Neon CRM

JUNE 20, 2023

This can range from donations of food and clothing to event space, legal services, and property and art. If it seems like a reasonable evaluation, the nonprofit takes the donor’s word for it. Because they’re expensive, these are usually only used for donations of jewelry, art, real estate, or other major in-kind contributions.

Track 52

Track Donation Guide Laptop 52

Museum 2.0

JUNE 12, 2013

TCG is the industry association for non-profit theaters, the way AAM is for museums. Given TCG''s multi-year Audience (R)evolution initiative, I took the opportunity to write a new talk about what revolution has looked like at our small museum in Santa Cruz. We heard again and again that the museum was cold and uncomfortable.

Museum 55

Museum Learning History Arts 55

Museum 2.0

AUGUST 18, 2008

I've long believed that museums have a special opportunity to support the community spirit of Web 2.0 This month brings three examples of museums hosting meetups for online communities: On 8.6.08, the Computer History Museum (Silicon Valley, CA) hosted a Yelp! Me: Have you ever been to this museum? meetup for Elite Yelp!

Museum 22

Museum Hosting Model Community 22

Nonprofit Tech for Good

MARCH 4, 2022

It used to be that the decision to hold a fundraising event – and what kind – was determined by evaluating the revenue potential of a particular event and by what the expense would be to the organization, in both capital outlay and staffing time. For example, a small art museum held an? art auction ?this

Hosting 334

Hosting Benefit Fundraising New York City 334

Museum 2.0

MARCH 25, 2015

This is the first in a two-part series about the Santa Cruz Museum of Art & History’s new theory of change. This week, Ian David Moss and I are each writing blog posts about our collaborative process to develop a theory of change at the Santa Cruz Museum of Art & History. We had tripled our attendance.

Process 20

Process Change Develop Museum 20

Museum 2.0

JANUARY 11, 2012

For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" We're hearing on a daily basis that the museum has a new role in peoples' lives and in the identity of the county.

Audience 47

Audience Museum Participatory History 47

Museum 2.0

SEPTEMBER 22, 2009

In this report, the authors describe three specific models for public participation: contribution, collaboration, and co-creation. They provide detailed case studies of projects in each area, including project descriptions, informal science education goals, participant training techniques, and evaluation outcomes.

Public 36

Public Research Participatory Report 36

Museum 2.0

MARCH 15, 2010

People often ask me which museums are my favorite. I visit lots of perfectly nice, perfectly forgettable museums. In some cases, that's based on subject matter, as at the Museum of Jurassic Technology or the American Visionary Art Museum. Some are scrappy and iconoclastic, like the City Museum in St.

Support 41

Support Museum St. Louis NSF 41

Museum 2.0

JANUARY 28, 2015

We are especially guilty of this in the nonprofit arts. I''ve been thinking about all of this recently because I''m in the midst of negotiating a partnership with a for-profit real estate developer to enhance a public plaza adjacent to my museum. business models evaluation institutional change' Lines upon lines.

Museum 20

Museum Measure Evaluation Profit 20

Museum 2.0

JULY 3, 2007

This week, we look at Chapter 5 of Elaine Gurian's book Civilizing Museums , Choosing Among the Options: An opinion about museum definitions in two parts. First published in Curator magazine in 2002, this essay presents five different museum "types" and their distinct opportunities and challenges.

Museum 20

Museum Taxonomy Arts National 20

Nonprofit Tech for Good

DECEMBER 14, 2022

For example, if you join a modern art museum, there is a good chance you won’t have to pay admission to other modern art museums. Creative stuff: Things unique to your organization including the ability to create art, music, poetry, dance, etc. help to evaluate resumes of kids). It was super cool.

Donor 345

Donor Sponsor Accessibility Music 345

Museum 2.0

AUGUST 27, 2007

Heck, sign me up for a ticket to the zombie museum. But when I took off my “entertainment” glasses and put on my museum eyes, my reaction wasn’t amusement. I imagined museum folks reading the article and snapping the paper closed with smug smiles on their faces: "See. It was distaste. This is why we have to avoid Disneyfication."

Model 20

Model Museum Blended New York 20

Museum 2.0

NOVEMBER 10, 2009

Exhibit labels in science centers ask more questions than any other kinds of museums, and yet the questions are often awful--teacherly, overly rhetorical, and totally meaningless. asked by a cop or mother, garners the full attention of asker and askee alike, museum questions like "what is nanotechnology?,"

Reflection 20

Reflection Research Question Museum 20

Neon CRM

OCTOBER 25, 2023

Here are 10 important factors to consider when evaluating different event management solutions: Event Type and Size: Begin by assessing the types and sizes of events your nonprofit typically hosts. Cost Structure: Understand the pricing model of the software you’re evaluating. Arts People Arts People (hey that’s also us!)

Software 52

Software Management Guide Registration 52

Museum 2.0

AUGUST 21, 2008

In this post, an exploration of ways that museums can support promoters, convert detractors, and generally energize visitors to share their experience with others. Supporting Promoters Somewhere out there, there are people who love your museum. Ratings and Reviews Imagine a visitor who leaves your museum enthused about her experience.

Museum 20

Museum Review Rate Voice 20

Museum 2.0

FEBRUARY 22, 2012

What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? But for museum and art wonks, it could be. This is particularly true when it comes to project evaluation.

Artist 39

Artist Museum Project Public 39

Museum 2.0

OCTOBER 21, 2007

No one would contest the idea that most museum exhibitions, art shows, films, books, in short, most content experiences, have value both for the new and return user. We’ll spend the least time here, since these are the people who are presumably being served well by the co-creation models at hand. Why not museums?

Experiment 20

Experiment Create Museum Amazon 20

Connection Cafe

FEBRUARY 7, 2016

At The National World War II Museum in New Orleans, fundraising is all about data and their data is all about their donors. The Museum uses their data to get know their donors at a deeper level: what they care about, what motivates them, and how to keep them engaged with their organization. “We Acquisition.

Museum 20

Museum National Report Giving 20

Museum 2.0

OCTOBER 16, 2013

When you count attendance to your museum, do you include: people who eat in the cafe? Louis Post-Dispatch published the kind of "how sausage is made" story that rarely gets written about the arts. It''s about museum attendance and how the five big, free museums in St. Summertime concerts at the history museum?

St. Louis 55

St. Louis Impact Museum Denver 55

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 16, 2010

It was good opportunity for me to look back at the crowdsourcing chapter in our book, The Networked Nonprofit , and update the examples and thinking. The presentation was followed by a discussion about how one might evaluate efforts to engage crowds. What do you track? What domains of impact should be considered (e.g. 2) Crowd Creation.

Measure 96

Measure Fund Impact Minnesota 96

Museum 2.0

DECEMBER 8, 2010

But the simplest evidence I have for the statement that design impacts visitor contributions comes from a formative evaluation performed at LACMALab for their nano exhibition in 2004. In the report, evaluator Marianna Adams described a simple experiment in visitor response. Most museum prototyping does not follow an A/B model.

Test 37

Test Practice Museum Evaluation 37

Museum 2.0

JUNE 15, 2009

You can explore the project wiki where we coordinated the exhibit, including the project overview , our six-week plan to get it all done, and individual sections for development of concept , content , interaction , graphics , marketing , fabrication , installation , and evaluation. This is a good lesson for museum talk-back design.

Advice 31

Advice Museum Facilitation Student 31

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 12, 2009

How do you evaluate this? Pick the Right Model. TechSoup Global has been one of the leaders experimenting with type of model through its Challenges. A few months back, the San Francisco Symphony used YouTube to crowdsource auditions for a mashup peformance. I wonder if they will crowdsource the review?

Analysis 88

Analysis Music San Francisco Mashup 88

Museum 2.0

JANUARY 11, 2011

The longer I consult with museums and cultural institutions, the more time I spend peering into people's eyes, wondering: do folks here feel able to innovate? Part of me wonders whether the organization was actually built to "sustain" anything (it may have been a deliberately unsustainable business model).

Discussion 39

Discussion Minnesota Phoenix Structure 39

Museum 2.0

OCTOBER 22, 2008

There are lots of things visitors can’t do in museums. But what about the things that museum professionals can’t (or feel they can’t) do? This week at the ASTC conference, Kathy McLean, Tom Rockwell, Eric Siegel and I presented a session called “You Can’t Do That in Museums!” And so my question is, why are we keeping them away?

Museum 20

Museum Professional Teen Map 20

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 27, 2009

Chris Anderson’s The Long Tail Note from Beth: In 1993, I worked as the "network weaver" for an online network for individual artists called "Arts Wire" where I facilitated online conversations, provided technology support and training. In the last few years, the Smithsonian American Art Museum. Museums are changing.

Museum 82

Museum Arts Artist Conservancy 82

Museum 2.0

JULY 11, 2008

No, these are neither the words of a self-important curator nor a well-spoken museum director. the crowd-curated photo exhibition now open at the Brooklyn Museum of Art. It is a substantive research contribution by the museum to the social technology field at large. s about data, and making the data visual.

Museum 20

Museum Artist Photography Arts 20