Beth's Blog: How Nonprofits Can Use Social Media

MAY 26, 2015

Designing A Participatory Hook for a Virtual Meeting. In a face-to-face training, I might do an exercise with sticky notes where I get participants to write down answers to a question or two related to the content on sticky notes. For this meeting, we asked two questions: What makes a meeting a good, productive use of your time?

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Museum 2.0

APRIL 25, 2011

This post shares some of the most interesting questions I've heard throughout these experiences. Feel free to add your own questions and answers in the comments! BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1. Are there certain kinds of institutions that are more well-suited for participatory techniques than others?

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Question Participatory Museum Evaluation 49

Beth's Blog: How Nonprofits Can Use Social Media

MAY 7, 2010

Nina has written a fantastic book engagement called The Participatory Museum. Imagine sitting around a conference table planning an upcoming project that involves user-generated content. Another thinks that users should not only contribute content but also have a hand in determining how it is used. Science has an answer.

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Model Activities Active Activism 98

Museum 2.0

MARCH 3, 2010

As many of you know, I've been working for the past year+ on a book about visitor participation in museums, libraries, science centers, and art galleries. The Participatory Museum is a practical guide to visitor participation. The Participatory Museum is an attempt at providing such a resource. Tweet about it.

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Beth's Blog: How Nonprofits Can Use Social Media

JULY 3, 2009

On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggl es with in applying participatory design techniques to museum practice. I love this question. First, what do the right questions look like?

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Technique Question Design Develop 50

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 23, 2008

I'm prepping for a workshop on Social Media and wanted do a round up of recent compelling examples of arts organizations using social media strategies and tools. I've covered arts organizations and social media here and there over the past three years and last winter co-wrote a cover story article with Rebecca Krause-Hardie for ArtsReach.

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Arts Social Media Examples Artist 74

Museum 2.0

OCTOBER 30, 2013

My biggest question for these social psychologists is this: how do we apply their lessons to our work? In the case of the Stanford study, I was fascinated to learn that the content of the music video was significant in terms of signaling change in prejudice. Direct questioning.

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Measure Arts People Museum 47

Museum 2.0

APRIL 28, 2009

On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggles with in applying participatory design techniques to museum practice. I love this question. First, what do the right questions look like?

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Technique Question Design Develop 52

Beth's Blog: How Nonprofits Can Use Social Media

MARCH 1, 2016

Whether you are facilitating a session with your board, staff, or hundreds of folks in a room, you’ll find ways to design instructional content that interests, engages, and inspires action. Why Extreme Content Delivery Does Not Equal Learning. The Art of Good Closers. Participatory Facilitation Techniques. Design Labs.

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Training Train San Jose Instructional Design 50

Museum 2.0

APRIL 20, 2009

I’d never attended before and was impressed by many very smart, international people doing radical projects to make museum collections and experiences accessible and participatory online. But I left uneasy, grappling with questions that plagued me throughout the conference. Instead, I found a standard art museum. Lovely grounds.

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Participatory Museum Web Indianapolis 35

Museum 2.0

JULY 23, 2014

The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. Many people would look at the world''s oldest mechanized silk mill and say that the core content of the museum is silk. A strong participatory process is not a loosey-goosey, open the doors and do whatever strategy.

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Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 3, 2015

While I delivered some content sessions on Facebook, Twitter, and LinkedIn strategy, I also facilitated interactive sessions. It is always challenge to use participatory techniques when your participants are not native English speakers and you don’t speak the language. Small group coaching has it own specific techniques.

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Facilitation Training Train International 50

Museum 2.0

JANUARY 4, 2010

It's rare that a participatory museum project is more than a one-shot affair. Wikipedia Loves Art, Take One The first version of Wikipedia Loves Art first took place in February 2009. In contrast, the Wikimedians were focused on making cultural content digitally available online using as open a licensing structure as possible.

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Wikipedia Arts Museum Images 40

Museum 2.0

JANUARY 11, 2012

For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" but I didn't have numbers to back it up. They all have in concert, and they build on each other.

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Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 24, 2009

Raymond raised some good reflective questions about backchannels that are still very relevant four years later as back channels goe more mainstream and search for best practices on how to incorporate them into our conferencing experience. You can combine this with asking the audience for “out-loud” questions as well.

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Reflection Conference Resource Arts 69

Museum 2.0

OCTOBER 2, 2013

Proposals involve sculpture, performance, participatory-projects, videos, and installation that use and respond to the museum’s collection. This past July, artist Guillermo Gómez proposed to restore a piece of art. Both objects and art-objects would be part of this continuing transformation and evolution.

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Artist Museum Proposal Participatory 49

Museum 2.0

DECEMBER 23, 2014

They were “preaching the museum gospel” in NYC via alternative tours at The Metropolitan Museum of Art. We interacted with the art and with each other through dynamic photo challenges, kinesthetic activities, and conversations. You are a museum insider and a content geek. That’s a tough question.

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Museum Interview New York Interaction 55

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.

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Museum Difference Participatory History 29

Museum 2.0

OCTOBER 1, 2014

Recently, we''ve been talking at our museum about techniques for capturing compelling audio/video content with visitors. It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. It couldn’t be an educational space with no works of art in it.

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Museum Story Project Design 43

Tech Soup

JANUARY 31, 2012

One of the most frequent questions I hear at events from nonprofit professionals in the field is how to coordinate teams to produce compelling media across offices, time zones and countries. This is a participatory live video show - come ready with your questions for our experts! Guests for Nonprofits Live: Collaborative Video.

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Storytelling Collaboration Video Thailand 67

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 8, 2014

The Leading Change Summit was more intimate (several hundred people), participatory and interactive, intense, and stimulating. That’s hard if deadlines are looming, but essential to have a session to explore questions such as: What is your facilitation style and philosophy? Do you have a preferred method? Overnight Reflection.

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Reflection NTEN Change Facilitation 124

Museum 2.0

JULY 31, 2013

It feels like a real gift to myself (and hopefully, to you) to schedule all this content now and not have to worry about it when my baby is born. You''re in for a treat, with upcoming posts on creativity, collections management, elitism, science play, permanent participatory galleries, partnering with underserved teens, magic vests, and more.

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Museum Participatory Reflection Conference 35

Museum 2.0

DECEMBER 19, 2012

We're looking for an Exhibitions Manager to join our team here at the Santa Cruz Museum of Art & History. Some of the big questions on my mind include: If we change exhibitions more frequently, will it drive more repeat visitation? Will it give a sense of energy and change?

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Museum 2.0

MAY 9, 2012

Our curator writes labels about licking the art. Attendees brought up questions about how they can get more involved with financial discussions in their institutions, how we can change the ways we approach fundraising, how we can think about earned income differently. Merilee Mostov and the Columbus Museum of Art.

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Reflection Columbus Museum Participatory 43

Museum 2.0

DECEMBER 5, 2008

This week, they hosted "Let Them Be Heard: Visitor Participation in the Museum Experience," featuring four presentations on incorporating visitors' content into museums. I was captivated by Chris Alexander 's story about participatory online/onsite efforts at the San Jose Museum of Art (SJMA). Projects.

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Case Study Participatory Studies Museum 20

Museum 2.0

SEPTEMBER 22, 2009

What does the word "participatory" mean to you? This isn't just a rhetorical question. The various definitions of participatory projects can lead to confusion and misunderstandings. The scientists control the process, steer the data collection, and analyze the results.

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Public Research Participatory Report 36

Museum 2.0

APRIL 4, 2012

What forms of content delivery or participation might induce someone not just to read/look/listen but to care--and hopefully, to act? You have to care before you want to act, and caring--about the earth, about civil rights, about art--is not a given. How would you do it? There was no specific instruction with the dots.

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Story Participatory Museum History 47

Tech Soup

JANUARY 20, 2012

One of the most frequent questions I hear at events from nonprofit professionals in the field is how to coordinate teams to produce compelling media across offices, time zones and countries. This is a participatory live video show - come ready with your questions for our experts! Guests for Nonprofits Live: Collaborative Video.

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Collaboration Storytelling Video Thailand 44

Museum 2.0

JUNE 12, 2012

It made me think in ways that I haven't before about the relation of art--as expressive culture--to democracy. It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. Note: you can view these photos of the exhibition on Flickr here.)

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Museum 2.0

NOVEMBER 22, 2010

And this leads to a basic question, one I haven't figured out: how do you encourage visitors to participate when they speak different languages? While there are some kinds of participation that are not language-based like making art or voting, most participation is lingual. So what are the options?

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Museum 2.0

SEPTEMBER 21, 2016

The chairs were cast-off art, reclaimed as art, available for people to take off the hooks and use. What kind of an art institution is this? It encourages process-driven performances and art projects. It takes the kind of risks that a university art gallery should take. The community drives the question.

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Process Share Philadelphia Arts 20

Museum 2.0

APRIL 16, 2008

I've written before about the inspiring work that the Brooklyn Museum of Art is doing with their community-focused efforts. Click is an exhibition process in three parts: The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations.

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Museum Participatory Artist Arts 24

Museum 2.0

MAY 3, 2011

Lots of museums these days have video comment booths to invite visitors to tell their stories, but how many of those booths really deliver high-impact content? Last week, I talked with Tina Olsen, Director of Education and Public Programs at the Portland Art Museum, about their extraordinary Object Stories project.

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Story Interview Museum Audio 53

Museum 2.0

JULY 9, 2009

That discussion has traditionally focused on visitors' ability to distinguish real artifacts from props and the question of whether an experience with a reproduction is lesser than, equivalent to, or superior to engaging with "the real thing." The participatory element employs an accessible speculative question.

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Museum Alternative Portland Artist 22

Museum 2.0

OCTOBER 13, 2010

Why the Video Contest Worked Video contests are one of the most challenging kinds of participatory projects to pull off. What the Videos Reveal I'm hooked on these videos, but I feel mixed about the content. She approached the question "why should I be picked" in a way that was smart, thoughtful, creative, and lovely.

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Museum 2.0

AUGUST 25, 2009

If someone asked you that question, how would you answer? Answers will differ depending on who's asking, but they are also influenced by the designed environment in which questions are asked. I'm not talking about guiding content; I'm talking about guiding form. "Where were you last night?"

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Museum 2.0

MAY 5, 2009

Visitor Co-Created Museum Experiences This session was a dream for me, one that brought together instigators of three participatory exhibit projects: MN150 (Kate Roberts), Click! Some of the most interesting questions included: how do you verify the accuracy and authenticity of visitor-contributed content?

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Slides Participatory Museum Children 20