Beth's Blog: How Nonprofits Can Use Social Media

JULY 1, 2009

Submitted by Nina Simon, publisher of Museum 2.0. I’ve had it with museums’ obsession with open-ended self-expression. When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. These are all active social endeavors that contribute positive value to the social Web.

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Participatory Experiment Museum Teen 50

Museum 2.0

MARCH 16, 2009

I’ve had it with museums’ obsession with open-ended self-expression. When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. These are all active social endeavors that contribute positive value to the social Web. And yet many museums are fixated on creators.

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Participatory Experiment Museum Teen 44

Museum 2.0

MAY 22, 2012

Imagine you've just been tasked with developing an innovative, future-thinking national museum for your country's history. Blueprint is the story of a group of people who tried to create a Dutch Museum of National History (INNL). The Museum directors released Blueprint as a showcase for these plans. Where would you start?

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Museum History Netherlands Create 36

Museum 2.0

AUGUST 28, 2013

Earlier in 2013, I was amazed to visit one of the new “Studio” spaces at the Denver Art Museum. The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations.

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Denver Museum Arts Collaboration 35

Museum 2.0

SEPTEMBER 13, 2011

But as a creative type who has recently taken on an executive role, I've been fascinated, shocked even, to learn that the folks in the development department have been singing the relationship chorus for so long. And now I feel silly that I haven't more actively engaged with fundraisers about it. On the one hand, this is awesome.

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Participatory Practice Fundraising Relationship 39

Museum 2.0

APRIL 7, 2009

Which of these descriptions exemplifies participatory museum practice? Museum invites community members to participate in the development and creation of an exhibit. But the difference between the two examples teases out a problem in differentiating "participatory design" from "design for participation."

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Participatory Design Difference Museum 27

Museum 2.0

JANUARY 11, 2012

For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" We just started to try to live up to that vision, partnership by partnership, activity by activity.

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Audience Museum Participatory History 47

Museum 2.0

OCTOBER 24, 2012

I like to ask myself this question periodically, challenging myself to find substantive ways for visitors to contribute to our museum. To that end, our exhibitions are full of participatory elements. We actively seek participation and develop structured opportunities for visitors to collaborate with us.

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Platform Open Museum Participatory 41

Museum 2.0

DECEMBER 6, 2009

This post was written by Jaime Kopke , the founder/director of the Denver Community Museum , a pop-up community-generated institution that ran from Oct 2008-April 2009. The Denver Community Museum (DCM) was a grassroots operation in almost every sense. This post shares her reflections on the project, its design, and its impact.

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Denver Museum Community Participatory 29

Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. The Museum 2.0 In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions.

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Question Participatory Museum Evaluation 49

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 8, 2014

The Leading Change Summit was more intimate (several hundred people), participatory and interactive, intense, and stimulating. So, it is important for the host to hold a call with the facilitation team to clarify expectations for the session outcomes and team authority/decision-making roles. Defining Roles.

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Reflection NTEN Change Facilitation 124

Museum 2.0

JULY 12, 2011

A museum holds a free program in a semi-public space. Fifteen people engage in the prescribed activities. Last weekend, my museum did a little pilot of a new program, Downward Draw. We held a free yoga class in the plaza outside the museum and invited artists to come and draw/paint the yoga-doers in motion.

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Participatory Museum Measure Activities 41

Museum 2.0

MAY 22, 2013

But users play a role via their own agency--both in how they engage and when they break the rules. The museum invites art-making in the elevator. Will we encourage these activities, denounce them, or divert them? institutional change relationships participatory museum Unusual Projects and Influences game visitors'

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Game Artist Museum Participatory 40

Museum 2.0

NOVEMBER 11, 2008

The Art of Participation provides a retrospective on participatory art as well as presenting opportunities for visitors to engage in contemporary (“now”) works. As the museum's website puts it, "this exhibition examines how artists have engaged members of the public as essential collaborators in the art-making process."

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Participatory Arts Design Museum 20

Museum 2.0

MARCH 27, 2013

There's a constant dialogue in participatory work about how to make peoples' contributions meaningful. I've written about different structures for participatory processes (especially in museums), and recently, I've been interested in how we can apply these structures to the design of public space.

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Design Participatory Children Museum 49

Museum 2.0

SEPTEMBER 22, 2009

What does the word "participatory" mean to you? The various definitions of participatory projects can lead to confusion and misunderstandings. In the collaborative model, visitors are invited to serve as active partners in the creation of an institutional project which is originated and ultimately controlled by the institution.

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Public Research Participatory Report 36

Museum 2.0

FEBRUARY 5, 2008

But last year, over Thanksgiving, I sat next to a man who was working on his laptop (not an activity that invites conversation), creating a presentation on elementary education and technology. But the more I learned, the more I wondered where the real threat is, and why children's museums have been so resistant to change.

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Classroom Children Museum Model 22

Museum 2.0

MAY 9, 2008

There's a tag applied to many Museum 2.0 Posts under that tag tend to examine non-museum things, from malls to games to ad campaigns , and draw some design lessons for museums from their foreignness. What aspects of that socialness are desirable in museums (and how might we mirror buses or trains to promote them)?

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Participatory Design Museum Childhood 20

Tech Soup

JANUARY 31, 2012

This is a participatory live video show - come ready with your questions for our experts! of art, activism, and academic inquiry on the politically charged. Santa Cruz, the British Museum, Apple, Google, Adobe, and numerous other. In this role, he's responsible conceptualizing the organization’s.

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Storytelling Collaboration Video Thailand 67

Museum 2.0

FEBRUARY 20, 2013

It started as a handout for a session that Stacey and I are doing at the California Association of Museums, and then I realized it was so darn useful that it was worth sharing with all of you. The majority of our public programs at the Santa Cruz Museum of Art & History are created and produced through community collaborations.

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Collaboration Community Tools Museum 55

Museum 2.0

DECEMBER 7, 2007

I got my copy of the fall issue of Museums and Social Issues this week. The theme is "Civic Dialogue," and the journal includes articles on the historical, cultural, media, and museum practice of getting people talking to each other (including one by me about such endeavors on the web). A place many museums are not.

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Museum Lecture Denver San Francisco 22

Museum 2.0

JULY 10, 2018

The museum was in huge financial trouble. My expertise was on inviting strangers to participate in public settings like museums. The end of an event is one of those moments when the host has to actively practice leadership (and often abdicates). I remember the first staff meeting I ever ran. Strong events deserve strong endings.

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Hosting Arts Help Museum 31

Museum 2.0

JUNE 18, 2014

I got into museum work because learning happens in many places and many ways. Who their role models are. When we talk about embracing participatory experiences at non-professional levels, arts professionals often get worried that the best work will get drowned out in mediocrity. School is just a small part of it.

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Arts Build United States Audience 47

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 23, 2008

One of the best projects that illustrates the basic idea of Web2.0 - listening and conversation and stakeholders creating their own experience with your organization - comes from the Brooklyn Museum of Art. o is Transparency - and the best example of that is what the Indianapolis Art Museum has done with its pubic metrics on its web site.

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Arts Social Media Examples Artist 74

Museum 2.0

NOVEMBER 7, 2010

Last week marked four years for the Museum 2.0 People--especially young folks looking to break into the museum business--often ask me how I got here. Ed Rodley recently wrote a blog post about museum jobs entitled "Getting Hired: It's Who You Know and Who Knows You." hour at the Museum. I made $26/hour at NASA and $7.25/hour

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Museum Boston Participatory Job 52

Tech Soup

JANUARY 20, 2012

This is a participatory live video show - come ready with your questions for our experts! David is a cross-disciplinary mediamaker, working at the intersection of art, activism and academic inquiry on the politically charged questions surrounding globalization and social justice. Guests for Nonprofits Live: Collaborative Video.

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Collaboration Storytelling Video Thailand 44

Museum 2.0

MAY 19, 2010

How, he asked, could a large museum that serves hundreds of thousands of people per year foster the same sense of personal connection and community that a small one can achieve? I think small museums are generally better than large ones at fostering local communities of visitors and members.

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Community Museum Participatory Relationship 21

Museum 2.0

APRIL 1, 2008

Last year, I wrote a post explaining what Twitter is and how it might be applied in museums. Now, a year later, I’m using Twitter on a daily basis, and it’s brought up some new observations about participation on websites and in interactive venues like museums. I’d love Museum 2.0 It is not a cocktail party. s weekly readership.

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Twitter Participatory Broadcast Museum 24

Museum 2.0

AUGUST 9, 2007

Rock climbing (safely) is a two-person activity. I got thinking about this the other day with regard to museums. More and more museums are putting resources into floor staff who are trained to connect visitors with content, to serve as interpreters and informal teachers. One person holds the rope, the other ascends the rock.

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Museum Tools Participatory Discussion 20

Museum 2.0

MARCH 24, 2010

This is the third in a four-part series about writing The Participatory Museum. This post covers my personal process of encouraging--and harnessing--participation in the creation of The Participatory Museum. As the participatory content review progressed well, I started looking for other ways for people to help.

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Participatory Museum Process Experiment 33

Museum 2.0

FEBRUARY 22, 2012

What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? But for museum and art wonks, it could be. Will the bureaucracy of the institution drown the artists in red tape?

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Artist Museum Project Public 39

Museum 2.0

MAY 3, 2010

The cards were a brilliant touch--they helped structure the day, supported simple prioritizing and sorting activities, and gave participants with a tangible, reusable take-home. This relationship bit helped me think about how different kinds of folks will be involved with a highly participatory, community-co-created project in the long-term.

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Structure Model Social Profit 31

Museum 2.0

JANUARY 8, 2009

While this post is not about museums, it tells the story of how a performance group developed participatory elements as an integral part of their show. When the last of the four women who filled the role departed, there were some couple-dance segments that needed to be filled, and once again we looked to the audience.

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Cleveland Contest Los Angeles Participatory 20

Museum 2.0

DECEMBER 2, 2008

They demonstrate that the blog is a more participatory vehicle than other kinds of media. Museum 2.0's The top three most commented-on posts on this blog are: What I Learned on My Summer Vacation (or, I am an Elitist Jerk) Warning: Museum Graduate Programs Spawn Legions of Zombies! They prove that the conversation is two-way.

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Comment Museum Blogger Reflection 20

Museum 2.0

SEPTEMBER 24, 2014

Inspired by Stacy, I wanted to share some of the work we are doing at the Santa Cruz Museum of Art & History to clarify what we mean by engagement. In early 2014, we developed a set of five engagement goals: Relevant, Sustainable, Bridging, Participatory, Igniting. Expands opportunities for deeper engagement beyond the museum.

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Goal Museum Evaluation History 48

Museum 2.0

APRIL 24, 2012

I'm heading this weekend to the American Association of Museums conference in Minneapolis. Here's what I'd love to explore at AAM this year: Event-driven models for museums. About 85% of visitors to our museum attend through a program/event. What role will exhibitions play in this kind of institution? (No relation to AAM.

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Conversation Participatory Museum Minneapolis 43

Museum 2.0

APRIL 18, 2012

Last Friday, I witnessed something beautiful at my museum. I've been documenting lots of small bridging incidents at our museum over the past few months. It could have been the attitude of the museum that supports participation and conversation. At museums, we mostly bond with the friends and family with whom we attend.

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Community Teen Build Social 42