Museum 2.0

AUGUST 25, 2016

They wanted to help museums and galleries across the UK make significant, sustained changes in the ways they engage community partners and visitors as participants in their work. The result, Our Museum , is an extraordinary funding program with a focus on community participation. didn't mince words. Here are my three top takeaways.

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Museum Participatory Resource Place 20

Museum 2.0

JUNE 14, 2011

Should museums play music - in public spaces and or in galleries? So I thought I'd open it up to the Museum 2.0 Pros for music: Music helps designers frame the atmosphere for the intended experience at the museum. Most museums are trying to please everyone. If so, how should they determine what to play?

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Music Museum Open Sound 47

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 11, 2009

Photo by American Art Museum Note from Beth: This week I'm trying to understand crowdsourcing and nonprofits, hopefully with a crowd of other folks. Please leave me a comment or if you're interested in contributing a post, please fill out this form. In essence, it is visible storage for the museum. We are storage, after all.

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Museum Campaign Flickr Arts 92

sgEngage

OCTOBER 7, 2021

According to The Art Newspaper’s annual survey in 2021, visits to the world’s 100 most-visited museums plummeted by 77% in 2020 due to the coronavirus pandemic. Photo Credit: Devon Rose Turner, Natural History Museum, London. . Plan a treasure hunt with clues offered via social media channels. . . Selfie stations .

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Arts Culture Organization Social Media 88

Museum 2.0

JULY 15, 2015

I decided to give myself a gift this year: permission to change the Museum 2.0 But I also know there is huge potential to improve Museum 2.0. And then this morning, when I read Ian David Moss's reflections on the same report. And then she takes the time to really engage with commenters in substantive discussion.

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Museum Proposal Analysis Lesson 20

Museum 2.0

SEPTEMBER 18, 2013

This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.

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Museum Question Participatory Evaluation 45

Museum 2.0

AUGUST 28, 2013

Earlier in 2013, I was amazed to visit one of the new “Studio” spaces at the Denver Art Museum. The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations. Some community artists even helped install the space.

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Denver Museum Arts Collaboration 35

Museum 2.0

JANUARY 16, 2013

It's not every day that a visitor buys pizza for everyone in the museum. Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. The museum itself was well-integrated into the event. Or that visitors form a spontaneous "laugh circle" on the floor. Online to onsite migration isn't always easy.

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Reflection Community Museum Participatory 43

Museum 2.0

JULY 23, 2019

Me with a friend As I keep saying, I’ve been to a few museums of late. In reflecting on the sample, I’ve made some broad reflections on museum workers and visitors. Our visitors often see museums as a genre, not unlike hospitals or libraries. People go to museums for leisure.)

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Museum Participatory Interaction Classroom 35

Museum 2.0

SEPTEMBER 3, 2019

But we also know that it hasn’t made an appreciable impact on the people coming to museums. Of course, changing yourself requires a certain level of self-reflection. And, I liked every comment. I’ve been thinking about her comments all month. Rebecca also mentioned another issue about our museums and how we entice people.

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Accessibility Museum Australia Voice 32

Museum 2.0

NOVEMBER 19, 2019

Museum Computer Network has become my Shangri-la, in a way. In some ways, museum work has this illusory aspect. Or museum work is like atomic theory perhaps. I'm pretty open to a number of possibilities in museums. In every museum, we find different values, language and work practices.

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Team Museum Australia Language 34

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.

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Museum Difference Participatory History 29

Museum 2.0

JULY 31, 2013

I spent the weekend queuing up posts for my forthcoming blog-cation--nine weeks of guest posts and reruns from the Museum 2.0 Reflective time is important, especially when your work is hectic. Blogging forces me to have a reflective part of my practice on a weekly basis, even when I feel about as reflective as a black carpet.

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Museum Participatory Reflection Conference 35

Museum 2.0

NOVEMBER 10, 2009

Exhibit labels in science centers ask more questions than any other kinds of museums, and yet the questions are often awful--teacherly, overly rhetorical, and totally meaningless. asked by a cop or mother, garners the full attention of asker and askee alike, museum questions like "what is nanotechnology?,"

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Reflection Research Question Museum 20

Museum 2.0

DECEMBER 6, 2009

This post was written by Jaime Kopke , the founder/director of the Denver Community Museum , a pop-up community-generated institution that ran from Oct 2008-April 2009. This post shares her reflections on the project, its design, and its impact. The Denver Community Museum (DCM) was a grassroots operation in almost every sense.

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Denver Museum Community Participatory 29

Museum 2.0

SEPTEMBER 29, 2009

When you find a bar with your favorite song on the jukebox, or a museum room that feels like your grandmother's living room, you suddenly feel a strong affinity and are able to see yourself reflected in the space. It may be great for a natural refuge to remain hidden, but that sounds like a disaster for a restaurant or museum.

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Museum Los Angeles San Francisco Model 34

Museum 2.0

DECEMBER 2, 2008

When people ask about blogging, the question of comments comes up more frequently than any other. There are many good ways to measure a blog's value , but somewhere inside ourselves, we feel that comments are the thing that validate a blog's existence. So when people ask, "Why don't more people comment?," Museum 2.0's

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Comment Museum Blogger Reflection 20

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 18, 2016

Genuine: It reflects their character, behavior, values, and vision. One of the best personal brands that I’ve seen on Instagram from a nonprofit leader is Thomas P Campbell the CEO of the Metropolitan Museum. He shares photos and reflections from business trips. Here’s what I discovered: Genuine. Visibility.

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Personal Create Photography Museum 50

Museum 2.0

JULY 30, 2019

Me at the Norman Rockwell Museum Before we get to today’s topic, I want to start with a thank you. This month, I started with looking at some broad reflection on our field and visitors before looking at some of the great ways that we do participation in our spaces. One comment particularly struck me. Well, this is a hard one.

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Museum Comment Evaluation Audience 27

Museum 2.0

DECEMBER 28, 2010

Every once in a while I come across a project I wish I could have included in The Participatory Museum. For one year, a group of twelve schoolchildren age 9-11 were invited to work with staff at the Wallace Collection to develop a family-focused exhibition using the museum's artifacts. it's a Secret! , What made Shh. it's a Secret!

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Children Museum Create Project 46

ASU Lodestar Center

MAY 2, 2018

If you witness a person is consistently taking over a conversation to talk about themselves, you can veer the focus back by kindly acknowledging what they were saying using reflective language, and then saying, “but this meeting is about X and we need to hear from Mr. Y.” Consistently (M. Solberg, personal interview, October 11, 2017).”.

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Develop Leadership Phoenix Utah 40

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 23, 2016

Our values reflect this commitment. Many told them that sometimes they just need some “creativity time,” that is to go to a museum or walk around. The organization formalized “creativity time” in its employees handbook and established a policy that staff take “creativity time” as half-day per month. Have story?

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Product Time Create Museum 50

Museum 2.0

SEPTEMBER 9, 2009

Between high-altitude hijinks, run-ins with wildlife, and very long days of hiking, I finished John Falk's new book, Identity and the Museum Visitor Experience. In other words, if you are a curious person, you will go to museums to learn new things.

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Museum Maslow Facilitation Personal 28

Museum 2.0

SEPTEMBER 3, 2014

Whoever wrote this comment card: thank you. In front of each of those paintings, you could stamp your pastport, reflect on the artwork and the question, and share your story. design exhibition Museum of Art and History participatory museum usercontent' You made my month. The clotheslines were always full.

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Participatory Museum History Arts 45

Beth's Blog: How Nonprofits Can Use Social Media

JULY 1, 2010

Note from Beth: I so happy to sneak into last night’s 501Tech Club New York City gathering last night to hear Shelley Bernstein, Brooklyn Museum, and Naveen Selvadurai talk about Nonprofits and Foursquare. Here are some of my takeways, inspired in part by some of the great comments tweeted out via the #501technyc hashtag last night.

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New York City New York Badge Museum 95

Museum 2.0

AUGUST 29, 2012

Residents in the three counties that pay the millage will receive special benefits : free admission to the museum and expanded educational programming. I'm focusing on the community response to the prospect of the millage and the way the public debate reflects broader conversations about the public value of the arts.

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Detroit Arts Public Support 49

Museum 2.0

JULY 9, 2009

Seb Chan has a lovely, long interview up at Fresh+New with Helen Whitty about the Powerhouse Museum's new mini-exhibition, the Odditoreum. The Odditoreum is another wrinkle in the study of visitors' understanding and interpretation of authenticity in museums. I enjoyed listening to it (virtually, not at the museum).

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Museum Alternative Portland Artist 22

Museum 2.0

JUNE 12, 2013

TCG is the industry association for non-profit theaters, the way AAM is for museums. Given TCG''s multi-year Audience (R)evolution initiative, I took the opportunity to write a new talk about what revolution has looked like at our small museum in Santa Cruz. We heard again and again that the museum was cold and uncomfortable.

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Museum Learning History Arts 55

Museum 2.0

JUNE 8, 2010

This guest post was written by Rebecca Lawrence, Museum Educator, Schwenkfelder Library & Heritage Center in Pennsylvania. You can join the conversation in the blog comments, or on the Museum 2.0 The Schwenkfelder Library & Heritage Center (SLHC) is a small museum located in Pennsburg, Montgomery County, Pennsylvania.

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Place Museum Discussion Pennsylvania 27

Beth's Blog: How Nonprofits Can Use Social Media

MAY 7, 2010

I'm a huge fan of work and the way she thinks - especially after she road the Scare House ride on the Santa Cruz boardwalk with me and did a brilliant reflection on its design. Nina has written a fantastic book engagement called The Participatory Museum. Blog commenters are contributors, as are people who engage in contests.

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Model Activities Active Activism 98

Museum 2.0

JUNE 25, 2014

A man walks into a museum. Two years ago, we mounted one of our most successful participatory exhibits ever at the Santa Cruz Museum of Art & History: Memory Jars. Two years later, this project is still one of the most fondly remembered participatory experiences at the museum--by visitors and staff. He shares a story.

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Participatory Evaluation Project Museum 52

Museum 2.0

JANUARY 11, 2012

For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" We're hearing on a daily basis that the museum has a new role in peoples' lives and in the identity of the county.

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Audience Museum Participatory History 47

Museum 2.0

JANUARY 28, 2009

What role does “promoting human happiness” play in the mission statements and actions of museums? That’s the question I’m pondering thanks to Jane McGonigal and the Center for the Future of Museums (CFM). Earlier today, the CFM offered a free webcast of Jane McGonigal’s talk on gaming, happiness, and museums.

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Museum Game Structure South America 21

Museum 2.0

MAY 15, 2012

Last week, I sat down on a toilet in our museum and found myself looking at an interactive station intended to test a “Legends of the Stall” sign concept for the restrooms. I peed, read the sign, and added my comments to the growing list on the wall. My colleagues are responsible, caring people who want our museum to be awesome.

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Culture Build Museum Articulate 53

Museum 2.0

DECEMBER 28, 2011

We've been offering a host of participatory and interactive experiences at the Museum of Art & History this season. Please share yours in the comments. Design paired activities to reflect or at least respect the sensibility of their work, and where possible, involve them in the design. I keep visitor comments in my office.

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Design Participatory Learning Instruction 45

Museum 2.0

MAY 2, 2007

I've been tracking the blog with Google Analytics for the past five months, and it's had 5,062 total visitors, 8,337 total pageviews, and 3,236 unique visitors. , Hierarchy of Social Participation , and Institutional Blogs: Different Voices, Different Views The top posts by comments are: Warning: Graduate School Spawns Legions of Zombies!

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Museum Wiki Tech Flickr 20

Museum 2.0

FEBRUARY 1, 2012

Trevor O'Donnell : Leaders Use Their Words O'Donnell was not one of the invited bloggers but a commenter from the field (a follower. He made a comment on Michael Kaiser's fairly formulaic "great artists lead the nation" post, laying bare the banality of most of the language used to describe and present art experiences to the public.

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Arts Museum Artist Tucson 45