article thumbnail

Reflections on MuseumNext and Facilitating Brainstorming

Museum 2.0

Last week, Jim Richardson and I hosted MuseumNext , a 24-hour workshop for museum professionals focused on bringing new, wild museum projects into the world. We also ended the entire event with one of my favorite exercises, the Exquisite Corpse game, in which participants co-created comics of their craziest museum dreams.

article thumbnail

Games and Cultural Spaces: Live Blog Notes from Games for Change

Amy Sample Ward

Ruth Cohen – American Museum of natural History. Jason Eppink – Museum of the Moving Image. Ruth Cohen – American Museum of natural History. We are trying to change the visitors’ experience at the museum as well as ownership of what is in the museum, break down the walls between the public and the museum.

Game 140
professionals

Sign Up for our Newsletter

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

article thumbnail

What's Your Leisure Identity? Does it Bring You Into Museums?

Museum 2.0

Between high-altitude hijinks, run-ins with wildlife, and very long days of hiking, I finished John Falk's new book, Identity and the Museum Visitor Experience. In other words, if you are a curious person, you will go to museums to learn new things. And the facilitator wants his friends and family to have a good time.

Museum 28
article thumbnail

A Comprehensive Guide to Nonprofit Database Segmentation

Neon CRM

It can be used to facilitate critical tasks that keep people invested in your mission. Finally, you have her son Tim, who is 25 years old and works as a curator at a museum. He donated once several years ago to a fundraiser in partnership with his museum, but has not responded to any subsequent appeals.

article thumbnail

Rethinking Community Advisory Boards: the Story of C3

Museum 2.0

I''ve mostly seen museums employ one of two methods for formal community advisors: Create special "spots" on the board of trustees for certain kinds of community representatives. CON: can feel disconnected from the primary governance of the museum or can feel like a second-class board overall. I struggle with both these options.

article thumbnail

Empathy-Informed Balance in the Age of Coronavirus and Beyond

Museum 2.0

Megan Smith incisively covered the sad state of staffing in the museum industry pre-coronavirus, as well as her fears for staffers post-coronavirus, in a previous post for Museum 2.0 , so I won’t belabor this one. It’s been informative to see the range of museum responses to a world in which people cannot physically visit our campuses.

Museum 29
article thumbnail

Adventures in Participatory Audience Engagement at the Henry Art Gallery

Museum 2.0

What I Learned Part 1: Facilitation is Powerful When I taught this class the first time, I put a real premium on the idea of designing participatory activities that were visitor-driven and required minimal or no facilitation. When activities were not facilitated, people were often too timid to interact.