Museum 2.0

MARCH 27, 2009

This week, the Denver Art Museum (DAM) opened a new temporary exhibition called The Psychedelic Experience , featuring rock posters from San Francisco in the heyday of Bill Graham and electric kool-aid. It is an incredible museum experience. The visitor is given a copy of her poster and the museum keeps a copy as well.

Denver 21

Denver Museum Arts Remix 21

Museum 2.0

JULY 6, 2016

FoodWhat's staff and teens have taught me a lot about what it really means to be relevant to people who are often overlooked or ignored. FoodWhat empowers teens to change their lives through farming and food justice. When Doron visits schools to invite teens to apply for FoodWhat, he gives a five-minute pitch on their terms.

Teen 25

Teen Arts Classroom Student 25

Museum 2.0

MARCH 3, 2007

But I’d been scribbling notes for an art museum label post for awhile, and then yesterday, the NY Times had a review of a new show at MOMA, Comic Abstraction. MOMA has standard art museum labels. When I asked an art museum educator about this (“How should I look at art?”) Should you move around to see it from different angles?

Arts 30

Arts Museum Artist Audio 30

Museum 2.0

NOVEMBER 7, 2010

Last week marked four years for the Museum 2.0 People--especially young folks looking to break into the museum business--often ask me how I got here. Ed Rodley recently wrote a blog post about museum jobs entitled "Getting Hired: It's Who You Know and Who Knows You." hour at the Museum. I made $26/hour at NASA and $7.25/hour

Museum 52

Museum Boston Participatory Job 52

Museum 2.0

MARCH 28, 2008

Museums (and libraries) are trusted sources of information. In February 2001, AAM commissioned a study about the trustworthiness of museums and found that "Almost 9 out of 10 Americans (87%) find museums to be one of the most trustworthy or a trustworthy source of information among a wide range of choices.

Participatory 20

Participatory Museum Teen Voice 20

Museum 2.0

FEBRUARY 18, 2010

They exploded, speaking all in one voice: "I don't even like ordering food in a restaurant." "I For me, the experience changed my perspective on what teens want from social environments and encounters. It's easy to forget that teens are most comfortable being social with those they already know, not people who are unknown to them.

Life 21

Life Teen Culture Attitude 21

Museum 2.0

AUGUST 7, 2008

For many museums, visitor research--how people use the museum, navigate exhibits, and understand content--may be an equally important arena in which to adopt groundswell listening techniques. I spent an hour this morning "brand listening" to what the online world says about one of my favorite museums, the Exploratorium.

Museum 20

Museum Teen Second Life Discussion 20

Museum 2.0

JUNE 12, 2012

It was fascinating to see people--across social differences--responding to representations of love in the paintings, images, objects and narratives that were part of the installation. It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement.

Participatory 51

Participatory Museum Blackboard Game 51

Museum 2.0

APRIL 30, 2007

James Yasko is writing an article for an upcoming issue of Museum News on museums and Web 2.0. Here's the question: What advice do you have, as one who keeps up with technology as it relates to museums, to a group looking to incorporate Web 2.0 Has your tagging system increased overall google hits for the museum?

Museum 20

Museum Advice Interview Web 20

Museum 2.0

DECEMBER 19, 2008

Every museum has a number for its operating cost per visitor. Most museums don't strategically set this number--too many operating costs are fixed by building needs--but they can use it to assess how expensive each visitor interaction is and evaluate the efficacy of programs. So where do online initiatives fit in?

Virtual 20

Virtual Museum North Carolina Evaluation 20

Museum 2.0

FEBRUARY 24, 2011

I was talking this week with Mark Allen, the founder of Machine Project (an alternative arts space in LA), about different models for community engagement in cultural institutions. At one point, he commented that there's a difference between the "framework" and the "sensibility" for engagement.

Voice 42

Voice Los Angeles Denver Museum 42

Bloomerang

APRIL 2, 2021

So if you scroll around, you can see all of these cool, different places. If you have a tween or a teen, I’m sure you’re familiar with TikTok. So just a couple of differences, there’s a difference in the length of the video. All of our audiences are different. And then Four Walls is another one.

Social Media 82

Social Media Trend Video Marketing 82

Museum 2.0

FEBRUARY 27, 2013

All this delightful non-fiction makes me wonder: why aren't museums great at telling these same kinds of deep, intense stories? Yes, I know that every platform is different, and that the captive attention we afford to radio, TV, and written material doesn't map perfectly to a free-choice wander through an exhibition.

Museum 53

Museum Story Captivate Artist 53