Museum 2.0

JANUARY 16, 2013

It's not every day that a visitor buys pizza for everyone in the museum. Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. The group was mostly young (teens to thirties) and nerd-diverse: a little bit punk, a little bit hacker, a little bit craft grrl. It was pretty freaking amazing.

Reflection 43

Reflection Community Museum Participatory 43

Museum 2.0

MARCH 27, 2009

This week, the Denver Art Museum (DAM) opened a new temporary exhibition called The Psychedelic Experience , featuring rock posters from San Francisco in the heyday of Bill Graham and electric kool-aid. I happened to be at DAM for work and got to experience this amazing exhibit. It is an incredible museum experience.

Denver 21

Denver Museum Arts Remix 21

NTEN

JUNE 21, 2011

NTEN's Amy Sample Ward shares from her experiences at the Games for Change Festival. Trying to engaged the teen-to-twenty-something who normally may not use the research library. Within our exhibitions, we have a focus on creating very dynamic, interactive opportunities. My focus is on how children learn science.

Game 52

Game Culture Change Museum 52

Museum 2.0

SEPTEMBER 12, 2012

In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. Coming off that experience, we wanted to prove that we could have great design AND great participation in this show.

Participatory 44

Participatory Museum History International 44

Museum 2.0

MARCH 3, 2007

But I’d been scribbling notes for an art museum label post for awhile, and then yesterday, the NY Times had a review of a new show at MOMA, Comic Abstraction. MOMA has standard art museum labels. When I asked an art museum educator about this (“How should I look at art?”) The review was harsh. Is this enough? I loved that.

Arts 30

Arts Museum Artist Audio 30

Museum 2.0

NOVEMBER 7, 2010

Last week marked four years for the Museum 2.0 People--especially young folks looking to break into the museum business--often ask me how I got here. Ed Rodley recently wrote a blog post about museum jobs entitled "Getting Hired: It's Who You Know and Who Knows You." hour at the Museum. I made $26/hour at NASA and $7.25/hour

Museum 52

Museum Boston Participatory Job 52

Museum 2.0

AUGUST 25, 2009

Here are a few design rules I use to think about what kinds of designed dialogue environments are right for different experience goals. If your goal is to encourage visitors to perceive themselves as partners in the content co-creation experience, make room for their thoughts sooner rather than later. A lone "What do you think?"

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Design Goal Difference Platform 31

Museum 2.0

FEBRUARY 18, 2010

After this was all over, we talked about the experience. And while most of them aren't likely to jump at the opportunity to talk to strangers in the near future, several commented that they'd like to try more "social engineering" experiments in their lives. What's your experience? Or are they? I'm not so sure this is true.

Life 21

Life Teen Culture Attitude 21

Museum 2.0

MAY 5, 2009

I just returned from the American Association of Museums (AAM) annual meeting in Philadelphia. I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. what is the value of the exhibition experience to non-participants, that is, regular museum visitors?

Slides 20

Slides Participatory Museum Children 20

Museum 2.0

SEPTEMBER 16, 2007

Sure, it's social, but people stick to their own "pods"--families, teens, adults--and don't diverge or merge. But the best reason I can imagine has to do with barriers and shared experience. Out on the boardwalk, or at the zoo or a museum, there's a common experience of the sights, sounds, smells, activities of the place.

Museum 20

Museum Participatory Teen Game 20

Museum 2.0

MARCH 28, 2008

Museums (and libraries) are trusted sources of information. In February 2001, AAM commissioned a study about the trustworthiness of museums and found that "Almost 9 out of 10 Americans (87%) find museums to be one of the most trustworthy or a trustworthy source of information among a wide range of choices.

Participatory 20

Participatory Museum Teen Voice 20

Museum 2.0

MARCH 18, 2015

The people were of all ages--moms with babies strapped to their fronts, six year-olds using skillsaws, pre-teens building robots, teenagers doing homework. There are lots of great science museum resources, but not where these kids can walk after school. Any big museum has barriers and limitations to full community ownership.

Green 20

Green Interview Share Community 20

Museum 2.0

NOVEMBER 13, 2007

The essays in this section, on “Expressing and Co-Creating,” present projects in which visitors create exhibition content, contribute to its creation, or get a heavy done of meaning-making in their experience of museum content. Who controls the content in the museum? Who controls the museum experience?

Voice 20

Voice Create Museum Arts 20

Museum 2.0

MAY 16, 2007

The recent flurry of restrictions that has sent teens fleeing? into the museum is the potential to encourage more positive in-museum interactions among strangers. I want in-person museum experiences to be more like experiences on social sites like Flickr, where strangers connect and form relationships around content.

Museum 20

Museum Myspace Facilitation Social Network 20

Museum 2.0

JULY 24, 2007

This week, thoughts on Chapter 12 of Elaine Gurian’s book Civilizing the Museum , "Threshold Fear: Architecture program planning." In this essay, Elaine discusses the various barriers to entry for non-traditional visitors to museums, that is, the threshold fear that keeps such potential visitors from walking in our doors.

People 20

People Museum San Jose Chapter 20

Museum 2.0

JUNE 13, 2007

A museum experience I’ll always remember: In 2002, I worked at the Boston Museum of Science with a program in which high school students from a nearby charter school spent half their school time at the museum. They took regular classes, museum-specific classes, and had internship-style museum jobs.

Lesson 20

Lesson Museum Music Classes 20

Museum 2.0

SEPTEMBER 4, 2013

This August/September, I am "rerunning" popular Museum 2.0 Diane is both visionary and no-nonsense about deconstructing the barriers that many low-income and non-white teenagers and families face when entering a museum. Most large American museums are reflections of white culture. blog posts from the past.

St. Louis 45

St. Louis Museum Audience Teen 45

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 19, 2006

This morning I attended the MacArthur Foundation Digital Learning briefing that was taking place at the Natural History Museum in NYC. It was the ultimate digital media multi-tasking experience. "We are in a moment of time where 57% of teens produce and share media. local time). Media isn't just happening to kids.

Digital 50

Digital Learning Media Avatar 50

Museum 2.0

JULY 4, 2007

On Tuesday, I reviewed Elaine Gurian’s essay, Choosing Among the Options , on museum archetypes and self-definition. Today, discussion with Elaine about ways museums choose their direction, how change is possible, and new museum types to be added to the list. What if you don’t want to be identified as one type of museum?

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Museum Puerto Rico Change Boston 20

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 3, 2008

EngageJoe.com blogs about his experiences spearheading and contributing to social change mashups and working with nonprofits on online strategy. Non-Profit Chas shares his experiences as he helps take a small non-profit organization to the next level. Nina Simon a proud member of Gen Y, writes the very awesome Museum 2.0

Blogger 50

Blogger Change Social Philanthropy 50

Museum 2.0

OCTOBER 30, 2007

This week, we're looking at the first section, Talking Back and Talking Together , which features comment boards, talk-back walls, and discussion forums at a variety of museums. A bit of business before we get started: next Tuesday, we'll cover section 2, Contributing Personal Experience. I invite you to do the same in the comments.

Voice 20

Voice Museum Lesson Pledge 20

Museum 2.0

JUNE 12, 2012

Going to MAH and seeing the LOVE exhibition on First Friday was a wonderful experience. It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. We've continued to do this for future exhibitions. The Love Lounge I LOVE.

Participatory 51

Participatory Museum Blackboard Game 51

Museum 2.0

JULY 28, 2010

Diane is both visionary and no-nonsense about deconstructing the barriers that many low-income and non-white teenagers and families face when entering a museum. Most large American museums are reflections of white culture. Guards staring at black teens and grumbling about their clothes. YES students defy expectations.

St. Louis 53

St. Louis Audience Teen Museum 53

Museum 2.0

APRIL 6, 2011

Let's say you spend a year working with a group of teens to co-create an exhibition, or you invite members and local artists to help redesign the lobby. The exhibition or program is of high quality, and from the visitor perspective, it may look like museum as usual. An interactive changes that. to create a successful product.

Participatory 48

Participatory Process Museum Children 48

Museum 2.0

FEBRUARY 7, 2011

Maybe it's a live music concert, or a museum visit, or a play. Museums and other venues are offering special programs for teens, for hipsters, for people who want a more active or spiritual or participatory experience. You have a great time. What will it take for you to do it again?

Arts 50

Arts Museum Music Calendar 50

Museum 2.0

DECEMBER 19, 2008

Every museum has a number for its operating cost per visitor. Most museums don't strategically set this number--too many operating costs are fixed by building needs--but they can use it to assess how expensive each visitor interaction is and evaluate the efficacy of programs. So where do online initiatives fit in?

Virtual 20

Virtual Museum North Carolina Evaluation 20

Museum 2.0

SEPTEMBER 11, 2007

When I talk with museum people about virtual worlds, the conversation usually centers on Second Life. And sure, by some metrics, it's the biggest, most fully realized 3D world out there, full of user-generated content, sex shops and waterslides, and a whole lot of buggy, experimental experiences. So what does this mean for museums?

Second Life 20

Second Life Teen Virtual Museum 20

Bloomerang

APRIL 2, 2021

And we’re going to talk about this, how to create that frictionless, seamless experience for your donors. Now, and I can even speak from my own experience, the majority of the time I spend on social media is connecting with brands, and celebrities, and causes that I’ve never met. You could be in an animal shelter.

Social Media 77

Social Media Trend Video Marketing 77

Museum 2.0

FEBRUARY 27, 2013

All this delightful non-fiction makes me wonder: why aren't museums great at telling these same kinds of deep, intense stories? But exhibitions have the potential to use all those narrative tools PLUS objects, immersive design, and interactive experiences to tell stories. and that's just in the last week.

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Museum Story Captivate Artist 53