Museum 2.0

JULY 17, 2013

Last week, my museum hosted Hack the Museum Camp , a 2.5 day adventure in which teams of adults--75 people, of whom about half are museum professionals, half creative folks of various stripes--developed an experimental exhibition around our permanent collection in our largest gallery.

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Museum Arts History Professional 49

Museum 2.0

MAY 6, 2016

Five years ago, I left the consulting world to take the helm at the Santa Cruz Museum of Art & History (MAH) at a time of crisis and change. The theory of change has been invaluable as a "playbook" that we use to guide programming decisions, evaluation protocols, and marketing messages about our impact.

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Museum Director Arts History 20

Museum 2.0

AUGUST 6, 2014

MuseumCamp is an annual professional development event at the Santa Cruz Museum of Art & History in which teams of diverse, creative people work on quick and dirty projects on a big theme. On the other hand, a photobooth where people were prompted to take a photo with a stranger they met at the museum was barely used.

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Experiment Impact Social Museum 52

Museum 2.0

SEPTEMBER 18, 2013

This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.

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Museum Question Participatory Evaluation 45

Museum 2.0

JUNE 12, 2013

TCG is the industry association for non-profit theaters, the way AAM is for museums. Given TCG''s multi-year Audience (R)evolution initiative, I took the opportunity to write a new talk about what revolution has looked like at our small museum in Santa Cruz. We heard again and again that the museum was cold and uncomfortable.

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Museum Learning History Arts 55

Museum 2.0

JANUARY 17, 2017

Dear Museum 2.0 friends, I want to share two great opportunities to get involved at the Santa Cruz Museum of Art & History in 2017. Each summer, the Santa Cruz Museum of Art & History hosts MuseumCamp , a professional development experience that is part retreat, part unconference, part adult summer camp.

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Job Museum Childhood Arts 20

Museum 2.0

AUGUST 9, 2011

Two weeks ago, we inaugurated a Creativity Lounge on the third floor of our museum. It's a little living room in a lobby area that invites people to lounge on comfortable chairs, leaf through magazines and books related to art and Santa Cruz history, and generally hang out. People love petting zoos.".

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Museum Arts History Columbus 51

Museum 2.0

FEBRUARY 26, 2014

This is the last week to apply for MuseumCamp 2014 , a professional development experience in which diverse people from the arts, community activism, and social services will measure the immeasurable together. Museum of Art and History professional development Quick Hits' The application period closes Friday, February 28.

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Museum History Arts Professional 31

Museum 2.0

JANUARY 11, 2012

For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" We're hearing on a daily basis that the museum has a new role in peoples' lives and in the identity of the county.

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Audience Museum Participatory History 47

Museum 2.0

JANUARY 10, 2008

In the final installment of Museum 2.0’s s four part series on comfort in museums, we get down to the basics: creature comfort. So for this last piece, we look at going the other way: making museums more physically comfortable. And on the walls, my friend explained, was art from the museum itself.

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Museum Denver Arts Design 30

Museum 2.0

DECEMBER 5, 2012

I've always been a bit confused when people talk about the impact of a museum or arts institution as being about "more than numbers." I understand that some museum offer extraordinary, intimate programs. I was visiting with Adam Lerner, Director and Chief Animator of the Museum of Contemporary Art Denver.

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Denver Impact Museum Arts 45

Museum 2.0

MARCH 25, 2015

This is the first in a two-part series about the Santa Cruz Museum of Art & History’s new theory of change. This week, Ian David Moss and I are each writing blog posts about our collaborative process to develop a theory of change at the Santa Cruz Museum of Art & History. Doubled our staff.

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Process Change Develop Museum 20

Museum 2.0

MAY 15, 2013

I''m heading to the American Alliance of Museums'' annual conference this weekend, and I''m psyched to reconnect with friends and mentors and meet new people who can inspire and stimulate fresh ideas. Small-scale evaluation for non-professionals. Creating spaces in the museum for open exploration of the behind-the-scenes.

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Baltimore Museum New York Mentoring 33

Museum 2.0

AUGUST 18, 2008

I've long believed that museums have a special opportunity to support the community spirit of Web 2.0 This month brings three examples of museums hosting meetups for online communities: On 8.6.08, the Computer History Museum (Silicon Valley, CA) hosted a Yelp! Me: Have you ever been to this museum? several years.

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Museum Hosting Model Community 22

Museum 2.0

DECEMBER 28, 2010

Every once in a while I come across a project I wish I could have included in The Participatory Museum. an exhibition produced with schoolchildren at the Wallace Collection in London, is a lovely example of co-creation that demonstrates the multiple benefits of inviting audience members to act as partners in arts organizations.

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Children Museum Create Project 46

Museum 2.0

JUNE 25, 2019

At the time, I was leading the Santa Cruz Museum of Art & History. Today, OF/BY/FOR ALL is introducing a new free resource - a guide to creating and implementing demographic audience surveys that are accurate, respectful, and useful. We were three years into a dramatic transformation to welcome new people in new ways.

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Audience Survey Free Demographics 38

Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. The Museum 2.0 In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions.

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Question Participatory Museum Evaluation 49

Museum 2.0

SEPTEMBER 12, 2012

In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. We tracked down as many people as we could and developed a big spreadsheet so we could evaluate the possibilities.

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Participatory Museum History International 44

Museum 2.0

OCTOBER 25, 2011

As I drop 5 cent tokens into my slots of choice, I often wonder: could my museum be on this list? They are successful with audiences who already believe in the intrinsic power of art or the role art plays in civic engagement, but it's unclear how helpful they are to the people who aren't attending, participating, or supporting.

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Arts Museum Roles Public 54

Nonprofit Tech for Good

DECEMBER 14, 2022

For example, if you join a modern art museum, there is a good chance you won’t have to pay admission to other modern art museums. Creative stuff: Things unique to your organization including the ability to create art, music, poetry, dance, etc. help to evaluate resumes of kids). These exist already!

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Donor Sponsor Accessibility Music 343

Museum 2.0

JUNE 22, 2011

This was an aha moment for me at the time about self-confidence and self-evaluation, and it's one I've carried into my career. I've often argued that art and history museums should adopt this approach and encourage visitors to explore their potential as artists or historians, not just audiences for content.

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Artist Museum Raise History 48

Museum 2.0

JUNE 9, 2009

Yesterday, I enjoyed three hours of graduate students' presentations of social media plans for museums in the Pacific Northwest. What is the evaluation plan? Jill Hardy worked with a museum that is trying to attract a younger, more diverse adult audience. How will this project be tracked and tested against the goals?

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Social Media Develop Media Museum 43

Museum 2.0

DECEMBER 14, 2009

Unsurprisingly, some of my favorite museums are small, funky places run by iconoclasts—but that’s not useful to most professionals who work for organizations in which they have little control over size or leadership matters. There are several good resources on evaluating participation. It’s nice to have both.

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Project Museum Teen North Carolina 22

Museum 2.0

MAY 5, 2009

I just returned from the American Association of Museums (AAM) annual meeting in Philadelphia. I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. what is the value of the exhibition experience to non-participants, that is, regular museum visitors?

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Slides Participatory Museum Children 20

Museum 2.0

SEPTEMBER 24, 2014

Two weeks ago, I wrote about t he use of the word "quality" in the arts and its many forms. Inspired by Stacy, I wanted to share some of the work we are doing at the Santa Cruz Museum of Art & History to clarify what we mean by engagement. This is a big year for us in naming and evaluating our work. Engagement?

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Goal Museum Evaluation History 48

Museum 2.0

DECEMBER 8, 2006

Elisa’s focus is interactive arts, media design, and cultural management, and she has been involved in many pertinent projects, such as MUVI (the Virtual Museum of the Collective Memory of Lombardia). Environmentalists, the Museum of Natural History at CU, they all responded very enthusiastically to this.

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Interview Museum Culture Sound 20

Museum 2.0

NOVEMBER 5, 2013

"The words we use in attempting to change museum directions matter. Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. I am glad this conversation is happening and that both museum professionals and local Santa Cruzans are engaged. Some people commune with the art.

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Participatory Museum Arts History 53

Museum 2.0

OCTOBER 21, 2007

No one would contest the idea that most museum exhibitions, art shows, films, books, in short, most content experiences, have value both for the new and return user. Most visitor-generated museum experiences are about creating, not curating, content. Why would someone want to contribute metadata to the museum experience?

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Experiment Create Museum Amazon 20

Museum 2.0

JUNE 16, 2020

Andrea has been a leader in the museum technology field. The Detroit Institute of Arts has been a precious anchor where many of us have created memories that helped define who we are today. This field is varied, and each voice adds to our collective understanding of the situation.

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Museum Detroit Arts Leadership 22

Museum 2.0

MAY 8, 2013

Like a lot of organizations, my museum struggles with two conflicting goals: The museum should be for everyone in our community. At the Santa Cruz Museum of Art & History , we''re approaching this challenge through a different lens: social bridging. And rarely the twain shall meet.

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Museum Social Arts History 55

Connection Cafe

FEBRUARY 7, 2016

At The National World War II Museum in New Orleans, fundraising is all about data and their data is all about their donors. The Museum uses their data to get know their donors at a deeper level: what they care about, what motivates them, and how to keep them engaged with their organization. “We Acquisition.

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Museum National Report Giving 20

Museum 2.0

MARCH 5, 2014

Consider three very different talkbacks in the Santa Cruz Museum of Art & History''s fall exhibition, Santa Cruz is in the Heart: cocktail napkins, rear view mirrors, and refrigerator certificates. design evaluation Museum of Art and History participatory museum usercontent'

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Test Museum Participatory Measure 43

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 16, 2010

It was good opportunity for me to look back at the crowdsourcing chapter in our book, The Networked Nonprofit , and update the examples and thinking. The presentation was followed by a discussion about how one might evaluate efforts to engage crowds. What do you track? What domains of impact should be considered (e.g. 2) Crowd Creation.

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Measure Fund Impact Minnesota 96

Museum 2.0

OCTOBER 16, 2013

When you count attendance to your museum, do you include: people who eat in the cafe? Louis Post-Dispatch published the kind of "how sausage is made" story that rarely gets written about the arts. It''s about museum attendance and how the five big, free museums in St. Summertime concerts at the history museum?

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St. Louis Impact Museum Denver 55

Museum 2.0

AUGUST 13, 2009

Earlier this year, the New Museum and Creative Time commissioned a traveling piece by artist Jeremy Deller called "It Is What It Is: Conversations About Iraq." I saw It Is What It Is twice at the Hammer Museum. Why would I want to talk about Iraq on a visit to an art museum? Even for me, the barriers were too high.

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Iraq Challenge Museum Library 28

Museum 2.0

OCTOBER 22, 2008

There are lots of things visitors can’t do in museums. But what about the things that museum professionals can’t (or feel they can’t) do? This week at the ASTC conference, Kathy McLean, Tom Rockwell, Eric Siegel and I presented a session called “You Can’t Do That in Museums!” And so my question is, why are we keeping them away?

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Museum Professional Teen Map 20