Museum 2.0

MARCH 8, 2011

Last month, artist and game designer Nikki Pugh led an utterly charming, often hilarious community residency at the City Gallery in Leicester, UK. On day 3 we made memory machines , based on a couple of comments wondering how people would learn with no staff around and whether that meant we would forget about the past.

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Interview Museum Badge Game 37

Museum 2.0

JUNE 24, 2010

I've long admired this museum for its all-encompassing commitment to community co-creation , and the visit was a kind of pilgrimage to their new site (opened in 2008). It incorporates work by local artists, old and new construction, and is completely gorgeous. The guide, Vi Mar, was an incredible facilitator. I avoid them.

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Museum Participatory Model Seattle 51

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 22, 2009

Flickr Photo by Vaguely Artistic. Back in 2007, when Facebook opened it doors to people older than college students and nonprofits started the early experiments on Facebook Causes, Froggy Loop did an extensive analysis " The Long, Long Tail of Facebook Causes " using the dollars per donor analysis. I agree that's not true.

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Washington Metrics Facebook Donor 85

Museum 2.0

FEBRUARY 9, 2010

Aren't art museums less open to participation than other kinds of museums?" Finally, because of their social content, they are good places for community dialogue programming and comment boards (for example, consider the Levine Museum of the New South's extensive use of sticky notes and talking circles). I was surprised by her question.

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Museum Difference Participatory History 29

NTEN

JUNE 21, 2011

Jason Eppink - Museum of the Moving Image The museum was founded in 1981, opened in 1989. For the opening exhibition at a temporary space near Times Square last year, Thu Tran, the inimitable maestro of the IFC show "Food Party," turned a former storefront into a veritable zoo of brightly-colored furniture and cabinets.

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Game Culture Change Museum 52

Museum 2.0

JUNE 27, 2008

Joe explains some of the planned intentional dialogue events: First, for the opening night dinner, we hired a local dance company that is putting together pieces about visiting museums, punctuated by an actor/dancer asking provocative questions to the group. At each table there will be an envelope with questions inside.

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Studies Associations Houston Museum 20

Museum 2.0

JULY 22, 2008

A platform for museum staff to serve as facilitators of safe spaces for difficult conversations? The Living Library was conceived in Denmark in 2000 as a way to engage youth in dialogue about ending violence by encouraging people to meet their prejudices and fears in a safe, fun, facilitated environment. well, you know.

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Library Model Museum Europe 20

Beth's Blog: How Nonprofits Can Use Social Media

JULY 9, 2009

For anybody who might fear that the loan recipients were scam artists or would run off with the money, this Lend4Health group on Facebook demonstrated that these people were real people. My email signature (which I use when posting personal questions and comments on autism-related Yahoo groups) includes all of these channels as well.

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Social Media Media Social Twitter 50

Museum 2.0

JANUARY 18, 2008

First, if you don't know what the heck I'm talking about, please enjoy (and comment on, if you wish), this explanation (requires speakers). For me, it means spending a lot more time facilitating idea generation and communicating with others than being an independent creative agent. Now, on to the lessons thus far. It's playful.

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Museum Virtual Tech Second Life 20

Museum 2.0

JUNE 6, 2008

On June 4, we opened The Tech Virtual Test Zone , a new 2000 sq ft gallery at The Tech Museum of Innovation featuring exhibits on the theme of art, film, and music that were originally developed in Second Life by a community of creative amateurs. One of these artists, a graffiti artist named Dan, had such a good time that he a.

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Virtual Tech Lesson Develop 21

The Modern Nonprofit

AUGUST 30, 2023

Still a perfect venue for cultivating sponsorships, you can offer creative rewards like a mention in the event credits or, for an extra high touch, offer breakout rooms to mimic backstage VIP passes to meet and greet the artists. You can open up your event to a wider audience of people around the world, and save costs on travel and venues.

Fundraising 52

Fundraising Virtual Game Hosting 52

The Modern Nonprofit

SEPTEMBER 28, 2021

Still a perfect venue for cultivating sponsorships, you can offer creative rewards like a mention in the event credits or for an extra high-touch, offer breakout rooms to mimic backstage VIP passes to meet and greet the artists. You can open up your event to a wider audience of people around the world, and save costs on travel and venues.

Fundraising 97

Fundraising Virtual Game Hosting 97

Museum 2.0

AUGUST 29, 2007

And while there's lots of good stuff in these sections (including an introduction for me to some wild net artists ), it's the last chunk that interests me most, where Karen explores the question of how and where Internet art should be exhibited. Fear is never a good reason to put things (like ratings or visitor comments) on the website only.

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Museum Web Arts Internet 20

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 16, 2010

I’ve had the pleasure working with Diana Scearce , from Monitor Institute, who has been facilitating and weaving this network. Social media tools for engaging and capturing the work of crowds include: wikis, custom platforms or web sites that facilitate voting, rating, giving feedback, adding content, or funding.

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Measure Fund Impact Minnesota 96

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 20, 2012

More recently, John has been involved with the “ Open Development Cambodia” an online hub compiling freely available data in a ‘one-stop shop’ to help consolidate access to up-to-date information about Cambodia, using an ‘open data’ approach. It was terrific to see Tharum who was one of the first Cambodia bloggers.

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Cambodia Blogger Camera 95

Museum 2.0

NOVEMBER 6, 2012

The activity was facilitated by the activity station set up in the lobby just outside the gallery. We tested five versions of the prompt sheets--some with instructions focused to the subject of the exhibition (artists' takes on nature), others with more open-ended instructions designed to encourage a broader range of responses.

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Museum Arts Problem Design 45

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 28, 2013

I had the honor facilitating a session on measuring impact with Greg Baldwin and Jay Backstrand from VolunteerMatch discussing how their approach to measuring impact over the past decade. Its open to all staff, interns, board members. What are some of the best examples in philanthropy? Please leave me a comment.

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Learning Impact Culture DC 115

Museum 2.0

JUNE 12, 2012

We experimented with many different forms of visitor participation throughout the building, trying to balance social and individual, text-based and artistic, cerebral and silly. We prototyped the most complicated interactives (the Love Styles quiz and Hearts to Hearts game) with visitors in the months leading up to opening.

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Participatory Museum Blackboard Game 51

Museum 2.0

JUNE 15, 2009

Now, the exhibit is closed and we're throwing open the doors on what was created. Facilitated/Unfacilitated Blend When we started this course, I really pushed the students to think about ways to induce unfacilitated interactions among strangers. I love facilitated experiences, but I worry that they aren't scalable to every visitor.

Advice 31

Advice Museum Facilitation Student 31

sgEngage

NOVEMBER 30, 2010

. “We saw on the Obama campaign you’ve got to combine content and technology to facilitate action. There are still some job openings , including a Monetization Director to help Jumo “achieve financial self-sustainability through the development of revenue-generating products.&#

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Trend New York Blackbaud Argentina 80

Bloomerang

AUGUST 21, 2021

So I just want to say, by the way, that artists have left a huge legacy around San Francisco during this pandemic. ” So you can open your eyes. And, as a philanthropy facilitator, you have an opportunity, I would say, a responsibility to help. So you have to let folks know you’re open for business.

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Video Giving Gift Donor 128

Museum 2.0

AUGUST 13, 2009

Earlier this year, the New Museum and Creative Time commissioned a traveling piece by artist Jeremy Deller called "It Is What It Is: Conversations About Iraq." Why would I want to sit on a couch and engage in an open-ended, messy conversation with a stranger? I sat down this morning to write a negative review of an exhibit.

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Iraq Challenge Museum Library 28

Bloomerang

NOVEMBER 13, 2021

But most importantly, we love for these sessions to be interactive, so feel free to chat in your questions and comments along the way. She’s also certified by the Institute of Cultural Affairs, in the USA, for facilitation. “Well, thanks to this $20,000, there are 12 local artists who have a place to hang their artwork.”

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Report Measure Impact Process 77

Museum 2.0

JULY 31, 2007

This essay, written in 1991, reflects Elaine's experience on the planning staff for the National Museum of the American Indian (NMAI) on the Mall as an "insider/outsider"--a "hired gun" with museum know-how facilitating the creation of someone else's museum. Again, Elaine comments today: The first, where NMAI suffered, is in repetition.

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Culture Storytelling Challenge Museum 20

Zen and the Art of Nonprofit Technology

SEPTEMBER 11, 2008

Where traditional social networking is about connecting individuals, Crabgrass is social networking to facilitate network organizing. at 10:31 am Art Social Networking - Network Management Systems Zen and the Art of | Artist Days 11.03.08 at 9:19 pm { 3 comments… read them below or add one } 1 Chris 09.11.08 Be Helpful.

Social Network 100

Social Network System Network Management 100

Bloomerang

JUNE 1, 2021

website pages visited, time spent on the page, emails opened, click-throughs, articles, blog or social media posts shared, replies, comments)? Maybe it’s a doctor, lawyer, scientist or researcher on your staff; an artist, writer, performer, curator or animal keeper; or the head of a field operation. Closing Thoughts.

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Content Marketing Strategy Help 143