Museum 2.0

SEPTEMBER 21, 2016

The chairs were cast-off art, reclaimed as art, available for people to take off the hooks and use. They were there for artist talks. What kind of an art institution is this? It encourages process-driven performances and art projects. It takes the kind of risks that a university art gallery should take.

Process 20

Process Share Philadelphia Arts 20

Amy Sample Ward

JUNE 21, 2011

The speakers for this panel include: Tracy Fullerton – Electronics Arts Game Innovation Lab. Trying to engaged the teen-to-twenty-something who normally may not use the research library. Learning Science by Design. I’m at the 2011 Games for Change conference today and live-blogging a few sessions!

Game 140

Game Culture Museum Change 140

Museum 2.0

SEPTEMBER 20, 2011

Race Through Time was designed specifically for this audience of 30 and 40-somethings looking for fun social events with a Santa Cruz bent. Everything about the event--from the time slot to the tone of the content to the music played--was designed for that audience. Performances just for teens.

Audience 52

Audience Develop Museum History 52

NTEN

AUGUST 16, 2011

For the first time, this year's Games for Change Festival created an opportunity for producers of games in development to get live feedback from leading game designers, educators, and funders on the main stage. Frontiers may have better success if it were made specifically for those in migration policy work or the arts community.

Game 81

Game Change Classroom Machinima 81

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question. In Your Face ).

Museum 29

Museum Difference Participatory History 29

Museum 2.0

MARCH 4, 2015

I wrote The Participatory Museum for two reasons: to explore the "how" of participatory design in museums, cultural centers, libraries, and science centers to create a version of this blog that was more "shareable" with organizational leaders and trustees By many measures, the book has been a success. Humans empower each other.

Participatory 20

Participatory Museum Empowerment Facilitation 20

EveryAction

MARCH 16, 2017

Sheroes in the Arts. American Edmonia "Wildfire" Lewis is considered the first woman of Native American and African descent to achieve international fame as a sculptor at a time when artists of color were hardly celebrated and slavery was still legal. Are you inspired by women in the arts? Thought Leaders. Revolutionaries.

Story 133

Story Angola Sierra Leone History 133

NTEN

JUNE 21, 2011

The speakers for this panel include: Tracy Fullerton - Electronics Arts Game Innovation Lab Ruth Cohen - American Museum of natural History Elaine Charnov - The NY Public Library Jason Eppink - Museum of the Moving Image Syed Salahuddin - Babycastles Elaine Cohen: The New York Public Library 100 Years of the flagship library in New York.

Game 52

Game Culture Change Museum 52

Museum 2.0

NOVEMBER 7, 2010

I had a healthy second life as a slam poet, and I loved the world of artists and performance. I'd always joked that my dream job was to design pinball machines--a technical problem wrapped in creativity and pleasure. I also learned that the best money in museums for someone who's starting out is in art modeling.

Museum 52

Museum Boston Participatory Job 52

Museum 2.0

MAY 5, 2009

I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. which followed a very strict formula that frustrated some participants who wanted to be treated like artists, not contributors to a data experiment. This was particularly true for Click!,

Slides 20

Slides Participatory Museum Children 20

Museum 2.0

MAY 8, 2013

We''re more successful when we target particular communities or audiences and design experiences for them. At the Santa Cruz Museum of Art & History , we''re approaching this challenge through a different lens: social bridging. How do you reconcile inclusion and targeting in program design? And rarely the twain shall meet.

Museum 55

Museum Social Arts History 55

Have Fun - Do Good

NOVEMBER 19, 2010

Johns — my North Portland, Oregon, neighborhood — I've been working this year on a new, all-volunteer mentoring program for local teen parents. - Jennifer Moore, Monaluna Designs I act like a fan. Leonie Allan, Goddess Guidebook Buy art from artists. . Leonie Allan, Goddess Guidebook Buy art from artists.

Fun 75

Fun Oregon Portland Blogher 75

Museum 2.0

APRIL 18, 2012

A group in their late teens/early 20s were wandering through the museumwide exhibition on love. At the adjacent table, my colleague Stacey Garcia was meeting with a local artist, Kyle Lane-McKinley, to talk about an upcoming project. When I walked by the first time, the teens were collaging and Kyle and Stacey were talking.

Community 42

Community Teen Build Social 42

Museum 2.0

JUNE 12, 2012

It made me think in ways that I haven't before about the relation of art--as expressive culture--to democracy. Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution.

Participatory 51

Participatory Museum Blackboard Game 51

Museum 2.0

OCTOBER 22, 2008

This is not to say that science centers are more censored than art or history museums—every kind of museum has its own hang-ups. Imagine an art museum that allowed patrons to bang on the exhibits the way you can in a science center. Tags: exhibition design professional development. and displayed in the museum.

Museum 20

Museum Professional Teen Map 20