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Forum One Honored With 11 Vega Awards

Forum One

The site’s design emphasizes three primary avenues for discovering content: watching the series, exploring additional materials like interviews and lesson plans, and engaging in real-world activities, such as building a native plant garden. Thank you, thank you, thank you!

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Why do we keep working in museums?

Museum 2.0

TL;DR A lot of really shitty people hate museums and hate that museums would even attempt social justice therefore museums are okay, maybe. It is well documented that most jobs in museums pay poorly. Gainful, full time museum employment is also notoriously difficult and competitive.

Museum 40
professionals

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Curate Your Own Membership: An Interview with the Whitney's Director of Membership

Museum 2.0

Audience segmentation and research has become a hot topic in museums, especially when it comes to crafting appealing offerings that are customized to different kinds of visitors. I sat down with Kristen Denner, Director of Membership and Annual Fund, to learn more about the program's development and the museum's goals for its future.

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Do they “get it” now? The value of #musesocial and #musetech in the era of COVID-19

Museum 2.0

By Lori Byrd-McDevitt After a decade spearheading the social media presence at the world’s largest children’s museum, Lori now co-owns her agency 1909 DIGITAL where she helps others with their digital strategy. She is an adjunct in JHU’s museum studies faculty. Sounds dramatic, I know. Museums have made waves.

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The Ministry of Rules: Interview with Nikki Pugh

Museum 2.0

Nikki created "The Ministry of Rules" --a shadow organization that existed for one week during half-term break, staffed by visitors who served as "Inspectors" investigating, exploring, and poking fun at the rules that make museums and galleries go. How did the museum staff respond to this experience? How did this project come about?

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Another Exclusivity Paradox: Secret Gardens, Hidden Museums

Museum 2.0

When you find a bar with your favorite song on the jukebox, or a museum room that feels like your grandmother's living room, you suddenly feel a strong affinity and are able to see yourself reflected in the space. Of course, the problem with all of this is that it sounds crazy from a business perspective.

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Sustaining Innovation Part 3: Interview With Sarah Schultz of the Walker Art Center

Museum 2.0

This post features an interview with Sarah Schultz, a museum staffer at one of the institutions Light profiled in the book (the Walker Art Center). It's easier to secure grants for community-based programming or exhibitions, but it's not easy to get funding for some of the core work that museums do.

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