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An Evolution of Evaluation in Grantmaking With a Participatory Lens

sgEngage

And, the focus of MEL is generally on evaluating grantee projects or organizations, rather than on the grantmaker and its practices. A Shared and Flexible Understanding of Impact As practitioners of and advocates for participatory philanthropy, we believe there’s a better way. It promotes mutuality instead of extraction.

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Applications are now open for the Community Climate Transitions Innovation Fund

Charity Village

As part of the Community Climate Transitions Innovation Fund, Tamarack Institute is offering funding for six climate-related projects in communities across Canada. Eligible projects will help communities mitigate and/or adapt to climate change, focusing on innovative, participatory, equitable, and multisolving approaches.

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Grantmaking: What’s Participation Got to Do with It?

sgEngage

Lots of grantmakers are intrigued by participatory grantmaking. Participatory grantmaking invites to decision-making tables people who have historically been excluded. Why Would a Grantmaker Choose a Participatory Grantmaking Approach? So, what does participatory grantmaking look like in practice? Those at the top decide.

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The ongoing revolution in philanthropy: An open-ended reading list

Deborah Elizabeth Finn

Deciding Together Shifting Power and Resources Through Participatory Grantmaking. Empowering Communities: Participatory Grantmakers Say We Must Go beyond Feedback. Trust-Based Philanthropy Project. Community-based participatory research. This is an open-ended list. The lack of inclusion and equity in philanthropy.

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Great Participatory Processes are Open, Discoverable, and Unequal

Museum 2.0

A few years and a few hundred open mics into that experience, it became obvious that some venues fostered amazing poetry communities, others, not so much. One of my favorite open mics was at the Cantab in Cambridge, MA. Compare that with any number of lousy open mics. The process is incredibly open and equal.

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Adventures in Evaluating Participatory Exhibits: An In-Depth Look at the Memory Jar Project

Museum 2.0

Two years ago, we mounted one of our most successful participatory exhibits ever at the Santa Cruz Museum of Art & History: Memory Jars. Better yet, the graduate student who led this project, Anna Greco, documented the whole project and did in-depth analysis of the visitor contributions. What was it?

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What I Learned from Beck (the rock star) about Participatory Arts

Museum 2.0

There are many artistic projects that offer a template for participation, whether a printed play, an orchestral score, or a visual artwork that involves an instructional set (from community murals to Sol LeWitt). One of the things I always focus on in participatory exhibit design is ensuring that everyone has the same tools to work with.