Museum 2.0

AUGUST 14, 2013

One of the greatest gifts of my babymoon is the opportunity to share the Museum 2.0 author''s desk with brilliant colleagues who inspire me. First up is Beck Tench, a "simplifier, illustrator, story teller, and technologist" working at the Museum of Life & Science in Durham, NC.

Museum 51

Museum Roles Game Participatory 51

Museum 2.0

APRIL 14, 2011

Dear Museum 2.0 As of May 2, I will be the executive director of the Museum of Art & History at McPherson Center in Santa Cruz, CA (here's the press release ). I am closing down my consulting business at the end of April, but the Museum 2.0 Here are a few things that make the MAH an exciting museum to me: It's small.

History 55

History Museum Arts Consultant 55

Museum 2.0

SEPTEMBER 27, 2017

Our county board of supervisors had brought their official meeting to the museum. Nine years ago, I wrote a post called The Future of Authority: Platform Power. In it, I argued that museums could give up control of the visitor experience while still maintaining (a new kind of) power. This is the participatory platform model.

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Platform Impact Childhood Museum 31

Beth's Blog: How Nonprofits Can Use Social Media

MAY 7, 2010

Nina has written a fantastic book engagement called The Participatory Museum. A third argues that the project won’t be truly participatory unless users get to define what content is sought in the first place. I’ve been using these participatory categories to talk about how we’d like users to participate in different projects.

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Model Active Activities Activism 98

Museum 2.0

AUGUST 20, 2009

I'm working on a section of my book about sharing social objects and am writing about the most common way that visitors share their object experiences in museums: through photographs. Revenue Streams: Museums want to maintain control of sales of "officially sanctioned" images of objects via catalogues and postcards.

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Museum Photo Policy Open 54

Museum 2.0

MARCH 20, 2013

This week, the Santa Cruz Weekly's cover story is about my museum (the Santa Cruz Museum of Art & History ) and the work we have done to make it a more participatory, community-centered place over the past two years. Perry describes me as the "conductor" of a community-programmed orchestra.

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Story Georgia Participatory Museum 31

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 8, 2007

I'm here in Chicago for a very brief trip on a panel about metrics and measurement for museums called "New Spaces, New Measures." The New Metrics of Scholarly Authority by Michael Jensen published in the Chronicle in June, 2007 describes how scholarly authority is being influenced by Web 2.0. Via RSA Networks blog.

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Chicago Museum Network Conference 50

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 23, 2010

During 2010, I been able to read, blurb, write reviews, do blog giveaways, or author guest posts and interviews for a lot of terrific books that would be useful to nonprofit professionals in the social media, marketing, and ICT areas. 9 The Participatory Museum by Nina Simon. More about the book here.

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Amazon Social Media Nonprofit Oregon 119

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 8, 2016

Last week I was honored to be a counselor at Museum Camp , an annual professional development event hosted by the Santa Cruz Museum of Art & History (MAH). Nina Simon, the executive director of the museum, is an expert in participatory design and fantastic facilitator.

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Causes Change Museum Social 50

Museum 2.0

JULY 9, 2009

Seb Chan has a lovely, long interview up at Fresh+New with Helen Whitty about the Powerhouse Museum's new mini-exhibition, the Odditoreum. The Odditoreum is another wrinkle in the study of visitors' understanding and interpretation of authenticity in museums. I enjoyed listening to it (virtually, not at the museum).

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Museum Alternative Portland Artist 22

Beth's Blog: How Nonprofits Can Use Social Media

JULY 3, 2009

Submitted by Nina Simon, publisher of Museum 2.0 On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggl es with in applying participatory design techniques to museum practice. That's why I asked.

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Technique Question Design Develop 50

Museum 2.0

SEPTEMBER 22, 2009

What does the word "participatory" mean to you? The various definitions of participatory projects can lead to confusion and misunderstandings. In this report, the authors describe three specific models for public participation: contribution, collaboration, and co-creation. This isn't just a rhetorical question.

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Public Research Participatory Report 36

Museum 2.0

OCTOBER 30, 2013

I talked with Tiffany, and also with Hazel Markus and Alanna Connor, Stanford social psychologists who recently co-authored a pretty fascinating pop-science book about understanding cultural difference. The book of the same title that he edited is rocking my world, both as a museum professional who cares about inclusion and as a new mother.

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Measure Arts People Museum 47

Museum 2.0

SEPTEMBER 22, 2008

Imagine that your museum is ready to start creating content on a small-scale in Web 2.0. Imagine you are the Boston Museum of Science, and you are ready to make some videos to post on YouTube. When I search for "Boston Museum of Science" on YouTube, I find 83 videos. You're ready to make a few videos to post on YouTube.

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Museum Technorati Boston YouTube 22

Museum 2.0

FEBRUARY 1, 2012

If you care about how participatory art experiences can shape civic processes, read Bedoya's post. Diane Ragsdale : You Can't Lead if No One is Paying Attention to You Ragsdale, researcher and author of the terrific Jumper blog , suggests that most arts organizations are not "leading" communities but disregarding and demeaning them.

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Arts Museum Artist Tucson 45

Museum 2.0

MARCH 28, 2008

Museums (and libraries) are trusted sources of information. In February 2001, AAM commissioned a study about the trustworthiness of museums and found that "Almost 9 out of 10 Americans (87%) find museums to be one of the most trustworthy or a trustworthy source of information among a wide range of choices.

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Participatory Museum Teen Voice 20

Museum 2.0

MARCH 18, 2015

There are lots of great science museum resources, but not where these kids can walk after school. For example, the Exploratorium is an extraordinarily participatory museum, but it''s not nearly as participatory as a Community Science Workshop. Any big museum has barriers and limitations to full community ownership.

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Green Interview Share Community 20

Museum 2.0

APRIL 28, 2009

On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggles with in applying participatory design techniques to museum practice. The most reliable question I'm using works in art museums.

Technique 52

Technique Question Design Develop 52

Museum 2.0

JANUARY 15, 2008

The presumed answer is "yes" your museum needs a blog, a pony, or a set of comfy couches. Does your museum need a custom online social network? Many museums have been experimenting in these spaces by creating institutional profiles, museum affinity groups, and connecting with visitors and other museum professionals individually.

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Social Network Museum Case Study Discussion 20

Museum 2.0

JULY 10, 2018

The museum was in huge financial trouble. My expertise was on inviting strangers to participate in public settings like museums. Instead, Parker encourages all event hosts to adopt a stance of "generous authority." I remember the first staff meeting I ever ran. I had just started at the MAH as the new executive director.

Hosting 31

Hosting Arts Help Museum 31

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 8, 2014

The Leading Change Summit was more intimate (several hundred people), participatory and interactive, intense, and stimulating. So, it is important for the host to hold a call with the facilitation team to clarify expectations for the session outcomes and team authority/decision-making roles.

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Reflection NTEN Change Exercise 127

Museum 2.0

APRIL 22, 2008

Why discuss gifting on Museum 2.0? One of my greatest interests is the "p articipatory museum," in which there is substantive, unfacilitated visitor-to-visitor interaction. When I heard the tollbooth story, I started thinking about gifting as a model for participatory experiences in museums. Ideas participatory museum.

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Gift Participatory Museum Model 23

Museum 2.0

APRIL 29, 2015

These are the slides and notes for the talk I gave at the American Alliance of Museums conference on Monday, April 27 about the Santa Cruz Museum of Art & History. When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me. They talked about community building.

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Build Community Museum Artist 20

Museum 2.0

APRIL 16, 2008

I've written before about the inspiring work that the Brooklyn Museum of Art is doing with their community-focused efforts. Click is an exhibition process in three parts: The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations.

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Museum Participatory Artist Arts 24

Museum 2.0

APRIL 1, 2008

Last year, I wrote a post explaining what Twitter is and how it might be applied in museums. Now, a year later, I’m using Twitter on a daily basis, and it’s brought up some new observations about participation on websites and in interactive venues like museums. I’d love Museum 2.0 It is not a cocktail party. s weekly readership.

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Twitter Participatory Broadcast Museum 24

Museum 2.0

MARCH 17, 2010

This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. One wiki editor wrote, "Nina, your active presence as the author / hub for the contributing community was tops.

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Participatory Museum Process Experiment 32

Museum 2.0

MARCH 24, 2010

This is the third in a four-part series about writing The Participatory Museum. This post covers my personal process of encouraging--and harnessing--participation in the creation of The Participatory Museum. This book was not a multiple author project; I was generating 99.9% Check out the other parts here.

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Participatory Museum Process Experiment 33

Museum 2.0

SEPTEMBER 26, 2008

First, I want to extend a huge THANK YOU to everyone who has contributed to the nascent Museum 2.0 We're still looking for your Museum 2.0-related We're still looking for your Museum 2.0-related It's part three of an ongoing project, so the authors analyze trends over time as well as providing a snapshot of March 2008.

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Fund Teen Museum Philadelphia 20

Museum 2.0

AUGUST 9, 2007

I got thinking about this the other day with regard to museums. More and more museums are putting resources into floor staff who are trained to connect visitors with content, to serve as interpreters and informal teachers. If they rely minimally on staff, they can be scalable to all visitors in the museum at a time.

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Museum Tools Participatory Discussion 20

Museum 2.0

MAY 16, 2007

into the museum is the potential to encourage more positive in-museum interactions among strangers. I want in-person museum experiences to be more like experiences on social sites like Flickr, where strangers connect and form relationships around content. A lot of what interests me about bringing 2.0

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Museum Myspace Facilitation Social Network 20

Museum 2.0

MARCH 22, 2007

I created a directional pyramid to make a point about social content in museum; namely, that museums are not offering networked, social experiences—and therefore will have a hard time jumping to initiating meaningful social discourse. And I’m not advocating that the dream museum would be all level 5 experiences, all the time.

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Taxonomy Museum Social Wikipedia 20

Museum 2.0

DECEMBER 2, 2008

They demonstrate that the blog is a more participatory vehicle than other kinds of media. I may talk about them with friends or pass them on, but only once in a blue moon will I write a letter "to the editor" to share my thoughts back to the author. Museum 2.0's They prove that the conversation is two-way. it gets me excited.

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Comment Museum Blogger Reflection 20

Museum 2.0

JUNE 6, 2008

On June 4, we opened The Tech Virtual Test Zone , a new 2000 sq ft gallery at The Tech Museum of Innovation featuring exhibits on the theme of art, film, and music that were originally developed in Second Life by a community of creative amateurs. Some museum pros have been puzzled by this. or to start their own.

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Virtual Tech Lesson Develop 21

Museum 2.0

AUGUST 21, 2013

This August/September, I am "rerunning" popular Museum 2.0 I''ve been thinking recently about how I originally got interested in talking to strangers in museums. Working in museums as floor staff cracked open the social stranger door for me. blog posts from the past. This post was requested by a long-time reader. It was blue.

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Museum Tools Participatory Massachusetts 35

Museum 2.0

OCTOBER 8, 2008

I have a lot of conversations with people that go like this: Other person: "So, you think that museums should let visitors control the museum experience?" Other person: "But doesn't that erode museums' authority?" If the museum isn't in control, how can it thrive? Me: "Sort of." and my emphatic response is YES.

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Authoring Platform Museum YouTube 42

Museum 2.0

FEBRUARY 23, 2010

Yesterday, I had the delightful opportunity to participate in the 3six5 project , a yearlong participatory project in which 365 people write 365 journal entries for every day of 2010. Participating in this made me wonder: could a museum or library run a project like 3six5? Complexities of project management.

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Participatory Project Museum Journal 34

Museum 2.0

JULY 30, 2014

Our work to transform the Santa Cruz Museum of Art & History into a participatory and community-centered place has been heavily supported by the James Irvine Foundation. The authors name the reality that one-off programs, exhibits, or shows for specific groups do little to change the mix of participants longterm.

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Report Malaysia Memphis Museum 52