Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.

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Museum Difference Participatory History 29

Museum 2.0

JUNE 12, 2013

TCG is the industry association for non-profit theaters, the way AAM is for museums. Given TCG''s multi-year Audience (R)evolution initiative, I took the opportunity to write a new talk about what revolution has looked like at our small museum in Santa Cruz. We heard again and again that the museum was cold and uncomfortable.

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Museum Learning History Arts 55

Museum 2.0

SEPTEMBER 25, 2013

North Carolina Museum of History 1988.39.4 I’m always amazed when my colleagues tell me that the biggest barrier they face to “opening up” the content at their museums is from registrars—the people who care for collection objects. Followers of Museum 2.0 To me, this seems both discouraging and ungenerous to visitors.

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Accessibility Open Museum North Carolina 44

Museum 2.0

AUGUST 6, 2014

MuseumCamp is an annual professional development event at the Santa Cruz Museum of Art & History in which teams of diverse, creative people work on quick and dirty projects on a big theme. We encouraged teams to think like artists, not researchers. It strengthens your community. How do you measure that? To be speculative.

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Experiment Impact Social Museum 52

Museum 2.0

SEPTEMBER 18, 2013

This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.

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Museum Question Participatory Evaluation 45

Museum 2.0

OCTOBER 30, 2013

The book of the same title that he edited is rocking my world, both as a museum professional who cares about inclusion and as a new mother. As we start the process at our museum of updating our permanent history gallery, one of our specific goals is to increase intergroup understanding in our community.

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Measure Arts People Museum 47

Museum 2.0

MARCH 28, 2012

At the Santa Cruz Museum of Art & History (MAH), we've started experimenting with a "community first" approach to program development. We had about thirty participants ranging from MAH trustees to artists, educators to architects, moms to grandfathers. For example, one of our groups was focused on commuters.

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Program Community Design Museum 49

Museum 2.0

MARCH 21, 2012

How do you help visitors know what they can and cannot do in your museum? Most museums have this figured out: they have signs, they have guards, they have cases over the objects. And this works pretty well in science museums, where designers talk about "hardening" exhibits to withstand the more aggressive touchers among us.

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Museum Denver Artist Milwaukee 49

Museum 2.0

JULY 23, 2019

Me with a friend As I keep saying, I’ve been to a few museums of late. In reflecting on the sample, I’ve made some broad reflections on museum workers and visitors. Our visitors often see museums as a genre, not unlike hospitals or libraries. But, while adjacent, museums differ from formal classrooms in numerous ways.

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Museum Participatory Interaction Classroom 35

Tech Soup

DECEMBER 12, 2011

artist's influences and the exhibit, in the artist's own words. For example, YBCA's audiences loved having access to artists' own unfiltered words. For example, YBCA's audiences loved having access to artists' own unfiltered words. The Dallas Museum. Educate app users.

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Arts Omaha Organization Artist 63

Museum 2.0

OCTOBER 3, 2012

But Vi doesn't work in a science museum. Beth Harris and Steven Zucker, who are well known in museums for their excellent Smarthistory website and podcasts. Beth Harris and Steven Zucker's content about art history is social and dialogue-based in format. the way the best museums do.

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Learning Free Museum Online 55

Museum 2.0

APRIL 29, 2015

These are the slides and notes for the talk I gave at the American Alliance of Museums conference on Monday, April 27 about the Santa Cruz Museum of Art & History. When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me.

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Build Community Museum Artist 20

Museum 2.0

OCTOBER 24, 2012

I like to ask myself this question periodically, challenging myself to find substantive ways for visitors to contribute to our museum. And when I think back on the past year, some of the most magical things that have happened at the museum have NOT been designed by us. We don't have to convince them that it's their museum.

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Platform Open Museum Participatory 41

Museum 2.0

JUNE 8, 2010

This guest post was written by Rebecca Lawrence, Museum Educator, Schwenkfelder Library & Heritage Center in Pennsylvania. You can join the conversation in the blog comments, or on the Museum 2.0 The Schwenkfelder Library & Heritage Center (SLHC) is a small museum located in Pennsburg, Montgomery County, Pennsylvania.

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Place Museum Discussion Pennsylvania 27

Museum 2.0

NOVEMBER 29, 2016

That's why our museum, the MAH in Santa Cruz, focuses on social bridging. Rather than operating in a bubble of “art people” or “history people,” we strive to connect ALL people in our county. Artists and activists exhibiting their work. Homeless adults and history buffs improving a historic cemetery. More of us.

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Museum History Arts Celebrate 20

Museum 2.0

NOVEMBER 18, 2014

I''ve mostly seen museums employ one of two methods for formal community advisors: Create special "spots" on the board of trustees for certain kinds of community representatives. CON: can feel disconnected from the primary governance of the museum or can feel like a second-class board overall. I struggle with both these options.

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Community Story Museum Map 39

Museum 2.0

FEBRUARY 20, 2013

It started as a handout for a session that Stacey and I are doing at the California Association of Museums, and then I realized it was so darn useful that it was worth sharing with all of you. The majority of our public programs at the Santa Cruz Museum of Art & History are created and produced through community collaborations.

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Collaboration Community Tools Museum 55

Museum 2.0

JANUARY 18, 2012

When talking about active audience engagement with friends in the museum field, I often hear one frustrated question: how can we get adults to participate? In children's museums and science centers, this relationship is at its most extreme. And yet in the museum world, we still see interactives as being mostly for kids.

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Interaction Design Museum Participatory 47

Qgiv

JUNE 29, 2021

The Lake Wales History Museum recently hosted an online auction dedicated to vintage furniture. Here are some great examples that are pretty easy to acquire: Fishing equipment Boating items like life jackets Outdoor cooler Camping equipment and sleeping bags Outdoor camping cookware Good hiking sneakers or boots National Parks pass.

Ideas 59

Ideas Online Virtual Hosting 59

Museum 2.0

JULY 26, 2010

From a museum perspective, I think there's a lot to learn from these venues' business models, approach to collecting and exhibiting work, and connection with their audiences. You feel like you could be a part of something awesome there (check out their FAQ for copious examples of this). Waffle Shop (Pittsburgh, PA).

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Culture Alternative St. Louis Los Angeles 49

Museum 2.0

APRIL 2, 2014

There are many artistic projects that offer a template for participation, whether a printed play, an orchestral score, or a visual artwork that involves an instructional set (from community murals to Sol LeWitt). Beck talks about this in the context of learning to play music as a young artist. There are twenty songs in Song Reader.

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Participatory Arts Music Learning 52

Nonprofit Tech for Good

DECEMBER 14, 2022

For example, if you join a modern art museum, there is a good chance you won’t have to pay admission to other modern art museums. History: Simply being around a long time has some cachet and may mean you have access to historical wisdom, knowledge, and records. You just need to show proof of membership. Welcome packet.

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Donor Sponsor Accessibility Music 330

Museum 2.0

MAY 3, 2011

Lots of museums these days have video comment booths to invite visitors to tell their stories, but how many of those booths really deliver high-impact content? Last week, I talked with Tina Olsen, Director of Education and Public Programs at the Portland Art Museum, about their extraordinary Object Stories project.

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Story Interview Museum Audio 53

NTEN

JUNE 21, 2011

The speakers for this panel include: Tracy Fullerton - Electronics Arts Game Innovation Lab Ruth Cohen - American Museum of natural History Elaine Charnov - The NY Public Library Jason Eppink - Museum of the Moving Image Syed Salahuddin - Babycastles Elaine Cohen: The New York Public Library 100 Years of the flagship library in New York.

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Game Culture Change Museum 52

Museum 2.0

OCTOBER 12, 2017

A cheerful curly-haired deli owner stands in front of 30 of us and shares a quote he loves: "Artists live in the present and write detailed histories of the future." A vision is a detailed history of the future. This is a detailed history from the future. One of those is the use of visioning (also called future-casting).

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History Pennsylvania Michigan Indiana 26

Museum 2.0

SEPTEMBER 23, 2015

All weekend, we've heard uplifting stories about amazing work you all are doing to involve people from all walks of life in museums. There is no other museum conference going on somewhere else in the world today where professionals are sharing proud case studies and helpful tips on how to exclude people. But museums do exclude people.

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Museum Arts New Zealand Indianapolis 20

Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. The Museum 2.0 In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions.

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Question Participatory Museum Evaluation 49

Museum 2.0

AUGUST 19, 2015

One of my favorite comments on the first post in this series came from Lyndall Linaker, an Australian museum worker, who asked: " Who decides what is relevant? Community First Program Design At the Santa Cruz Museum of Art & History , we've gravitated towards a "community first" program planning model. My answer: neither.

Teen 20

Teen Museum Voice Collaboration 20

Forum One

DECEMBER 13, 2023

Forum One partnered with the Museum to launch their new brand to the world. This work not only included launching a new website but also revitalizing the American Jazz Museum brand as a whole. It also won the Smithsonian National Museum of African American History and Culture a Silver Vega Award!

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Celebrate Award Colorado Museum 67

Museum 2.0

MAY 5, 2009

I just returned from the American Association of Museums (AAM) annual meeting in Philadelphia. I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. what is the value of the exhibition experience to non-participants, that is, regular museum visitors?

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Slides Participatory Museum Children 20

Museum 2.0

AUGUST 8, 2010

A Community-Based Approach to Collecting and Cataloging CUL is a replicable model for community archives that accepts every piece of print media from a certain area without making quality or importance judgments, going back as far in history as possible. The Underground Library isn’t just a community archive of things past.

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Chicago Library Public Culture 48

Forum One

DECEMBER 13, 2023

We partnered with the Museum to launch their new brand to the world. This work not only included launching a new website but also revitalizing the American Jazz Museum brand as a whole. It also won the Smithsonian National Museum of African American History and Culture a Silver Vega Award!

Celebrate 46

Celebrate Award Colorado Museum 46

Museum 2.0

MAY 4, 2007

If anyone out there is considering creating an industry catch-all site for museum-related content, I highly recommend Gamasutra as a model. Can museums afford to indulge in this kind of fantasy? It drives me nuts when I’m in a museum that has made a half-hearted attempt to thematically connected galleries or exhibits.

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Game Storytelling Lesson Museum 20

Museum 2.0

DECEMBER 8, 2006

Elisa’s focus is interactive arts, media design, and cultural management, and she has been involved in many pertinent projects, such as MUVI (the Virtual Museum of the Collective Memory of Lombardia). Environmentalists, the Museum of Natural History at CU, they all responded very enthusiastically to this.

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Interview Museum Culture Sound 20

M+R

AUGUST 11, 2021

Some well-known examples of NFTs are: . Are there artists or other influencers who might be interested in partnering with your organization to support you through NFTs? Real-world example. Her clients include the International Fund for Animal Welfare, the American Museum of Natural History, and the American Red Cross. .

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Game Stream Disaster Digital 98

Museum 2.0

NOVEMBER 6, 2012

I'm thrilled to share this brilliant guest post by Marilyn Russell, Curator of Education at the Carnegie Museum of Art. This is a perfect example of a museum using participation as a design solution. Our colleagues in the Museum of Natural History were eager collaborators. I hope more museums do things like this.

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Museum Arts Problem Design 45

Have Fun - Do Good

JANUARY 16, 2009

I think about how hesitant I was to become an artist, because I didn't see role models, and even to this day how hard it is for me sometimes to find peers who are women of color, because of how systematically they are pushed out. I'm an artist and an institution builder. I'll start with some examples.

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Artist Digital Arts San Francisco 40