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A Decade of Museums and Museum Work

Museum 2.0

I was thinking I’d do a few alternative histories of museums for the first post of the last month of the decade. As I imagined a world without the many museum tech projects of the decade, I felt inherently sad about the imagining away the successes that friends and colleagues have enjoying. But I couldn’t get there.

Museum 21
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Fall Book Club Commencing: Visitor Voices in Museum Exhibitions

Museum 2.0

One of my most exciting moments of ASTC this year was picking up a copy of the newly released Visitor Voices in Museum Exhibitions , a collection of essays ten years in the making, edited by Kathy McLean and Wendy Pollock. The book opens with a list of reasons why museums might use "visitor-response elements in exhibitions."

Museum 20
professionals

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How Nonprofit Leaders Create An Authentic Personal Brand on Intsagram

Beth's Blog: How Nonprofits Can Use Social Media

But to be effective, nonprofit leaders also must excel at using their personal brands and voices in service of their organizations’ missions and strategies on Instagram and other social media channels. This shot is a painting at a museum visited during a professional conference for museums. Visibility. Campbell above.

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Museum Photo Policies Should Be as Open as Possible

Museum 2.0

I'm working on a section of my book about sharing social objects and am writing about the most common way that visitors share their object experiences in museums: through photographs. Revenue Streams: Museums want to maintain control of sales of "officially sanctioned" images of objects via catalogues and postcards.

Museum 54
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Visitor Voices Book Club Part 4: Starting to Listen

Museum 2.0

This is the final installment of Museum 2.0’s s book club on Visitor Voices in Museum Exhibitions , a collection of essays edited by Wendy Pollock and Kathy McLean. The best visitor voices projects don’t come out of marketing blitzes or grudging concessions to visitors. They don’t have anything interesting to say.

Voice 20
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The J. M. Barrie Model for Museum Voice

Museum 2.0

Which makes it feel special and tenuous and right-nowish, even though the book is bound and its author dead. But it's not so easy to integrate into larger-scale museum writing. Have you ever walked someone, a non-museum professional, through an exhibition you have or are working on? Tags: storytelling.

Museum 20
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Four Models for Active User Engagement, by Nina Simon

Beth's Blog: How Nonprofits Can Use Social Media

Nina has written a fantastic book engagement called The Participatory Museum. Most of my work involves museums, but these categories can be useful in any project that involves user participation. Nina Simon is an independent museum exhibit designer and publisher of the Museum 2.0

Model 98