Whole Whale

MARCH 22, 2023

Prime with your data : To personalize the AI-generated content, incorporate relevant information from your nonprofit, such as email copy, key metrics, goals, mission and core values. It is also an effective way to structure outputs and can be used for various types of content, including sales pages, emails, and blog posts.

Ideas 52

Ideas Model API Language 52

Top Nonprofits

JULY 20, 2022

Here are the top 8 most important tips to ensure your flyers are convincing, informative, and attractive enough to exceed your fundraising goals. Always think about your branding, goals, and target audience ahead of the actual creative procedure. Informational tips for your fundraising flyer. Highlight calls to action.

Examples 105

Examples Tips Fundraising Images 105

Media Cause

AUGUST 9, 2021

While much of the branding and design inspiration we run across is either from consumer brands or individual artists, it all provides us with the opportunity to discover new principles, practices, and approaches that we can incorporate into our nuanced nonprofit world. What would the structure be like? What about content?

Design 52

Design Experiment Nonprofit Collaboration 52

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 22, 2013

Is it only used by people with artistic talents and graphic design skills? Anyone can be a designer! We were asked to listen to a PPT presentation that shared the history, mission, goals, challenges and opportunities. But, there was a twist – we were asked to do critical or active listening. What is Human Centered Design?

Design 128

Design Strategy Digital Technique 128

Museum 2.0

MARCH 28, 2012

We had about thirty participants ranging from MAH trustees to artists, educators to architects, moms to grandfathers. We used Beck Tench's honeycomb format to present the six main goals for MAH community programs against which we'll assess new ideas (quickly--about the first ten minutes after introductions).

Program 49

Program Community Design Museum 49

Tech Soup

JUNE 8, 2012

Games structure participation in vital civic actions like voting, budgeting, advocacy, movement-building, solving major challenges, and simulations for disaster preparedness. (BS). Set goals with impact objectives including metrics of success. (MB). How to Design. How to Design.

Game 55

Game Lesson Create New York City 55

Tech Soup

JULY 6, 2012

With that in mind, Zero1's community engagement manager Danielle Siembieda-Gribben organized HackFlux : a weekend hackathon bringing together a mix of coders, developers, designers, artists, and thinkers this past June. The goals of the hackathon were twofold: To build a community around mobile development and art.

Arts 58

Arts Tech San Francisco Proposal 58

Museum 2.0

OCTOBER 17, 2012

The only way to reconcile our resources with our goals was to start doing whatever we could to start nudging in the direction of our dreams. We invited local artists and community groups to perform. We experimented with everything--hours, front desk staffing structure, community programs. We scrounged for free couches.

Museum 47

Museum Artist Remix Professional 47

Museum 2.0

JANUARY 24, 2011

Guard staff who are willing to let an artist step between two panes of glass to perform. The Walker is also a place where everyone is committed to supporting artists and new work, so every time we bring in an artist, staff are enthusiastic about the idea of coming together to create something. It's inherent in what we do.

Arts 46

Arts Interview Teen Artist 46

Museum 2.0

NOVEMBER 16, 2015

As artistic director Abe Burickson described their work to me, I imagined Theseus walking deeper into the labyrinth towards the Minotaur. He spoke of the audience as providing a challenge, a challenge like any other artistic constraint. The goal was not that Christina should like John Cage. The experience was powerful for her.

Arts 20

Arts Artist Audience Project 20

Museum 2.0

OCTOBER 24, 2012

We actively seek participation and develop structured opportunities for visitors to collaborate with us. Community members, artists, and organizations increasingly see our museum as a place where they can advance their own goals, and so they approach us. Visitors can comment on how we can improve or what they would like to see.

Platform 41

Platform Open Museum Participatory 41

Museum 2.0

NOVEMBER 18, 2014

As one African-American artist on a prominent museum board told me, "I felt even more tokenized than if I had been part of some kind of Artists'' Council or African-American Council." We took a year off of C3 in 2013 and reconsidered our goals for the group. Form community advisory boards outside of the board of trustees.

Community 39

Community Story Museum Map 39

Museum 2.0

APRIL 29, 2015

For example, in Santa Cruz there is a huge community of creative people who identify as artists in non-traditional media. That’s why we partner with fire sculptors, knitters, graffiti artists, and bonsai growers. They are artists whose experience deserves a home in our institution alongside painters, photographers, and sculptors.

Build 20

Build Community Museum Artist 20

Museum 2.0

MAY 21, 2014

Over the past three years, we''ve tripled our attendance, doubled our budget, and, most importantly, established deep and diverse relationships with community members, artists, and organizations across Santa Cruz County. We have prioritized opening up to as many partners as possible through collaborative structures that scale.

Museum 49

Museum Director History Teen 49

Connection Cafe

OCTOBER 8, 2013

For you, these people are already familiar with your organization (first hurdle cleared), have figured out your parking structure (second hurdle cleared) and have actually visited an exhibit (third hurdle cleared). Also like a church, you want to make sure your visitor feels aligned to your larger goals. Met the artist?

Costa Rica 46

Costa Rica Tips Arts Culture 46

Museum 2.0

OCTOBER 1, 2014

We invited a cross-section of artists, filmmakers, and advertisers to join us for a think tank. We came up with a system that was much more structured and is based on audio, not video. We have four stories up now: from a guard, a curator, a longtime museum lover, and an artist. So what did you do next?

Museum 43

Museum Story Project Design 43

Museum 2.0

MARCH 8, 2011

Last month, artist and game designer Nikki Pugh led an utterly charming, often hilarious community residency at the City Gallery in Leicester, UK. I wanted the details of the residency to be shaped by the people who got involved with it, so it needed a structure with an edge that could be pushed against in different directions.

Interview 37

Interview Museum Badge Game 37

Museum 2.0

MARCH 9, 2009

Unlike startups and rock stars, museums aren't structured to shoot for the moon and burn up trying. This is the model that governs most businesses and artistic endeavors. The challenge is not to make it your primary goal. He commented that as non-profits, museums are built to survive, not to succeed. They're made to plod along.

Model 55

Model Business Los Angeles Museum 55

Museum 2.0

SEPTEMBER 20, 2010

I sat down with Kristen Denner, Director of Membership and Annual Fund, to learn more about the program's development and the museum's goals for its future. First, we realized that our museum is different from other museums, but our benefits and membership structure were the same as others. How did this project start?

Interview 46

Interview Director Museum Arts 46

Museum 2.0

MARCH 17, 2007

The Turner Prize was launched in 1984 by the Tate Britain to reward young British artists, and has had controversial effects on both public perception of contemporary art--and the artists themselves. First, the competition's structure. British artists under 50 can be nominated by, well, anyone (even you).

Artist 20

Artist Arts Museum Celebrate 20

Museum 2.0

JUNE 27, 2008

The VSA has replaced their keynotes with structured group dialogue. But the VSA has taken an intentional approach to these structured conversations with the goal of putting the (arguably) best part of conferences—the side conversations and hallway discussions—front and center. My first reaction was skepticism.

Studies 20

Studies Associations Houston Museum 20

Museum 2.0

MAY 3, 2011

We invited a cross-section of artists, filmmakers, and advertisers to join us for a think tank. We came up with a system that was much more structured and is based on audio, not video. We have four stories up now: from a guard, a curator, a longtime museum lover, and an artist. So what did you do next?

Story 53

Story Interview Museum Audio 53

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 29, 2015

How might we reimagine our goals so they aren’t trapped by old power values and/or culture? Participants voted on the questions that would be most important for the Brainerd Foundation to consider in its strategy: How might we adopt a hybrid model of new and old power? How do we leverage the “rain” of culture change?3.

Design 50

Design Strategy Facilitation Advocacy 50

Museum 2.0

JULY 7, 2010

As Peter wrote: If someone enjoys Arts Event A because it’s social, informal, energetic, fun, and hip, why should we expect her to also enjoy Arts Event B if B is individual, formal, quiet, serious, and traditional (at least in its presentation, if not artistically)? Dias de las Muertos or Chinese New Year to attract new audiences.

Audience 40

Audience Museum Oakland Participatory 40

Have Fun - Do Good

JANUARY 30, 2009

Jennifer is a certified coach, artist and yogini based in Oakland, California. They have some focus, they have an end goal in mind, and they are still getting a paycheck. It would be great for someone, especially in the beginning of the year, to do some visioning around what their goals are for the year.

Brain 41

Brain Life Artist Advice 41

Museum 2.0

JUNE 6, 2008

This is not to say that the virtual designers didn't work hard to make their ideas in-line with our museum goals--in fact, we could have given them much clearer and stricter criteria and they would have thanked us for it. Our job was to provide a structured environment in which to develop ideas and the expertise to build the best of them.

Virtual 21

Virtual Tech Lesson Develop 21

EveryAction

MARCH 16, 2017

American Edmonia "Wildfire" Lewis is considered the first woman of Native American and African descent to achieve international fame as a sculptor at a time when artists of color were hardly celebrated and slavery was still legal. Gentileschi is remembered, however, as an accomplished Baroque artist whose trials did not define her art.

Story 133

Story Angola Sierra Leone Artist 133

Forum One

DECEMBER 22, 2021

JavaScript and Data Visualization Team: The JavaScript team creates powerful interactive and narrative visualizations of complex data structures using technologies such as NodeJS, React, TypeScript, and Leaflet. JavaScript developers focus on site performance and accessibility to build compelling user journeys through complex data.

Team 56

Team Tech Colorado United States 56

Forum One

DECEMBER 13, 2023

The new American Jazz Museum brand positions the museum to be a beacon of rich history and vibrancy for the community and neighborhood and attract audiences from around the country to experience music from a range of eras and artists. This beautifully designed branding and website won five awards this year! Endowed by Dr. Ruth J.

Celebrate 67

Celebrate Award Colorado Museum 67

Forum One

DECEMBER 13, 2023

The new American Jazz Museum brand positions the museum to be a beacon of rich history and vibrancy for the community and neighborhood and attract audiences from around the country to experience music from a range of eras and artists. This beautifully designed branding and website won five awards this year! Endowed by Dr. Ruth J.

Celebrate 46

Celebrate Award Colorado Museum 46

Have Fun - Do Good

MARCH 2, 2007

The mission of World of Good, as a company, is to create the largest distribution system for fair trade, handmade items from artists' and women's cooperatives around the world. I am the CEO and co-founder of World of Good , and also World of Good Development Organization , which is our non-profit sister organization. We believe.

Gift 40

Gift Marketing Create Interview 40

Museum 2.0

AUGUST 13, 2009

Earlier this year, the New Museum and Creative Time commissioned a traveling piece by artist Jeremy Deller called "It Is What It Is: Conversations About Iraq." From my perspective, It Is What It Is was not designed with sufficient structure to robustly and consistently support dialogue. No one approached the volunteers.

Iraq 28

Iraq Challenge Museum Library 28

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 27, 2009

Chris Anderson’s The Long Tail Note from Beth: In 1993, I worked as the "network weaver" for an online network for individual artists called "Arts Wire" where I facilitated online conversations, provided technology support and training. While our goal was similar, we all saw the process in slightly different ways. Collaborator.

Museum 82

Museum Arts Artist Conservancy 82

Have Fun - Do Good

JULY 16, 2007

But it is one of our long term goals to get Green Business Certified. I think that looking at that as being the ultimate goal, and not just getting a space, but getting people together, is what you should look at. It definitely has been a little bit of a challenge to work on because it's not billable work.

Green 40

Green Interview San Francisco Environment 40

Museum 2.0

SEPTEMBER 15, 2009

The World Beach Project is managed by the Victoria and Albert Museum in London with artist-in-residence Sue Lawty. Many museums do not provide participants with clear terms surrounding their submissions, and for savvy people (especially artists!) In their personal statements, beach artists wrote about profound connections to nature.

Project 38

Project Museum Artist Map 38

Museum 2.0

JANUARY 19, 2009

At the physical museum, visitors who wished to provide feedback on the skull were instructed to leave the building and walk into a temporary structure that served as both a For the Love of God gift shop and feedback environment. Unfortunately, this site doesn't live up to the hype--or the goals at hand.

Interaction 20

Interaction Video Hype Museum 20

Museum 2.0

APRIL 19, 2010

When asked why these artistic directors were pursuing co-creative processes, "to make great art!" Respondents also talked about growing as artists through the process and the incredible things they learned from working with non-professionals. That's not to say these structures came easy. was the most overwhelming answer.

Arts 22

Arts Participatory Museum Artist 22