Museum 2.0

APRIL 2, 2014

There are many artistic projects that offer a template for participation, whether a printed play, an orchestral score, or a visual artwork that involves an instructional set (from community murals to Sol LeWitt). Beck talks about this in the context of learning to play music as a young artist. There are twenty songs in Song Reader.

Participatory 52

Participatory Arts Music Learning 52

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 1, 2009

Creating a sustainable engagement platform within your existing structure takes time, creativity and dedication. In the two frameworks I've been co-creating, Transmedia Activism Modeling Global Change, we've based the frameworks on the core value of putting the social change issue first.

Culture 84

Culture Build Change Media 84

Forum One

OCTOBER 12, 2010

But, I’m optimistic – I am seeing good models of this today which can be applied by foundations in their work. Predictive Markets: The Iowa Electronic Markets uses an online wagering model to accurately predict political elections. Hey – foundations used to be nervous about social networking, too!

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Reflection Conference Communication Network 47

Candid

APRIL 17, 2024

But in the wake of the pandemic, the “Great Resignation,” and waves of burnout , more nonprofits may be adopting co-leadership models as they experiment with new ways of working, sharing power, centering BIPOC (Black, Indigenous, and people of color) leaders, and planning for succession. What is co-leadership?

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Leadership Comparison Model Analysis 105

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 29, 2015

Participants voted on the questions that would be most important for the Brainerd Foundation to consider in its strategy: How might we adopt a hybrid model of new and old power? How might we create a funding model that nourishes flexibility and innovation? How do we leverage the “rain” of culture change?3. Concept 2: Mission: Possible.

Design 50

Design Strategy Facilitation Advocacy 50

Connection Cafe

OCTOBER 8, 2013

For you, these people are already familiar with your organization (first hurdle cleared), have figured out your parking structure (second hurdle cleared) and have actually visited an exhibit (third hurdle cleared). Use that valuable data to engage with them using the Amazon model: “If you like X, you might also like Y.”. Let them know!

Costa Rica 46

Costa Rica Tips Arts Culture 46

Museum 2.0

OCTOBER 1, 2014

We invited a cross-section of artists, filmmakers, and advertisers to join us for a think tank. We came up with a system that was much more structured and is based on audio, not video. We have four stories up now: from a guard, a curator, a longtime museum lover, and an artist. So what did you do next?

Museum 43

Museum Story Project Design 43

Nonprofit Tech for Good

DECEMBER 14, 2022

Sometimes a nonprofit has access to world-class chefs, celebrities, artists, or architects or well-known lawmakers. Throughout the year you can connect with other donors and funders and the people we serve (artists, students, activists).”. Allow voting for the board (if you have this membership model). You get the idea.

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Donor Sponsor Accessibility Music 343

Museum 2.0

MAY 3, 2011

We invited a cross-section of artists, filmmakers, and advertisers to join us for a think tank. We came up with a system that was much more structured and is based on audio, not video. We have four stories up now: from a guard, a curator, a longtime museum lover, and an artist. So what did you do next?

Story 53

Story Interview Museum Audio 53

Museum 2.0

APRIL 23, 2009

And their unique structure and bottom-up approach offers some instructive lessons for museums that want to really embrace visitors and members as co-creators of the institutional experience. Most hackerspaces have very transparent legal structures and operate on a consensus model. This isn't just a geek thing.

Museum 24

Museum North Carolina San Francisco Structure 24

Museum 2.0

JUNE 6, 2008

Our job was to provide a structured environment in which to develop ideas and the expertise to build the best of them. We quickly realized that this was unrealistic, both technically (no way to export Second Life models, different physics than in real life) and conceptually (modes of interaction are entirely different in Second Life).

Virtual 21

Virtual Tech Lesson Develop 21

Connection Cafe

SEPTEMBER 24, 2020

We asked arts administrator and consultant Aubrey Bergauer to make a few predictions on what this will look like for arts organizations, their marketing efforts, patron engagement, and internal structure and processes. The second change we’ll see, or at least a change I encourage, is a hybrid model of in person product and streaming product.

Arts 30

Arts Culture Organization Stream 30

Have Fun - Do Good

MARCH 2, 2007

The mission of World of Good, as a company, is to create the largest distribution system for fair trade, handmade items from artists' and women's cooperatives around the world. The way that World of Good has really gone about this is, we have done it in a two-part model. So the pricing models are all based on commodity pricing.

Gift 40

Gift Marketing Create Interview 40

Museum 2.0

MAY 4, 2007

If anyone out there is considering creating an industry catch-all site for museum-related content, I highly recommend Gamasutra as a model. When I’m in MOMA, at least I know that as I go from room to room of the main collection, I’m not “missing” any particular era, genre, or artist. In my head, I say, “I am in a museum.

Game 20

Game Storytelling Lesson Museum 20

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 16, 2010

There are four different models of crowdsourcing activities: wisdom, creation, voting, and funding. There’s isn’t one best way to do it – and many organizations use a combination of these models to meet their objectives. The key is breaking down the tasks into bite-size pieces and engaging crowds in the process.

Measure 96

Measure Fund Impact Minnesota 96

Museum 2.0

MAY 8, 2009

allows artists and inventors to supply their work directly to users rather than going through time-consuming and copyright-swallowing middlemen. This already happens in the case of standalone shows, theaters, and programmatic experiences, but I don't know of any museums that apply atomized fee structures to physical exhibits.

Content 20

Content Ideas Museum Model 20

Have Fun - Do Good

JULY 16, 2007

I think so far it's similar to the BarCamp event model where it started out as being a lot of geeks and people online, because it spread through online vehicles. We recently created a second model to meet additional demand, and also to extend the size of our coworking community here. BB: Can you talk about how your space works?

Green 40

Green Interview San Francisco Environment 40

Museum 2.0

JULY 17, 2007

In a less structured way, Brooklyn Museum of Art director Arnold Lehman realized that people from the neighborhood were making use of the lit outdoor space in front of the museum entrance at night as a gathering space. Is it okay for people to express themselves artistically or musically in the galleries?

Museum 20

Museum Los Angeles Arts Children 20

Museum 2.0

OCTOBER 22, 2008

Experimental trails on humans Historical antecedents to modern day “hot button” topics Lecture series Population growth (down arrow) What technology is developed reflects the political structure of a society and its values An exhibit of a plastinated cow or pig as part of a larger Children’s museum exhibition on agriculture.

Museum 20

Museum Professional Teen Map 20

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 27, 2009

Chris Anderson’s The Long Tail Note from Beth: In 1993, I worked as the "network weaver" for an online network for individual artists called "Arts Wire" where I facilitated online conversations, provided technology support and training. The envisioned twenty-first-century model, however, is more level. Museums are changing.

Museum 82

Museum Arts Artist Conservancy 82

Museum 2.0

SEPTEMBER 15, 2009

The World Beach Project is managed by the Victoria and Albert Museum in London with artist-in-residence Sue Lawty. Many museums do not provide participants with clear terms surrounding their submissions, and for savvy people (especially artists!) In their personal statements, beach artists wrote about profound connections to nature.

Project 38

Project Museum Artist Map 38

Non Profit Quarterly

AUGUST 10, 2022

Although many platform companies such as Uber, Lyft, and Airbnb have claimed credit for advancing a sharing economy—the preferred term for which is now solidarity economy —model, they don’t in fact fall under that category, because they seek to extract maximum profits from their operations. 9</sup).

Platform 139

Platform Technology United States New York 139

Museum 2.0

APRIL 19, 2010

When asked why these artistic directors were pursuing co-creative processes, "to make great art!" Respondents also talked about growing as artists through the process and the incredible things they learned from working with non-professionals. That's not to say these structures came easy. was the most overwhelming answer.

Arts 22

Arts Participatory Museum Artist 22