Top Nonprofits

OCTOBER 22, 2021

Originally a Texas native, Duke, his wife, and two daughters now call Florida home after having survived 15 New York winters. Michael serves on the board of Intuit: The Center for Intuitive and Outsider Art in Chicago where he lives. Outside of DoinGud, she works with a variety of impact projects and nonprofits.

Tanzania 52

Tanzania Cameroon Fundraising NGO 52

Top Nonprofits

OCTOBER 22, 2021

Originally a Texas native, Duke, his wife, and two daughters now call Florida home after having survived 15 New York winters. Michael serves on the board of Intuit: The Center for Intuitive and Outsider Art in Chicago where he lives. Outside of DoinGud, she works with a variety of impact projects and nonprofits.

Tanzania 52

Tanzania Cameroon Fundraising NGO 52

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 23, 2008

I'm prepping for a workshop on Social Media and wanted do a round up of recent compelling examples of arts organizations using social media strategies and tools. I've covered arts organizations and social media here and there over the past three years and last winter co-wrote a cover story article with Rebecca Krause-Hardie for ArtsReach.

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Arts Social Media Examples Artist 74

Neon CRM

NOVEMBER 29, 2023

GivingTuesday is a valuable day to engage new donors, reconnect with existing ones, and engage a group of primarily small-dollar donors. ” and “Support Art on GivingTuesday” appealed directly to the reader’s sense of altruism and empathy. Use data analytics to understand your donors’ behaviors and preferences.

Lesson 52

Lesson North America New York Kentucky 52

Museum 2.0

MAY 7, 2010

Imagine asking audience members to participate in your work. Imagine asking perfect strangers to make something, with no prior training or relationship, that will become the most visible part of a project you've been working on for months or years. The audience participation was essential, not incidental, to the piece.

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Audience New York Instruction Instructional 37

Beth's Blog: How Nonprofits Can Use Social Media

MARCH 31, 2014

While not every game has a record-breaking release like Grand Theft Auto 5, which netted $1 billion in three days, they certainly have a wide audience. Several nonprofits have successfully interacted with, and more importantly, seen impact from, these engaged new audiences. In Education. Social Impact Through Digital Games.

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Difference Game New York City San Francisco 110

sgEngage

APRIL 6, 2021

In my family, we teach the idea that service is the price you pay for the space you occupy, so I saw this project as something that would be good for the city of Nashville and the 28% of African Americans making up the population, as well as for the music industry and the nation. We will continue to speak to those audiences.

Music 53

Music Museum National Nashville 53

Museum 2.0

JANUARY 4, 2010

It's rare that a participatory museum project is more than a one-shot affair. But next month, Britain Loves Wikipedia will commence--the third instance of a strange and fascinating collaborative project between museums and the Wikipedia community (Wikimedians). I hope you'll share your thoughts in the comments.

Wikipedia 40

Wikipedia Arts Museum Images 40

Amy Sample Ward

JUNE 21, 2011

The speakers for this panel include: Tracy Fullerton – Electronics Arts Game Innovation Lab. Elaine Cohen: The New York Public Library. 100 Years of the flagship library in New York. Find the Future was the overarching theme of the projects. Ruth Cohen – American Museum of natural History.

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Game Culture Museum Change 140

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 24, 2011

At SXSW and facilitating a panel called A Global Discussion About Networked Nonprofits and Free Agents , I introduced myself with this photo of me and Lena, the master trainer from Yemen for the E-Mediat Project. I learned an incredible amount from collaborating with arts teachers. The above photo is one of my favorites.

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Maslow Yemen Artist Arts 98

Museum 2.0

DECEMBER 23, 2014

A new company in New York, Museum Hack , is reinventing the museum tour from the outside in. Dustin is a science instructor at the New York Hall of Science (NYSCI) by day, Museum Hack tour developer/leader at AMNH by night. So I went on a tour…and experienced the museum in an entirely new way.

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Museum Interview New York Interaction 55

Beth's Blog: How Nonprofits Can Use Social Media

JULY 12, 2009

We have a family membership at an upstate New York sculpture center featuring outside exhibitions. I went to the Web site but saw only an incomplete calendar of events for the next week (there are lots of concerts, tours, child projects there). Courtesy of Nancy Schwartz, publisher of Getting Attention.

Social Media 81

Social Media News Site New York City 81

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 5, 2006

In two weeks, several hundred arts leaders from around the country will gather on the campus of Carnegie Mellon University to discuss the role of technology in the arts field at the Technology in the Arts Conference. Tell me a little bit about how you got into arts management? Was that your progression? Actually, I???m

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Arts Technology Artist Conference 50

Museum 2.0

MARCH 6, 2013

Two weeks ago, Roberto Bedoya asked several arts bloggers, including me, to write a post reflecting on Whiteness and its implications for the arts. I am in no way an expert in issues related to racial and ethnic representation in the arts. I never saw comparable adjectives used in the European art labels at the museum.

Museum 55

Museum St. Louis Arts Artist 55

Connection Cafe

APRIL 6, 2021

In my family, we teach the idea that service is the price you pay for the space you occupy, so I saw this project as something that would be good for the city of Nashville and the 28% of African Americans making up the population, as well as for the music industry and the nation. We will continue to speak to those audiences.

Music 27

Music Museum National Nashville 27

Museum 2.0

DECEMBER 15, 2014

The recent series of events, from Ferguson to Cleveland and New York, have created a watershed moment. New laws and policies will help, but any movement toward greater cultural and racial understanding and communication must be supported by our country’s cultural and educational infrastructure. It is not enough on its own.

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Museum Blogger Cleveland Missouri 52

Tech Soup

DECEMBER 22, 2011

In line with the design, drawing, and multimedia editing tools that form the backbone of Adobe, they invest in organizations that are addressing arts and creativity, education, and youth service issues. The Foundation's community grants program has two focus areas: Arts and Creativity. students with a global audience.

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Adobe Create Change San Jose 47

Museum 2.0

FEBRUARY 12, 2009

The main audiences for memberships are value members, who think of it as a good deal, lifelong learners, who want to come to as many programs and exhibits as possible, and donors, who support the museum. 1stfans is an attempt to change that by providing specific benefits targeted to those audiences' needs. Who are the 1stfans?

Museum 24

Museum Audience Program Artist 24

Museum 2.0

AUGUST 28, 2018

Their evangelism makes them creative, courageous hustlers when it comes to inviting new people into their work. It seems pushy, or gauche, to insist that passersby check out the art center or adopt environmental habits. And so Redeemer plants new churches. Some nonprofit leaders are put off by evangelism.

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People Community Organization Podcast 32

Tech Soup

JANUARY 31, 2012

David Evan Harris - Global Lives David Evan Harris is Founder and Executive Director of the Global Lives Project and Research Director at the Institute for the Future. of art, activism, and academic inquiry on the politically charged. He has spoken publicly about his work to audiences at the Smithsonian, UC.

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Storytelling Collaboration Video Thailand 67

Museum 2.0

MAY 9, 2012

Our curator writes labels about licking the art. Eric talked about how the New York Hall of Science is trying to fund risk-taking, not just talk about it or under-resource it. Merilee Mostov and the Columbus Museum of Art. The lead photo on this post is from a project I saw when I visited last spring.

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Reflection Columbus Museum Participatory 43

NTEN

JUNE 21, 2011

The speakers for this panel include: Tracy Fullerton - Electronics Arts Game Innovation Lab Ruth Cohen - American Museum of natural History Elaine Charnov - The NY Public Library Jason Eppink - Museum of the Moving Image Syed Salahuddin - Babycastles Elaine Cohen: The New York Public Library 100 Years of the flagship library in New York.

Game 52

Game Culture Change Museum 52

NTEN

MAY 9, 2011

The next step is to make those data meaningful, relevant and actionable information by communicating them in some way via a channel to an audience. The Pew Internet & American Life Project finds that 85% of Americans have mobile phones, a majority of which will be Internet connected multimedia smartphones by year's end.

Data 91

Data New York Government Digital 91

Museum 2.0

DECEMBER 3, 2019

As I imagined a world without the many museum tech projects of the decade, I felt inherently sad about the imagining away the successes that friends and colleagues have enjoying. These folks are taking content to the biggest audiences in the field, often without the resources or support of other content creators.

Museum 21

Museum Work Social Media History 21

.orgSource

JUNE 12, 2023

Unfortunately, the head-spinning pace of innovations means that state-of-the-art becomes obsolete in a New York minute. The evaluation is an opportunity to explore how your audience is using the tools you provide. I’ve seen projects get tied in knots by the very software that was intended to keep them running smoothly.

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Technology Evaluation System Associations 170

Museum 2.0

MAY 15, 2013

It will be hosted by Eric Siegel, chief content officer at the New York Hall of Science and consummate rabble-rouser. How can we look at "experiences" across space and time instead of separating place- and event-based projects? How can we invite in new ideas and link them clearly with our institutional goals? Let me know.

Baltimore 33

Baltimore Museum New York Mentoring 33

Tech Soup

JANUARY 20, 2012

David Evan Harris is Founder and Executive Director of the Global Lives Project and Research Director at the Institute for the Future. David is a cross-disciplinary mediamaker, working at the intersection of art, activism and academic inquiry on the politically charged questions surrounding globalization and social justice.

Collaboration 44

Collaboration Storytelling Video Thailand 44

NTEN

AUGUST 16, 2011

This " Demo Spotlight " highlighted six upcoming games to present their work in front of a stellar jury: Frank Lantz of Zynga New York and NYU, Ken Perlin of the Games for Learning Institute , and Connie Yowell from the MacArthur Foundation. Like many transmedia projects, SOS_Slaves is ambitious. SOS_SLAVES. JURY FEEDBACK.

Game 81

Game Change Classroom Machinima 81

Museum 2.0

JULY 16, 2019

People who are able to come during these hours, therefore, become important audience segments. Add to this, our designers are careful to pick seats that work with the aesthetic of the art. But our visitors are worried about getting yelled at, and then we put in seats that sort of vaguely look like art. I’m a snob, so I get that.

Museum 27

Museum Photography Phone Children 27

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 1, 2008

Beth Dunn wrote a great piece called " We're The Young Generation " reflecting on an article in the New York Times about the growing use of social networks by young people for social good. " And, then, of course, there is the art of integenerational online fundraising. Then develop a relationship with them.

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Intergenerational Conversation Fundraising Cambodia 50

Museum 2.0

OCTOBER 6, 2008

I've long been interested in the power of cross-platform experiences, so I was excited to see today's New York Times article about the evolving relationship between books and video games. It's an interesting discussion, but it's not what makes The 39 Clues and other projects like it worth studying. But the Times missed the boat.

Museum 23

Museum Game Platform New York 23

Museum 2.0

AUGUST 27, 2007

Last week, there was a New York Times article about the recently opened Ripley’s Believe It Or Not and Madame Tussauds attractions in Times Square. Ripley's is just a small symbol of the growing challenge for museums to compete for audiences in a growing experience economy. But that argument respects our audiences too little.

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Model Museum Blended New York 20

Museum 2.0

AUGUST 18, 2008

If museums get involved in these online-offline partnerships, we can bring new audiences through our doors, familiarize them with museum-going in a comfortable way, and reap the benefits of their online musings about their real-life experiences. Audience Development These events bring in new audiences in a comfortable context.

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Museum Hosting Model Community 22

Museum 2.0

AUGUST 25, 2009

This technique was used in the Slavery in New York exhibition at the New-York Historical Society and continues in the popular StoryCorps project. If you feel that your audience needs monitoring or social support, position the talkback stations in open settings.

Design 31

Design Goal Difference Platform 31

Museum 2.0

APRIL 11, 2007

Marian Goodman Gallery, New York Usually this blog is more about analysis than links. But this week, two articles about art, in the NYT and the Washington Post Magazine respectively, called out to be combined into a post about the role of visitors in art interpretation. What do we look for in art museums?

Museum 20

Museum Arts Washington Camera 20

Everyaction

OCTOBER 5, 2016

Fast Company / New York, NY / $1,999. National Arts Marketing Project Conference. National Arts Marketing Project Conference. National Arts Marketing Project / Austin, TX / $575. NYSSCPA / New York, NY / $510. Innovation Enterprise / New York, NY / $1,495.

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Conference Calendar DC Washington 111

M+R

JANUARY 26, 2023

But not every piece of every project has to be capital-A Art — often, craft is what is needed. I’m going to level with you Straight talk and transparency bring the audience inside your circle of trust. <FirstName>, But for anyone on the front lines of the fight against climate change, it isn’t news at all.

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email Work Sound Hurricane 110