Museum 2.0

JUNE 15, 2016

Here's one of my favorite stories about the London Science Museum and their work to make their science shows relevant to families with deaf or hearing-impaired family members. This chapter explores the difference between connecting with new people by building new doors vs. connecting with new people by changing the content of the room.

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Museum Arts Language Chapter 20

Get Fully Funded

AUGUST 24, 2021

For example: “Many teen girls struggle with their self-esteem thanks to Instagram and Snapchat. Please help us open the door for a teen to attend our personal development conference, benefit from having a mentor, and get on a path to college and a career.” . How much will we ask for and how will that money make a difference?

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Results email Fundraising Story 122

Museum 2.0

AUGUST 25, 2009

Answers will differ depending on who's asking, but they are also influenced by the designed environment in which questions are asked. People answer questions differently in harshly lit interrogation rooms than they do in welcoming therapists' offices or in the privacy of their own computer terminals.

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Design Goal Difference Platform 31

Museum 2.0

MARCH 22, 2010

These are some thoughts on a very small museum called the Brazos Valley African American Museum. I was fortunate enough to visit it during the Texas Association of Museums conference, and it brought up some reactions and emotions that I wanted to share with you.

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Museum Experiment Community Texas 23

Museum 2.0

AUGUST 19, 2015

One of my favorite comments on the first post in this series came from Lyndall Linaker, an Australian museum worker, who asked: " Who decides what is relevant? Or different people. Community First Program Design At the Santa Cruz Museum of Art & History , we've gravitated towards a "community first" program planning model.

Teen 20

Teen Museum Voice Collaboration 20

Museum 2.0

APRIL 7, 2009

Which of these descriptions exemplifies participatory museum practice? Museum invites community members to participate in the development and creation of an exhibit. Museum staff create an exhibit by a traditional internal design process, but the exhibit, once open, invites visitors to contribute their own stories and participation.

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Participatory Design Difference Museum 27

Beth's Blog: How Nonprofits Can Use Social Media

JULY 1, 2009

Submitted by Nina Simon, publisher of Museum 2.0. I’ve had it with museums’ obsession with open-ended self-expression. Forrester created the “social technographics” profile tool to help businesses understand the way different audiences engage with social media (and you can read more of my thoughts on it here ).

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Participatory Experiment Museum Teen 50

Museum 2.0

SEPTEMBER 20, 2011

Last Friday night, my museum hosted a fabulous (in my biased opinion) event called Race Through Time. When Friday night rolled around, we did see a crowd that skewed decidedly younger and hipper than our standard museum audience. Performances just for teens. Late night mixers at museums for young adults.

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Audience Develop Museum History 52

Museum 2.0

MARCH 21, 2017

This is the second installation in a series of posts on the Santa Cruz Museum of Art & History (MAH)'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. How will it feel welcoming and inclusive for different communities? What amenities does it need? What amenities does it need?

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Community Build Arts History 34

Museum 2.0

MARCH 16, 2009

I’ve had it with museums’ obsession with open-ended self-expression. Forrester created the “social technographics” profile tool to help businesses understand the way different audiences engage with social media (and you can read more of my thoughts on it here ). And yet many museums are fixated on creators.

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Participatory Experiment Museum Teen 44

Museum 2.0

MARCH 27, 2009

This week, the Denver Art Museum (DAM) opened a new temporary exhibition called The Psychedelic Experience , featuring rock posters from San Francisco in the heyday of Bill Graham and electric kool-aid. It is an incredible museum experience. The visitor is given a copy of her poster and the museum keeps a copy as well.

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Denver Museum Arts Remix 21

Museum 2.0

JANUARY 24, 2011

This post features an interview with Sarah Schultz, a museum staffer at one of the institutions Light profiled in the book (the Walker Art Center). It's easier to secure grants for community-based programming or exhibitions, but it's not easy to get funding for some of the core work that museums do. That's how we build trust.

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Arts Interview Teen Artist 46

Museum 2.0

JULY 6, 2016

FoodWhat's staff and teens have taught me a lot about what it really means to be relevant to people who are often overlooked or ignored. FoodWhat empowers teens to change their lives through farming and food justice. When Doron visits schools to invite teens to apply for FoodWhat, he gives a five-minute pitch on their terms.

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Teen Arts Classroom Student 25

Museum 2.0

MARCH 3, 2007

But I’d been scribbling notes for an art museum label post for awhile, and then yesterday, the NY Times had a review of a new show at MOMA, Comic Abstraction. MOMA has standard art museum labels. When I asked an art museum educator about this (“How should I look at art?”) Should you move around to see it from different angles?

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Arts Museum Artist Audio 30

Museum 2.0

NOVEMBER 20, 2013

Very, very few museum visitors are in the "dog and baby" category. An organization with an public engagement mission has very different needs than one with a mission that focuses on original research. She needs to nap when she gets cranky, even though she keeps flailing her limbs. They are human beings. They are complex.

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People Articulate Culture Teen 54

Museum 2.0

NOVEMBER 7, 2010

Last week marked four years for the Museum 2.0 People--especially young folks looking to break into the museum business--often ask me how I got here. Ed Rodley recently wrote a blog post about museum jobs entitled "Getting Hired: It's Who You Know and Who Knows You." hour at the Museum. I made $26/hour at NASA and $7.25/hour

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Museum Boston Participatory Job 52

Museum 2.0

SEPTEMBER 12, 2012

In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. We made a giant mobile for the center of the museum out of origami birds folded from visitor comments received in the past year.

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Participatory Museum History International 44

Museum 2.0

DECEMBER 14, 2009

Unsurprisingly, some of my favorite museums are small, funky places run by iconoclasts—but that’s not useful to most professionals who work for organizations in which they have little control over size or leadership matters. I worked on one project in which the client institution thought they wanted unfettered teen expression.

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Project Museum Teen North Carolina 22

Museum 2.0

MARCH 18, 2015

The people were of all ages--moms with babies strapped to their fronts, six year-olds using skillsaws, pre-teens building robots, teenagers doing homework. The design and feel of the place was different than any science center I''d ever experienced. We''re really different from traditional science centers in our funding model.

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Green Interview Share Community 20

Museum 2.0

SEPTEMBER 26, 2008

First, I want to extend a huge THANK YOU to everyone who has contributed to the nascent Museum 2.0 We're still looking for your Museum 2.0-related There's a new Pew Research report on teens and gaming showing that 97% of American teens play some kind of video games (console, online, mobile, etc). Living Archive.

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Fund Teen Museum Game 20

Museum 2.0

JUNE 15, 2010

You can join the conversation in the blog comments, or on the Museum 2.0 We now share our building with 6 other groups, each of them bringing science to the public in a different way. As I left the building I was met with over a hundred teens hanging out, laughing and talking in this space. Facebook discussion board here.

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Place Discussion Columbus Italy 23

Museum 2.0

AUGUST 7, 2008

For many museums, visitor research--how people use the museum, navigate exhibits, and understand content--may be an equally important arena in which to adopt groundswell listening techniques. I spent an hour this morning "brand listening" to what the online world says about one of my favorite museums, the Exploratorium.

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Museum Teen Second Life Discussion 20

Museum 2.0

FEBRUARY 18, 2010

For me, the experience changed my perspective on what teens want from social environments and encounters. It's easy to forget that teens are most comfortable being social with those they already know, not people who are unknown to them. And in this way, they're no different from many adults.

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Life Teen Culture Attitude 21

Museum 2.0

MARCH 28, 2008

Museums (and libraries) are trusted sources of information. In February 2001, AAM commissioned a study about the trustworthiness of museums and found that "Almost 9 out of 10 Americans (87%) find museums to be one of the most trustworthy or a trustworthy source of information among a wide range of choices.

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Participatory Museum Teen Voice 20

Museum 2.0

SEPTEMBER 4, 2013

This August/September, I am "rerunning" popular Museum 2.0 Besides having the longest name on the planet, the Taylor Center is one of my greatest inspirations when it comes to an institution authentically and whole-heartedly making a difference in the lives of underserved community members. blog posts from the past.

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St. Louis Museum Audience Teen 45

Museum 2.0

AUGUST 3, 2009

Last month, the Christian Science Monitor published an article entitled, "Museums' new mantra: Connect with community." It took me a couple weeks (and various museum blog responses ) to realize what bugs me about this article--it treats "connecting with community" as a marketing ploy, a "mantra" rather than a mission.

Community 22

Community Museum San Diego San Francisco 22

Beth's Blog: How Nonprofits Can Use Social Media

JUNE 3, 2005

Some of the entries of what you can read on the Walker Blog, may appear at first glance to be mundane details of cube life , but then you remember that it is a museum blog and it makes the institution seem more human. We started blogging to give a online to a lot of different. audiences via the internet.

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Artist Arts Process Remix 50

Museum 2.0

AUGUST 20, 2019

I tell the story of the one-man band because I think many museum professionals feel like him. But, most importantly, few museum professionals have a free hand or moment. Museums rarely have the funding to replicate positions. If you have a teen program running, there are no second teen programs person out drumming up business.

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Museum Accessibility Articulate Teen 29

Museum 2.0

JULY 24, 2007

This week, thoughts on Chapter 12 of Elaine Gurian’s book Civilizing the Museum , "Threshold Fear: Architecture program planning." In this essay, Elaine discusses the various barriers to entry for non-traditional visitors to museums, that is, the threshold fear that keeps such potential visitors from walking in our doors.

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People Museum San Jose Chapter 20

Museum 2.0

NOVEMBER 13, 2007

The essays in this section, on “Expressing and Co-Creating,” present projects in which visitors create exhibition content, contribute to its creation, or get a heavy done of meaning-making in their experience of museum content. Who controls the content in the museum? Who controls the museum experience? First, museum content.

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Voice Create Museum Arts 20

Museum 2.0

JULY 4, 2007

On Tuesday, I reviewed Elaine Gurian’s essay, Choosing Among the Options , on museum archetypes and self-definition. Today, discussion with Elaine about ways museums choose their direction, how change is possible, and new museum types to be added to the list. What if you don’t want to be identified as one type of museum?

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Museum Puerto Rico Change Boston 20

Museum 2.0

APRIL 22, 2015

I've been exploring three different lens for defining community: geography , identity , and affinity. These differences are useful when considering how and who to reach out to when trying to get involved with a new community. Or Santa Cruz County teens who want to make social change. A community by GEOGRAPHY is defined by place.

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Community Minnesota Teen Movie 20

Museum 2.0

MAY 16, 2007

The recent flurry of restrictions that has sent teens fleeing? into the museum is the potential to encourage more positive in-museum interactions among strangers. I want in-person museum experiences to be more like experiences on social sites like Flickr, where strangers connect and form relationships around content.

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Museum Myspace Facilitation Social Network 20

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 19, 2006

This morning I attended the MacArthur Foundation Digital Learning briefing that was taking place at the Natural History Museum in NYC. "We are in a moment of time where 57% of teens produce and share media. Young people have access to computers in schools and libraries, but there is a difference in the quality of experience.

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Digital Learning Media Avatar 50

Museum 2.0

OCTOBER 30, 2007

This week, we're looking at the first section, Talking Back and Talking Together , which features comment boards, talk-back walls, and discussion forums at a variety of museums. At the Boston Museum of Science's video kiosk on wind power, 3/4 of people were most interested in making their own video (as opposed to watching others).

Voice 20

Voice Museum Lesson Pledge 20

Museum 2.0

FEBRUARY 7, 2007

Five stakeholders in different cities want to see the work that's been done so far. Where else can you find Pakistani bathroom signage or Mexican biker teens while researching a project? The scenic contractors need to know what a "degraded plaster" wall finish means to you. Your boss is in California picking out antique fountains.

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Flickr Work Photo Teen 20

Museum 2.0

JULY 28, 2010

Besides having the longest name on the planet, the Taylor Center is one of my greatest inspirations when it comes to an institution authentically and whole-heartedly making a difference in the lives of underserved community members. Most large American museums are reflections of white culture. YES students defy expectations.

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St. Louis Audience Teen Museum 53