Museum 2.0

JUNE 24, 2010

Last week, I visited the Wing Luke Asian Museum in Seattle. I've long admired this museum for its all-encompassing commitment to community co-creation , and the visit was a kind of pilgrimage to their new site (opened in 2008). I'm always a bit nervous when I visit a museum I love from afar. What if it isn't what I expected?

Museum 51

Museum Participatory Model Seattle 51

Museum 2.0

SEPTEMBER 18, 2013

This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.

Museum 45

Museum Question Participatory Evaluation 45

Museum 2.0

JANUARY 27, 2011

His foundation supports a private museum that is rarely open to the public. While there are many ways for museums to reach new audiences, when it comes to specialized knowledge, it's often a question of reaching the niche who care deeply about German watches from 1822 or the evolutionary shift in raccoon striping over time.

Wikipedia 54

Wikipedia Content Museum Artist 54

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.

Museum 29

Museum Difference Participatory History 29

Museum 2.0

FEBRUARY 25, 2015

For the past two years, I''ve been working on a project to activate the concrete space adjacent to our museum as a vibrant, community plaza. We are hiring a temporary contract curator to activate the plaza this summer with 25+ cultural events. creative placemaking design Museum of Art and History programs public space'

Public 20

Public Activities Active Activism 20

Connection Cafe

FEBRUARY 14, 2020

But innovative membership ideas aren’t just about being clever — effective membership programs create lifelong patrons who are actively engaged with your organization. S hortly after I joined the Blanton Museum in Austin, I got an invitation to hear an artist talk. Share in the comments below! .

Arts 28

Arts Culture Organization Austin 28

Museum 2.0

AUGUST 6, 2014

MuseumCamp is an annual professional development event at the Santa Cruz Museum of Art & History in which teams of diverse, creative people work on quick and dirty projects on a big theme. We encouraged teams to think like artists, not researchers. Every active research method is an intervention. How do you measure that?

Experiment 52

Experiment Impact Social Museum 52

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 23, 2008

One of the best projects that illustrates the basic idea of Web2.0 - listening and conversation and stakeholders creating their own experience with your organization - comes from the Brooklyn Museum of Art. All evaluations are private; all artists are unnamed. They are sensitive to the artists who are being judged. Artist Blogs.

Arts 74

Arts Social Media Examples Artist 74

Museum 2.0

JULY 23, 2019

Me with a friend As I keep saying, I’ve been to a few museums of late. In reflecting on the sample, I’ve made some broad reflections on museum workers and visitors. Our visitors often see museums as a genre, not unlike hospitals or libraries. But, while adjacent, museums differ from formal classrooms in numerous ways.

Museum 35

Museum Participatory Interaction Classroom 35

Museum 2.0

JUNE 12, 2013

TCG is the industry association for non-profit theaters, the way AAM is for museums. Given TCG''s multi-year Audience (R)evolution initiative, I took the opportunity to write a new talk about what revolution has looked like at our small museum in Santa Cruz. We heard again and again that the museum was cold and uncomfortable.

Museum 55

Museum Learning History Arts 55

Museum 2.0

FEBRUARY 4, 2016

Photo by CLoé Zarifian, MAH Photo Intern We're working with a guest curator, Wes Modes , on an upcoming experimental project at our museum. Wes is an artist, and this is his first time running a museum exhibition development process. He asked staff and artist friends for feedback on the concept.

Participatory 20

Participatory Question Work Artist 20

Museum 2.0

FEBRUARY 29, 2012

Last month, MAH curator Susan Hillhouse and I sat down and wrote an exhibition philosophy for our museum. In particular, we want exhibition collaborators--artists, researchers, historians, collectors--to understand our goals and how we intend to steer the exhibition development process.

Museum 38

Museum Artist Participatory History 38

Museum 2.0

DECEMBER 28, 2011

We've been offering a host of participatory and interactive experiences at the Museum of Art & History this season. Please share yours in the comments. Different activities need different levels of materials to appear "open for business." Artists work incredibly hard to produce their work. We throw those away.

Design 45

Design Participatory Learning Instruction 45

Museum 2.0

AUGUST 9, 2011

She is a fabulous and thoughtful artist. Two weeks ago, we inaugurated a Creativity Lounge on the third floor of our museum. The same day we opened the Creativity Lounge, we opened new exhibitions throughout the building, including a paper collage show in the 3rd floor lobby by local artist Lisa Hochstein.

Museum 51

Museum Arts History Columbus 51

Museum 2.0

JANUARY 18, 2012

When talking about active audience engagement with friends in the museum field, I often hear one frustrated question: how can we get adults to participate? In children's museums and science centers, this relationship is at its most extreme. And yet in the museum world, we still see interactives as being mostly for kids.

Interaction 47

Interaction Design Museum Participatory 47

Museum 2.0

JULY 9, 2009

Seb Chan has a lovely, long interview up at Fresh+New with Helen Whitty about the Powerhouse Museum's new mini-exhibition, the Odditoreum. The Odditoreum is another wrinkle in the study of visitors' understanding and interpretation of authenticity in museums. I enjoyed listening to it (virtually, not at the museum).

Museum 22

Museum Alternative Portland Artist 22

Museum 2.0

OCTOBER 24, 2012

I like to ask myself this question periodically, challenging myself to find substantive ways for visitors to contribute to our museum. Visitors can comment on how we can improve or what they would like to see. We actively seek participation and develop structured opportunities for visitors to collaborate with us.

Platform 41

Platform Open Museum Participatory 41

Museum 2.0

APRIL 29, 2015

These are the slides and notes for the talk I gave at the American Alliance of Museums conference on Monday, April 27 about the Santa Cruz Museum of Art & History. When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me. They talked about community building.

Build 20

Build Community Museum Artist 20

Museum 2.0

JUNE 19, 2013

Here are just three participatory processes I think are in serious need of improvement: Public comment at city council meetings. Even more rarely, you will receive panel comments directly. The whole process of grant applications would be improved if providing panel comments was a matter of course. Exhibition proposals.

Participatory 51

Participatory Process Open Proposal 51

Museum 2.0

NOVEMBER 30, 2009

This guest post, written by Philippa Tinsley, Collections Manager for the Worcester City Art Gallery and Museum (UK), describes the innovative Top 40 exhibition they mounted in the summer of 2009. In my experience, museum professionals aren’t big reality TV viewers.

Museum 23

Museum Chart Picture Arts 23

Museum 2.0

FEBRUARY 12, 2009

The conventional wisdom on museum memberships is that they are "one size fits many" programs whose primary benefits are free entrance to the museum and insider access to exhibition openings. But what about all the other people who love your museum? Want to know how the Brooklyn Museum is answering this question?

Museum 24

Museum Audience Program Artist 24

Museum 2.0

SEPTEMBER 9, 2009

Between high-altitude hijinks, run-ins with wildlife, and very long days of hiking, I finished John Falk's new book, Identity and the Museum Visitor Experience. In other words, if you are a curious person, you will go to museums to learn new things. And this brings me back to the mountains.

Museum 28

Museum Maslow Facilitation Personal 28

Museum 2.0

MARCH 8, 2011

Last month, artist and game designer Nikki Pugh led an utterly charming, often hilarious community residency at the City Gallery in Leicester, UK. The gallery staff wanted half-term activities as part of their learning program and they invited me to lead these through what evolved into a residency format.

Interview 37

Interview Museum Badge Game 37

Museum 2.0

OCTOBER 3, 2012

But Vi doesn't work in a science museum. Beth Harris and Steven Zucker, who are well known in museums for their excellent Smarthistory website and podcasts. the way the best museums do. Does this mean Khan Academy is competitive with museums? She would be the best science center educator ever.

Learning 55

Learning Free Museum Online 55

Museum 2.0

JUNE 8, 2010

This guest post was written by Rebecca Lawrence, Museum Educator, Schwenkfelder Library & Heritage Center in Pennsylvania. You can join the conversation in the blog comments, or on the Museum 2.0 The Schwenkfelder Library & Heritage Center (SLHC) is a small museum located in Pennsburg, Montgomery County, Pennsylvania.

Place 27

Place Museum Discussion Pennsylvania 27

Museum 2.0

FEBRUARY 6, 2013

Last week, as part of my museum's year-long Loyalty Lab project , we hosted a workshop for Bay Area museum professionals with special guests Ian Kizu-Blair and Sam Lavigne of the game design firm Situate. Here's what we learned from each of these activities. Our goal was to help people see the museum as a Friday night habit.

Game 44

Game Challenge Design Museum 44

Museum 2.0

OCTOBER 8, 2007

This week, with the gracious help of Eric Siegel of the New York Hall of Science , Museum 2.0 In the spirit of that question, Museum 2.0 The first of these is up now and will be active for the next week. This conversation will only be active until Oct 17. Tags: exhibition Museums Engaging in 2.0 Projects design.

Museum 20

Museum Experiment New York Voice 20

Museum 2.0

MAY 3, 2011

Lots of museums these days have video comment booths to invite visitors to tell their stories, but how many of those booths really deliver high-impact content? Last week, I talked with Tina Olsen, Director of Education and Public Programs at the Portland Art Museum, about their extraordinary Object Stories project.

Story 53

Story Interview Museum Audio 53

Museum 2.0

MAY 31, 2017

This is the eleventh in a series of posts on the Santa Cruz Museum of Art & History ( MAH )'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. We had 2,000 t-shirts to give away, 850 balls to drop, and over a hundred artists, accordionists, salsa dancers, taiko drummers, and bubble ladies ready to go.

Open 37

Open Brain Press Museum 37

Museum 2.0

APRIL 19, 2016

A few months ago, the MAH board and staff started discussing whether and how to create a formal policy for advocacy activities. Our museum has already had several requests to lend our support to bond measures that will be on the ballot in 2016. If you've been considering this for awhile, now is the time to act. How did we create it?

Policy 20

Policy Advocacy Create Museum 20

Museum 2.0

APRIL 15, 2015

But I couldn''t fully imagine how a museum or an arts center could embody it. Over three days, 52 artist teams erected experimental projects along San Francisco''s biggest thoroughfare. The result was a true experiment in designing the future--right here, right now--with artists and planners and civic leaders at the helm together.

San Francisco 20

San Francisco Arts Design Marketing 20

Beth's Blog: How Nonprofits Can Use Social Media

JULY 1, 2009

Submitted by Nina Simon, publisher of Museum 2.0. I’ve had it with museums’ obsession with open-ended self-expression. These are all active social endeavors that contribute positive value to the social Web. And yet many museums are fixated on creators. Does that sound like a fun and rewarding casual activity to you?

Participatory 50

Participatory Experiment Museum Teen 50

Museum 2.0

JULY 1, 2008

Dear Museum 2.0-ers, ers, Next week, I'll be going to DC for a meeting convened by the National Academy of Sciences and the Institute of Museum and Library Services on "Museums and Libraries in the 21st Century." the comments on this one, including a response manifesto by educational technologist Ira Socol. But one page!

Museum 20

Museum Library Participatory Wikipedia 20

Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. Feel free to add your own questions and answers in the comments! The Museum 2.0 For more on the differences among different types of museums (with examples), check out this post.

Question 49

Question Participatory Museum Evaluation 49

Connection Cafe

AUGUST 3, 2015

How can you explore doing something similar at your museum? Austin is full of brilliant artists, scientists, musicians, performers, educators and organizations doing incredible work. Comment on ideas you’ve put into play at your museum, or other ideas you’ve seen and liked. Even the beer we serve is from local breweries!

Audience 20

Audience Austin Test Portland 20

Nonprofit Tech for Good

MARCH 25, 2022

Using the right virtual events software and also with a little hardware, you can recreate many of your favorite fundraising activities over a livestream to give an experience that’s as close to the real thing as possible while also providing plenty of new and unique benefits. A Gala is a well-known charity fundraising event.

Virtual 351

Virtual Ideas Fundraising Stream 351

Museum 2.0

JULY 7, 2010

I don't know - and I hope you'll share your thoughts in the comments. As Peter wrote: If someone enjoys Arts Event A because it’s social, informal, energetic, fun, and hip, why should we expect her to also enjoy Arts Event B if B is individual, formal, quiet, serious, and traditional (at least in its presentation, if not artistically)?

Audience 40

Audience Museum Oakland Participatory 40