ASU Lodestar Center

SEPTEMBER 20, 2011

Design & Innovation, ASU Lodestar Center. I don’t remember why I was perched on a table in art class, but I do remember the drama of leaping between this bully and his victim. When I was a young teen, for example, my twin sister and a girlfriend would pass around a football during lunch hour. Bush, Ph.D. Bush, Ph.D.,

Reflection 91

Reflection Nonprofit Teen Arizona 91

Tech Soup

FEBRUARY 13, 2013

YMCA of Greater Seattle's Kirkland Teen program was one of our test sites. It serves an estimated 84,000 children and teens, so we hoped that this lab would be a serious test of a MultiPoint Server lab's resilience. The Kirkland Teen program in Bellevue, Washington is run by Emily Smith who is their Youth Development Director.

Case Study 40

Case Study Seattle Studies Teen 40

ASU Lodestar Center

AUGUST 3, 2016

I have a background in community arts, using the arts to creatively think about the spaces and people around us. This includes visual arts, sculpture, paintings, murals, as well as better designed buildings, parks, and shared spaces and projects to foster relationships and understanding.

Baltimore 40

Baltimore Student Arts Lecture 40

Museum 2.0

JULY 26, 2010

Art spaces masquerading as laundromats and letterpresses. Machine Project is a non-profit storefront arts venue that hosts a dizzying array of eclectic classes, workshops, events, and occasional exhibits. Want some waffles with your art? Skill-sharing free schools. Community science workshops.

Culture 49

Culture Alternative St. Louis Los Angeles 49

Beth's Blog: How Nonprofits Can Use Social Media

JUNE 3, 2005

And, for a museum that is presenting contemporary art -- anything that helps us demystify the artistic process and better understand the art is, in my opinion, a good thing. This Walker Blog let's us peer into the inner workings of the art institution. it allows the public to see what goes into making an art center.

Artist 50

Artist Arts Process Remix 50

Museum 2.0

MARCH 27, 2009

This week, the Denver Art Museum (DAM) opened a new temporary exhibition called The Psychedelic Experience , featuring rock posters from San Francisco in the heyday of Bill Graham and electric kool-aid. It’s a thrilling challenge to the traditional form of art museum exhibit design, and better yet, visitors like it.

Denver 21

Denver Museum Arts Remix 21

Museum 2.0

AUGUST 25, 2009

Answers will differ depending on who's asking, but they are also influenced by the designed environment in which questions are asked. The outcome of our conversations is dependent on the diversity of designed environments in which they occur. "Where were you last night?" If someone asked you that question, how would you answer?

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Design Goal Difference Platform 31

Museum 2.0

AUGUST 19, 2015

Community First Program Design At the Santa Cruz Museum of Art & History , we've gravitated towards a "community first" program planning model. Instead of designing programming and then seeking out audiences for it, we identify communities and then develop programs that are relevant to their assets and needs.

Teen 20

Teen Museum Voice Collaboration 20

Museum 2.0

MARCH 3, 2007

But I’d been scribbling notes for an art museum label post for awhile, and then yesterday, the NY Times had a review of a new show at MOMA, Comic Abstraction. And it ended with this: No wonder it [MOMA] ends up showing shallow, label-dependent art rather than work that offers deeper, more contradictory encounters. The review was harsh.

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Arts Museum Artist Audio 30

Museum 2.0

MAY 21, 2014

I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. When I look back at some recent projects that I''m most excited about (like this teen program ), I realize that I had very little to do with their conception or execution. institutional change Museum of Art and History'

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Museum Director History Teen 49

ASU Lodestar Center

JULY 26, 2011

Analisa Xavier implemented Native American Connections ' first ever teen after-school programs. Michael Soto traveled to every corner of Arizona to facilitate a comprehensive arts education program he designed. This year alone, Joseph Perez created an entire collaborative program that uses hip hop to teach students about life.

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Reflection Service Arizona Student 82

Amy Sample Ward

JUNE 21, 2011

The speakers for this panel include: Tracy Fullerton – Electronics Arts Game Innovation Lab. Trying to engaged the teen-to-twenty-something who normally may not use the research library. Learning Science by Design. I’m at the 2011 Games for Change conference today and live-blogging a few sessions!

Game 140

Game Culture Museum Change 140

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 1, 2010

million to the winning ideas across six categories, including: Health, Arts & Culture, Food & Shelter, The Planet, Neighborhoods and Education. We collaborated with organizations that are dedicated to making a positive difference in the world to design and implement the Pepsi Refresh Project.

Project 104

Project Contest Award Grant 104

Museum 2.0

SEPTEMBER 21, 2016

The chairs were cast-off art, reclaimed as art, available for people to take off the hooks and use. What kind of an art institution is this? It encourages process-driven performances and art projects. It takes the kind of risks that a university art gallery should take. They were there for artist talks.

Process 20

Process Share Philadelphia Arts 20

NTEN

AUGUST 16, 2011

For the first time, this year's Games for Change Festival created an opportunity for producers of games in development to get live feedback from leading game designers, educators, and funders on the main stage. Frontiers may have better success if it were made specifically for those in migration policy work or the arts community.

Game 81

Game Change Classroom Machinima 81

Museum 2.0

SEPTEMBER 20, 2011

Race Through Time was designed specifically for this audience of 30 and 40-somethings looking for fun social events with a Santa Cruz bent. Everything about the event--from the time slot to the tone of the content to the music played--was designed for that audience. Performances just for teens.

Audience 52

Audience Develop Museum History 52

Museum 2.0

MARCH 26, 2014

In the article, David discussed ways that several large art museums are working to attract major donors and board members in their 30s and 40s. He is the son of Bonnie Pitman , an extraordinary museum leader and educator who has served as director of the Dallas Museum of Art, the Bay Area Discovery Museum, and as a board member for AAM.

Museum 54

Museum Generation Interview Donor 54

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 18, 2010

The top 100 included a mix of nonprofits with an operating budget of under $10 million with programs in designated Chase corporate responsibility areas: education, health care, housing, the environment, combating hunger, arts and culture, human services and animal welfare. .

Contest 62

Contest Community Organization Giving 62

Museum 2.0

SEPTEMBER 12, 2012

In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. This exhibition represents a few big shifts for us: We used a more participatory design process. We focused more on design.

Participatory 44

Participatory Museum History International 44

Museum 2.0

MARCH 4, 2015

I wrote The Participatory Museum for two reasons: to explore the "how" of participatory design in museums, cultural centers, libraries, and science centers to create a version of this blog that was more "shareable" with organizational leaders and trustees By many measures, the book has been a success. Humans empower each other.

Participatory 20

Participatory Museum Empowerment Facilitation 20

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question. In Your Face ).

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Museum Difference Participatory History 29

Museum 2.0

JANUARY 16, 2013

Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. The group was mostly young (teens to thirties) and nerd-diverse: a little bit punk, a little bit hacker, a little bit craft grrl. Or that visitors form a spontaneous "laugh circle" on the floor. It was pretty freaking amazing.

Reflection 43

Reflection Community Museum Participatory 43

Have Fun - Do Good

NOVEMBER 25, 2009

--Kimberly Wilson, author of Tranquilista: Mastering the Art of Enlightened Work and Mindful Play I'm always experimenting with how to stress less, enjoy life more, and make a positive impact. Do you have any favorite Tranquil Teens success stories? We came up with our first program. We came up with a curriculum for the program.

Interview 42

Interview Costa Rica Teen Green 42

Museum 2.0

NOVEMBER 7, 2010

I'd always joked that my dream job was to design pinball machines--a technical problem wrapped in creativity and pleasure. At the big one, I worked on a small project with teens to design science exhibits for community centers in their own neighborhoods. I designed electricity workshops for families.

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Museum Boston Participatory Job 52

Museum 2.0

DECEMBER 14, 2009

I used the example of the Yerba Buena Center for the Arts, which has a mission statement that includes unusual words like “bold” and “fearless.” The London Science Museum team designed an entire exhibition and then left a few open vitrines at the end for visitors to contribute their own toys during the run of the exhibition.

Project 22

Project Museum Teen North Carolina 22

NTEN

JUNE 21, 2011

The speakers for this panel include: Tracy Fullerton - Electronics Arts Game Innovation Lab Ruth Cohen - American Museum of natural History Elaine Charnov - The NY Public Library Jason Eppink - Museum of the Moving Image Syed Salahuddin - Babycastles Elaine Cohen: The New York Public Library 100 Years of the flagship library in New York.

Game 52

Game Culture Change Museum 52

Museum 2.0

NOVEMBER 13, 2007

There is the Art Gallery of Ontario's portrait exhibition In Your Face , for which the museum solicited and displayed thousands of visitor-created self-portraits. At Liberty Science Center, exhibits are designed with support for visitor-created "hacks" and improvements in mind. First, museum content. On the Ontario Science Center's 2.0

Voice 20

Voice Create Museum Arts 20

Museum 2.0

JULY 24, 2007

The New York Hall of Science’s Career Ladder successfully recruits and advances neighborhood teens as floor explainers, and their full-time staff includes many people who have come “up through the ranks.” The Brooklyn Museum of Art found that skateboarders were using their entrance plaza and invited them to continue.

People 20

People Museum San Jose Chapter 20

EveryAction

MARCH 16, 2017

Sheroes in the Arts. Gentileschi is remembered, however, as an accomplished Baroque artist whose trials did not define her art. Are you inspired by women in the arts? French fashion designer and business woman Coco Chanel did much more than make clothing. Thought Leaders. Revolutionaries. Game-Changers. Future Sheroes.

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Story Angola Sierra Leone History 133

Care2

SEPTEMBER 6, 2007

Second Life isnt just about wasting time, however, nor are its "residents" exclusively teens hunkered down in their parents basements with Hot Pockets and Red Bulls - there may be real marketing potential for both for-profit and nonprofit organizations. " Theres a "Teen Grid" that eliminates this completely.

Second Life 28

Second Life Life Social Media Advocacy 28

Museum 2.0

MAY 5, 2009

I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. If participatory exhibit design is going to progress as a design methodology, it has to produce outputs that are demonstrably equivalent to or better than exhibits created by traditional methods.

Slides 20

Slides Participatory Museum Children 20

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 6, 2007

That's when I was working with the New York Foundation for the Arts on its technology capacity building programs, including offline/online workshops for online skill building called SpiderSchool. She suggests that if organizations are targeting young people, particularly teens and 20 somethings that platforms like Myspace can be a good tool.

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Afghanistan Program Offline Profile 50

Get Fully Funded

SEPTEMBER 21, 2021

Maybe they love the food bank but don’t care about the arts. For a self-esteem program for teen girls : Showing every teen girl how awesome she is. For a self-esteem program for teen girls: Your gift of $18.25 gives a teen girl the gift of feeling amazing about herself. a teen girl with a huge, confident smile.

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Fundraising Fund Teen Newsletter 120

Museum 2.0

JULY 4, 2007

Next Tuesday, we'll look at chapters 16 and 17, on the merits and limitations of the team approach to exhibition design.) I’m thinking of the Smithsonian American Art Museum, which is trying to be a museum for people, but is also a national and collection-based place. They are art museums but they’re not about collection.

Museum 20

Museum Puerto Rico Change Boston 20

Museum 2.0

AUGUST 18, 2008

On 8.16.08, the Museum of Art and History (Santa Cruz, CA) hosted FreelanceCamp, a free unconference that brought 150 designers and techies from the south bay area together to talk shop. Heck, it doesn't even attract the museum exhibit designers.

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Museum Hosting Model Community 22

Museum 2.0

AUGUST 3, 2009

We're always happy for more bodies in the door, but if supporting teens means alienating seniors, there's a problem. The article references connecting with young people via social media, at-risk youth via exhibit co-creation, and urban creatives via public art installations.

Community 22

Community Museum San Diego San Francisco 22

Museum 2.0

SEPTEMBER 4, 2013

This post is even more relevant today to the broader conversation about audience diversity in the arts than when it was published three years ago. Guards staring at black teens and grumbling about their clothes. YES is carefully designed to support opportunities for disadvantaged kids to get involved with science.

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St. Louis Museum Audience Teen 45