Bloomerang

FEBRUARY 21, 2024

Recently, modernist and impressionist paintings have been selling particularly well in the art world. Recently, modernist and impressionist paintings have been selling particularly well in the art world. Art that has personal meaning for your community is also a safe bet.

Artist 72

Artist Classes Arts Local 72

Museum 2.0

MAY 2, 2012

Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. A year ago, I put my consultant hat on the shelf and decided to jump into museum management (a sentence I NEVER would have imagined writing five years ago). I'm open to any questions you want to raise in the comments.

Museum 55

Museum Director Participatory Culture 55

Museum 2.0

APRIL 21, 2011

I'm reaching the end of my consulting days, with just one more day on the road before I dedicate myself to Santa Cruz and The Museum of Art & History. On Monday, April 25, I'll be participating in an online video chat with Andrew Taylor and James Undercofler to explore new business models for arts organizations.

Arts 26

Arts Model Wisconsin Business 26

Museum 2.0

AUGUST 14, 2013

One of the greatest gifts of my babymoon is the opportunity to share the Museum 2.0 First up is Beck Tench, a "simplifier, illustrator, story teller, and technologist" working at the Museum of Life & Science in Durham, NC. As a person who works for a science museum, I work in an environment that supports play.

Museum 51

Museum Roles Game Participatory 51

Museum 2.0

JULY 17, 2013

Last week, my museum hosted Hack the Museum Camp , a 2.5 day adventure in which teams of adults--75 people, of whom about half are museum professionals, half creative folks of various stripes--developed an experimental exhibition around our permanent collection in our largest gallery.

Museum 49

Museum Arts History Professional 49

Museum 2.0

JANUARY 25, 2018

For the past five years, each summer, the Santa Cruz Museum of Art & History has hosted MuseumCamp. This new, experimental training is a hands-on deep dive into the MAH’s model. I'm excited to share the MAH's community-first model and to invite you to this in-depth, immersive learning experience.

Community 31

Community Participatory Museum Registration 31

Whole Whale

SEPTEMBER 20, 2022

AS works with nonprofits across a wide range of industries, including arts and culture, the environment, foundations, and government. The firm is especially committed to working with partners involved in performing arts, the environment and conservation, education, and women. Website: [link]. Alexander Haas. Website: [link].

Consultant 52

Consultant Fundraising Phoenix Atlanta 52

Museum 2.0

APRIL 2, 2014

In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. The fact that there is no original recording by Beck of the Song Reader songs, no model upon which "covers" would be based, frees the reader to imagine the songs in any number of ways.

Participatory 52

Participatory Arts Music Learning 52

Museum 2.0

JULY 11, 2017

The Santa Cruz Museum of Art & History keeps growing and experimenting in our quest to build a stronger, more connected community. The MAH now oversees a museum, a community plaza, a garden, a market, and all the activities that go with these diverse offerings. We are dreaming big, reaching out, and going deep.

Work 37

Work Artist Museum Press 37

Connection Cafe

FEBRUARY 25, 2014

Last week Ginny Fitzgerald, the Director of Visitor Services and Membership at Chicago History Museum, joined us to host a webinar about how she prepares her team for peak attendance times. Chicago History Museum defines their summer season as June 1 through August 31. Summer Tourism. Spring Field Trips.

Arts 32

Arts Culture Business Chicago 32

Museum 2.0

OCTOBER 3, 2012

But Vi doesn't work in a science museum. Beth Harris and Steven Zucker, who are well known in museums for their excellent Smarthistory website and podcasts. Beth Harris and Steven Zucker's content about art history is social and dialogue-based in format. the way the best museums do.

Learning 55

Learning Free Museum Online 55

Museum 2.0

OCTOBER 23, 2013

Last month, I had the good fortune to join a few brilliant people for a " Dinner-vention " about the future of the arts in America. In the course of the conversation, Devon Smith, a social media consultant from Threespot, started talking the problem of arts organizations that are no longer relevant or useful to their communities.

Organization 55

Organization Museum Arts Nonprofit 55

Museum 2.0

JULY 20, 2016

When we say we want our museum to be "audience-centered," what do we mean? However, I have enormous respect for the customer-centered model when it is executed in ways that truly invite visitors in on their own terms and deliver satisfying experiences. Many of my favorite museums, libraries, and zoos are customer-centered places.

Museum 20

Museum Audience Music Arts 20

Museum 2.0

JUNE 12, 2013

TCG is the industry association for non-profit theaters, the way AAM is for museums. Given TCG''s multi-year Audience (R)evolution initiative, I took the opportunity to write a new talk about what revolution has looked like at our small museum in Santa Cruz. We heard again and again that the museum was cold and uncomfortable.

Museum 55

Museum Learning History Arts 55

Museum 2.0

JANUARY 17, 2017

Dear Museum 2.0 friends, I want to share two great opportunities to get involved at the Santa Cruz Museum of Art & History in 2017. Each summer, the Santa Cruz Museum of Art & History hosts MuseumCamp , a professional development experience that is part retreat, part unconference, part adult summer camp.

Job 20

Job Museum Childhood Arts 20

Museum 2.0

MARCH 14, 2017

This is the second installation in a series of posts on the Santa Cruz Museum of Art & History (MAH)'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. The MAH fundamentally has two jobs: we bring art and history out into our community, and we invite our community in.

Public 27

Public Museum Arts History 27

Whole Whale

MAY 20, 2021

AS works with nonprofits across a wide range of industries, including arts and culture, the environment, foundations, and government. The firm is especially committed to working with partners involved in performing arts, the environment and conservation, education, and women. Website: [link]. Alexander Haas. Website: [link].

Consultant 52

Consultant Fundraising Phoenix Atlanta 52

Museum 2.0

JULY 6, 2011

In the Netherlands, State Secretary for Culture Halbe Zijlstra slashed 200 million euros from the national budget for the arts, leading to the close of the innovative National History Museum project and crippling many superbly inventive and inspiring organizations like Mediamatic and the Waag Society. Let me explain.

Business 50

Business Minnesota Museum Netherlands 50

Museum 2.0

AUGUST 20, 2009

I'm working on a section of my book about sharing social objects and am writing about the most common way that visitors share their object experiences in museums: through photographs. Revenue Streams: Museums want to maintain control of sales of "officially sanctioned" images of objects via catalogues and postcards.

Museum 54

Museum Photo Policy Open 54

Museum 2.0

SEPTEMBER 26, 2018

We've see this model succeed at the MAH and at other community-centered organizations around the world. The model we landed on was movement building. We're excited about this movement-building model for three reasons: It taps diverse sources of expertise. We want to share the methods and tools that make it work. Consulting.

Los Angeles 31

Los Angeles Network Oakland Change 31

Museum 2.0

AUGUST 18, 2008

I've long believed that museums have a special opportunity to support the community spirit of Web 2.0 This month brings three examples of museums hosting meetups for online communities: On 8.6.08, the Computer History Museum (Silicon Valley, CA) hosted a Yelp! Me: Have you ever been to this museum? several years.

Museum 22

Museum Hosting Model Community 22

Museum 2.0

OCTOBER 18, 2011

We’ve been doing a little experiment at our museum with labels. The Santa Cruz Surfing Museum recently loaned us some fabulous surfboards that tell the co-mingled history of surfing and redwood trees in Santa Cruz. We decided to approach the label-writing for these boards in a participatory way. how did they ride the plank?”

Participatory 48

Participatory San Diego Museum History 48

Museum 2.0

OCTOBER 8, 2014

How does this question play out in museums? At the 2013 American Alliance of Museums annual conference, a group of exhibition designers explored authenticity in a session called Is it Real? They explored a huge range of museum objects and grey areas of "realness." They arbitrated replicas, reproductions, models, and props.

Artist 55

Artist Museum Washington Arts 55

Museum 2.0

APRIL 25, 2017

This is the eighth in a series of posts on the Santa Cruz Museum of Art & History ( MAH )'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. I knew it would change the museum visitor experience. And Intersection for the Arts fell into crisis.

Share 35

Share Museum San Francisco Arts 35

Museum 2.0

MAY 9, 2012

Last week, I was in Minneapolis for the American Association of Museums annual meeting. Kathleen McLean led a terrific session called "Dangerous Ridiculous" about risk-taking in museums. Interestingly, at my museum, our team is naturally better at ridiculous than we are at dangerous. I found this idea really powerful.

Reflection 43

Reflection Columbus Museum Participatory 43

Museum 2.0

JANUARY 11, 2012

For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" We're hearing on a daily basis that the museum has a new role in peoples' lives and in the identity of the county.

Audience 47

Audience Museum Participatory History 47

Museum 2.0

AUGUST 17, 2016

Let's say your organization has a mission to increase X (art, healthy kids, clean water, community cohesiveness, etc.). Relative to other museums, I think we spend less time producing an "onstage" experience and more time collaborating with community organizations behind the scenes to empower them to produce.

San Diego 20

San Diego Work Museum Model 20

Museum 2.0

JANUARY 14, 2015

There are plenty of great arguments out there for WHY to make museums free. It''s much easier for art and history museums than for those museums that rely on admissions for a majority of their income (science, children''s). Nationally, admissions income generates only 1-4% of most art museums'' annual revenue.

Free 20

Free Museum Dallas Arts 20

Museum 2.0

SEPTEMBER 27, 2017

Our county board of supervisors had brought their official meeting to the museum. In it, I argued that museums could give up control of the visitor experience while still maintaining (a new kind of) power. Museums could make the platforms for those experiences. Traditionally, museums and cultural organizations offer programs.

Platform 31

Platform Impact Childhood Museum 31

Museum 2.0

OCTOBER 22, 2014

Here is how they describe the challenge: What do we refer to when we talk about audience/s in cultural centres, museums and similar spaces today? Has there been a change in the traditional paradigm by which audiences followed, and at most participated in – always in a secondary role –, the projects organised by cultural centres and museums?

Audience 42

Audience Ideas Proposal Museum 42

Museum 2.0

MARCH 25, 2015

This is the first in a two-part series about the Santa Cruz Museum of Art & History’s new theory of change. This week, Ian David Moss and I are each writing blog posts about our collaborative process to develop a theory of change at the Santa Cruz Museum of Art & History. Doubled our staff.

Process 20

Process Change Develop Museum 20

Museum 2.0

JANUARY 16, 2013

It's not every day that a visitor buys pizza for everyone in the museum. Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. Participants who felt more confident modeled generous behavior and engaged others. The museum itself was well-integrated into the event.

Reflection 43

Reflection Community Museum Participatory 43

Museum 2.0

APRIL 11, 2017

This is the sixth in a series of posts on the Santa Cruz Museum of Art & History ( MAH )'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. John would run Abbott Square Market , a multi-vendor food and drink business, adjacent to the plaza, adjacent to the museum.

Technique 29

Technique Museum Exercise Structure 29

Museum 2.0

NOVEMBER 27, 2012

Do you consider yourself an "activist" for your organization, avocation, or art form? Sure, I admire cultural organizations that have a strong mission to change education or diversify access or transform the role of art in everyday life, but I'm an insider. Why AREN'T we asking visitors to join the fight for arts education?

Product 51

Product Build Museum Arts 51

Museum 2.0

JULY 26, 2010

Art spaces masquerading as laundromats and letterpresses. From a museum perspective, I think there's a lot to learn from these venues' business models, approach to collecting and exhibiting work, and connection with their audiences. Want some waffles with your art? Community science workshops.

Culture 49

Culture Alternative St. Louis Los Angeles 49

Museum 2.0

APRIL 4, 2012

Museums have been grappling with this question for years ( here's a 2007 roundup of such projects ), most aggressively in zoos and natural history museums where staff hope to inspire conservation and in history/concept museums that focus on civic engagement and activism. No small task for a museum exhibition.

Story 47

Story Participatory Museum History 47

Museum 2.0

JULY 27, 2011

I'm trying to reposition our museum as a cultural hub supporting creative and intellectual community growth. Our conversation made me reflect on the museums that most inspire me from a public service perspective--institutions with missions that stretch far beyond their walls. These museums work differently.

Advocacy 44

Advocacy Public Service Homeless 44