Taiwan National Museum of Fine Arts. It's not topic-specific; I've done these exercises with art, history, science, and children's museums to useful effect.

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Museum Technique Taiwan Social 41

Museum 2.0

JULY 8, 2015

I wanted to open up conversation about how we judge the relative ethics of various sources of museum revenue--all of which have moral grey areas. but it taught me even more about online interaction. I think this diversification is key to inviting broad audiences to feel meaningfully involved in participatory projects.

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Game Museum Participatory Comment 20

Museum 2.0

APRIL 28, 2009

On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggles with in applying participatory design techniques to museum practice. I love this question. First, what do the right questions look like?

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Technique Design Question Develop 52

Museum 2.0

MARCH 13, 2013

Visitor-contributed photos surround a collection piece in Carnegie Museum of Art's Oh Snap! so I was intrigued when I heard about a recent success from Jeffrey Inscho, Web and Digital Media Manager at Carnegie Museum of Art in Pittsburgh. The museum selected and is featuring 13 works recently added to our photography collection.

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Authoring Open Experiment Museum 53

Museum 2.0

SEPTEMBER 3, 2014

In front of each of those paintings, you could stamp your pastport, reflect on the artwork and the question, and share your story. We created a simple wheel with open-ended questions about identity and place, setting it in a lounge area. In my experience, offering many different forms of participation garners more quality interactions.

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Participatory Museum History Arts 45

Museum 2.0

MARCH 21, 2012

How do you help visitors know what they can and cannot do in your museum? Most museums have this figured out: they have signs, they have guards, they have cases over the objects. I used to think these were easy questions to answer. Art, however, does not come to museums pre-hardened. Focus on family audiences.

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Museum Denver Artist Milwaukee 49

Museum 2.0

JANUARY 27, 2011

At a recent talk in Chicago, an audience member asked a question. His foundation supports a private museum that is rarely open to the public. The people who want that content may not be in the same city as the museum nor even aware of the museum's holdings. This is museum digitization 101.

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Wikipedia Content Museum Artist 54

Museum 2.0

MARCH 12, 2014

I recently read the BERI report on bilingual labels in museums and was blown away by its findings. Steve is a Principal at Audience Viewpoints Consulting, has a Ph.D. in Applied Social Psychology and has evaluated and researched informal learning experiences in museums and other visitor institutions for over 20 years.

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Intergenerational Museum NSF Facilitation 53

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 8, 2011

Last week, I facilitated an interactive keynote in Seattle at 2011 Tech for Good Leadership Summit sponsored by Microsoft Community Affairs , in partnership with NPower Seattle. By all accounts , the event held the space for peer learning. Don’t Just Research Your Audience, Make Them Part of the Presentation.

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Knowledge Seattle Social Media Measure 97

Museum 2.0

APRIL 13, 2009

I spend a lot of time talking to people about social media--how it can be a model for real-life content venue interactions and how it can connect museums and cultural institutions to users in new ways. This is an honest and valid question. Social media is already changing the way people interact with the Web. Here's why.

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Museum Social Media Culture Media 43

Museum 2.0

DECEMBER 31, 2019

I’d poured through the various comments on the questions I asked for your predictions of the next decade. Though when I read Susan’s tweet, I did wonder how many people at 22 can get hired at a museum in anything but a part-time job. Blog research in 2029 museum pros will have solved which work issue? Think about that.

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Museum Poll Attitude Org 22

Museum 2.0

NOVEMBER 10, 2009

Designing Questions Kathy Gustafon-Hilton coordinated a massive Pecha Kucha session, featuring 19 design professionals sharing 20 slides, 20 seconds apiece. I spoke about the importance of designing intentional frameworks for asking visitors questions, based on this blog post. While questions like: "Where were you last night?,"

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Reflection Research Question Museum 20

Museum 2.0

OCTOBER 18, 2011

We’ve been doing a little experiment at our museum with labels. The Santa Cruz Surfing Museum recently loaned us some fabulous surfboards that tell the co-mingled history of surfing and redwood trees in Santa Cruz. Visitors have gone to town, writing both basic questions (“who made them?” “who how did they ride the plank?” "how

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Participatory San Diego Museum History 48

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 22, 2011

The question. Just over a year ago, we asked ourselves a question: How are arts organizations using digital and social media, and what sorts of results are they getting? Many of our clients and fellow consultants working in nonprofits and in the arts were approaching the same question from different angles. was created.

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Arts Social Media Studies National 110

Museum 2.0

DECEMBER 4, 2007

Last week, I received an inquiry from Mary Maher, editor of Hand to Hand, a magazine put out by the Association of Children's Museums , about Museum 2.0. Why, Mary asked, were there no posts about children's museums on this site? Why aren't children's museums represented on Museum 2.0? stuff naturally.

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Children Museum Web Social Network 20

Museum 2.0

MAY 23, 2008

There are different levels of interactivity. I've written before about three types of museum users: contributors, lurkers, and judges. Digression: Some people have commented that my hierarchy of social participation suffers this fault by implying that museums should be trying to level up to higher social engagement.

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Profile Audience Participatory Tools 26

Connection Cafe

DECEMBER 10, 2013

Surely this doesn’t apply to zoos, museums, and theaters does it? The most successful content is the content that is personalized for an audience. The most common question following this is “How do I know what the key personalities are for my organization?” To take your content to the next level, engage with your audience.

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Arts Culture Content Marketing 35

Museum 2.0

SEPTEMBER 19, 2007

She told me an anecdote about an experience with the Stanford Art Museum exhibition, Question , which included a keyboard where visitors could type their own thoughts about art, to be projected on a wall along with quotes by famous people. This story highlights the existence of the audience for visitor input exhibits.

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Audience Museum Music Awareness 20

Museum 2.0

NOVEMBER 14, 2007

Let’s say you wanted to find a model museum using Web 2.0 A place that does all this in the context of a fairly traditional collections-based museum. A place that does all this in the context of a fairly traditional collections-based museum. It’s the Brooklyn Museum. We did this graffiti interactive via Flickr.

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Museum Interview Flickr YouTube 27