Museum 2.0

MAY 21, 2014

It has some of the same feel as the disconnected affection of people wishing you a happy birthday on Facebook, with professional reflection baked in. Seeing so many cheerful one-liners in my inbox made me think about how different my work situation is today than the last time I reflected on it in public in 2012, at my one-year anniversary.

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Museum Director History Teen 49

Museum 2.0

AUGUST 29, 2012

Earlier this month, the Detroit Institute of Arts was "saved" by a voter-approved property tax (called a "millage") in its three surrounding counties. Residents in the three counties that pay the millage will receive special benefits : free admission to the museum and expanded educational programming.

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Detroit Arts Public Support 49

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 11, 2009

Photo by American Art Museum Note from Beth: This week I'm trying to understand crowdsourcing and nonprofits, hopefully with a crowd of other folks. Please leave me a comment or if you're interested in contributing a post, please fill out this form. In essence, it is visible storage for the museum.

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Museum Campaign Flickr Arts 92

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 23, 2008

I'm prepping for a workshop on Social Media and wanted do a round up of recent compelling examples of arts organizations using social media strategies and tools. I've covered arts organizations and social media here and there over the past three years and last winter co-wrote a cover story article with Rebecca Krause-Hardie for ArtsReach.

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Arts Social Media Examples Artist 74

Museum 2.0

FEBRUARY 1, 2012

Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more? Here are three of my favorites.

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Arts Museum Artist Tucson 45

Museum 2.0

AUGUST 25, 2016

They wanted to help museums and galleries across the UK make significant, sustained changes in the ways they engage community partners and visitors as participants in their work. The result, Our Museum , is an extraordinary funding program with a focus on community participation. didn't mince words. Here are my three top takeaways.

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Museum Participatory Resource Place 20

Museum 2.0

JUNE 14, 2011

Should museums play music - in public spaces and or in galleries? So I thought I'd open it up to the Museum 2.0 Pros for music: Music helps designers frame the atmosphere for the intended experience at the museum. Most museums are trying to please everyone. If so, how should they determine what to play?

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Music Museum Open Sound 47

Museum 2.0

JANUARY 4, 2010

It's rare that a participatory museum project is more than a one-shot affair. But next month, Britain Loves Wikipedia will commence--the third instance of a strange and fascinating collaborative project between museums and the Wikipedia community (Wikimedians). I hope you'll share your thoughts in the comments.

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Wikipedia Arts Museum Images 40

Connection Cafe

AUGUST 17, 2015

It’s no secret that arts pricing is one of my favorite topics (See here. I do recognize, however, that arts pricing may not be at the top of everyone’s happy hour conversation starters. That’s why I love this blog post from TRG Arts , which pulls together arts pricing terms into one list with easy to understand definitions.

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Arts Museum Map Austin 20

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 18, 2016

Genuine: It reflects their character, behavior, values, and vision. One of the best personal brands that I’ve seen on Instagram from a nonprofit leader is Thomas P Campbell the CEO of the Metropolitan Museum. He shares photos and reflections from business trips. He gives you the inside story about the work of art.

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Personal Create Photography Museum 50

Museum 2.0

APRIL 15, 2015

"The arts are future-making." I wrote this down when Deborah Cullinan said it at a meeting of arts leaders about a year ago. Deborah''s vision for the arts leading the way to stronger future inspired me. Deborah''s vision for the arts leading the way to stronger future inspired me. The arts ARE future-making.

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San Francisco Arts Design Marketing 20

Museum 2.0

SEPTEMBER 18, 2013

This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.

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Museum Question Participatory Evaluation 45

Beth's Blog: How Nonprofits Can Use Social Media

MARCH 19, 2009

As someone who spent half her career working for and with arts organizations this news makes me sad: A report yesterday from the USAToday that quotes Bob Lynch , the President of Americans for the Arts estimating that 10,000 arts organizations will close this year, 10% of the total number.

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Arts Model Organization Org 59

Museum 2.0

JANUARY 16, 2013

It's not every day that a visitor buys pizza for everyone in the museum. Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. The museum itself was well-integrated into the event. Or that visitors form a spontaneous "laugh circle" on the floor. Online to onsite migration isn't always easy.

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Reflection Community Museum Participatory 43

Museum 2.0

MARCH 3, 2011

Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. This post shares my reflections on the projects and five things I learned from their work. As one participant said, "the museum feels friendly in a way it usually doesn't."

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Participatory Arts Audience Museum 51

Museum 2.0

NOVEMBER 19, 2019

Museum Computer Network has become my Shangri-la, in a way. In some ways, museum work has this illusory aspect. Or museum work is like atomic theory perhaps. This idea of bouncing ideas and growing them might be said for my other post of the week, about touching art. I'm so glad to have gotten to go to MCN.

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Team Museum Australia Language 34

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?"

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Museum Difference Participatory History 29

Museum 2.0

JULY 23, 2019

Me with a friend As I keep saying, I’ve been to a few museums of late. In reflecting on the sample, I’ve made some broad reflections on museum workers and visitors. Our visitors often see museums as a genre, not unlike hospitals or libraries. People go to museums for leisure.)

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Museum Participatory Interaction Classroom 35

Museum 2.0

SEPTEMBER 3, 2014

Whoever wrote this comment card: thank you. In front of each of those paintings, you could stamp your pastport, reflect on the artwork and the question, and share your story. Response mail art after the visit. design exhibition Museum of Art and History participatory museum usercontent' You made my month.

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Participatory Museum History Arts 45

Museum 2.0

JULY 31, 2013

I spent the weekend queuing up posts for my forthcoming blog-cation--nine weeks of guest posts and reruns from the Museum 2.0 Reflective time is important, especially when your work is hectic. Blogging forces me to have a reflective part of my practice on a weekly basis, even when I feel about as reflective as a black carpet.

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Museum Participatory Reflection Conference 35

Museum 2.0

JUNE 12, 2013

TCG is the industry association for non-profit theaters, the way AAM is for museums. Given TCG''s multi-year Audience (R)evolution initiative, I took the opportunity to write a new talk about what revolution has looked like at our small museum in Santa Cruz. We heard again and again that the museum was cold and uncomfortable.

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Museum Learning History Arts 55

Museum 2.0

MARCH 14, 2017

This is the second installation in a series of posts on the Santa Cruz Museum of Art & History (MAH)'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. The MAH fundamentally has two jobs: we bring art and history out into our community, and we invite our community in.

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Public Museum Arts History 27

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 23, 2016

Our values reflect this commitment. Many told them that sometimes they just need some “creativity time,” that is to go to a museum or walk around. The organization formalized “creativity time” in its employees handbook and established a policy that staff take “creativity time” as half-day per month. Have story?

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Product Time Create Museum 50

Museum 2.0

DECEMBER 28, 2010

Every once in a while I come across a project I wish I could have included in The Participatory Museum. an exhibition produced with schoolchildren at the Wallace Collection in London, is a lovely example of co-creation that demonstrates the multiple benefits of inviting audience members to act as partners in arts organizations.

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Children Museum Create Project 46

Beth's Blog: How Nonprofits Can Use Social Media

MAY 7, 2010

I'm a huge fan of work and the way she thinks - especially after she road the Scare House ride on the Santa Cruz boardwalk with me and did a brilliant reflection on its design. Nina has written a fantastic book engagement called The Participatory Museum. Blog commenters are contributors, as are people who engage in contests.

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Model Activities Active Activism 98

Museum 2.0

SEPTEMBER 29, 2009

When you find a bar with your favorite song on the jukebox, or a museum room that feels like your grandmother's living room, you suddenly feel a strong affinity and are able to see yourself reflected in the space. It may be great for a natural refuge to remain hidden, but that sounds like a disaster for a restaurant or museum.

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Museum Los Angeles San Francisco Model 34

Museum 2.0

JUNE 25, 2014

A man walks into a museum. Two years ago, we mounted one of our most successful participatory exhibits ever at the Santa Cruz Museum of Art & History: Memory Jars. Two years later, this project is still one of the most fondly remembered participatory experiences at the museum--by visitors and staff. He shares a story.

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Participatory Evaluation Project Museum 52

Museum 2.0

JANUARY 11, 2012

For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" We're hearing on a daily basis that the museum has a new role in peoples' lives and in the identity of the county.

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Audience Museum Participatory History 47

Museum 2.0

JULY 9, 2009

Seb Chan has a lovely, long interview up at Fresh+New with Helen Whitty about the Powerhouse Museum's new mini-exhibition, the Odditoreum. The Odditoreum is another wrinkle in the study of visitors' understanding and interpretation of authenticity in museums. I enjoyed listening to it (virtually, not at the museum).

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Museum Alternative Portland Artist 22

Museum 2.0

MARCH 11, 2015

In art institutions, we typically treat the curator as the arbiter of quality. I''m not sure how well this is working for us in museum-land. As our culture explodes in embracing creativity across the professional/amateur spectrum, museums have two choices: we can sharpen the line. Think back to the last time you crossed a line.

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Professional Artist Museum Arts 20

Museum 2.0

NOVEMBER 10, 2009

Exhibit labels in science centers ask more questions than any other kinds of museums, and yet the questions are often awful--teacherly, overly rhetorical, and totally meaningless. asked by a cop or mother, garners the full attention of asker and askee alike, museum questions like "what is nanotechnology?,"

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Reflection Research Question Museum 20

Museum 2.0

JUNE 17, 2015

Last week, I sat on the jury for the first Cultural Innovation International Prize given by the Center for Contemporary Culture in Barcelona , and this week, I'm offering a workshop for museum professionals across Poland participating together in a "Museum Lab" in Warsaw. The second post , in which Museum 2.0

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Difference Poland Museum Minnesota 20

Museum 2.0

JUNE 8, 2010

This guest post was written by Rebecca Lawrence, Museum Educator, Schwenkfelder Library & Heritage Center in Pennsylvania. You can join the conversation in the blog comments, or on the Museum 2.0 The Schwenkfelder Library & Heritage Center (SLHC) is a small museum located in Pennsburg, Montgomery County, Pennsylvania.

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Place Museum Discussion Pennsylvania 27

Museum 2.0

APRIL 29, 2015

These are the slides and notes for the talk I gave at the American Alliance of Museums conference on Monday, April 27 about the Santa Cruz Museum of Art & History. When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me.

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Build Community Museum Artist 20

Museum 2.0

SEPTEMBER 9, 2009

Between high-altitude hijinks, run-ins with wildlife, and very long days of hiking, I finished John Falk's new book, Identity and the Museum Visitor Experience. In other words, if you are a curious person, you will go to museums to learn new things.

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Museum Maslow Facilitation Personal 28

Museum 2.0

DECEMBER 28, 2011

We've been offering a host of participatory and interactive experiences at the Museum of Art & History this season. Please share yours in the comments. Design paired activities to reflect or at least respect the sensibility of their work, and where possible, involve them in the design. Get a good eraser.

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Design Participatory Learning Instruction 45

Tech Soup

JULY 24, 2012

arts organization , and a Canadian wildlife organization to better fulfill their missions. Read the transcript of the Nonprofit Commons meeting, featuring Dr. Valerie Hill of Texas Woman’s University School of Library and Information Science discussing libraries, museums, and immersive learning. Tell us about it in the comments!

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Global Adobe Connect Storytelling Library 52