Museum 2.0

SEPTEMBER 18, 2013

I''ve seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Museum 45

Museum Question Participatory Evaluation 45

Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Question 49

Question Participatory Museum Evaluation 49

Museum 2.0

OCTOBER 15, 2009

Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Why are teens over-represented in participatory projects? Teens are a known (and somewhat controllable) entity. The first of these reasons is practical.

Teen 24

Teen Participatory Experiment Museum 24

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 16, 2011

This participatory event is offering two days of focused discussion about—how these networks, and the capabilities that power them, can be effectively leveraged to create greater impact. Plus it is always a pleasure for me to observe “Gunner’s&# facilitation techniques (I learn so much).

Global 96

Global Network Participatory Netsquared 96

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 19, 2013

The convening used participatory methods to identify topics for small group conversations related to the theme and was expertly facilitated by Allen Gunn from Aspiration. ( I wrote a reflection last week about the facilitation techniques here ). Do you need annual reports, or will monthly reports suffice? In which formats?

Social Media 100

Social Media Channel Data Media 100

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 23, 2010

I first met Mary in 2005 through my connection with the Global Voices community and can say that Mary is among the most knowledgeable and experienced digital activists in the world. I love the checklists, her thoughts about the impact of social media and behavior change, and the DIY market research techniques.

Amazon 116

Amazon Nonprofit Social Media Oregon 116

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 8, 2014

The Leading Change Summit was more intimate (several hundred people), participatory and interactive, intense, and stimulating. Are there facilitation skills/techniques that you enjoy and are great at doing? Are there facilitation skills/techniques that you want to improve or work on? Do you have a preferred method?

Reflection 124

Reflection NTEN Change Facilitation 124

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 14, 2012

“It depends on whether this is the beginning of a trend or an extremely exceptional response to an extremely exceptional situation,” said Rebecca MacKinnon, co-founder of Global Voices, a network of bloggers worldwide, and author of “Consent of the Networked,” a book that addresses free speech in the digital age.”

Tunisia 104

Tunisia Reflection NGO Libya 104

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 29, 2015

I was thrilled to work with the Brainerd Foundation staff to help design and facilitate a design lab using techniques based on Luma Institute methods earlier this month. In some ways, a design lab can be thought of as “participatory research and testing.”. Why Use One? Concept 2: Mission: Possible.

Design 50

Design Strategy Facilitation Advocacy 50

Museum 2.0

MARCH 28, 2008

Museums aren't the only venues facing this question: news outlets, corporate brands, and educators are also grappling with the question of trust in the participatory age. There are two reasons to pursue this: for better accuracy (trusted source of info) and for more diverse inclusion of voices (trusted source of varied social experience).

Participatory 20

Participatory Museum Teen Voice 20

Museum 2.0

SEPTEMBER 22, 2009

What does the word "participatory" mean to you? The various definitions of participatory projects can lead to confusion and misunderstandings. They provide detailed case studies of projects in each area, including project descriptions, informal science education goals, participant training techniques, and evaluation outcomes.

Public 36

Public Research Participatory Report 36

Museum 2.0

JUNE 12, 2012

It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. This post focuses on one aspect of the exhibition: its participatory and interactive elements. So many museum exhibitions relegate the participatory bits in at the end.

Participatory 51

Participatory Museum Blackboard Game 51

Museum 2.0

JULY 20, 2016

The objects in both museums were varied, and the display techniques incorporated movement, varied sight lines, juxtaposition, and humor to keep us intrigued and engaged. That work showed in the human voices and stories throughout the museum. They offered genuinely interesting learning experiences.

Museum 20

Museum Audience Music Arts 20

Museum 2.0

MARCH 15, 2010

It's not the extent to which they are participatory. Small museums, which are most likely to cultivate local, distinctive voice and approaches, often have an inferiority complex. I've only visited about 0.01% of the institutions out there and I suspect that the other 99.99% includes some real gems.

Support 41

Support Museum St. Louis NSF 41

Museum 2.0

AUGUST 25, 2009

This technique was used in the Slavery in New York exhibition at the New-York Historical Society and continues in the popular StoryCorps project. By simplifying and personalizing the design technique used for the institutional voice, visitors felt like they were part of a natural conversation with the institution.

Design 31

Design Goal Difference Platform 31

Museum 2.0

MAY 5, 2009

Visitor Co-Created Museum Experiences This session was a dream for me, one that brought together instigators of three participatory exhibit projects: MN150 (Kate Roberts), Click! So far, most participatory museum design projects are heavily guided by the institution. MN150 will have formal summative evaulation, which is wonderful.

Slides 20

Slides Participatory Museum Children 20

Museum 2.0

AUGUST 7, 2008

This is a long post focused on strategic uses of listening rather than specific techniques. For many museums, visitor research--how people use the museum, navigate exhibits, and understand content--may be an equally important arena in which to adopt groundswell listening techniques. What does it mean to listen to the groundswell?

Museum 20

Museum Teen Second Life Discussion 20

Connection Cafe

NOVEMBER 8, 2017

Growth hacking is more of a mindset of experimentation than tactics and techniques. It is made by many; it is open, participatory and peer-driven.” How we advance causes, how we share our voices, how we connect. It’s a particularly useful framework since nearly everything we’ve learned about engagement is changing. Technology.

People 25

People Structure Influence Voice 25

Everyaction

OCTOBER 5, 2016

The Digital Media and Learning Conference is meant to be an inclusive, international and annual gathering of scholars and practitioners in the field, focused on fostering interdisciplinary and participatory dialogue and linking theory, empirical study, policy, and practice. New voices energizing conversations. Mexico / SOLD OUT.

Conference 111

Conference Calendar DC Washington 111

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 4, 2013

The ideas and techniques in Lean Start Up movement also work for nonprofits and what some are calling “ Lean Impact.” Code for America helps governments become more connected, participatory, and more Lean through new opportunities for public service. Ashley Meyers, Code For America (Development and Engagement Manager).

Impact 122

Impact Method San Francisco Social 122

Museum 2.0

NOVEMBER 25, 2008

There are many parallels between free-choice learning and participatory design. Why are we training future leaders of alternative learning using traditional academic techniques and facilities? BUT we won't acknowledge their voices and their meaning. BUT we will try to force them to do what we want them to anyway.

Museum 29

Museum Alternative Education University 29

Museum 2.0

APRIL 19, 2010

Also, it may not deliver what it might have done for participants: if our primary motivation wasn’t to make something spectacularly good, they may not have been involved in creating something of amazing quality, or have really developed their skills and confidence to be a creative voice to which others listened.

Arts 22

Arts Participatory Museum Artist 22